Produced by the late James Marcel Stinson and released in 2001 via Supremat, a short-lived sub-label Tresor dedicated to a more abstract and experimental electro sound, both releases were conceived as the second part of the so-called Drexciyan Storms - a whopping stack of seven albums by the Detroit pair released under different monikers within a single year (the Tresor album “Harnessed The Storm” being the first). This phase marks a groundbreaking time for the duo, their cosmos breaking wide open, right at the dawn of a new technological era in electronic music production. All this is deeply reflected in Transllusion’s first album and single. Thematically, “The Opening Of The Cerebral Gate” and “Mind Over Positive and Negative Dimensional Matter” saw Stinson shift away from the grand narrative of the Drexciyan saga, instead exploring a sub-plot of esoteric concepts revolving around internal, mental and psychedelic tropes. Musically, it presents the electro genius at the height of his game.