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It was his debut release on Luciano’s label, and was dark and funky for the most part, with the majority of the four tracks’ energy coming from percussion and raw beats (Kanzyani is currently working on an album for Cadenza, which will contain mainly new and unreleased tracks). ‘Love & Gratitude EP2′ is more heady and hypnotic. Throbbing beats and relentless kick drums drive the rhythms forward, whilst swirling synthesizers and experimental techno soundscapes diffuse the grooves, creating contrast and tonal changes. If anything, the gentle melodies and subtle musicality of Kanzyani’s three new original tracks here (the fourth track is a dub edit of the last EP’s El Circulo De La Vida cut) create a kind of dancefloor psycheism, where the mind moves in a different spatial plane to the feet, encouraging you to drift off into alternate dimensions. The first track ‘Mirvan’ is the heaviest cut on the EP, and has a tension and vibe similar to the raw rhythms that Berghain residents Ben Klock or Marcel Dettmann might play at the Berlin techno temple. When some pads fade in around the 2:30 mark, you can sense Kanzyani’s desires to coerce you into a dreamlike state. The sounds are infinite and all pervasive, like outer space, forever expanding beyond the reaches of any known logic or meaning. The beats are drowned out at points by the ever-growing black hole of sound, however the drumming is reliable and constant, like an engine that never stutters. The second track ‘Chanta Lopez’ is more housey, with a tangible bassline and more swing in the groove. Loose claps on alternating delay patterns keep the tension high in the first part of the track, before a metallic, machine-like synth cranks into gear. Unlike ‘Mirvan’, the synth has a recognizable melody and moves with purpose.