after the supremely well received first release vommee which featured on sven vaths recent cocoon mix cd,the mysterious dense & pikas next release well could be one of 2012s biggest -buttplug is the lead track (already dj mags killer tune in its recent december issue) - a kinetic powerhouse ride of roughed up beats & bass complete with a jacked up female vocal from an anonymous source. if that wasnt enough, flip side track cartoon heart continues the high octane thrills with a phunked up house number, the duos tight production giving the track an edge over legions of derivative here today, gone tomorrow fillers.

shadow sync are back with this great rollin dark undergrounding techno two tracker

amazing deep floating tribal tracks !!

1980s scottish post-punk / new wave

ltd clear gold black black splatter double vinyl !

the 1994 debut album from coolio on coloured double vinyl.

the 1994 debut album from coolio on black double vinyl.

a cartoon soundtrack imagining by regal. pressed on 180 gram vinyl, housed in full colour gatefold sleeve with 2-part full-colour vaughn bodé panoramic collage, 30x30cm frame-able insert print and 4x vb stickers included.

decks tipp

dirty art club presents the highly anticipated follow up to “gardens”.

paul bley, piano, steve swallow, bass, barry altschul, percussion

phat raving split ep .... prime time

hardcore cartoon-pyrotechnics from cucumb45!

alan silvestri’s soundtrack for the 1988 movie “who framed roger rabbit” back on black 180 gram vinyl.

impenetrable and compelling beats from cassius select on the fake death ep, his first offering for hypercolour after stunning releases on herberts accidental and unknown to the unknown. an ep brimming with forward thinking vigor and razor sharp edges across six cuts of mutilated beats and dense auras.

entering the dirty art club is like letting an encyclopedic sample curator soundtrack a vibrant psychedelic cartoon dream. conceived in north carolina, fragments of sun-kissed soul and dusty psyche-rock sounds are stitched together and intertwined with live instrumentation recorded in a home studio setup to convey a woozy and soulful experience.

following the success in 2017 of the koharu kisaragi/ryuichi sakamoto collaboration neo-plant, uk label lag records continues its revival of vintage electronic esoterica with kissh&#333,, tennyo, the 1984 lp by joe hisaishi, premier film composer of japan. whilst known worldwide for his elegiac scores to studio ghibli classics like princess mononoke and spirited away, it s a different kind of soundtrack behind kissh&#333,, tennyo, intended as it was to be a musical accompaniment to an 80s manga of the same name. it s also a showcase of hisaishi s lesser known talents as an electronic musician, shortly before he became composer of choice for world-renowned directors such as hayao miyazaki and takeshi kitano. on kissh&#333,, tennyo we hear hisaishi unleash synth arpeggios with all the suspense of a giallo horror. his cold minimalist ambience evokes the likes of terry riley. tracks like &#34880,,,,,,,,,&#12398,,,,,,,,,&#25239,,,,,,,,,&#20105,,,,,,,,, ( blood feud ) meanwhile lighten the mood, running at car chase speed with the bounce of early ymo. all in all, befittingly beguiling music for the cartoon tale of a modern femme fatale who has the powers of an ancient deity (the eponymous kissh&#333,,,,,,,,, tennyo or &#21513,,,,,,,,,&#31077,,,,,,,,,&#22825,,,,,,,,,&#22899,,,,,,,,, , to use the album s japanese title). in the same spirit of the manga, lag records have combined the old with the new on kissh&#333,,,,,,,,, tennyo. licensed by tokuma japan communications, the original release from classic anime label animage comes with new artwork by luna monogatari, and a remastering courtesy of jerome schmitt at the airlab. a download card and poster will be included with the gatefold. lp which comes on standard black vinyl.

ght in time to celebrate the 50th anniversary of jacques rouxel and rené borg’s legendary television cartoon, this collector’s item comes in two versions: a limited edition 12&#8243,,,,, + 7&#8243,,,,, vinyl album housed in a high glossy gatefold and with an exclusive shadok drawing by robert cohen-solal,...

kamoda’s latest offering, ‘the distorted haunted ballroom ep’ offers three fresh tracks from the colourful artist - body & soul, ( ( (bye) ) ) and dopey forests - a tripped out, twisted journey.
a man of many talents, jun has produced art under his illreme moniker, as member of hip hop trio, baleine 3000, and as cartoon illustrator (usca.) his forays into music have lead to work with revered global labels, think mister saturday night, black acre, mall grab’s steel city dance discs and more.
opener and lead track, body & soul is a raucous jam. killer, frenzied percussion, short riffs and vibrant erratic trumpets fuse industrial elements with far-flung balearia, teasing between warehouse rave and rainforest ravine.
second track ( ( (bye) ) ) is a hazy, hypnotic cut, body & soul’s wild elements rolling into a tug of war between arcadian bleeps and lawless euphoria.
dopey forests offers up a less frantic but still slamming dance floor ready slice of dreamlike vocals paired with driving percussion. a mesmerising, final jaunt to round out ‘the distorted haunted ballroom ep’ with an ethereal, spooky stomp.

henrique oliveira aka hnqo, is the man responsible for this exciting full album release on doc records.

lange hat uns der wiener elektronikmusiker klaus waldeck – zuletzt bekannt durch sein legendäres album »ballroom stories« (2007) – warten lassen. die vorfreude ist groß und waldeck hat auch gleich eine Überraschung für uns parat: sämtliche titel wurden auf italienisch eingesungen - und zwar von der fantastischen neuentdeckung, der wiener sängerin heidi moussa-benammar (»la heidi«).
waldeck selbst möchte gran paradiso als eine »spaghetti & western« produktion bezeichnet wissen: »gran paradiso, das ist einerseits hommage an den legendären sound des italo-westerns – andererseits spürt es auch den sentimentalen klängen des italienischen canzone nach - jedoch stets mit der nötigen ironischen distanz.« »italienisch... schon die sprache klingt nach musik«
der sound des albums trägt waldecks unverkennbare handschrift. gelegentliche einsprengsel von tango, dub und reggae runden dieses abwechslungsreiche sommeralbum ab.
alles in allem: ein entspanntes sommerliches album, das man auch gerne im herbst und winter hört, um sich daran zu erwärmen.

sciahri is back on black opal and this is time for some real deal, proper techno! forget that cartoon shit...100% solid ep from beginning to end. a dj could reach for any track on here and have the dance-floor munching out of the palm of their hand.

jun kamoda has been a solid contributor to japan’s electronic music scene for quite some time. producing under his illreme moniker for over 15 years & also as member of hip hop trio baleine 3000. he is also a cartoon illustrator for japanese independent magazine ‘usca’.
2016 saw him release ‘the clay ep’ (with *that* physical graffiti tune) on new york’s seminal imprint mister saturday night as well as a track for a dirt crew recordings compilation. having recently remixed clap! clap!’s ‘hope’, jun kamoda’s debut for black acre is set for release in june.
infectious licks and raw drums come together to form ‘blind disco’, an animated production that blends a cacophony of samples into a raucous party jam. ‘ramen funk’ is a moodier cut by comparison, featuring a medley of percussive elements, vibrant guitar melodies and a seedy bassline, until ‘savanna on the palm’ chops up and loops a wailing vocal sample before leading into echoing chords and a twisted groove in a mesmerising conclusion.

hello. we re very happy to announce the beginning of a new label. it has long been a hope of ours to someday establish a label to release our music, as well as an outlet for everything and anything we love and find inspiring. no compromises. introducing wulf. after years of sitting on un-released tracks some familiar and many others you will never have heard before we decided it was about time to make these available, freshly mastered. following on from ep1 and ep2 (originally released on alex nut s ho-tep records), the aptly named ep3 is the debut record on wulf. andrew harber and richard roberts aka letherette

dark ambient/synth lp for belgiums first long animated picture! teenage horror cult from flanders. full cartoon art, comes with download code. tip! this is the maiden vinyl voyage for ghent s maverick internet broadcasting crew, stroom. watch out

hey everyone, dont be alarmed as we understand that you just heard of us a few weeks back. here we are again with another doobified doozie of a 12inch. from the furthest reaches of the canadian west coast comes a concoction by three well known faces that have a long history of working together, they prefer to remain anonymous for this 12inch for reasons beyond us. were not that good at keeping secrets and have a suspicion that you hear the rambling house that is emitted from this trio brings to your ears will recall something very familiar. johnny lumière and the triads, originally conceived as side characters of the adventures of t-bar and salary man cartoon (never published). the music was recorded during break intervals in the cartoon writing sessions (still seeking illustrator). file this under mystified house with a splash of sunshine. ps:weve been doing our own printed sleeves for the last few records from a really cool print house here in berlin. we think they look unique as they are a print/ fold out designed by our friend dave girard. people seem to be into them and figured we should say that as we are only doing limited runs of them.

the formula was simple: marry bubblegum and soul to the absolute sincerity of an enthusiastic child, cross your fingers and pray for airplay. but while the youthful sums of that formula may have grown up and walked away from their illusions of stardom, their permanent records remain. by 1973, michael, tito, jermaine, marlon and jackie were as hip as kids could get—household names, with lunchboxes, coloring books, a saturday morning cartoon, and an alpha-bits cereal commercial pushing the j5 brand onto any kid with television reception. their impressive run of four consecutive #1 singles playing on both pop and r&b stations cemented their appeal to both whites and blacks, prompting mgm to launch the osmonds as the safer (read: white) alternative. and parents? well michael had that wrapped up with his impossible-not-to-love mini-james brown thing. even their song selection straddled both sides, with “zip a dee do dah” and “abc” for kids, and contemporary standards “standing in the shadows of love” and “my cherie amour” for the older crowd. this extreme marketing and merchandising juggernaut created the kid soul explosion. a decade removed from our acclaimed home schooled compilation comes a fresh batch of talent show titans. with enterprising parents, neighbors, and teachers turning play dates into recording dates, groups like magical connection, little man and the inquires, and five ounces of soul emulated the jacksons, who’d made grade-school stardom appear easy as abc. afterschool special: the 123s of kid soul contains 19 tiny tunes ranging from bilingual d.a.r.e. anthem, to james brown bio, to young love and life beyond the playground.

02am is an 4 track ep by the young producer hekkla from eindhoven in the netherlands. the first track is sunset strip , a slowly build house track that moves like the last waves of heat at the end of a hot summers day, walking home feeling satisfied, all ready for the night. saturday morning sentimentality is a hard to pinpoint track that sounds like the bastard son of a trio between the melancholic side of cyndi lauper, alphaville and the echoes of a cheesy saturday morning cartoon theme song from the late 80 s. on the other side memories of tau ceti feels like tumbling into space with only the memories left of a good time on an alien world, accelerating faster and faster but still enjoying it, even though you know that the vacuum of space will eventually kill you. finishing with the hardest track no math , because, boys and girls, it s no math... hand stamped artwork by frank koedood.

bakk lodges sfv acid with a double deal - a 12 inch (doep) with deep n dark electro vibes and a 10 inch (jazzchamber) for the smooth and elastic funk. both come with the unusual sfv acid touch. it comes in two screen printed inner sleeves packed in a plastic sleeve with a chrome sticker - conceived by the bakk cartoon cartel.

set sail onto a cartoon ocean on a quest to an imaginary world in wide as the moonlight, warm as the sun. a perfect fit for daedelus’ label magical properties, the new album by goodnight cody (of team supreme) is an experience of powerful imagery and pure poetic whimsy.

slamming drum & bass sampler

super producer danger mouse and rap super villain mf doom join forces as dangerdoom. the mouse and the mask features cee-lo green (also of gnarls barkley), ghostface killah and the cast of cult cartoon show aqua teen hunger force.

cartoon soundtrack alike electronica with elements of jazz, funk...

absolute tip of the cap to tom & jerry the originators of the cartoon 12 inches. putting sex beck into techno - no more of this rigid cold lifeless nonsense. we want the focus on the dancers, and arent afraid to be a little slutty ourselves.

munk is the project of gomma label founder mathias modica (germanys most interesting electronic music label the nme). munk is best known for his collaborations with rebolledo from pachanga boys (surf smurf), james murphy lcd soundsystem (kick out the chairs), asia argento (live fast die old) and club hits like down in l.a. and la musica. he co- produced the albums of gomma bands whomadewho and moullinex.

no more paper tigers! the exaltics return to creme with this mondo otherworldly rip roaring robotronic assassination squad that exposes judge dredd as the cartoon character he actually is and tear him to shreds while theyre at it. free of charge! this will be released as a limited single sided etched 12inch, by the freaks, for the freaks

nice price deal !!! this april karin & olof dreijer aka the knife release their first studio album since silent shout seven years ago. pressed on triple 180g heavyweight vinyl plus cd-copy of the album in gatefold sleeve. includes cartoon by liv strömquist and a lyric poster by studio sm/martin falck.

as hot as ever the new ep from our siberian disco friends is finally landing into theomatic’s catalogue. the title track solar wind is a rhodes driven hands-in-the-air early night anthem: simple yet powerful, just the way we like it! the flipside features an offbeat cosmic number “planetarium” which sounds like a perfect soundtrack for some colourful sci-fi cartoon about the early years of space exploration, with all those rockets, flying saucers, stars and comets with long tails. the bonus track (available as a digital download only) is named after the soviet moon exploration robot vehicle lunokhod 2 (’moon walker’ in russian) which was sent to the moon in 1973. being rather minimalistic at the begining it slowly evolves and reaches its apogee closer to the end with calm and beautiful melody which leaves the listener in a peaceful mood

our japanese dear friend hidenobu ito is definitely overwhelming and it seems almost comically out of place. from alien hydraulics to percussive steel fractals he allows to take shape within the realm of impossibility. so, what follows next on numbolic records is a stunning lesson in subtle buildup of sound design. theres a feeling of constant movement and shaky energy that means his music never quite stands still. highly resonant and rapidly-panning drum hits act like flickering fluorescent lights. the result is a heavily abstracted layering and perhaps our most sonically release to date. every sound, no matter how tiny, is endlessly tweaked and picked apart. the 12 inch ep is rounded off with 2 prickly re-interpretations. dualism turns up the fog with a super-deep captivating and yet lovingly version. while ditch comes up with a characteristic throbbing dirty techno rework. another 4 smashing tracks by hidenobu ito are added digitally as well as two bonus remixes. kai provides a dance floor-approved version and the hungarian newcomer as we said made a cartoon spaceship to the moon. big pulsating bass kicks will drive you in that particular head-space, but before accidentally killing someone in love, we suggest go get this record instead and start dance! be numbolic!

dr.gonzo is the new monstrous sound of italian duo phra & bot aka crookers. the new gonzo project, that features swedish two-piece savage skulls alongside canadian producers neoteric and wax motif, sees crookers go back to their roots, serving up three absolute club bangers! bust em up is an aggy assault on the senses, get the f**k out my house is another furious concoction of anger, energy and fun, whilst springer, the third in a serious of high tempo crook/skulls productions is probably the most outlandish. with serious depth and venom this jaunt to another crookers planet is helped along with an insane spring/bounce cartoon-esque sound effect that one can’t help but effected by

limited edition double 12 inch lp, includes the cd album.

hardline boss paulblackout returns with two heavy dnb/hardcore crossover tracks, to follow on from the broken, deep beats of the previous leepshec release. >curse on one self< features tough sounding vampire samples and builds up to a crazy drop which will have you throwing shapes and playing air drums like a madman (or woman) on the flip is >all you mfs< which makes use of an amusing cartoon sample and stomps along to a halftime breakdown with double kickdrums to activate fist pumping mode. vinyl release also includes an evil illustration by camila carmody, with dj support from dj hidden, dj producer, simon underground, mark n and more. this is how we are kickin it!

>sindbad, sindbad, look how much luck this children has...< who doesnt know this unforgetable earwick of the eponymous cartoon, which was showed the first time in 1978 in germany. for tom toddnick the composer christian bruhn turns out the old audio tape from his cellar. tom did new mixes and pimped it with stylish house beats. the >1001-nacht-mix< (7:45) only exclusive distributed on vinyl.

longtime fan of the 80s , digikid84 draws his inspiration from both the classics of this period in music (run dmc, michael jackson, midnight star, eurhythmics) and from cartoon classic trailers such as (thundercats, silverhawks, galaxyrangers,). this funkadelik touch has earned him an unwavering support from artists such as benjamin diamond, cassius, grand master flash, dj mehdi or vicarious bliss.

hot on the heels of the highly acclaimed borrowed 4 comes the next installment. after the eighties-fest of its predecessor, borrowed 5 brings us up to date(ish) with a couple of funked-up dj-friendly house stormers guaranteed to make your dancefloor move! track a kicks things off in style with a couple of naughty samples from a cartoon monkey band (who could that be?) building into clav keys and vocoded vocals. a party tune! ,pure and simple. miss this at your peril! track b takes things deeper with a locked-in and tracky groove built for the early hours. check out the vocal snips and acid riffs!. this has been doing the rounds for a few weeks and feedback has been crazy, a must have!

big with: richie hawtin, dubfire, dj hell, mandy, dj t, james what, ralph lawson... well what can we say, two tracks that could not be more different from well know mainz/ germany based artist butch aka bülent gürler. the a side >destruction< is a track that so perfectly fits into the scene of german minimal house, we think it will be eaten up immediately by the dj scene. the flipside track >muskatnuss< is more challenging and made for the advanced djs. this track is weird, funky, housey and more on the side of the new school of house we get nowadays from cecille and similar labels. the track makes use of samples from butchs most sought after sample libaries that include fantastic cartoon sounds he has cut up and arranged rhythmically. a stunning performance!

a slab of latin-tinged breakbeat coolness from the surferest dude on the spanish underground scene. try not to move that behind when the man from zarautz starts doing his thing, we dare you! the b-side is a quite aptly titled tune which combines a cab callowayesque ditty with a tasty hip-hop beat, thus spreading the buen rollo as they say in spain. mr. scruff, anyone?