Following the release of their debut set, founder members Robin van Velzen (guitar/vocals) and Hans Christian Fuss (drums) became frustrated with their lot. Bored with “rocking out” as a two-piece, they decided to start inviting other musicians to join them on stage. That meant that each performance was unique, with new tunes – often improvised on the spot – being developed for, or at, every gig. It’s an approach that frequently paid dividends. One particular collaborative gig, with Mountaineer) and Sofia Fuss, went so well that both were asked to become permanent members of the band. into the studio to record a new album, some 15 years after they’d recorded their debut. As you’d expect with a new line-up, things are a bit different this time round. Whereas El Flaco was a stripped-back affair with most tracks featuring just guitar, drums and vocals, Bambi Davidson features additional bass, electronics and keys provided by Frank and Sophia. The result is an expansive but atmospheric album built around sensual, undulating production. Often magical and always immersive, the six tracks that make up Bambi Davidson are delightfully contrary. While pleasingly accessible and capable of inducing broad smiles on on each listen. This is particularly true of “Foxhunting” – reminiscent of fellow Claremont 56 with Van Velzen’s weary, emotional vocals riding a wave of vibrant colours. Hazy, intoxicating and evocative, it sounds like a horizontal anthem in the making. There are plenty of other highlights, too, from the hypnotic, pitched-down dub-disco-meetstouchy- feely rhythms and stargazing chords of “Hubble”, the four-piece’s most intergalactic cut yet.