>island brothers< respektive >new wonder<, ist die neue single von bonnie prince billy & the cairo gang. aber es ist nicht einfach nur ein tontrõger mit zwei gro?artigen songs und einem tollen artwork, nicht einfach nur zwei weitere songs von zwei kumpels, die gefallen an der zusammenarbeit gefunden haben. es ist vielmehr ein versuch die musik zu nutzen, um menschen zu helfen, die zum ?berleben zunõchst mal etwas viel grundlegenderes brauchen, als gute musik. denn die gewinne, die durch den release der single erzielt werden, gehen direkt an die organisation edge outreach, die in haiti im rahmen von graswurzel projekten einheimischen den selbstõndigen aufbau und einsatz von trinkwasser aufbereitungsanlagen vermittelt. mit dem erl÷s aus den verkõufen von >island brothers / new wonder< unterst³tzen die kõufer der single edge outreach, domino and bonnie prince billy & the cairo gang in ihren bem³hungen die menschen von haiti mit sauberem trinkwasser zu versorgen.

re-issue of a 1951 rhythm & blues / rock release.

repress of the 1970 classic!

1971 classic by one of the greatest ensembles in the history of rock music.

playing and singing together since their school days in west sussex, smoke fairies (jessica davies & katherine blamire) create ethereal, dark and haunting left of center folk and blues songs wrapped in beautiful harmonies with the occasional psychedelic flourish. following an ep and two singles, they now release their first for third man records. the songs gastown and the river song were produced by jack white (white stripes / dead weather)!

one of rough trades island 50th anniversary selection - 50 crucial titles, specially selected by us to highlight the unique contribution this seminal label has made to british music since 1959. the results of nick drakes solo sessions were as harrowing and stark as anything by robert johnson or charley patton. enclosed in an inner world of psychological distress, drake recorded pink moons dispatches from a private hell that was simultaneously terrifying and beautiful. both the lyrics and the melodic motifs are pared to the bone here, their simplicity making them all the more immediately striking. the most nakedly emotional and disturbing moment is probably parasite, a visceral but mysterious account of a disconsolate soul roaming through the world in search of succor, with drake taking the starring role, ultimately offering, take a look, you may see me in the dirt. this was the end of the road for nick drake in more ways than one, but just the beginning for the scores of songwriters subsequently inspired by his bleak but beautiful visions.

seventh solo album and the follow up to you & me, which received raving reviews, entered the us blues charts at no.1 and was awarded the best blues album of 2006 by classic rock magazine, uk. sloe gin effortlessly ranges through heavy blues and acoustic numbers alike, a textured flow.

together through life is bob dylans upcoming 33rd studio album (around his 60th album if you count official live albums and compilations). dylan produced the record under the pseudonym of jack frost, which he used for his previous two studio albums, love and theft and modern times. dylan revealed that the new record was heavily influenced by the sound of chess records and sun records. in an interview on his website bobdylan.com, the 67 year old singer compares the sounds of together through life, to the 1950s sounds of blues singers willie dixon and howlin wolf. dylan has a tough record to follow after his 2006 release modern times won two grammys and became his first number one record in the u.s. since 1976.

electric arguments is the first fireman album in 10 years, and this song based album couldnt be more different than its predecessors. for those who dont know by now, the fireman is a collaborative project between music icon paul mccartney and revered producer youth. the pair first worked together in the 90s when they made two ambient dance albums. originally the firemans identity was anonymous and was eventually revealed by the press as being paul and youth. in september it was announced that the fireman would this year release their first brand new material in a decade and this time there was a big difference - the duo had found their voice. speculation began, one studio insider was reported as saying the new songs sounds like arcade fire meets led zeppelin. certainly so far, anyone who has already heard the album has commented on just how accessible electric arguments is, compared to the first two fireman albums. this album is an eclectic and diverse collection of songs that show paul is still interested in pure musical possibilities. each track was written and recorded in the space of one day. the fireman went into the studio with no plan or clear direction of how they wanted the album to sound. the project took a life of its own and the results will surprise anyone expecting to hear the previous sound of the band.

folk rock song with excellent female vocals!!