ltd coloured pressing of this classic dbl album

quite a few months have passed since adam port released his last original material on keinemusik. it�s been almost too long. but then again, every expert will confirm, you won�t see a �sonnenfinsternis� every other week. port�s new ep is going under the name of that very astronomical curiosity and accordingly, the like-titled cut on a can only be the result of a rare cosmic constellation. it starts with a spoken word field recording. could it be, someone secretly recorded parts of the internal pre-release labelmeeting? we�ll leave that to your imagination. but then, all solid facts. a forceful beat, decorated with hihat-hiss, stoically pounding synthbass, rattling snare-staccato and space-opening synth-layers. finally, some siren�s wailing, just in case someone didn�t get the immediacy of this material. classy floor substance, that is, with the scarcity value of an eclipse. �working for it�, as the first track on the flipside, is rather going for the deeper realms. this coproduction with jennifer touch, a singer/producer that just moved from leipzig to berlin, is built up on a cosy, warm synth-priming, that touch congenially contrasts with her undercooled wavy vocals. an emotional rollercoaster, if you will.

shit robot reunites with nancy whang for a sharp blast of raw-to-the-floor acid house - spencer parker bosses it on the remix, delivering a road-tested, siren-and-sub �workmix� and dub that�s in the (red) zone.

as the dust only just begins to settle after the sensational release of matthias meyers watergate 20 installment, its time to unleash the mixes exclusive cuts. kicking things off, meyer delivers an enchanting ride with la strings, where whimsical pads rise and sweep as a hypnotizing bass line whirls endlessly across a landscape of earthy percussion. while still maintaining his trademark sound but taking a slightly deeper path, meyer conjures up the super dreamy uluwatu. settled firmly in rich organic percussion and lush melodies, uluwatu jaunts effortlessly through overgrown rain forests and lavish emotions. next up is gorje hewek and izhevskis turgoyakk and its an absolute gem. opulent pads, sensuous strings and powerful keys culminate in a profoundly vivid tour into truly emotional territory. finally, yokoo & retza deliver an impressive number with the dazzling satori which is laced with ornate keys and soft siren calls rounding up the release with timeless style

pete tong made the new single from eats everything his essential new tune at miamis winter music conference. the duster delivers a rousing and infectious siren call, loaded with the trademark pace and fervour that weve come to expect from eats everything and continues an unstoppable streak following the release of his recent fabric 86 compilation and a summer of festival slots and shows around the world.

(khidja, siren rmxs) the first release in 2016, this year marks the 20 year existence of codek records and we are proud to announce the release of jonny sender with a 2 track ep plus 2 remixes by khidja and siren

lay-far returns with the second part of his album * how i communicate*.
part 1 had an impressive cast of collaborators and showcased his love for the whole spectrum of dance music and why change a winning concept ? part 2 is crammed full of musically expansive, organic dancefloor treats, songs that really hit the spot.
or as lay-far describes it himself * the album is about music as the universal language, the ultimate means of communication, bringing people of the world together.*

almost exactly three years after nr&, a project uniting &me�s and rampa�s production with the voice of new york disco-house-siren nomi, dropped their debut ep, we finally can announce a new chapter in this ongoing transatlantic menage. this very �spoken for� ep is comprised of two new tracks, that again fuse songwriting with floor-demands and showcase the same crackling and pulse quickening passion that instantly has become nr&�s trademark. so here�s the evidence � a long distance relationship is not necessarily doomed to get boring after a while. �taste like� on a might be conceived as the club-affair of those two new joints. a tune indulging in self-control, extending the pre- eruptive moment of excitement to track length. there is nomi�s unmistakeable sexed up oration, flanked by an affirmative thunderstorm of claps, then a bass heavy bridge, overflowing into a noise brushed finale. altogether a tasty flavour carrier for an effective floor heating. �spoken for� is not only the title track, but also the hymn coming out of the flipside ambush. there is no kick necessary to underpin what nomi�s charismatic croon is laying down. therefore a wise choice to let the arrangement of interspersed field recordings, percussive details and piano- and synth-decoration exercise in unobtrusiveness. safe to say, this tune will refine many future peaktimes anyway.

side a
* 4 u (kick back mix):
warm and bouncy emax samples with screwed g lyrics � laid back evolution of drums � unexpected break announced by air raid siren and followed with euphoric disco theme.
side b
dedicated to late night club session.
* station wave (club mix):
heavy nonchalant slap bass � progression of house stabs and altered drums � final stage with infected juno voice.
* sneakers 91 (intuitive mix):
efficient wooden piano bass line � 90s digital horny horns � fatal female beat-box voices.

nachdem der junge venezuelanische produzent durch produktionen für u.a. kanye west, fka twigs oder björk aufgefallen war und sein kantiges debütalbum *xen* von kritikern weltweit für seine sonderbaren und teils aggressiven widersprüche gefeiert wurde, handelt *mutant*, sein jüngstes album, von sinnlichkeit und spontaneität als möglichkeit einer flucht aus der starrheit der verhältnisse. das album feiert das chaos, mutationen, transformationsprozesse, zwischenzustände. deformation und zerstörung werden zu elementaren momenten von identität. das artwork stammt erneut von seinem freund und langzeit-kollaborateur jesse kanda.
das rote doppel-vinyl erscheint im 3teiligen klappcover inklusive downloadcode.

polands father and son records and tapes presents another stellar release from the man das komplex

alan fitzpatrick makes a triumphant return to the scene-leading imprint this august. the typically bombastic three-tracker of explosive, crowd-moving techno opens with love siren packed with all the power and punch required to knock over festival crowds as it systematically builds and drops, this is one for the big open air stages. �u said u is a massively hyped track that has been the subject of huge fan-demand since it first featured on beyer s drumcode radio in january. rumours wraps things up in slightly more understated but non-the-less effective fashion with its drawn out, tension building intro mushrooming into a crescendo of sleazy chords and sparking melodies

time for some double dutch action with apollonia�s latest release, which comes courtesy of makcim & levi. the twosome have already been picking up steam in their native holland, playing at many of the country�s best-known clubs over the last few years, establishing themselves as selectors in a class of their own. and their prowess as djs is equal to their talents as producers, with their very first ep appearing on raum musik and finding its way into apollonia�s sets. now they�ve got together once again to produce their second ep just for the apollonia guys�the �more lettuce� ep fits perfectly into the french label�s sound ethic, emitting a dark groovy energy throughout. for starters we have �more lettuce�, a gritty tech-driven monster on a mission. with its gravely percussion and air-raid siren-esque effects this is a surefire dance floor killer� listen out for the switch of pace, class. this is followed by �tegel�, presumably named after the airport in berlin. with this we get a kind of dingy berlin vibe, morose, grey yet ingrained with a bouncing energy that you just can�t help but bop your head to. on the flip side �thaiman� injects a slightly odd feel to the ep with warped, muted sounds meandering around a subtle bassline. finally, makcim & levi close up the ep with �dope erwt� another roller that will enchant the dance floor from the start, building into a bright, airy breakdown before continuing in its somber yet groovy manner.

one modest man known as das komplex has been steadily producing music for almost a decade now in his quiet hometown of koszalin in western pomerania region of poland. it could have stayed like this if not for maciek sienkiewicz (veteran dj and promoter, one of the pioneers of polish electronic music scene), who picked some tunes for his new label fasrat. as the artist himself prefers to stay out of the spotlight, let the music speak for itself: from sun-drenched, guitar-driven like a fish (remixes coming from some key players in modern disco/balearic scene), through futuristic disco of -narkoleptyczni troche- and hazy deepness of nowadays, towards epic, over 13 minutes long, jazzy, dreamy, but no less energetic -siren-. elegant, original, infectious grooves for club play and home listening alike. limited edition with cover art by acclaimed contemporary painter aleksandra waliszewska

back at it again, taking the true essence of the �jacking� sound of chicago house and putting it�s own stamp on it is what obsolete music technology has done with their new 12&#8243,, entitled, �volatile.� warbling, wobbling, distorting, sinisterly acidic basslines abound is the best way to describe this release! for dance floors only! you have been warned! �volatile� starts off with some 707 drums intro and then fading in, is this tripped out, bubbling bass sound that sends you off a cliff! just when you think that�s all to the track, dark, melancholic pads comes in for added atmos-fear! rounding out the a-side is �killin,� with it�s 2 acid style basslines, one sounding at a high octave and the other at a lower octave. riffs playing separately sounding great, but when played together, there is something slightly, mentally off. on the b-side, �broken siren� is high energy! 808 tom drums bringing the funky low end while a short, electronic piano lick drenched in warm, fuzzy, flange effect. setting it off is a decayed sine wave, mimicking an actual alarm sound. lastly, �electric current� best describe this distorted acid bassline and its tweaking filter and resonance controls over jacking 808 drums

following gary becks hard-hitting remix of dj rush >she is fine< on bek014, he returns with an ep of solely his own productions. >rascal< brings forward two of his biggest tracks in recent times. the title track, >rascal< returns to garys more familiar sound with swelling pads andsynths clad in fading loops and textures. the track varies in intensity but maintains the groove, as it balances a peak time feel with an almost reflective ambiance. >video siren< is stripped and straight-up techno. it avoids over-complication by keeping the elements to an absolute minimum, highlighting his ability to create atmosphere, tension and drive, using a less is more attitude.

index marcel fengler unearths another berlin-forged gem with a debut release for somewhen. following an impressive pair of eps on his own sana imprint, label boss marcel fengler was quick to invite the newcomer to the imf family. following a pair of head turning performances on line-ups alongside fengler at his berghain home, the time has come for imf 05 to bring somewhens talents to wider attention.
a cut *dain* is a stripped down techno trip engineered for dancefloors at dawn: a siren call to the club�s most battle hardened heads, its subtle machinations will prove deadly in the right dj�s hands. over on the b-side, *aula* is the eps more unpredictable beast, its rougher rave edges rounded off by a rich bass synth and enigmatic vox pads that give the track an unsettling air as it nears its conclusion. xj closes the ep with an insistent slice of acid with somewhens own playful modern twist.

cinematic recordings is proud to offer up a debut to accomplished live artist and organic sonic landscaper edanticonf with its next ep.

jonas kopp pumps the drums hard on opener shibu. it is pure peak-time material, fit with siren like synths, heavy kicks and hi-hats to get the shoulders moving. kopps tracks are always masterfully tailored for the dancefloor, and this is no exception the six-and-a-half-minute ride is richly detailed with ups, downs and subtle changes. dadub take the record deeper with force continuum abuse.

fabulous remixes by pye corner audio, scanner, geiom, mark fell, application, beneath & russel haswell.

hot on the heels of moscomans dark horse ep, im a cliches latest release features indonesias best kept secret, the talented jonathan kusuma on the gong 3000 ep where tracks ranging from the heavenly to the downright gritty showcase the full range of the producers abilities.

the leftroom imprint marks a milestone 50 releases this october, offering up the four fingers ep from matt tolfrey and jozif under their newly formed kerb staller guise

it s only so long before liam geddes becomes a name you ll start hearing on the worldwide underground stage. having already churned out a number of uncompromisingly deep house tracks over the past couple of years, he comes armed with another exceptional ep on mil - the third release on the new music is love sister label - that further demonstrates his genuine dynamism as a producer. the with closed eyes ep should win this very talented producer the recognition his fresh beat work deserves into the wild gets proceedings underway, a ripping bassline paves out over rattling percussion shakes while oscillating dream like jingles play out during the course of the track. chopped vocal samples are introduced and tease against the shuffling drums which elevates the track with real drive and groove. close ya eyes for the journey packs the same layer of heat with its similarly groove-heavy bassline - a staple of geddes well-crafted sound. firmly footed, intermittent chimes seep into the track and are complemented by siren-like chords which grow truer in presence, until a hypnotic vocal snippet fulfils the deep terrains of the track. a saint is a tumultuous techno-fused roller with it s rip-roaring bassline and percussive loops which rhythmically swing out over shuddering pads, sustained chords and a cut up female vocal, brining a twist of colour to the arrangements of the track. there s a keen sense of tension and release, elevating this above your average and confirms geddes does depth and darkness with real conviction. broke will surely prove a high point for any decent dj set, and sounds like a cut you d expect from someone like delano smith. strings faintly play out over looped key chimes and a funk-like riff, while ticking hi-hats and a careful use of vocal sample gives the track extra heat, each element powered by the rumbling bassline.

flying lotus fünftes album ist ein trip, das aehnlich wie das kernthema, der tod, von einer daseinsform zur naechsten springt, sich von einer klangdimension zur naechsten entwickelt. auf youre dead! verschmelzen klangwelten, visuelle welten, metaphysische welten, die virtuos miteinander verwoben einen vollkommen neuen stoff, ein transzendentes, bewusstseinserweiterndes plasma ergeben, das so nur in der Übergangszone oder zwischenwelt existieren kann. musikalisch orientierte sich flying lotus an den großen fusion-jazz-kollektiven der 1960er/1970er und an psychedelic-rock-lps. die anziehungskraft seiner klanglichen traumwelt ist in den letzten jahren so stark geworden, dass inzwischen auch schwergewichte aus anderen sphaeren wie kendrick lamar, snoop dogg oder jazzlegende herbie hancock davon angezogen werden. ein faszinierender, tief berührender trip.

decadubs 4 is a vinyl-only companion-piece to hyperdub 10.3, the latest cd in hyperdubs ongoing series of birthday-marking collections. following on from the labels first two 10th anniversary compilations, the third act represented in 10.3 transects and extrapolates forward the hyperdub catalogue from yet another angle, this time following the melancholy vapour trail drafted by burials numerous atmospheric beatless moments. this ep tunes in to those 11 new moments of downcast ambience that comprise half of the cds complete content, resulting in over 40 minutes of hitherto-unknown audio which squarely shoulder their extended play billing.

this holographic release was inspired by black hole thermodynamics. in the case of omni, the insight was that the sound content of all fallen objects might be contained in surface fluctuations of the event horizon. siren to siren is microscopically random, like a hot gas. a known configuration of classic tape sounds has zero entropy: there is nothing random about binary configurations. if one throws a hot gas with entropy into the g count, the entropy would disappear - producing aggressive bandwidths, and ragga baselines.

this new project by the black dog guys is about techno sounding electronica music. limited to 300 copies!

the heavy thinker ep finds the legend that is dj skull back on sect to regale our ears and limbs with further precious techno and house gems! *bazzar* hits the spot with beautifully harmonious synths and a techno funk guitar lick that will keep you dancing forever. *heavy thinker* is a delirious peak time dance floor killer, working organic drum programming against techno siren and ominous kalimba hook. *power* is all about the old school detroit strings and tones, setting a steady pace to keep the momentum going into the small hours. finally, *rise* has those unmistakable chicago house values emerging once more, as keys and strings lift the spirits to elevate mind and body.

this was southside chitown 89. if you werent there you werent there�. lots of underground unreleased music circulated on the southside on maxell and tonemaster tapes from walgreens - 2 dollars for a pack of eight! leron gave me some collabos�

passageway is the debut solo ep by aurora halal, producer, video artist and creator of brooklyn s mutual dreaming party series. four shadowy and intimate dance landscapes of shifting subterranean textures, backed with a hallucinatory remix by detroit techno legend terrence dixon. minimal, metallic and pulsing with hazy sensuality, these tracks offer an exciting first glimpse into a unique emotional world

after the great success of the first ep, dirty session is back! luca bear chooses to sign the second release of his label. the key concept of ds is to propose a precise sound, characteristic, that evokes the early days of electronic music with an eye to the future. a journey into the unknown from the early 90s.
this release represents it in the best way with 3 raw tracks full of energy. the power of the siren of *garage take* mixed with the violence of *strictly forbidden (reworked)* and the touch of class signed by kasper with his superb remix. three killer tracks ready to destroy the dancefloor!

ricardo villalobos couldnt resist the siren like call of mari kvien brunvoll. the result, *everywhere you go* - celestial voice resurrection mix and amnesia rehabilitation dub - should give some proper information about some of the feelings involved here, such as does the music itself ... being nothing less than magic.

especial is delighted to welcome baris to the roster. known for his edit series of obscure turkish psychedelic, rock and disco, here he takes the producers chair to present *200*. working with musicians and singers to create a completely original production. the songs message for equality (of the sexes) highlights the bigotry and backward political and religious boundaries his country faces and acts as a siren to the current troubles.

running back veteran mark e returns with a tribute to the uks black country and an ode to the industrial revolution. the images and histories of coal mines, steel mills and iron foundries north and west of birmingham and south and east of wolverhampton lay the foundation of the three track ep (including a work break siren). being a product of his environment, mark e delivers lots of sooty particle house music with a glimpse of sunshine. bostin!

on the third release abstract animal returns to heavy peaktime techno. on the a side you can bear witness monomoods ten minute analog threesome with his machines. on the b-side the fachwerk mastermind mike dehnert transforms the acid - vault, taken from the shtum001, into a dark and hypnotic techno cellar. rumbling rhythms and sharp pads keep your mind awake, when monomoods *the siren* on b1 howls through your ears.

pareto park presents the first collaboration between george lanham and david meiser with the pair serving up a blend of abrasive modern techno and classic influences. the opener distress sets the tone and grabs the listener from the start with its moody vocals punctuating a sinister beat. lanham s cabot cove syndrome hits hard with a growling synth lead, pushed forward by a building siren. whilst rising entropy and co operation 1 both reveal the duo s mills influences, yet aimed at modern club play. a strong ep with the vinyl release featuring 4 additional locked grooves.

r&s keep things in the family with mpia3s brother tessela dropping his debut ep for the label. since 2011, ed russell has been moulding a style of dance music as tessela that has evolved to become a distinctly futuristic animal that is equal parts rave, jungle and techno as it incorporates classic breaks into delirious new mutations. the three tracks on this ep all follow on from his superb *hackney parrot* track but evolve his sound even further. nancys pantry combines bruising kick drums and some slick editing of the think break, before plunging headlong into thundering techno. horizons percolating hi hats and rough-hewn percussion roll off repeating chords that recall the heady days of rave. gateways uncomplicated arrangement of high hats, sub bass, siren like synths and quaking kick drums rattle through the tracks chassis and club soundsystems. early supporters to the tracks include ben ufo, pariah, surgeon, pearson sound and paul woolford, testement to what might be tesselas most lethal offering yet.

vinyl only, mastered by d&m
bergstrom cuts to the chase: cavernous, reverbed chords, slicing high hats and steely snares strapped to a sinewy 909 kick, with a siren droning faintly in the background. four-to-the-floor ekaterina is the fever dream of funky house: icy hats and reverbs trick out a heavily filtered synth and a heaving sample of vintage polka. kicking off the flip, more war: state and revolution evokes a kind of long march beneath forbidding skies, its occasional skirmishes between razor sharp hats and muted claps blanketed by echoing synth stabs. finally, damperhof draws the curtains and departs the dancefloor: a mournful, impressionistic cello, a slow throb, a little acid, sombre chords bouncing around the ruins... this is mirko at his most expressive

inspired by the infinitely numbered harmonies transmitted by vista, a benevolent being from a distant dimension, iasos broke ground for a new age of electronic sound manipulation.

die letzte maxi von washerman war ein großer clubhit. auf vinyl ist die kutz from the basement ep längst vergriffen und inzwischen entsprechend hoch gehandelt. mit der raw poet ep veröffentlicht washerman nun einen ersten vorgeschmack auf seinen kommenden longplayer. und wieder haut der schweizer zwei slammende tracks raus, die mit grooves zwischen chicago-sound, new york-house und techno unerbittlich rocken.

diva is a project which explores the outer regions of technos psyche - combining the trippy sensuality of chris & cosey with the brutalist analogue aesthetic of the likes of robert hood or liasons dangereuses. inspired by the vocal histrionics of strobe lit sirens such as loleatta holloway and jocelyn brown, diva calls on the protean roots of basement club music. lead track >paris stabbing< is a stunning excursion into motor city madness, abstracted disco vocals clash with a broken digi-arpeggio and hooverish bass break down, whilst the flip side >but i ve never< imposes a detuned synth siren over an industrial bass sequence and sp1200 piano stabs to eerie effect. also included is the >paris stabbing (beats)< which pares down the original, adding detuned melodic percussion into a minimalist after hours tool.

big 4 tracker with a long long playtime more than 30 minutes ... great to listen great to play ... first time only on vinyl available... a classic 4 tracker ep on thomas melchior s own imprint. stripped down, intense and intimate fairytale tracks packed with subtle female vocals leave you w/ ur mouth wide open...a1 -the call-: that s one of the best ways to start ur day listening to this plain uplifting house vibes and grooves.. wrapped in silk.. a2 -everything ok-: those vocals and synth start to weave around you..stripped dub beats..then b1 -the bow- lifts you up again with subtle synths and strings..nice snare programming..b2 -soon- is the grande finale..half ambient with an oh so powerful reprise..siren like vocals.. irresistable.

subwax bcn is very proud to present our new sister label detroit dancer! on this first release we give you no other one than detroit legend santonio echols! mr santonio got famous in the late 90s with vital releases on labels such as kms, serious grooves, made in detroit, express, siren and tresor, from which he made a true mark in techno history. on this release you get three tracks of pure detroit dancing moods and including a fresh remix from orlando voorn, another pioneer in the world of detroit sounds!

candi staton has legacy beyond compare. responsible for some of the most memorable and best loved soul records of all time, staton has a voice that is currently captivating a new generation of music lovers just as it did when she first burst onto the music scene as a soul siren in the 70s.

this is part two of senseless records synesthesia series, celebrating their 5th birthday. limited edition vinyl with a hand printed sleeve and art poster insert.
mak & pastemans contribution is a high tech bass bomb built around a carefully chosen sample that devastates right from the start.
elsewhere you will find nkc, who matches up ballroom house attitude with a huge siren-like bassline and a stuttering 4×4 beat and jtrp, who build rattling percussion around their signature tech-atmosphere into a deadly drop that comes out of nowhere. artwork comes from brighton based katie scott.
artwork comes from brighton based katie scott who is arresting and varied work is intricate and detailed, balancing technical ability with a wild creative streak.

after appearing with c-beams recently,break sl strikes back with a massive track called desert flight that has already been causing a stir amongst the uncanny valley crew for quite a while.over the course of ten minutes the track unwinds as an analogue slowhouse trip that is dominated by a gritty synth figure.with typical sophisticated break sl drums,radio transmitted messages directly from the cockpit and a freaked out siren its a track that is not from this world. the flipside starts off in a more classical manner with the rumbling house of amorphed limits. the track is distinguished by rapturous synths and gets spiced up through additional drum work by break sls partner in crime manuel sander. beercase song originates from collaboration with dresdens universal genius max rademann. his quirky keys and break sls drum workshop create a dirty piece of funk which rounds up an eclectic ep by a versatile producer.the cover artwork was created by visual artist and designer julien simshäuser who illustrates the trip that is desert flight.

2nd part with more essential house classic.... act fast to save your copy

ambientish mixture of future garage, uk funky & techno with a subtle rave factor. double 12 inch on black vinyl.

ambientish mixture of future garage, uk funky & techno with a subtle rave factor. double 12 inch on transparent vinyl.