Various Artists compiled by Hugo Mendez



Strut Records

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1. ibo combo - ti garçon
2. les vikings - choc vikings
3. les animateurs - ti machine
4. les loups noirs - pile ou face
5. zotobre feat. webert sicot - lagen
6. les fantaisistes de carrefour - panno caye nan bwa dchenn
7. bossa combo - line
8. les pachas du canape vert - desordre musical
9. ti paris et sa guitare – cochon st. antoine
10. groupe les chleu-chleu - compas x
11. ra ra de leogane - gade moune yo
12. tabou combo - ce pas
13. les freres dejean - packard
14. trio select - ensemble select en action
15. raoul guillaume - mal eleve
16. super jazz des jeunes - cote moune yo
17. pierre blain et orchestre murat pierre - jouc li jou
18. ensemble meridional des cayes - calma pelerin
19. ensemble etoile du soir - messe quatre heures
20. nemours jean-baptiste - ti carole
21. orchestre septentrional - bapteme ratt
22. les ambassadeurs - homenaje a los ambajadores
23. caribbean sextet – suspann
24. djet-x - jive turkey
25. les shleu shleu - crapaud
26. scorpio universel - ti lu lu pe
27. orchestre tropicana dhaiti - pran pasyans

Compiled By Hugo Mendez, Co-founder Of The Excellent Sofrito Label And Sound System, Haiti Direct Features Classic Material From The Early Days Of Groups Such As Tabou Combo And Les Freres Déjean As Well As Rarities From Lesser Known Groups - Bringing Together The Sound Of Compas With Latin Workouts, Psychedelic Experiments And The Cuban Influenced Twoubadou Singers That Continued To Be A Key Part Of The Fabric Of Haitian Musical Life. Featuring In-depth Liner Notes And Interviews With Some Of The Musicians And Producers That Shaped The Sound, Haiti Direct Is The First Widely Available Compilation To Celebrate The Unique And Innovative Sounds Of Haiti In The 60s And 70s.

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Strut presents HAITI DIRECT, the first in-depth exploration of the vibrant and varied
colours of Haiti’s music from the early ‘60s to the late ‘70s.
HAITI DIRECT celebrates the overlooked musical legacy of Haiti, going beyond Ra-ra
and voodoo stereotypes to trace the development of a unique sound that echoed across
the Caribbean.
At the dawn of the '60s, as Jamaica twisted American R’n’B into ska and reggae and
musicians from Cuba and Puerto Rico codified the sound of Salsa, Haiti gave birth to
Compas Direct. an updating of the traditional Meringue rhythm, adapted with a new swing
and complex arrangements.
The driving sound and irresistible beat of Compas swiftly dominated the French-speaking
Caribbean as well as taking root in the urban centres of New York, Paris, Montreal
and Miami.
As the decade waned, the big band orchestras of Compas-originator Nemours Jean-
Baptiste and musical rival Webert Sicot gave way to new, smaller groups like Shleu Shleu
and Les Frères Déjean. Raw electric guitars, wailing sax lines and driving percussion
combined as the groups blended local rhythms with rock and jazz influences, producing
a raucous, punchy and densely textured sound that paved the way for the next decade.
Into the ‘70s, the Mini-jazz sound had become a major force across the Caribbean and
into mainland Europe and South America. Tabou Combo filled New York’s Central Park
for a Summer concert and topped the charts in France, bringing the sound of Compas to
a new and wider audience. They would eventually form one of the cornerstones of the
Zouk wave in the '80s.
(added: 2013-08-28 14:09:25 )
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