Polish composer Olga Wojciechowska is a busy woman. While her releases have been limited, she's spent much of the last few years working on commissions for a variety of film, TV, contemporary dance and theatrical productions - including, rather surprisingly, a recent score for the Royal Opera House's production of Sidi Larbi Cherkaoui's Medusa. "Infinite Distances" is just her second solo album as an artist and offers a neat summary of her distinctive style, which blends elements of contemporary classical, buzzing and crackling experimentalism, slowly shifting electronica and drowsy but picturesque ambient music. It's a blueprint that makes for hugely enjoyable listening, with her penchant for combining beautiful piano motifs and woozy, layered electronics coming to the fore.