Front View : Kafim, Qindek, Siwei, Thomas Hayes - FORM V/A - Form And Function / FORM001
Back View : Kafim, Qindek, Siwei, Thomas Hayes - FORM V/A - Form And Function / FORM001
Code:ccp-kl
Release:12.06.2018
Kafim, Qindek, Siwei, Thomas Hayes - FORM V/A

Kafim, Qindek, Siwei, Thomas Hayes

FORM V/A

Form And Function / FORM001

12 Inch

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Form and Function presents a compilation of 4 transcendent cuts with a different approach in mind. It marks the start of a new chapter where the label will focus on two styles. The Form series will have a diverse sound palette where the weird and beautiful come together. The Function series on the other hand have a focus on dancefloor orientated tracks. We kick off with this new trajectory with FORM001.

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Form and Function presents a compilation of 4 transcendent cuts with a different approach in mind. It marks the start of a new chapter where the label will focus on two styles. The Form series will have a diverse sound palette where the weird and beautiful come together. The Function series on the other hand have a focus on dancefloor orientated tracks. We kick off with this new trajectory with FORM001.

On the A-side, Kafim starts the exploration with “Kisin”. The trancey bassline that dictates the pace of this track, combined with a variety of distinctive sounds, make it sound almost otherworldly. As it defies the ideas of a vast structure, this trip almost seems to continue to an infinite space.

The second track on the A-side, by the hand of the only non-Belgian artist of this compilation: Qindek. “Two Birds” pushes the envelope with hard-hitting techno infused with dizzying noise and a joint-venture between high-pitched pads and repetitive low ends.

The B-side lifts off with modular madness by SIWEI. Kickdrums decide the tempo in a tribal way on layers of ambient sounds and hi-hats in different forms.

Thomas Hayes finalizes the release with “Non Solo”, which is partially slow burner: this track chooses to advance in a gradual manner, by appending elements, almost one by one. This progression continues until the climax, where you get some acid sounds that lastly continue to the end of the track.
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form and function
Kafim, Qindek, Siwei, Thomas Hayes

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