'Sqweltch' opens with a robust breakbeat marching over waves of metallic hisses. It forecasts the menacing sonic depths touched on throughout the album.
The rigid post-industrial aesthetic of the first track turns playful with 'Membrane', characterized by funk samples and a roaring synth line.
In 'Loculo' the dramatic intensification of feelings and the main theme are reminiscent of a John Carpenter-like urban set.
'Cimice' sets the scene of a warfare between a two-step rhythm and percussive gun-shots, both overseen by IDM style synth harmonics.
'Spazio Taglio' moves further into the field of concrète / experimentation. The delays and echo effects on the articulated drum patterns provide an hypnotic, yet bewildering perception to the listener.
The electronic warfare of 'Cimice' comes back on 'Lupi', a stream of beats and frequencies chased by Atari / early Rave melodies, before getting lost in a universe of data.
'Perdido Key' sweetens things up, lifting the listener to a heavenly state. Renaissance musical themes take over, leaving the stretched up hats as a mere background accompaniment.
'Innerarity Island' is an irresistible futuristic afro-funk composition, charming, sensual, as stimulating as virtual sex can go.
The closing track, 'Sam it`s a Cool Spider', returns to a rarefied, abstract setting, again dipping into the harmonics of metallic sound frequencies, perfectly interacting with the distant reflections of the previous Renaissance motifs.