Vanagloria barrels straight into the deep with the seismic bass rumbles of "Ode for Liars" with Laurine's signature percussive editing techniques driving the track through moody, cinematic terrain. The tension thickens with the appearance of low slung Balkan brass rising from the digital ether. Following that, "Daytona" shows Laurine shifting his sound, injecting a broken boss nova beat with long soft peals of Miles Davis-style trumpets stretching into elastic oscillations. The flip opens with the beatless "New Reality". American Poet Laureate Amiri Baraka's fierce Nixon-era poetic slam on the state of entertainment and it's role as equal parts distraction and social control are spit all over an eerie modular synth flutter and a huge rolling bass line. The tension created is enough to sustain a track twice its' length, but this is merely a taste of Laurine's haunting, world weary meditations on life outside of The Club. Eschewing meditation for straight groove, "Circulation" bounces through it's first half with tight percussion and a subdued acid that sets up more of that lovely modular business we heard earlier. Surgical syncopation holds the track together while the melody lifts you into the stratosphere.