brill dark hittin old school techno

maurizio fans take note, if you re as big a fan of the m series, particularly m5.... do not miss this record. deep, dark dubby house of the highest quality here from mike huckaby essential for fans of rhythm & sound, burial mix, chain reaction... you get the picture

wer burial im allgemeinen und auch die remixe mag, dem sei das hier wärmstens empfohlen !!

amazing deep minimal bassheavy dubby tech, incl remixes from trentemöller & turbotito... perfect for basic channel & burial mix fans

old school techno & acid vibes from carpar pound ( hypnotist)

incl burial, tom yorke and more

a mesmerizing and meditative collaboration from devendra banhart and noah georgeson.

for fans of burial

11 track cd digipack features 4 page, full colour booklet!the sophomore release from ali wells new speciality imprint:submit.a healthy stack of press & promo support

der dubstep-pionier mixt die 22. folge der rinse-dj-reihe. der produzent kode9 gilt als einer der pioniere des dubstep

rinse fm begann 1994 als radiostation fŸr jungle, dem vorlaeufer von drum n bass. diese compilation ist zusammengestellt von uncle dugs, der seit jahren eine feste groesse bei rinse-fm und in ganz europa als dj bekannt.

ben klock zeigt auf no. 66 ein schonungsloses insider-set, wie eine entdeckungsreise. statt der hits waehlt er raritaeten und unveroeffentlichte tracks wie zb. von staffan linzatti, sagat, k-hand und dj bone werden kombiniert mit oldskool-favoriten von josh wink, robert hood (aka floorplan), luke slater (aka planetary assault systems), dvs1 und technasia, die wirklich nur ein langjaehriger trainspotter kennen kann. dazwischen mischt er den uk dubstep-helden burial, brandneues material von mathew jonson, sigg gonzalez und sagat, eigene produktionen, edits und reworks, sowie neue cuts seines labels klockworks. ein fantastischer mixtrip von au§ergewoehnlicher und kompromissloser qualitaet!

rinse fm radio-dj oneman liefert auf der neuen fabric-cd ein fulminantes dubstep-set mit einer wirklich exquisiten trackauswahl ab, die von top-tunes der jŸngsten vergangenheit (joy orbison, sbtrkt, mosca) Ÿber aktuelle produktionen (pearson sound, lando kal, teeth) bis zu garage-klassikern (nu birth, steve gurley, youngstar) reicht, allesamt auf top label wie hyperdub, hotflush, night slugs, xl recordings oder soul jazz

deep, dramatic, abstracted d&b from exits most esoteric operator, consequence. test dream is an advanced follow-up to the burial-esque scapes of his 2009 debut, live for never, scanning sci-fi inspired minimal d&b topographies with a filigree attention to detail. ultimately, its not the kind of d&b thatll have you firing shots in the ceiling: its strengths lie in the vivid evocation of dystopian futures and plugged-in, cyber-surreal dream states, conducted with the ability to suspend disbelief and submerge the willing participant in a whole other headspace. that said, there are dancefloor-ready moments like the sinuous, sub-heavy soul sees spirit, but the best moments occur when the dancefloor seems to be receding beneath your feet / sofa, as with the whirring autechre-ian dynamics of magda trench and the majestic loveshell, or the flickering, skeletal remains of marlo.

austin-based vvv is one of a new wave of garage producers whose music actually feels like an honest mixture of vintage and modern touches, rather than a trend-hopper looking to capitalize on a few dubstepforum fruity loops tutorials. he s an artist who happily mixes and matches signifiers, lacing his productions with subtle streaks of colour and leading them into unexpected detours. over the course of across the sea vvv swings from gleeful todd edwards-style vocal mush (-aisle seat-) to sepalcure-esque house-tinged workouts like -retreated- to more experimental fare. on tracks like -stuck between- or the stumbling punch-drunk jungle of -duration of light-Ñwhere breaks crash through filtered soul samples and cause ripples like dominoesÑhe always keeps the tracks backbone intact while doing some of the weirdest things to bass music youll hear this side of machinedrum. across the sea doesnt have the same visionary outlook as room(s), but it shares that albums embrace of fine-tuned sequencing and development. the tender, reflective moments that occasionally pop up are its best, whether its that memorable opener or the fogged-glass beats of -among the whispers,- which admittedly sounds a little like burial but higher-definition, with high-strung chords recalling netsky more than untrue. the albums closer -all that weve been through- nicely sums up the proceedings, throwing an out-of-context piano on top of another burial-esque beat loaded up with reverb yet still cutting clear as day. its perfectly representative of vvvs aesthetic: his debut album isnt always made up of entirely original ingredients, but like any good chef, he knows how to present it in a way thats irresistibly appetizing.

the album is a unique project for soul jazz records, featuring all newly recorded exclusive tracks of future dub and dub step from key artists in the scene, featuring an all star cast of dub step pioneers skream, burial, tayo, scuba, digital mystikz, kode 9 and more!

dubstep-star shackleton liefert auf seiner fabric-cd ein 80-minŸtiges set aus unveršffentlichtem (!) eigenmaterial, gespickt mit einigen seiner besten tracks fŸr perlon, skull disco & hotflush. insgesamt 22 tunes feinster britischer bass music in einem superben flow machen diese ausgabe zu einem der deepesten, intensivsten und besten glanzstŸcke aktueller elektronischer musik!

endlich sind sie wieder da, und besser als je zuvor: modeselektor geben ein kleines gastspiel auf bpitch,genannt boogybites vol. 3