listening to the bleak, cold piano and string sounds, we soaked in pain and sorrow brought by unforgettable love. trumpet and guitar casually played, performers praise the happiness of love.. jazz ballads invites you to appreciate the most delicate sound of love, presented by stacey kent, grammy award nominee, maureen mcgovern, winner of academy award for best original song, and clare teal, bbc jazz vocalist of the year in 2006. the album includes thirty everlasting and classic songs, which has been around for more than half a century: when i fall in love, the theme song of sleepless in seattle, and i love her, beatles s classic work reaching top 2 in 1964, i can t stop loving you, will you still love me tomorrow, the monologue by carole king, embraceable you, written by george gershwin, which was separately rendered by billie holiday and ella fitzgerald, james taylor s don t let me be lonely tonight, when you wish upon a star, best original song for oscar from pinocchio, bonnie raito s i can t make you love me, and dream a little dream, advertising song for ferrero rocher. with deep, touching, and elegant jazz melodies, jazz ballads will take you to savor the lingering taste of love and romance.

brimming with fall-esque attitude, guided by voices pop-sensibilities, and drive like jehu / fugazi / hŸsker dŸ style riffing, warm widow channel , the spirit of their influences into one totally kick-ass, brutally lo-fi rock sound - meticulously mastered by bob weston (shellac, mission of burma) at chicago mastering service - warm widow is the project of ex-tsuji giri frontman martin greenwood, and features zak hane of stranger son of wb on bass and lianne steinberg of breaking colts on drums ... info: manchester s warm widow never really intended to make this album Ð well, not in the way that widower presents itself anyway. this was supposed to be the scratchy blueprint for the actual warm widow album, recorded, you know, like proper albums are recorded: in a recording studio perhaps, with an array of appropriate microphones, with an actual producer (or certainly an engineer), and time to allow the band the breathing space to nail it , with additional options to try multiple takes and overdubs - in general, recording with a certain amount of control and ease.

whether it be blues, rock >n< roll, jazz or doo- wop -all these songs have an irresistible charm, guaranteed to make that christmas party swing. they range from guitar instrumentals (les paul - >jingle bells<), through to the hawaiian influenced