first on decks !!! on stroboscipic artefacts 014 xhin and perc explore the savage side of the dance floor with four punishing tracks.

played and supported by lucy, tommy four seven, marcel dettmann, norman nodge, truncate, dadub, freddy k, inigo kennedy, dasha rush, electric indigo, max_m, alan fitzpatrick, shapednoise, ascion, xpansul and more.kript was born from a concept and a time of life where a precise path, and a moment of transition from one point to another, also known as evolution is shown as a concept in the creation of these label where a sound is evolving , at any moment in total freedom of expression. ken karter with this label is meant to represent the start of an expression which itself collects the sounds and the processing of electronic and experimental music with many influences of techno music. the tracks follow a numbering 01 / 02 / 03 / 04 numerically representing the steps related to a concept that will be detailed during the releases that comes from the study of issues and numerical programming and a passion for

vinyl only! limited to 300 copies worldwide. these two swinging cats deliver four funked up vintage house cuts that will touch your mind, body and soul. the fellowship of the funk gets down straight to the floor with their first release.

the second release for slapfunk brings a strong ep by malin genie.
same procedure as with no.1 - 500 copies - no repress!

power play by jimpster, trickski, jacques renault, sevensol, andy ash, axel boman, manoo, sasse, dennis kahnn and the girl from ibiza last summer. johannes is being frank!

new 12 inch from the two founder members of pil. four track e.p. with their first musical collaboration for some time. deep bass grooves from wobble and clattering guitar from the man who many have imitated. no one does this kind of thing better than these two musicians. four tracks of unbridled musical mayhem. deep joy!

vaetxhs inaugural release libet tones for detroit underground draws on both musical themes - electronic idm and musique concrete - and non-musical themes from mathematics, resulting in four labyrinthine tracks that are studies in free association, a state in which ideas float from the unconscious to the conscious. record sleeve design by dmas3. pressing on brown, multicolour-marbled vinyl.

foul & sunk, the swiss-german house-imprint based in freiburg and zurich, rings the bells for round 4 with the eriswil ep by jagged, a spunky release that blushes your cheeks like a strong sip of bernese apple brandy. and bern is the code word that sheds light on the origin of jagged: behind the name hide three veterans of the swiss house music scene - the djs and producers benfay, jay sanders and zukie173, who emerge from the vicinity of the now discontinued freestyle label a few among others, whose founder was zukie173. as jagged, they are releasing house music built upon hard-hitting drums, sinister bass lines and soul-drenched instrumentation for over four years by now. they debuted on quintessentials with hello kool nice in 2008, and didnt lose their gritty energy since then. now, theyre back on foul & sunk with eriswil, a deep rolling, dark monster that also gets a remix-treatment by the abstract eye

dj w!ld and robsoul – the perfect match. phil weeks recently spoke in an interview about how there are certain producers he always trusts and gives complete freedom to when he asks them to record an ep for robsoul - dj w!ld was one of those he named. on w!ldsytle we get four cuts that again showcase the french producers trademark style of tracks which build and build, creating dancefloor intensity through their relentless hypnotic grooves, before breaking into expertly chosen sampled breakdowns. with recent outings on harry klein, jonk and luna records alongside his own catwash and his more recently launched the w label, dj w!ld is in serious demand right now. a stalwart of the tech and deep house scene, his career path began in the clubs of paris in 1996. working with chris carrier from 2005 under the name of catwash (which also spawned the label) he became well known in the french house and techno scene and by 2009 was touring the world, including being offered the residency he retains for circo loco at dc10. the w label launched in 2011 and was home to w!lds critically acclaimed >palace< album and the club destroying singles it contained. may will see the launch of a new dj w!ld album, d!rty, on the impeccable cabin fever imprint run by matt edwards (radio slave)

alex israel, chicagos own overlord of deranged deep house comes to creme with a rip-roaring four tracker in said style. lush pads meander over swampy basslines and drum patterns that wash over you like a sweet monsoon. hard to imagine it was conceived in the windy city, but we guess the allure of the unattainable is a potent one.

after quite some time now, and after super successful kinks debut, weve got burek number two. this time, burek is excited to present a young japanese musician takaaki shibuya humandrone. takaaki says hes obsessed with hardware and old school sounds, citing blake baxter, mantronix and carl craig as his main influences stating he finds his own music to sound like science-fictional street music, and on his first edition on burek we have a treat of four stylistically different house tracks common in their characteristic acid sound from which he draws his inspiration. stay raw with us and dance!

after two succesful releases on mainakustik & meleon music the mainkollektiv now releases a four track ep on mainrecords limited. this time with tracks from locke, candy csonka, wigbert & matt star.
limited to 300 hand-stamped copies worldwide.

the new ep by harmonious thelonious called ting tong ep is ready to be released. its the second record on asafa. this time its getting melodious, especially on track one and four. almost a bit like holger czukays genious song called persian love but without the short waves. the track a.o. seems to play in the jungle (its a street jungle in whereever) and profaner tanz starts with a noise pad and ends with repetitive guitars.

march sees the formidable hypercolour deliver its most surprising output yet, an ep from none other than groove armada. tom findlay and andy cato need little introduction as groove armada. chart smashes, huge live tours and being part of the worldwide electronic music history aside, the duo have never lost touch with their acid house roots and have continued to be devoted to record buying, djing and the much maligned promo trawl. tom and andy have been avid followers of the label it seemed, since its inception. it was through label head jamie, meeting the guys back in 2010 at space in ibiza, and then continued communication via hypercolour promos, that led to an out-of-the-blue email requesting an informal hook up in east london and, within just a few days, a release was scheduled. that release is the >no knock ep<, four tracks that range from 808 fuelled old school cuts to low slung, moog-bassd electronic funk. each sound is lovingly crafted but there is an analog rawness throughout and every track has the sort of tweaked, off-kilter and occasionally awkward vibe that hypercolour do so well. it just takes a bit of imagination to guess what a ga release on hypercolour should sound but failing that, just check the release out as it wont disappoint.

catalogue number ten at uncanny valley and for this occasion the dresden based label returns to its roots with another various artists ep. actually, this is long overdue since there are a lot more talented producers to find in the elbe valley. on uncanny valley 010 we present four of them. sandrow m who focussed on the c-beams project recently has been part of the label right from the start. with “the three trees” he makes his solo debut for uncanny valley. the track is a summery house tune that shines with garage vocals and warm synth pads. steve kasper is slowing it down with unvexed dub which is an immersed house excursion for the morning hours. on the flipside scherbes kill bills stumbles but does not fall. instead, the track lives from tottering interaction between bright percussions and fractious drones below. finally, its jacob stoy who closes the record with s51, a dreamy deep house study including heavenly pads and subtle drum programming. for the artwork we are very glad to welcome back paul waak and his colourful figures that gave the first four compilations their unique look!

leskin, massimo di lena, joseph russel and rio padice (aka the early sound collective) deliver four outstanding deep & raw house/techno cuts. of course, shitloads of records come out these days that fit the deep & raw house description, but this stuff just goes beyond. without falling back into cliche, their characteristic use of analog equipment takes you right back into the early days of hypnotic, raw & soulful machine music competing with the detroit/chicago cats from back in the day.

unxpozd presents dj aakmael – the undrgrnd ep, giving you four fresh deep house bangers! the journey starts on the earthside with just a track pt 3, which is a soulful dance-floor ready tune with aakmaels signature chopped up grooves. the second track untitled 66 offers listeners a more laid back deep house groove, with strings and other sounds that will keep dancers in their own fantasy within their minds!the second side of the journey takes you further thru the regions of space with the spaceside. midway thru the journey is the calmer recess, a more serious mellowed out bass-filled groove that delivers the calm after the storm. concluding the trip is deep again, offering listeners that trademark headknod feel that aakmael creates seemingly with ease! this is a project for the serious deep house collector, alien and human alike

excellent third release on the essential supafrico records featuring four absolutely stunning afro flavoured grooves dug deep from the vaults. first up we have a previously unreleased extended version of >hot black n sweet< by nigerian funkster kio amachree. taken from the über-rare 1981 >ivory< lp, this a slice of pure funk filled afro boogie led by a groovy phat bline, driving horn section and kios magnificent kid creole-esque vocals.

the 2 bears debut album be strong has been a revelation. the hirsute duo made up of joe goddard of hot chip & raf rundell aka the raf daddy have made a record that has touched people from many a different musical and cultural background. their roots, of course lay in house music and its that genre that essentially defines the 2 bears. so, brace yourself for four tantalizing mixes of one of the 2 bears finest house cuts take a look around.

irish live act / release duo lakker join the blueprint label with their first release. slick shake inspired techno and electronic tracks. irish lads ian mc donnell and dara smith have been recording for some time as lakker with a number of releases for the likes lazybird, alphabet set, acroplane and most notably killekill. here we proudly present their first blueprint record in the form of the arc e.p. a superb mix of bass driven techno and electronica across the four tracks here but the office fave has to be a2s super-shuffling piano track -ed- which reminds very much of mid-period anthony shake shakir material from days long gone.

brand new label london label features superb karl o connor remix ! new from london based upstart diagonal comes a four tracker of tough, skeletal rhythms from label boss powell. revelling in mechanical hooks, cold, brittle percussion and unfamiliar time signatures, powell pursues new modes of dancefloor dread but is unashamedly indebted to the past to: (amongst others) the propulsive funk of suicide, the linear surge of nitzer ebb and the uncompromising force of mika vainio. no wave new york remains more of an inspiration than bass-heavy london, as does the vision and encouragement of friend and blackest ever black owner, kiran sande. diagonal would like to thank downwards boss karl o connor regis for his love and support and, of course, for the bleak and brilliant rework he has contributed to this first release. thank you karl...

der bonobo klassiker aus 2003 jetzt erstmalig als reissue auf vinyl inklusive mp3 download code erhältlich!

this time plus 8 turn to spanish talent alberto pascual for their next four track outing.

four gorgeous cuts of pure, warm deephouse. dope!

four fresh & funky edits by french dj steef aka fred berthet.

vanguard sound is back with its newest record. chris mitchells phrenetic ep is vanguard sounds second release. coming on the heels of the wildly popular vanguard sound vol. 3, this ep continues to uphold the aesthetic created with the first release, while simultaneously expanding it. the phrenetic ep features four tracks from the mind and studio of a quickly rising north american talent that all walk the fine line between house and techno. all are very complex rhythmically, with both banging drums, and lush tones. a perfect 3 way marriage of classic chicago, detroit, and new york vibrations, the record contains set peaks, as well as transitional tracks that allow djs to traverse from house to techno and back. already receiving massive amounts of positive feedback, this ep is proving to be a more than worthy follow up to vs001.

limited black fabric box with four 12 inches by sebastian.

studio barnhus number nine is called zones within zones – it’s an ep by wesley matsell, who follows up his 2008 debut on border community with four brand new tracks: the unmaker (euphoric soundhack-meets-junior boy’s own rave smasher), ultra vivid parse (noisy chicago-on-‘roids stomper), mind vs. mind (trippy-as-fuck tech house funkster) and pyramideleven

following releases on mathematics, boxfade and vuzkid, chris moss acid returns with an extraterrestrial four tracker on holland’s 030303. the a-side features bay of cadiz, an eleven minute cut built around an hypnotic bass line and a simple hitchcockian synth that would do well in a horror movie featuring zombies with smiley faces. on the flip, lynchette matravers is an energetic, crystal clear banger reminding of early 808 state. the big freeze sounds a lot warmer than the title suggests and should please anyone into afx’s later output. the rhythm, the fourth and last track on the ep, continues on that vibe with beautiful synth work. chris moss may look like a nutter, this sure is serious sonic pleasure

whats this tune? is a question djs are asked frequently, though very rarely by each other. >amame< has been floating around a very select dj circle on limited vinyl pressing for some four months, and the question has evolved to >how can i get hold of this tune?<. amame is a murk production from oscar g and ralph falcon under the guise of intruder. any murk production is a rare thing, and a record of this quality and breadth of appeal is perhaps even rarer. effortlessly straddling the often tricky to navigate border between house and techno, it features one of the most hypnotically memorable vocals of the year courtesy of jei. already being championed by the likes of kerri chandler, dennis ferrer, seth troxler and even ricardo villalobos has ensured that all those loitering around the booths of dc10s closing party and fabrics birthday were enquiring of its story. now the story can begin to be told… for part two radio slave gets both sides of the record to render his unmistakable style and production qualities to the original parts. these versions are super heavy and intoxicating even by his standards. hand stamped white label pressing

matador is a dublin based dj,live performer and producer who has been releasing his own twisted but organic take on techno for the last four years. late last year came the huge kingswing ep on minus and now this spooks ep sees him step-up once again for a 5 track outing which balances his usual melody with a real techno drive. the title track opens proceedings with predatory, roughshod bass tone running underneath blippy melodies, snappy house influenced percussion and a dark male vocal where kenekt is all out sci-fi weirdness.spiralling space ships, undulating basslines and plenty of well-defined percussion all add up to a snaking track that really works its way under your skin.on the flip,b1 bambam is the most heads down and streamlined techno offering of them all before klay is the ep closer which manages to bend and drip little melodic droplets down the face of slinky hi-hats and deep,rolling basslines.

the magic of classic house music has always lain in the way it finds a soul in the machine, eking warm organic sounds from cold circuitry. and tracks dont come much warmer or more organic than >oranges<, a glorious eight-minute slow-burner thats the second single from wolverhampton producer mark es 2011 release stone breaker. >oranges< is a track that demonstrates how the simplest of ingredients — a quietly insistent four-to-the-floor rhythm, an understated bassline, synth pads that sound like the first intimations of a balearic sunrise — can combine to create something remarkable. anyone who has got the cd/digital release of stone breaker, of course, will know this already — but this release is the first chance to own this track on vinyl, as it was absent from the albums lp release. on the flipside is a remix of >oranges< by mark e himself: the appropriately-named space dub, a lindstrøm-esque reworking that transports the track from the dance floor to some distant orbit, drifting through space on a wash of lambent fuzz-toned synths. as different as they are, both tracks share a sense of both space and intimacy, a mellow charm that is evocative and inclusive. a soul in the machine.

four fresh housecuts by jaime read on pure white vinyl.

our new release has a particular importance in the history of wicked bass, being incidentally both the latest and the first to appear on vinyl. the four-track record comes from our long-time favorite kc wunderkind, huerco s., who evidently grasps his inspiration from literally everywhere, be it uk hardcore, pitched down american vibes, or even modern art. scoring no jack ep with three original tracks and a remix by the us scenes fresh discovery, braille (who is coincidentally one half behind sepalcure), as his first physical release, huerco s. embarks on a far-lying journey with even more to come.
support from: neville watson, locked groove, throwing snow, hackman ...

nice price deal !!! austrian techno label minimal soul return to the fray with a killer compilation featuring detroits own alan oldham aka dj t-1000 as detroitrocketscience and mathematics / matrix records artist kuba sojka. four great tracks lovingly mastered by austrian legend patrick pulsinger

new 12 inch heat from dj spider and hakim murphy on plan b recordings called kaiju ep. inspired by the giant monster fights that were part of the saturday rotations of network tv in the 70s and 80s sparked the inspiration for this 6 track ep. four futuristic bangers accompanied with two ambient soundscape pieces that take you on a ride through murky beats and lush sound textures. super banging chicago-new york hybrid release for the new year!

the eagerly awaited, second installment of vakulas ukrainian-based leleka imprint. four very different tracks each with his unique, trademark afro-cosmic-slavic-dub style. very special two-tone 180 gram vinyl, hand stamped and limited to 500 copies for the world. act fast!

having lain out it s darkened techno vision with the epic and enthralling inertia compilation over the last few months, delsin s little sister, ann aimee, is back. back with another bang, this time from mysterious vault series associate sawlin who drops four cuts of grainy, scratchy sounds with his techno dumping ep.

having announced the expansion of the vibes & pepper brand into record label ownership in consummate style with a timely reissue of the seminal claude young & terrence parker ep the 4 play, the parisian operation now is proud to present the new school of bumping house talent in the shape of tomska. the belgian producer has been steadily cutting his production teeth over recent times, with a few select remixes and releases that showcase his love for the sounds of chicago and detroit, something that is explored with aplomb on the four track mental raw ep. from the opening bars of >lets get it on< tomska shows undeniable ease for combining emotive melodies with a crisp and contemporary treatment of rhythms, with the snapping >everynight< a particular highlight.

huxley is fast becoming one of the brightest lights to emerge from an exciting nascent uk music scene, emerging from the underground clubs of london, bristol, leeds and glasgow. young producers are honing their talents to create new sounds influenced by the their exposure to house, techno, dubstep and garage music. when 2020vision approached huxley we specifically requested that he created a four track ep that truly reflected his skills. he responded superbly and produced the out the box ep.

following on from the well-received third instalment - the dance-floor-troubler that was deep space orchestras >ghetto science institute< ep - use of weapons number four comes correct with four tracks, four different production outfits and four very good reasons to shake anything you can on a dancefloor near you

after his very well recieved through motion ep in 2011 the now londonbased producer returns to aus with the much-anticipated placement ep. staying true to his roots, he delivers four tracks that contribute to the continuing conversation between techno, house, garage and beyond. with a strong focus on intricate detail, lush texture and glacial melody the ep is just as captivating on headphones as it is on the dance floor. the placement ep is currently being remixed by motor city drum ensemble & lone and the fruits of their work will be released as a 12inch single on aus in april so keep your eyes and ears peeled.

yellow machines latest release brings us into futuristic sci-fi territory with four slabs of bass heavy electronics. scanones original track >andromeda< is pure science fiction electro, where thumping drums collide with hoovers and twisted emotive space melodies. radioactive mans remix cuts straight to the chase with a full on robotic electro bass workout with wonky undertones, guaranteed to smash the floor. adjs remix is stripped back, intelligent and heavy, with intricate glitch patterns denoting uality future music. finally, sync24s remix is a minimal, dark and menacing beast, demanding heads down in the crowd, and watch out for the sub.

nice price deal !!! for its next release, mos calls on the services of label head aroy dee and perlon/rush hour man san proper to craft a beautiful four track ep entitled perfume. the truth of the matter is, after the friends had enjoyed something of a wild night out in amsterdam, they returned to san propers studio for a live session which involved a bottle of scotch!

stephan teams up with belgian q-ic(miditonal, fanatix,zoo records) to serve an incredible ep with four bangin tunes.

jonny white & nitins no.19 music turns up the heat with an incredible four t track sampler that is certain to set things alight at this years winter music conference in miami… no.19 music needs little introduction at this stage, having risen from obscurity in a few short years to become one of the most talked about labels on the globe, with some of the hottest producers in dance music. to coincide with this years conference the no.19 team has put together a stunning sampler featuring four tracks from the labels artists and friends. the sampler kicks off with the superb slo-mo house of la cueva, jonny white & nitins first musical collaboration la cueva. next up is the irreseresible clockwork. they deliver an outstanding slice of deep and ominous house heaven in the heady thing you have. on the flip and jonny partner in art department and all around good egg, kenny glasgow delivers a cool and deadly retro house feast that will leave them dead in their tracks…outstanding! finally, soul clap, tanner ross and sergio santos in the guise of sect are remixed courtesy of london house don jozif, with a shuffling super-jam perfect of the burgeoning spring madness… enjoy!!

diner city sound continues the super edits vibe where they left off, with a four-track release from mannmademusic! excellently crafted, all four tracks have a warm and deep feel. so much love is a particular fav! this will revive any dancefloor!

those cheeky texans are back with another sure fire strictly vinyl only four tracker of funky disco jams, disco reggae shananigans and boogie bullets. over the last 4 years the killer disco & funk crew have dropped almost 20 releases across their 45 & 12 inch labels all with one sole purpose to provide you the dj with enough ammunition to destroy the dancefloor with musical firepower . with their exclusive range of exclusive edits & tracks many fans have been picked up on the way including danny krivit, idjut boys, greg wilson, faze action to name but a few

part one of session victims haunted house of house sampler is already going down an absolute storm with the likes of dop, james teej, catz n dogz and tornado wallace declaring it >superb<, >inspiring<, >fantastic<, and bloody ripping, respectively. nows the time for part two containing four more cuts of the good stuff and by now you know what we are talking about here, deep, sample-heavy, rough around the edges but smooth in all the right places. basically good oldfashioned instrumental moods and grooves which will appeal equally to those old enough to remember the golden era of pork recordings as it will to the hip young vinyl heads with a nose for anything disco. enjoy, support and keep them peeled for the final installment part three coming very soon