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For a long time, Francesco Tristano has behaved, musically, like a wild child making fun of his parent´s supervision, and repeatedly ran away from home to visit forbidden locations. One only has to review last year´s agenda of concerts: in between solemn dates in important venues all over the planet where he interprets programs of baroque and contemporary music, centring around composers like Johann Sebastian Bach, Maurice Ravel, George Gershwin or Dietrich Buxtehude on the piano, are several commitments under the epigraph `Francesco Tristano live´. Those escapes have little to do with classical music; quite the opposite actually. They show that Francesco´s commitment to electronic sounds remains as alive as when he started to release his first “dance” records on Infiné, even though over the last years he consolidated his position as one of the most requested pianists with one of the most brilliant repertoires of his generation. When Francesco Tristano escapes to a club, the spirit which possesses him is the one of Techno, specifically the original Detroit sound. There, in the heat of the cabin, he switches from piano to synthesizer, from pedals to software and what flows out of the speakers is a kind of music, which can only fit in this hedonistic context and the celebration of the body: expansive, rhythmic, emotional, sprinkled with piano stabs and unstoppable grooves. The material he uses is typically self-composed and unreleased, secretly produced in seclusion, to nurture a musical discourse, which only makes sense if it´s carried out like some kind of jam session