Releases from artist / Veröffentlichungen von : Willis Anne
MOVEMENT EP
12 Inch
09.09.22
complex and enthralling 4-tracker from willis anne for shall not fade.
SYNTHESIZED
12 Inch
06.12.16
new to the stay underground it pays gang, the ninth release on the label comes from one of the hotest & experimental berlin producer (bordeaux native) : willis anne ! after a few releases on great labels such as berçeuse héroique & nous, he’s also the proud owner of one the most interesting label we’ve seen for a while called lan (perseus traxx, steve summers, andreas gehm ...). we get the chance to get 5 cuts on one ep which is almost a mini album introducing you guys to his astonishing sound. it could be described as dreamy, raw, completely analog (his trademark), well some kind of proto-techno new-wave belter. killer.
SUIT9
Stay Underground It Pays
MASS CONFUSION
12 Inch
29.09.16
-today, we have computer software consisting of representations of a three dimensional interface on a two dimensional screen, being controlled by a third party hardware, emulating the sound of machines built twenty years ago, which were themselves built e
LOD009
Land Of Dance Records
UNDERGROUNDER EP (VINYL ONLY)
12 Inch
07.12.15
second release on lan comes from willis himself. delivering three cuts of peaktime ordnance, the bordeaux native shows just why he was picked up by nous disques for a split ep alongside berceuse heroique. immersive opener ›expecting myself‹ juxtaposes waif-like electronics against the lo-fi percussive elements. gradually unfurling as the track progresses, the undulating synth swells coax the listener in while the punchy framework bumps along underneath.
TRIBE (COLOURED VINYL)
coloured 12 Inch
11.04.16
the latest signing to flumo is bessiekat. brewed in districts and clubs of moscow, with a label of his own, isaiah tapes, he delivers a strong rhythm with harmonic dispositions, all painted with industrially laced colours of the hardware he uses to create the following pieces. the two originals hearp and pearls share a commonality in developing vivid landscapes of overlapping analogue sonic expositions. however, they differ in the way that the former warms you up and brings you more attentively to the speaker, while the latter throws you back on the deep, dark, early morning dancefloor.