MORON presents us with Mathias continuously evolving huff and puff, heave and ho, badonkadonk sound we have come to know and love. Like the rest of his work, MORON is a fusion of influences ranging far and wide. Mathias takes the best bits from African, Latin, and modern German rhythms to move the wall flower directly to the middle of the dance floor. Once there and all settled in, just when you had thought you were in control, the chords come in and Mathias shows you how deep the rabbit hole goes.

Too big to be relegated to B-side, AA SHETANI makes more moves than a collegiate O.J. Simpson. It ducks and weaves from dark to light, paranormal to heartening, unable to be pinned down. It encompasses so much in 9 minutes that all we can do is revel with our hands aloft. Complete with choir, jazz sax, and hovering pads, we are just happy that the mastering engineers were able cut it to acetate.[info1 from ]