with tuomas salmela aka phonogenic, we welcome one of the most established finnish techno and house producers, with releases on 2020 vision, poker flat, moodmusic or f-com-munications. salmelas sound has something dark, reminding of the long finnish winters and cold nights. he does not feast in old times or posts the question of oldskool or newskool, but simply has produced something really new, without getting lost in clicks n cuts or doing too much sound research. phonogenic uses sentimental harmonies and stringent direct beats, that dont need complex building arrangements, but come to the point rather quickly and make clear where the journey will take us. similarly to guy gerber, phonogenics productions also are somewhere in between techno and houseand even use elements of trance. however, salmelas productions always make the impression of being well planned and moody

ultraphat schaffel tracksÓklassiker

wir torkeln weiter, könnte man meinen, wenn man die neue intus hört. wer sich an die b-seite der speicher 50 erinnert, weiss wovon die rede ist. hier tanzt die psychedelisch verstimmte slidegitarre um den beat & die verschwommene trancehookline verschwimmt vor den augen wie ein hitzeflimmern

big with lawrence, carsten jost, c-rock,frank martiniq, dj koze, huntemann

dark to stripped down acid techno bass heavy and 808-power new trx

the long awaited trentemøller debut album - maybe one of the most anticipated independent albums of the year. trentemøller is one of the hottest artists on the electronic circuit - the man of the moment! a beautifully crafted, astonishing masterpiece, that will leave you breathless. the tracks form a story, almost like the soundtrack of a movie. it manages to capture a whole range of emotions in subtle melodic miniatures, dreamy ambiences, dusty beats, deep dub-tracks and driving groove-excursions. an ever-changing kaleidoscope of colours and moods, -the last resort- without a doubt contains trentemøllers best work to date. although its an electronic album, it also incorporates live-drums, guitars, bass and other acoustic instruments like celesta, glockenspiel, melodica and even dj scratching to create a more organic feel

external assessment vs. self-conception by robag wruhme: people always think, im that serene and quiet guy, but actually i’m quite a noisemaker. could be that the majority of the material he put out in recent years, most notably the thora vukk album, led to the overall apprehension of robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. well, thats far from being a misconception, but still just one side of the coin. the other side is embossed with his most current productions, consolidated to a double ep, captioned with the enchanting name wuzzelbud ff. wait a second wuzzelbud devoted fans will instantly prick up their ears. we’ve heard that before. back in 2004 robag wruhme released his first longplayer named wuzzelbud kk. as theres no such scenario robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. and it is. wruhme presents wuzzelbud ff as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. wruhme cuts to the chase: i wanted to put out some straightforward music for the dancefloor, something for the primetime. well, for the primetime of my sets, at least.

high quality stephan bodzin longplayer with emotional techno tracks round about 2 hours and extra cool cover art very unique (4x12- 180gr heavy weight vinyl, 6-page gatefold cover with 4 printed inner sleeves, front cover with lenticular print)