for the debut release of his own label cellaa music, martin heyder is stepping up himself with the fantastic looking at you ep. featuring two piping hot slices of deep electronic music, this ep puts martins talents on full display, with looking at you and things happen that way

alec troniq tells himself off – with two fluffy and cheery smilemakers on base of light but raving rhythms.in rueffel hes piping, drumming berserk and doing echoism. a sweet remix is delivered by stereo express from atmosphere / burlesque,well-known for their bombs shadoorack and la vie en rose. on b1 alec crashes a russian wedding, kidnaps ljudmila and entrains her to his own spring meadows.the groover on b2 is remixed by a guy named bunched – cutting, stomping and constantly stepping forward.

every vinyl incl unique download code ... alec troniq tells himself off – with two fluffy and cheery smilemakers on base of light but raving rhythms.in rueffel hes piping, drumming berserk and doing echoism.a sweet remix is delivered by stereo express from atmosphere / burlesque,well-known for their bombs shadoorack and la vie en rose. on b1 alec crashes a russian wedding, kidnaps ljudmila and entrains her to his own spring meadows.the groover on b2 is remixed by a guy named bunched – cutting, stomping and constantly stepping forward. as a bonus theres a digital only behende version of the title track: more rave, less gadgets with a free download code enclosed to the vinyl

following on from their club smash >high on life<, east west connection aka dr bob jones and lofty offer a full on jazz tinged sizzler complete with horns, percussion and hint of latin thrown in for good measure. alongside lofty and bobs musical craftsmanship >we re movin on< showcases the amazing vocal talent of funk singer sandy mill. piping hot latino jazz groove guaranteed to set dance floors alight!

dj t.s pleasure principle immersed itself, wholly and rapturously, into electronic musics legacy of soul, and helped to usher in a new period of groove-heavy deepness. like an antidote to clinical club sounds, album standout tracks like sense inject some well needed groove into the dancefloor. the maxi version of sense partners faraway melodies with james teejs breathy vocals that get up close and personal. a deep electro funk bass riff establishes its intent, and snaky percussion leads to a more structured house beat. piping flute sounds and drum echoes add an element of swing, while analogue handclaps and the tracks distinctive bass line recall its retro pedigree. newcomers tale of us continue their journey into dark minimalism, with a remix that isolates the percussion and vocals, shrouding both in reverb for maximum atmospheric effect. a sense of unease pervades through the saturated bassline and slow delayed handclaps, creating frosty mists and dark corners within the synth-tech house arrangement. hot natured duo lee foss and jamie jones next bring their sunny midas touch to the proceedings. teasing out the intro with high hats and layered vocals, a sense of anticipation is high. it blooms into sleek, skittering beats and otherworldly sounds, with a bass line thats been cut & paste back into place, before it delves deeper into a menacing deep bass synth rumble. the club version begins with a kick, deep echoes and meek percussive sounds that loop upwards through the scale. the distinctive bass line and handclaps begin, then teejs unadulterated vocals are pushed to the fore. brittle metallic synth flares appear from below the bass-heavy beat and recede again, ending in an electro-disco retro groove

hed kandi has yet another massive main room bomb to shake your booty too! take a pinch of pumpin vocal house, add a dash of nu-rave and a spoonful of kandi magic and you get the brand new single from the barflyz >cant help myself<. on the remix is hed kandis man of the moment esquire who adds his secret ingredient to twist the dish and delivers it piping hot and full of kandi flavour! all ready being dropped on hed kandis international dancefloors and cooking up a storm

and if that wasnt enough to be getting on with, the flip sees ctrl z on remix duties, providing their vision of the 2008 breakfastaz smash girls, money, drink and drugs featuring mc ivory. already a huge club record for those djs lucky enough to have copped the cdr from ctrl z himself, this has been begging for a release for a while and helps complete another piping hot package from the breakfast club.

a fresh new three album track remix ep containing mixes by charles webster, the long term deep house maniac who serves to be an incredibly good choice, will saul, label owner of simple and aus, and a final remix by the man himself phonique. the charles webster remix of worked it out starts off as a nice thudding beat with a crisp minimal click on the offbeat, until an echoing vocal sample swifts in and around starting off the soft but pushing shoulder shifting bass line. smooth piping reverbed blows outline an almost euphoric melody, a very trippy and atmospheric tune with soft cymbals pattering away in the background. soothing sounds and housey chords mix perfectly to make a chilled out dreamy beach tune with a nice progressing beat. a swerling bridge with a 90s casio chord melody steps in and then fades out to the echoes of the vocals drifting silently away into the sun. on b1 its the will saul remix of bang. dun, dun, dun, dun, whoosh! - then a descending high minor melody calling with an electric bass response. squeeky bird sounds and weird reverbed chords makes you feel like you‘re in a crazy dream falling and falling yet the beat keep you stable and composed just about! an out of tune dungeon computer game. strange but true and also very interesting!! and finally, on b2 its the phonique version of space cruise feat. gui borrato. trekking through a spaceship journey tune with mechanical functional sounds releasing here and there. a repetitive two noted melody comes in and fades out, is replaced by an array of spaced out tones, arrivies back again, meets up and resounds into a fanc