huge kai alexi ep re issued on trax. all 4 tracks remastered for 2016

years 1984 on 3lp incl frankie goes to hollywood, u2, nik kershaw amm !!

2x vinyl compilation in gatefold + poster. techno, new beat, post punk, house, acid tracks included.

housed in a full colour sleeve with download code included.

jonah sharp & dj spun pair up as the loose control band to drop a punk-inspired single on rekids with remixes from label founder radio slave and shut boss ryan james ford. having released a large body of work as spacetime continuum (astralwerks) or alongside david moufang as reagenz (workshop), not to mention significant collaborations with the likes of terence mckenna, haruomi hosono and bill laswell, jonah sharp is unquestionably a highly respected producer. his seminal label reflective played an important role in the experimental ambient and techno scene during the ‘90s, whilst as a remixer he’s worked with music by nine inch nails, meat beat manifesto and matthew herbert. meanwhile, jason drummond has long been a commanding force within new yorks electronic music scene, such as running his prestigious warm up music series or his all night rong parties with regulars like dj harvey. hes also been djing and producing as dj spun for two decades, appearing on golf channel recordings as well as his own illustrious imprint rong music, which used to release music collaboratively with dfa. i dont understand sees a raw and uncompromising side to both artists as they layer a cacophony of murky bass, twisted melodies and mind-bending bleeps whilst drummonds turbulent vocals bellow throughout the mix. staying faithful to the original, radio slaves remix incorporates a heady rhythm with its rolling beat as screeching effects join a moody bassline. moving into techno territory, ryan james fords akihabara remix features rattling percussion and crystalline synths whilst his hope remix is built on an intricate drum sequence as soaring pads and echoing keys contrast with the originals piercing vocal.

after two impressive remix eps taken from ellen allien s seventh studio album, nost , bpitch control unveil round three with another heavyweight lineup of contributors stepping up to the plate to deliver their own interpretations of the queen bee s original works. this time around we re honoured to have alan oldham, eomac, amotik and xdb volunteering their services to bring a whole new dimension to the music from nost . each of the four artists has earned a sterling reputation, with a style all of their ow

having kicked the label off back in 2014 and been intermittent in releasing music since, cartulis music is back with the label boss at the controls for another intriguing dive into the realm of leftfield techno and electro. there s a playful bent to the snagging beat and squelchy synths on -horton- that call to mind the wobbly electro of metamatics et al, while -125 blacksmith- takes a slightly darker path without losing that acidic punch. -nael- finishes the ep off on a more experimental tip, allowing the sounds plenty of space to loll about in a dazed reverie that shares the unconventional nature of the more dancefloor-minded tracks.

amongst hip-hop fans, boogie down productions first two albums criminal minded (1987) and by all means necessary (1988) both loom very large. and for good reason: they both captured one of the late 1980s most important and influential crews at their highest powers of lyricism and musical invention. that being said, too many people sleep on bdps third lp, ghetto music. released in 1989, when the hip-hop world was truly beginning to explode and reach new heights of sales and exposure around the world, the album is arguably as powerful as the groups first two. as on by all means necessary, in the wake of the tragic death of original founder, producer and dj scott larock, krs-one pushed along mightily on the production side, with help from his extended crew. musically the sound created on albums 2 & 3 was funky, catchy, and continually innovative, giving him the perfect backdrop to build his edutainment syllabus. lyrically there was never a question about krsã power, and on ghetto music he continues to impress, teach and ask important questions. clear cases in point are two of the albumãs singles, you must learn and why is that? but he gets even deeper on lesser-jocked tracks like the anti-police thought-piece who protects us from you (still sadly relevant in 2017), ghetto music and world peace. still as strong and entertaining today as it was almost three decades ago, this new reissue is a perfect way for younger fans to embrace one of the most underrated hip-hop platters of the era.

earlier this year ellen allien dropped her seventh solo lp, nost, an ode to the music that has been at the epicentre of her career, and life, for over two decades. the album provided a link between the past and the future, blending influences from the very early days of berlin techno with contemporary sounds and, of course, a vision of the future. now we have the first batch of specially commissioned remixes, taking ellen’s original works in a new direction with four artists delivering their own interpretations of the music featured on the lp. emmanuel top, rod, k-hand and skudge are the first ensemble of techno titans to administer the remix treatment to tracks from nost

solid gold playaz hails from winsconsin usa. the duo, kenny gino & big mike are veterans of the midwest rave, techno and house scene and have released their incredible productions on moods & grooves, kanzerlamt, soulfuric trax, silver network, losonofo records. minds beneath atlantis was originally released in 2003 by jeff ks silver networks. jerome (of still music) immediately fell for this deep house 4 tracker and that record has been steadily in jeromes crates through the years. jerome remembers reaching out to kenny gino back then and they ve been friends since then. this reissue is a teaser for a larger project with solid gold playaz that will be released on still music later this year.

i try to make music that does not date. verrät der brite garry todd. seine neue maxi minds eye zeigt, was er meint. der titeltrack schaukelt sich mit vocalloop, kickender bassdrum und handclaps zum housemonster hoch. auf dream for you tanzt die stimme des sängers josh caffe magisch über pulsierenden grooves und den abschluss markiert die schnelle jack-sensation take control. auf vinyl gibt es zudem minds eye als ambient-edit dazu und digital kommt dream for you instrumental oben drauf.

different worlds music group/fat beats are thrilled to announce the lp and cassette release of the latest album from skizz (dj skizz), “cruise control,” which is skizz’s 2nd official producer-album. over the last couple years, skizz has been working extensively with your old droog, both producing and mixing his music, helping to propel the career of the young mc from coney island. he has also been touring with droog, making beats for other noteworthy artists, and helping start a new label, different worlds music group. this will be the 2nd official release from dwmg, with the first being timeless truth’s critically acclaimed “cold wave” album released this past february. “cruise control is a progression for me sonically,” says skizz. “this album takes you from where b.q.e. left off- it’s still that raw boom-bap, but this album is a bit more laid-back and melodious. it just feels good, like you’re cruising with your lady and the cool breeze is blowing through your hair!” skizz recruited a mix of veteran og mcs (o.c., planet asia, roc marciano, evidence, etc) as well as up-and-comers (your old droog, conway, hus kingpin, da villins etc.) to provide a sonically cohesive album that is set to be the official hip-hop soundtrack for the summer of ’16.

weichgeklopft und richtig glücklich: ellen allien meldet sich mit „turn off your mind“ zurück, einer ep deren titel darauf verweist, das es der berliner dj, produzentin und labelchefin um in klang gegossene monotonie geht, durch die der geist den leib verlässt und nur noch der körper im wind der bässe und rhythmen flattert. „hoo“ und „off“ heißen ihre beiden neuen tracks. sie sind schnell, fesselnd und roh wie ungeschliffener stahl. produziert wurden sie an der guten, alten roland aira tr-8, der roland tb 303 und einem jupiter synthie anfangs bei ellen allien im wohnzimmer - einem ort der sich perfekt für tiefschürfende zeitreisen eignet, um dann später im studio fortgesetzt zu werden. ihre beiden musikalisches trips gehen zurück ins berlin der neunziger, jener zeit in der sie gast und resident in legendären clubs wie dem e-werk, dem planet und dem tresor war und sich vom sog der nacht tief ins innere grober techno- und acid-sphären aufsaugen liess. beide tracks dehnen sich auf epische acht minuten aus, verbreiten durchdringende technomagie und lassen sie mit sounds tanzen, die zum bedingungslosen „lost in music“ auffordern. eine kraftvolle ep, gemacht für nächte, in denen niemand merkt das der tag jenseits der dancefloor-euphorie anbricht. zeitgleich zur veröffentlichung startet die bpitch control chefin eine neue party reihe mit dem titel bpitch boogy, die in einem berliner warehouse ihre neue heimat hat. und natürlich tourt sie auch um den planeten und stellt die treibende energie ihrer an die roots von techno und acid erinnernden tracks einem weltweiten publikum vor

from field recording to analog machines, sound design and acoustic instruments. - reflecting on the sounds of our lives and their perception by our mind, - four - ghosts - were born. - the spontaneous realisation of an emotional connexion with a sound (the birth) and the feeling it can create in our mind, body and soul. (the story) first, the ghost is born, acknowledged and captured: rain falling, airplane passing by, metal grinding, underwater impacts, birds in empty spaces or other sources of raw sounds combined to form a spectrum of emotions, a personality. then, the ghost is understood, carefully tamed, manipulated and controlled to become part of the host s identity by the pure continuity of the cerebral activity through the nervous system and the being itself. eventually the consciousness / awareness of the moment is integrated and the ghost becomes the experience. (the source)

tuskegee music was launched in may of 2014 by seth troxler and the martinez brothers. as a label of cultural heritage the intention is to package up 90s-minded 12inchs that reach into the heart of paradise garage and shed a light on a fertile period of influence in dance musics history. now - a year on from its inception - seth offers up just back a brooding 2-track ep that demonstrates perfectly his ability to control tension to rapturous effect and finally satisfies the vehement anticipation bubbling between his peers with whats set to be seths biggest and most important record to date.

solar one music is back with their the crystal issue series. after mantras debut now nigel rogers better known as perseus traxx presents his authentic chicago house on this series. moody synths, rattling drum machines and bubbling acid at its best. two tracks for the dancefloor and for your mind. limited edition on transparent green, smokey marbled, single-sided vinyl. no digital release!

some things seem to have a symbiotic relationship. prime example: a low-key electronic soundscape that leaves room for roaming thoughts, inhabited by an ethereal voice that colours in the musical silhouettes conjured in the minds eye. for his first ep since the >mango remixes< in 2008, sascha funke calls upon russian nina kraviz to make a feature appearance. with her releases on rekids, b77 and underground quality, this young woman has brought a rare combination of talents to bear: she sings, plays and produces with an equally astounding level of expertise. so what we have here is an encounter between of germanys most incisive techno producers and a singer of considerable charisma.

nice price deal !!! official release !
mind-blowing singles, eps, remixes (for the likes of simian mobile disco, little boots, royksopp, lykke li, au revoir simone…), a quickly-growing label (fondation records), and the night is his in most of the worlds major cities: danton eeprom had it all, to the exception of a long-playing record. after making a name for himself with hits like confessions of an english opium-eater, grindhouse or face control, it was time to go off the beaten path and show the way once again. would he go for a fairly logical sweat-ridden dancefloor riot? not precisely. not only. danton would make a revolution of his own, in dandy mode.
three words that will soon be on everyones lips: yes is more. in a cloud of smoke, over a tight booty beat and keys delving deep into thirty years of electronic music, the french londoner sings for good and is all axes out on >thanks for nothing<, making things clear from the very start.

in perfect timing for the 10th bpitch control birthday, thomas muller presents his third solo release. born in paris, the berlin-elect has been in the city for about 2 years. certainly his current location has left an indelible mark on thomas creations - his deep and highly detailed soundscapes were already evident in the last release, >seduction< - a clear idiom into an increasingly dark realm. his current work continues consitently and ambitiously in the same vein.

deep and jacking quality 3 tracker!! each track a sure club winner begging to be played for the crowd!! u cant afford to miss this one!!

prologue and juho kahilainen (bpitch control, frozen north, initial cuts) release a wonderful deep depressive giant ep called prophet without a vision. juho is recognized as a great electronic artist in europe with the right talent to take you on an excessive dance floor journey without any compromises. de:bug wrote about juho, everybody should take an eye on his productions. prologue shares the same opinion! juho kahilainen has produced one of the greatest summer hits last year on bpitch control and is back on prologue music with a mind-boggling ep called prophet without a vision, now. he is delivering perfect techno tracks with space consuming tunes and unbelievable deepness, people cannot really sit down... you must dance. but dont lose too many words about this prologue release, just listen to it and be surprised. mastered by oliver lieb. support from cio dór, oliver lieb, alex flatner, donato dozzy and many more to come!

jona is back with manta: a sick, expertly crafted new e.p. for get physical music. 24-year-old belgian jonathan troupin s true arrival on the house and techno block his debut 12- for get physical, the learnings. since then, he s chalked up another acclaimed e.p. for physical, tizia, not to mention assorted releases for labels like fumakilla and resopal red, and high profile remixes for michal ho, soffy o, daso and labelmates booka shade and m.a.n.d.y. jona doesn t mess about: title track manta immediately establishes itself as a no-holds-barred, peaktime club weapon, with a hard, pure-of-purpose kickdrum taking centre stage while kinetic drum edits and pressurized fx patter in, out and around it. a dizzying synth motif adds to an already mind-bending brew, while each successive build and drop ravishes the listener into submission. this is music to immerse yourself in, for sure, but above all it s music to really, really dance to. at this point you might expect the pace to let up, but b-side amon is a similarly hectic, energetic cut. all rolling bassline, acidic synth cycles, crisp percussion, jump-up vocal samples and surging narcotic effects, amon is a blast of magnificently controlled chaos for the party s more intense moments. the 12- draws to a close with exoplanet dub a no less formidable but certainly more spacious club track. its addictive, zig-zagging melodies reminding us of the more playful side to jona s music. with manta, jona furnishes us with three vehement yet elegant tracks guaranteed to turn a dancefloor near you inside out

pŸnktlich zum start der science-fiction-serie westworld, hierzulande auf sky atlantic verfŸgbar, erscheint auch der soundtrack des filmkomponisten ramin djawadi, bekannt fŸr seine arbeiten fŸr game of thrones, iron man und person of interest. die doppel-cd ist eine 34-titel-kollektion inklusive instrumentaler neuarrangements bekannter welthits wie back to black (amy whitehouse), black hole sun (soundgarden), paint it black (the rolling stones), a forest (the cure) und no surprises (radiohead).

2lp including insert with liner notes. chapter 1 out of 3. including classic tracks with music from daf, throbbing gristle, nitzer ebb, mary moeoer..

on a futuristic backdrop of piercing electro and sinister machinefunk, alex jann lands on mechatronica with a dystopian vision of the weaponised nature of software, and its mind-altering powers to exert control through data exploitation and infomaterial manipulation.

cristi cons lands with his debut on adams bite, serving up two pristine cuts of electronic wizardry. the label has previously meddled in strong 90ies aesthetics, delivering starry-eyed homages to days long gone. with the eternal wunderkind at the controls, things get kicked up another notch: following efforts from his peers, he is unearthing, deconstructing, and reassembling some of frankfurts halcyon days most essential sonics. drop the needle on the a side to access >black swan<, a contemporary house burner perfectly imagining the early trance experiments heard in the dark womb of dance music history. sprawling across the flipside, >ahead of the curve< finds cristi cons exploring the psychedelic side of this sound, revealing delicate details to lose your mind in and a playful bassline keeping bodies earthbound and flowing. zipping and zapping from goa to mainlandia via bucharest, there is plenty to fall in love with here. over and over again.

yugoslavian electronic music pioneers dejan stanisavljevic nikolaj bežek and zoran jevtic are beokraft.

repress of the 2012 album from tame impala. double vinyl in gatefold sleeve.

limited repress! cafe d anvers records, the label created from the same minds behind the infamous belgian club cafe de anvers, are beyond proud to present their very first release, coming at you on vinyl! throughout the years, cafe d anvers club made it their mission to provide nothing but the finest quality house music in a unique setting, this decades old, brightly converted church was thé home base for partygoers of every background and flavor. it is with this mindset they proudly present their first release, brought to you by the belgian duo capoon. capoon is comprised out of techno and house producer & djs jackjazz and lemakuhlar, who have banded together to form this fresh duo. the album title track takes the lead out of the bunch, as the a1 >i got soul (original mix)< blasts off to treat its listeners to a veritable assault of drums, basslines, stabs, and a classic soulful (no pun intended) vocal cut that guides the breakdown to its relentless climax. the frankfurt based producer reboot gives us the honor of hearing his take on the b1 side with this >reboots million souls remix<. very reminiscent of the minimal glorydays, this exquisite union of minimalistic drums, bips, bleeps and faded stabs provides us with reboots unique take on the original. french native, matt sassari takes control of the b2 side with his remixed version, relying on the modern days techno sound, yet keeping it progressively darker in terms of structure and vibe to top off the colourful sound palette of the album. last but not least, and with the dj in mind, capoon dedicated the a2 side to an a2 acapella track, servicing those who want that little extra for their creative needs!

van abbe is back with no comment presenting 2 originals, a monologue from guy tavares (bunker records) + an evigt mörker remix. what did you feel the first time you were stargazing? standing alone in a dark backyard with your neck bent and the light from a thousand distant suns glittering in your bright eyes. did the overwhelming sensation of your own triviality descend upon your young soul like a dementor from azkaban? or did an unprecedented yearning breach every fibre of your being, compelling you to break free from the shackles binding you to the very ground? if you are in the latter category, this music is constructed especially for you. its a spaceship built from wooden barrels and rusty metal crates, pinned together with a multitude of crooked nails. but it works. it really does. you just have to make your mind broad enough to fit your clumsy terrestrial body in the spacecraft. the booming engines and the melodic bleeps from the control panel will do the rest. soon enough you’ll find yourself surrounded by the very stars you used to gaze upon as a child.

the best of 90s trance on limited edition 4x12 inch vinyl, housed in a gatefold sleeve.

singer, songwriter, producer and violinist sudan archives has just released her sophomore ep sink. “sink describes the way i want my music to make you feel,” she says, “it’s inspired by my love of fluidity, movement of jellyfish and water.” the release caps off a highly active spring that included a slew of highly buzzed performances at sxsw (yielding praise from npr, paste, new york times, chicago tribune and more), both weekends of coachella, a tour supporting peanut butter wolf in japan, and a show-stopping performance at form arcosanti. she is currently gearing up for a run of european festivals while prepping for more soon-to-be-announced us dates.

the collective rhythm network (hamilton, canada), is a weekly radio show that focuses on underground dance music past and present. this ep was produced in celebration of the radio shows 20th anniversary, featuring tracks by detroits rick wilhite, ron allen and terrence parker !

following on from co-ops vol. 1 (counter004), counterchange continues the various artist series with an 8 track, double vinyl edition for its tenth release. joining the dots between a network of producers all pushing boundaries in their respective fields, label curator inland (aka ed davenport) invited boddika (nonplus), cassegrain & tin man (killekill, infrastructure new york), distant echoes (dystopian), pharaoh & yogg (the block tel aviv residents, parallax), patrik skoog (sample & hold, headroom) and bnjmn (tresor, tiercel) to all submit new music.
the result is a heavyweight, diverse trip through modern techno, presented in a hand printed sleeve featuring artwork by carina wittmann, limited to 200 copies.

the auckland-based, new zealand club night ‘haven’ has been a leading light in the pacific nation’s small underground dance music scene in the past year. from their home of the intimate backroom of basement venue whammy, founders keepsakes and jaded nineties raver have introduced the local night fiends to a diverse range of left-of-centre, techno-centric dance music in putting on shows with international artists from lo-fi australian electro wizard daze, to the harder-edged sounds of ansome and uvb.
now launching as a vinyl-focused record label, haven is attempting to push the best of new zealand’s new guard of outsider dance music to the international stage.

nicola cruz polishes off a trippy tryptic of cult releases for multi culti with espÌritu. folklorica s chosen lord, nicola cruz has shepherded the masses from the church of high tempos and brought trance-formed revellers down to earth with his fusion of crisp electronics and organic, indigenous vibrations. miraculously, he has brought this style of music to europe s major big room clubs and huge festival stages worldwide, pleasing crowds in the habit of being hypnotized by homogenous house music. espìritu de protección opens as a revelation, two seconds into the groove and you re deep in the tribe. you re dancing, everybody s dancing, things dub out, melt down, and a haunting vocal wisps through the room, tickling the crowd from their tailbones to their pineal glands. just as you recover from that spell, in fly the flutes. every yogi in the vicinity sways into the front and all of a sudden, you know you re getting laid tonight. that s the kind of power we re dealing with: cruz control. it s so potent we had to carefully extract the flute-a-pella and serve it up separately to use as a cult dj tool. on the flip side, not one but two slamming remixes of tzantza from disco halal-defekting russian duo: simple symmetry. vinyl lovers rejoice in the supreme exclusivity on the digitally unavailable folklorica dub, a supreme tranceformational party tool with enough flute to elevate the mind of the many.

following the ‘frequency vs atkins – mind merge lp’ (march 2017), featuring the collaboration between orlando voorn and juan atkins, italian label out-er (out electronic recordings) welcomes long standing detroit producer terrence dixon for a 21 track triple vinyl pack ‘12.000 miles of twilight’, out in july 2017. this is dixon’s fifth album and follows his last ‘badge of honor’ released back in 2013. the legend has been putting out material since the mid -nineties. recognized worldwide for his visionary, futuristic sound, dixon unites ages of inspiration traversing diverse musical styles including electro, jazz and minimal sci-fi techno. this overall hypnotic approach can also be seen in his parallel project population one, which appeared on out-er respectively in early 2016 with two-tracker solo ‘temporary insanity ep’, as well as in late 2016 with ‘temporary insanity remixes’ which saw the label offering reinterpretations from cosmin trg, pangaea, voiski and label co-founder simone gatto. ‘12.000 miles of twilight’ remains an experimental techno asset offering a non-linear, emotionally absorbing journey into the singular experimental edge of the detroit artist, pulling the listener in all kind of directions from the opening track to the closing finale.

soul jazz records’ new boombox 2 is a new selection of early rap music from the period 1979-83, with barely a household name in sight. featured here are some the earliest hip-hop records that came out of new york city following the enormous commercial success of the first ever rap record, ‘rapper’s delight’ by the sugarhill gang, in september 1979. artists and producers alike tried to jump aboard the new commercial possibilities of hip-hop. by the end of the year there were 30 hip-hop singles, all released by independent new york labels. the following year there were over 100 more, and so on.
boombox 2 is a triple 180g vinyl set (+ download code) that features extensive text, exclusive interviews and stunning photography by jamel shabazz, martha cooper and others.

afrika bambaataa, rapper, producer, dj from the south bronx, new york. afrika bambaataa is one of the originators of breakbeat djing and is respectfully known as the godfather of zulu nation and amen ra of hip hop culture. in 2007 has been nominated for induction into the rock hall of fame and in 2008 he has been honored by the bronx museum of arts. afrika bambaataa’s long career is pointed by many hits and masterpieces such as reckless, unity, just get up and dance and pupunanny. countless collaborations with artists such as ub40, james brown, boy george, leftfield just to name few of them. afrika bambaataa has recorded with many labels from tommy boy to capitol records and profile but it is with the italian label dfc (expanded music) that he has releases most of his recordings. bring it up is the new release on dfc label produced by dj/producer paul carpenter. this release includes three versions in big room/edm style along with a mega-mix and a full acapella collection of all previous recordings released by bambaataa on dfc label. two lyrics videos come to support the release.

chicago house legend mystic bill joins crimes of the future with two straight up jacking house tracks with bonus instrumental and a mind bending remix by scott fraser. bill torres needs little introduction to those fans of the original chicago movement in the late 1980 s and 1990 s, he produced a string of 12inches for the likes of trax and relief records whilst playing and holding down dj residences in some of the citties best loved venues. after remixing scott fraser s no word of truth release last year on his dx recordings label his first full solo release on crimes of the future has arrived.the a cut frequency 9 is a rolling jacker with rattling percussion and dark synth stabs to dement the warehouse dancefloor and very much in the line of bills trademark style. a2 sees fraser return the remix favour delivering a massive floor bumping remix adding all new drums, 303 and huge bassline giving a nod to the classic sound of those sex trax/ power music 12s from the 1990 s with his 11 minute mind control remix. the frequency cannot be controlled! side b has both the original and a bonus intrumental of the ship is sinking, a dark slice of jacking house complete with real tension and total mastery of the sampler for those able to spot it.

sherwood at the controls vol.2: 1985-1990 liefert 16 von sherwood produzierte oder remixte tracks zwischen electro, industrial, noise, hiphop, afrobeat und dub aus der zeitphase zwischen 1984 bis 1990. klassiker und raritäten, cd-erstveröffentlichungen und fünf(!) komplett unveröffentlichte tracks von lee perry, dub syndicate, bim sherman und african head charge. dazu ausführliche linernotes mit den entstechungsgeschichten der einzelnen tracks, archivfotos, lavelscans, uvm. alle formate unmixed.

nice price deal !!! kind gesture is pleased to present our first release, the vinyl debut of the masterful electronic musician tigrics. equal parts playful, delicate, and brooding, thin drum is a comprehensive exhibit of tigrics’ complete control over his machines.

tyler friedman returns to kontra-musik with a series of immersive wax maelstroms, adorned with the mind-melting artwork of rafaela drazic. every track on ccc: bb: bbb: jj is a controlled experiment in lysergic dance music, an examination of how far you can warp the constitutive elements of techno without loosing it s essential spine. the result is four evolutionary techno suites full of movement and life that make your brain move just as vigorously as your body. as the personal work of a composer creating soundtracks for artist projects - most notably as a long-term collaborator of the otolith group, the filmmaker collective spearheaded by pioneering afrofuturist theorist kodwo eshun - ccc: bb: bbb: jj sums up everything kontra-musik is about: dancefloor celebrations challenging the boundaries of expectation and genre.

continuing to release the gems, andreas gehm makes his super rhythm trax debut with a 4 tracker of on point acid house music that sounds both modern and classic at the same time. ranging from the crooning 303s of i dont dance through the lush detroitesque strings of there to the box working fire department west and the almost dbx like modulation on control your mind, there s something for all fans of real techno and acid music on here. super rhythm trax delivering the goodness again