with a title such as passage17, we can rest assured that reeko wants to take us somewhere, into the depths of something. he wants us to know this long road is rife with a variety of sensations, but more than anything this new release is a journey into something more important that is yet to come. if we want to get there, we must first travel this road.

simone burrini (frequenza, orion muzik) debuts for sphera and shares the record with remixer oscar l (stereo productions, beatfreak) who also rewards us with two of his famous original tracks.

get the curse music 013 features oliver ho aka raudive, one half of duo the eyes in the heat. widely acclaimed for his vicious minimal techno grooves, raudives been on an machine funk bend and crafted two tracks which are as robust as they are potent. true to the gtcm philosophy, distinctions between vintage and modern, old school and new school, mind melting and bodily stimulation are brilliantly blurred. neither house, techno, ebm or synth punk, these tracks move in their own circles. the same can be said for the xenogears remix, miles away from the tired templates used and abused by most producers. fuck genres, lets dance.

cashmere cat, very favorite norwegian of contemporary music, mixing electronic music, minimal and rnb, released his first ep *mirror maru* on pelican fly records in last october. in collaboration with pelican fly, ed banger records releases a new ep where you can find remixes of the tracks *mirror maru* and *kiss kiss*: four new versions of this two tracks by feadz&kito, g vump, canblaster, and busy-p. digital download code included.

lawrence is always in a rush. running dial records, smallville and laid with his friends, being part in an awesome arts gallery, jamming some outerspace music with his mates rvds and christian naujoks, dj-travelling around the globe: how can he ever find the time for producing high quality house music!

mule musiq now proudly presents eleven unreleased compositions by roedelius produced between 1990 and 2001. all of them are pearls of electronic deepness that show another side of the man that lives in the little lower austrian town baden. his famouse ultra sweet piano melodies can be heard – but they are not the centre of the productions. instead a more electronic side of his genius call the tune. with a minimalistic approach he let synth melodies highfly while some droney, melancholic atmospheres enlarge in the background.

nice price deal !!! every once in a while a particular record will land in our laps which we have very little information on but usually somebody will unearth its origins after a bit of homework and more often than not it turns out to be a relatively well-known producer operating under a new and secret pseudonym. what we are looking at here however, seems to be quite the enigma. one can only speculate as to who watkins & almadovar might be.

mute und spoon kuendigen voller freude eine weitere gemeinsame veroeffentlichung an. dabei handelt es sich um cyclopean, eine kollaboration zwischen burnt friedman, jono podmore und den beiden can-gründungsmitgliedern jaki liebezeit und irmin schmidt.

upon the first listen, the work of fernando unfolds directly on your brain and leaves a long lasting feeling of drama. fernando pulichino is one those lucky guys who can pick up any instrument and write songs without breaking a sweat. he first caught my attention with a remake of the bauhaus classic kick in the eye released on redux in 2008. he then backed up this great start with releases and remixes for labels like international feel, under the shade, internasjonal and nang. he also very busy touring as part of the 2020 soundsystem band and he is also in silver city with julian sanza.
we decided to put together a long player to highlight the talents of our man in buenos aires. the construction of *float* reveals an astonishing wealth of musical ideas, brazen touches of new wave and icy modern disco sounds are evident throughout. low slung basses are also a theme that runs right through *float* whether it is the opening song *a place* which has a monster electronic bottom end or *from out there* which sits firmly on the punk funk dinner table, bass lines are clearly important to fernando.

now available exclusive at decks. one year after the launch of his own record label markus suckut releases the first remix ep on sckt. the idea behind the remix series is that artists of markus choice can choose their favorite track on sckt to remix. the first release of this idea kicks off with remixes by two guys from sweden called splice and bleak.

after two years, the labels owner alex piccini returns with a new ep and first vinyl on kosmophono. a collaboration with subspace that delivers two great examples of what the label wants to bring this year. elpmis has all the elements to drive you mental, the dark bass goes underneath the skin and the melody building up slowly throughout the track can take you to another world.

desolat celebrate their 5th anniversary with a very special edition of their annual sampler- this edition not only sees artists from the desolat family turn in exclusive tracks, but also sees loco dice supply a first mix on desolat (desolat mix001).

sheffield based john shima joins the diametric. family. after a series of digital releases in the last years it is a tremendous pleasure to release the very first vinyl 12 inch of john on diametric. his music could be easily described as the logical progression of the legacy of famous uk acts such as b12, stasis or nuron, but that would be only half the story really. john mixes very emotional and deep techno with intrinsic and delicate rhythmic structures, in parts even harsh sounding bitcrushed percussions, and idm influences together to his very own special blend. now we can already hear the stupid comments from the haters saying that his music doesnt sound new and like the next big hype but the simple answer is: even if so, who gives a f#ck? it is great electronic music and diametric. certainly hopes you enjoy this record and are blown away like us.300 handnumbered limited vinyl copies only. no digital distribution.

when discotheque the volcano was torn down in the hague this year, the bricks and mortar were ground down to a fine powder. in a completely revolutionary process the powder was distilled and filtered by boffins and local music producers to manufacture the music you find on this record. even more surprisingly maybe is that it turns out that the same powder can be both inhaled and injected. i ve just had a bit actually and its not bad. post-post sewer tracks far beyond your wildest imagination.

good things come to those that wait, that rings true of this, the most anticipated release on vitalik to date. the jedi house ep has been a while in the making and on listening you can immediately hear why. each high hat, each snare, each kick is meticulously crafted.
dj support: ashley beedle / jimmy edgar / andre lodemann / ralph lawson and many more.

limited copies! special entry 00x on the a made up sound label series and probably the most far out one yet. we honestly dont know how to describe this anymore, we do know it can cause mayhem on the floor – or freeze it entirely. go ahead.

this is the long-awaited record produced by oliver rauchhaus aka mashine. musical genre ranges from experimental acoustic soul to deep house.

after alec troniqs glorious 2012 strikes like pimpernuckel and rueffel ep and prosperous remixes for leesa or kanzler & wischnewski, he roughs up the club season with yet another super-creative bunch of dance floor tracks. with fluffernutter our pastry chef created a scuzzy mix of sweeties.and everyone can sing is a slow and muddy pounding house smacker.xanthippe is a cheering singsong tune for a little less conversation but a little more action on the parquets. this fluffernutter ep unmistakably pushes to movement.

nyc (via paris) based dj and producer sid vaga returns to nickodemus wonderwheel recordings with another 12 inch full of exotic deep house vibes sure to light up dance floors everywhere. it is an impressive follow-up to his genuinely well-received *brazuca* single from last year. on the a side, sid delivers *na na ye*, a driving cut with a pulsing bass line and hypnotic african chant that pushes the tune forward before getting flipped into a percussive section alongside deep and subtle synths. on the flip *manouche* can be found, a late night house tune with psychedelic balkan guitars and swirling gypsy vocal samples punctuating the track. rounding out the single, valencian producer oscar barila (plastic city) gives *manouche* a truly funky remix with a squelchy 80s new wave style bass line, thumping house beat, and irresistible synth work coming together for a real after-hours nightclub workout.

red-hot reissue of 1981 epic party jam *equality* by five points. the only record ever released on rissa chrissa records off-shoot label applegold, this hugely sought after disco boogie rap from nyc is truly phenomenal! bouncing straight in with infectious hand-claps, rough and ready beats, deep mellow chords and a kinky guitar, this track delivers a conscious female rap with a side order of big apple groove! sounding like a house party you just wanna be at, this mega-rare 12 inch is a firm favourite of dmitri from paris amongst many other discerning djs. grab one while you can!

what if time does not matter? welcome to the world of jonas saalbach, where nothing is solid but the rhythm of the base. we are drifting between synthwaves and nested melancholic melodies, between hazy vibes and spare used dark vocals and we call it >nika yumi<. this one is a brilliant number from a producer-youngstar, which strandet in berlin with a big smile and many dreams in the backage. so here we go with his first release on einmusika recordings. >next< - the second track on the ep, is an exotic odyssey in times of vocal- and deephouse, because this number is technoid, minimal and unimagined. >cave< can flip a good party into a great one in the space of six glorious minutes. the bendy baseline is catching everybody and the track is full of cosmic synths. and after this trip you surely need a bottle of water and a melody which picks up this feeling underlined with dreamy synth motifs and a kind of woozy bleeps. okay. so where we are? what time it is? whatever you can repeat everything.

the e.p kicks off with she can dance, a slow burning acid number that has elements of deep, grooving house from the detroit school. in fact, the second cut low control bares the influence of detroit too, with its murky, dubbed-out chords ala luke hess moving into a punchy bassline with minimal but functional drum patterns. proceedings get a bit more bouncy on the smoking hat, a quirky acid romp on the less daft side of ceephax, and the perfect soundtrack to accompany a feature-length documentary about.... a smoking hat. finishing up the e.p is fudge fingas remix of low control, the only man qualified to make an already deep as fuck track even deeper. theres been some on-point criticisms about a lot recent deep stuff getting lost in noodly jazz territory, but we are in no danger of that nonsense with fudge fingas at the controls: accomplished a musician he may be, hes never been one to lose the way, and this mix proves his deft and subtle remix talents. dabj done done it again, and hopefully this is the first in a long line of productions from vernon.

modern house bombs with disco elements

schmutzig-fieser rock n roll: reissue des zweiten albums der ex-band von nick cave. pressung auf 180 gramm vinyl, inklusive bonus 7 inch und cd-version des albums.

as the rumors tell, this obscure piece of music was arranged by three acquaintances, who, by mere coincidence, formed a spontaneous, poly-toxic think tank one marvellous sunday morning, celebrating the beauty of old house music, while at the same time mocking the somehow cheap and predictable functionality of the four to the floor sound design. to honor the inspirational value of situations like these, the decision was made to share the result with a bigger audience. as a meta text, the lyrics form a tongue in cheek comment on nostalgic good old days aesthetics, and are simultaneously, and quite paradoxically, reminiscent of the utopian and transgressive vision of early house and techno music. if there is anything that we can retrieve from this vision today, it is the encouragement to create funny, pleasant and playful situations for ourselves and the like-minded, escaping the seriousness and boredom of the professionalized party and music business. and this is exactly the spirit, which is materialized on this piece of wax.

oliver hos alias for the less obvious techno stompers has always been full of surprises. although you can take the man out of the rave, but not the rave out of the man, raudives >traffic ep< is a retro futuristic team of hermaphrodites. four tracks that recall metal dance - the genre that never was - as well as disco elements, house hints, a techno taste and wave wonders. a record made for sven vaeth and trevor jackson, with >beams< already on heavy rotation with dixon and ame for a while now.

polar inertia and lucy deliver two heavyweight remixes of tracks of the first dement3d release. its in a context of deep understanding of each others music that these two remixes of dscrds first ep have been made. least we can say is lucy and polar inertia have been among the very first ones to experience what dscrd is all about. deep hypnotic basement techno

imagine snake plissken in the year 2012. each track of this record can be the perfect soundtrack for a movie with a more shady than stainless hero, fighting for

emanating from japan, and discovered by erid d (of rub n tug fame) these re-edit masterclasses would never have gotten outside of their native market. luckily a helping hand from one of nycs most hyped party throwers has guaranteed a wider audience ! as they get closer to the final release in the alphabet themed series, we are treated to a xmas special ! holy disco baubles i hear you say, can it be true ? firm dj harvey favourites which have been held back for a special occasion, crack open the port, drape yourself in tinsel and get down.

jazzanova takes it to the next stage: the funkhaus studio sessions. jazzanova producers, stefan leisering & axel reinemer, went into the studio with their 7piece live band with paul randolph on vocals to record a 14 track set.

basswalkers! calling all basswalkers to the isolated system. it is time, time for round two. hope you like yours nice n ravey because aÑas & 785s taking us way way back with this one. please keep your arms and legs inside the time capsule. and strap in, its gonna be a 90s sorta ride. you may remember our last session with henning baer, norman nodge and musk? it turned into a bit of a showdown, with all sorts of basswalks proliferating the floor. well, now its aÑas & 785s turn to take the lead. some of you are new here, so were easing you in gently with break even first. dont be scared, this is a harmless sort of menace—its bark is far worse than its bite. besides, wait til you hear the breakdown. wooh. now youre all warmed up, let it all go with let it go. really, no holds barred please. trust, you will enjoy it all the more. you can collect your things at the end.

vinyl only! three protagonists of the best italian dark techno scene: fabrizo lapiana (labels owner) made the original track. dark atmospheres, devastating rhythm combined with anxious sounds, very high quality of functional techno. giorgio gigli (electric deluxe, zooloft, m_rec ltd) creates a hypnotic version and incisive as only he can do. ness (dynamic reflection, m_rec ltd, informa records ) has in his remixes, his best quality: visionary atmospheres, spatial and mental.a vinyl that will surely become a masterpiece!

remastered repress from the first ever! harmonie park release! ltd copies, please be fast...

produced by 7even thirty, 5-d, erik l & m.slago, featuring headcrack, gensu dean, dj phingaprint, kamikaze, sleepy will, dj phyia, etc.
7eventhirty is bugged out, eccentric, crazy. after spending years cutting his teeth and finding his sound, the jackson, mississippi native is ready to shake up the earth, literally, with his mello music group debut, heavens computer. not content with simply displaying his proficiency with the pen, 7eventhirty is looking to broaden your concept of what a hip-hop lp can be.

belgrades nightclubs provide relaxation for all fans of electronic music throughout the year. electronic sound spreads its vibration from slavija - the heart of belgrade, to belgrades kalemegdan fortress over to the mouth of sava and danube rivers, where you can expect daily and nightly entertainment. end of summer is a special experience of the year, where people spread atoms of positive energy and they dont allow the season to be over. therefore we decided to mark the end of the summer with vinyl ep named >ikebana<, belgrades dj and producer marko vukovi. his music style leads to adrenaline and prepares people for the coming cold days.

only vinyl !! ljudverket is an audio imprint from finland. the platform was started as a channel to release sound inspired by and connected to the contemporary art scene. we are not following any specific path nor do we have any boundaries set, yet we aim to release our own vision of sound as contemporary art. driven by lifetimes dedicated to exploring sound, our releases can meet the public in clubs, galleries and living rooms.

nightlifes international treasure, heidi is back with the second release on her label project, this time presenting jackathon jams featuring alexis raphael & marc houle.

without revealing too much, this tasty sampler is a prequel to some very nice things ahead. for now, we can treat you to two music box inspired edit tracks. ... tip! essential stuff!

the recent advance 1-sided 12 inch featuring the vakula and oe remixes is now sold out and out of print (never to be repressed). now you can get the full release. this 12 inch features 4 different, but excellent mixes of this track from lusty zanzibars first ep for glenview records. the original is a groovy, feel good synth driven instrumental cut. volta cab gives it a rough house edge, vakula goes for an acid house vibe and oe drops a driving, dark house mix. excellent!

the stereo remastered album on heavyweight 180 gram vinyl.

with the back catalogue burned to cinders and the last few dog eared copies at freerange hq looking more than a little shabby, here is your opportunity to grab some of the labels highlights on the blackstuff. the complete boxsets have all gone now but you can still buy the box with part one and add the individual releases. here we have part three including marcel wave, jimpster and the classic solid groove remix of only freak.

carrier bags do not break down as well as newspaper or compostable liners. they can clog up machinery used to recycle food, and plastic can be left in the compost that is made, which is no good for farmers fields.

bernard badie who is the creator the undisputed chicago house classic time reveals to many also know as i can feel it (original released 1994 on night club records and re-released as mojuba 010) returns to mojuba after his most recent cooperation with the incomparable dajae on bones!

constantly providing quality over quantity toby tobias finally releases its debut on burek. and as his biography states: >tobys music is truly unique - in a genre now saturated with generic, formulaic music, toby is one of the few who can claim to have his own sound< so toby brings to burek its unique view on house music - tracks running away i tres mal.

in the lead-up to the release of motion sickness on december 3rd, domino will put out a three-part 12 vinyl series with each record featuring two highlights from the remix compilation. these releases will be staggered throughout november in december, the first of which is to be released on november 19th. full details can be found below.

this ep picks up where those moments left off. windfall and lied are killer non-linear batty disco infused house jams that set dancefloors alight while try the impossible and in public are deeper jams for the more serious moments of club emotion if you can put it that way. a rare future classic club twelve inch for our deejay friends.

prplx continue with four new tracks of the highest quality exploring the deeper side of the breakbeat spectre. these tracks still reminds us of early bluenote & speed days but definitely with modern production skills, wich can be heard in the mysterious & deep mask track (also known as the ufo track, samples where taken from an old sci-fi documentary, exploring unidentified flying objects). part two comes with full coloured artwork, limited to a 250 handnumbered edition on 180 gram crystal clear vinyl (customized 75mm labelcopies and 75mm innersleevesholes)

a culmination of over 35 years combined experience, classic house grooves: dope jams utilizes the classic deep house sound of americas cultural epicenter & infuses it with an uncompromising artistic militancy that screams through the mix full-forced party-rocking fervor. featuring seminal work from kerri chandler, mood ii swing & chris brann, as well as highlights from the likes of dj pierre, johnny dangerous and many more, dope jams? ode to king street sets aside the delicate programming niceties of restraint & conservative listening in favor of all out party warfare, setting the correct context for the labels brilliant output & using the music to its maximum effect. classic house grooves: dope jams is the definitive collection of king street sounds monumental contributionsa testament to what nyc once was, and what it can be once more.

the creative combo doppelgaenger, pitchbar records latest offspring, are hitting the club scene with their vinyl debut >lumberjack<.
in the track >flavoured funk<, doppelgaenger live out their hard-edged, pushing, deep side. the slightly trancy elements are joined by a hard kick drum and somewhat deep vocals contributing to the tracks dark and driving atmosphere. this track represents a homage to the thick tree trunk that drives itself firmly into the earth, covered by a resilient bark and crowned by its old cracking branches.
the second track, >i feel good now<, mirrors the trees lush foliage. somewhat lighter around the treetop, there is nonetheless a solid body below, which can be played into wide space. >i feel good now< gives us the lightness to leap from branch to branch and up into the crown that protrudes into a dark night time sky.