Both tracks drill down hard on a muscular programmed machine-funk style, combining elements of bass, electro, old school house and a touch of crude grime to create a pair of mutant club cuts designed to make the dancefloor work hard. Undoubtedly the most direct music released yet under the Spatial trademark, this is sure to satisfy and surprise his growing following in equal measure, while at the same time encouraging plenty of new heads to tune in to the progressive Infrasonics signal.

In his own words; “I find my most satisfying tracks always come from more improvised arrangements rather than intensive editing of arrangements. Hearing other peoples stuff that’s been edited to f**k definitely works but I just don’t wanna work like that myself. A lot of the early acid tracks were almost mistakes with a 303 running. I like that idea. These tracks are clearly a lot less minimal than the early material and the energy and choppiness comes from DJing out more again – that process really fed into these tracks.

It’s not just about being more functional, it’s about a reconnection with a vibe that I’d ignored for a while. I think any muso goes off on tangents. Took me a while to realise the worth of dance stuff again despite it’s functionality.” Alongside the normal free extra Creative Commons track available online to accompany this EP, there will also be further experimental musical content which will only be accessible from a unique weblink triggered by holding an artwork insert up to a webcam.