dixon gave his personal touch to lcd soundsystem s -i used to- on the a side. b side inc. a version of -pulse- .

2018 repress , with the debut release selling out in a matter of days and a repress already flying off the shelves, rhythm section international present their second offering in the form of a remix ep, with reworks of al dobson jr. by polish rising stars ptaki and manchester mainstay ruf dug. eschewing the typical notions of a remix package, rhythm section international offers up 2 new tracks that didn’t appear on rye lane volume one, accompanied by 2 strikingly imaginative remixes. on the a side the polish duo of jaromir kami&#324,ski & bartosz kruczynski take al dobson jr’s tribal tom-tom rhythm and extend it into a sprawling disco epic, adding catchy keys and sensuous vocals that aim to tease the most reluctant of movers onto the dance-floor. ruf dug’s rework, named “ ruffy’s 3am canavan’s special” takes inspiration from one of many hazy late night sessions at the infamous peckham pool hall that is home to rhythm section. ruf dug, a rhythm section favourite and huge admirer of dobson’s beats, takes the gentle guitar strokes of the original and morphs them into metallic stabs, layered over an aggressive squelchy bass sound and sharp phasing hi-hats. this mantra is built upon in an effortless style typical of the mancunian producer and is as catchy as it is hypnotic.

the mbo theme represents one of the first hits on the early days of chicago house movement. now came back with the plus of the unreleased italian version (on the side b instead of the unnecessary radio cut). this project is being managed by mario boncaldo the same man behind some other great italo-disco projects like tullio de piscopo - stop bajon and plastic mode - baja imperial today is enriched with this unreleased edit produced by mario himself back in the days and availabel only on the studio tape this cut is more heavy and club oriented because there are no vocals so there is more space for synth and bassline parts, a must play for every set!

man face is a disco afro studio project from 1977, from the musicians duo winston alwyn gill and henderson brathwaite from sounth africa but recorded in italy during the disco era. now rediscovered by early sounds recordings in conjunction with best record italy. early sounds recordings owner pellegrino delivers an additional remix and overdub with the new na na na edit plus the remastered original disco version available on the flip

girls of the internets deep-house-dub-techno-afro ballad: when u go is now being pressed up to vinyl on ramp recordings. since its release, when u go has been burning up some of the more discerning dancefloors worldwide, with club support from djs as diverse as mark farina, stacey pullen, eli escobar, oliver $, françois k, soul clap, roger sanchez, carl craig, booker t, serverino, riva star, doc martin, karizma, marco carola, tensnake & mousse t. peckhams finest pervayers of deep house, bradley zero approved duo fyi chris, turn in an exclusive dubby west coast-vibed remix of the track available only on this vinyl. the b side is a brand new track from girls of the internet - running featuring nattlie maddix, of the house gospel choir. mixing live instruments with synths and drum machines, running is a soulful yet driving disco tinged deep house track. to finish off this massive package, local actions finn delivers a genre-straddling remix of running.

nice price deal !!! tom tragos first release of 2011. this limited promo precedes his new album >iris<, which is to drop in march. for now >shutters< should keep you going. this joyful house nugget comes as main and as dub.

lovefingers versions of lcd soundsystem s oh baby .

sven atterton‘s much anticipated follow up to ‘the cove’, thematically named ‘the cape’, drops on his newly formed cruise club records. anyone that’s experienced the wonder of sven live, is well aware of the prowess and apparent effortlessness he possesses on stage. as at home laying it down on a synth, as he is tearing it up on the bass, ‘the cape’ showcases modern synth boogie as good as anyone at present.
‘taboo’, one of many highlights, demonstrates both sven’s skills as a multi-instrumentalist and as an accomplished producer. flexing those 80’s linndrum hits, getting spiritual on the keys, whilst layering that full frontal bass and dreamy pads – it’s a nod to the past, whilst re-imagining it for the modern age. and considering the cost sven’s debut album now goes for on discogs, ‘the cape’ is one to snap up on sight.