defected prŠsentiert seine jŠhrliche kollektion mit den essentiellen key-tracks des laufenden jahres und den hei§esten future-hits der kommenden monate - ausschlie§lich in vollstŠndig ausgespielten, ungemixten und uneditierten, meist extended versionen. eine sagenhafte triple-cd mit 36 top-tracks von key-playern wie jayda g, disclosure, camelphat und jax jones sowie mitgliedern der defected-familie wie david penn, offaiah, ferreck dawn, kiddy smile und the shapeshifters.

lovingly restored and remastered reissue of the 1970 and 1973 albums from the young ones of guyana.

the first years, from his first album in 1976 to his 7th in the middle of the 80s, were fuelled with an exemplary sense of creativity and a free-spirit vision. against everyoneÕs advice, cerrone was never reluctant to compose long and pure trance disco tracks, not exactly radio-friendly at the time, but which did incredibly well because they encapsulated the hedonism of the day and were far more than a trend. for instance, love in c minor and supernature have become unbeatable classics, featured regularly in the best pop, disco or dance selections. such a success would have burnt most of the othersÕ wings, whose career would have been ruined. at the beginning of the 80s, when he decided to unleash his creativity on stage, cerrone managed to rebound with you are the one studio album.

boom bip was one of the canniest underground beat producers around before he hooked up with gruff rhys of super furry animals to create the fascinating neon neon project, which took as its focus automaker john delorean and what his car (and charisma) meant to the 80s. bbs return to the solo realm finally came on 2011s zig zaj, which has more in common with neon neon than with his early solo joints. (features for cate le bon and franz ferdinands alex kapranos, among others, certainly fit in.) as always, its impeccably produced - hollon has only gained in proficiency and maturity as a producer. but compared to seed to sun or blue eyed in the red room, whose fascination with sound was positively contagious, zig zaj sounds like an overly safe record, the type that most producers would avoid if they wanted to keep innovating. heavily influenced by rock and 80s new wave, similar to neon neons stainless style, its impressions are largely textural, and as talented a producer as boom bip has become, zig zaj sounds more like a rehash than the entirely new recipe that music fans are undoubtedly looking for.

incl. crossfire, system-d, kill frenzy, aks & syndaesia, grimelock, tito & loonacy!

ark has got an eclectic and ÒorganicÓ sound, something in between. from his origins as guitarist in a number of 80Õs funk bands, most notably trankilou, where he hooked up with the legend that is pepe bradock and onto the great matthew herbert & losoul with their first collaboration, Ôbelle luretteÕ in Ô99. the ÔalleluyarkÕ ep series from 2003 reaffirmed as his status as chief protagonist of experimental, groove led house and techno. his 2005 long player on perlon, ÔcalienteÕ won him critical acclaim, which is furthered by his more recent works together with shalom (as shalark), krikor (as krikark), cabanne (as copacabannark), mikael weill (as les cerveaux lents) and dolibox. his cannon of remixes is as long as the channel tunnel, reworking the likes of stephen beaupre, mr. oizo, archive, mossa, salif keita, slabb, fym, robag wruhme É arkÕs new lp (cd+vinyl) features singers (xanax, lippie) and is here nowÉ