AND IV [INERTIA] (CD)
AND IV [INERTIA] (CD)

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Artist

Grischa Lichtenberger

Titel

AND IV [INERTIA] (CD)

Label
Raster CDR 143

cd
please login for sounds
1. 1011_11_ss1
2. 1110_01_lv_1b
3. 0811_09_re_0211_08
4. 1210_08_4+
5. uu78
6. 0112_01_st_rm
7. 1011_27_5b
8. 0811_11_re_0411_08_mas_rm3
9. rearr_re
10. 0611_29_1b
11. 1011_22_lv_1b
12. 12_11_13_lv_1_c
13. 0311_01 re 0510_24
14. 0811_09 re 0611_29_lv_1b
15. 1011_11104_v_re_61011s1b
16. 66 audio
17. globalbpm
18. 0111_05_z red
19. 91028_v1
20. sysolrot
21. ssfl

Grischa Lichtenberger hat 1983 das Licht der Welt erblickt und lebt inzwischen in Berlin. Die ersten Produktionen des Multimedia-Kuenstlers sind bei Treibgut in Duesseldorf erschienen und kreisten um den Rhein und seine Landschaften.Mit And IV (Inertia) setzt Grischa Lichtenberger neue Akzente. Maschinenhafte Cut-Up-Sounds treffen gebrochene, ja stolpernde Beats. Es ist ein Album voller harscher, technoider Elemente.

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GER

CD
CD/DVD
c0h-lk
-
Experimental
Ambient
Techno
-
pos. 121
peak pos. 4
28.09.2012
26.10.2012
19.01.2013

Sales Information:

»the title ›and IV (inertia)‹ refers to a fictionalized successor of the baksan neutrino telescope in the caucasus region. at first, it has been an idea for a novel, based on the consideration that it is impossible to deal with the topic of a ›lebensraum‹ like berlin without being hit by stylization – so I had to experiment with strategies of fiction.« with »and IV (inertia)«, grischa lichtenberger presents his first full length record on raster-noton after his participation in the unun-series. for his musical production, he uses field recordings of his environment which are manipulated and broken down to their bare nakedness until only fragments are left. apart from analogue sources, he also uses digital sound data which is likewise turned and twisted until the boundaries between analogue and digital are blurred. the arrangement of these atomic elements results in a rather rough and brute, machine-like cut-up sound with an outstanding dynamic – almost none. it seems like that the 20 tracks only consist of a minimal set of elements, but which are rearranged in a virtuous manner and with a high degree of variation. Broken beats and dribbling basses allude to downbeat tunes, let one stumble because of their arhythmicity, to eventually take up the underlying groove again. Equally, there are fierce and harsh technoid elements. And towards the second part of the record, there is also room for new developments where more introverted and airy songs take over. Lichtenberger's musical production on "and IV (Inertia)" goes in line with his general artistic work, which also comprises other artistic genres such as installations and paintings. There is a mental attitude behind all this, and while the music sounds abstract, one may still identify his personal note. In this way "and IV (Inertia)" is the extension of a concept he already started with his "treibgut" ep, "to define aspects of ligitimation for an artistic work in engagement with the concreteness of one's living situation.
(added: 2012-10-01 11:46:38 )
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