incl jonny rock discomix

known for housing a famous beastie boys sample, the reissue of the 1975 funk and fusion classic funk factory brings peerless polish and american players together for a groovy, eccentric journey. it was an album cut from this lp that captured a particular corner of the music-geek imagination for more than 40 years: “rien ne va plus,” from the self-titled 1975 album, had its reckoning with the canon when the dust brothers sampled major chunks of it for beastie boys’ “car thief.” “rien ne va plus” is a banger, all post-head hunters springy synth-bass. as for the rest of the album, funk factory can stray pretty far into the cheerier excesses of prog-jazz. it emphasizes the alluring strangeness of its more experimental moments, like the hallucinogenic haunted-house tour of “lilliput” or the banshee james brown vocal riffs on “horsing around.” “rien ne va plus” remains the top highlight. this album is proof that a core of musicians schooled in jazz but culturally steeped in the folk and classical traditions of eastern europe could, at least once, put out something that fit well with the crossover sound of the times while being unafraid to dive into freeform weirdness.
pressing on 180 gram audiophile vinyl.

this the second album by big funk factory d-funkt! the soundtrack to the story transaction declined traces the final adventure of dweeb droid and introduces aged rocker awm, whose perfidious character we will suffer a good deal more in the final chapter of the big funk epic bucky ball. anyway back to d-funkt! the band s usual cast features amongst others mat johnson (jamiroquai, laura doggit, julian perretta, duffy) as the nerdmeister general on keyboards. wayne nunes and perry melius (tricky, aswad, billy ocean) as that tall bloke and the metrognome on bass and drums

there is an alternative reality known as the big funk factory. those unsuspecting travellers who fall into this other place find themselves exposed to many characters and tales from this universe.

new 2014 re:issue from the dance mania catalogue!

there is an alternative reality known as the big funk factory. those unsuspecting travellers who fall into this other place find themselves exposed to many characters and tales from this universe. once inducted into this particular charged vacuum embodiment you have only one choice but to go on and familiarise yourself with the history and people involved in the hope that you ll find a way through to the other side, but beware the experience and sensations may be seductive, you may choose to remain. be aware it is an audio, visual and kind of literate assault on the senses. the beginning in the loosest possible use of the term starts with the creation of the creature known as d-roid. as a new entrant, before conducting yourself through each chapter, perhaps you should familiarise yourself with the characters involved in those disreputable individuals featured in this episode.

flächendeckender release der b4e lp des us-produzenten yung bae von 2018, die bislang nur in miniauflagen im eigenvertrieb erschien. yung bae ist einer der prominentesten vertreter des vaporwave-subgenres future funk, der electro-funk-sounds mit japanischen 1980er city-pop-samples zu einem verspielten disco-pop kombiniert. er spielte auf coachella, arbeitete mit method man, mike posner und jon batiste zusammen und veröffentlichte bis dato acht alben und unzählige eps.

straight from the windy city to your ears! factory music chicago presents a new release by label boss traxman himself, full of jackness and funk. highly recommended!

4 times great disco funk anthems! ltd to 500 hand-numbered blue vinyl

phat classic chicago acid house

producer : nu guinea, .... tartelet records and the vinyl factory join forces for a release showcasing remixes from two prominent americans and a great dane. ge-ology and byron the aquarius of sound signature and tartelet veteran james braun deliver three outstanding remixes of wayne snow s feel good tune nothing wrong taken from his debut album freedom tv . the original version, produced by naples-based duo nu guinea, is an irresistible up-tempo funk tune that has been getting serious spins from some of the most respected selectors in the game. ge-ology s in-reverse-reflip mix is a trippy ten-minute journey through layered in-reverse melodies and subtle acid carried by a tight, stripped-back groove. the result is a hypnotic gem that sits comfortably in any late night set. byron the aquarius slows it down for his live mix adding a playful bassline, live drums, rhodes and synth almost reminiscent of kool & the gang s 1974 hit summer madness . tartelet mainstay james braun steps back into the limelight after years of silence with a highly effective club mix, combining his signature low-slung house grooves with wayne s backing vocal, turning it into something that is both pumping and exotic.

fresh afro beat madness on legendary vinyl factory label ! inclusive kenyan singer ogoya nengo and stella chiweshe

from the age of fifteen, mark laird has been playing clubs and shows around ireland in venues like sandinos, the factory and a residency in voodoo venue. dropping his debut release on jelly red, laird continues to fly the flag for his country as a stellar producer and now joins fabrizio ulivieri’s hopera records, following up records by luksek & jun kamoda, classonix, last nubian, never dull, and hyas.

star wax, the famous french magazine, invites diggers factory for its 3rd compilation on vinyl. and what a compilation! we are proud to offer you exclusive tracks and quality music with this funk / hip-hop / oriental compilation, with tracks from 1976 to 2016 by artists such as geraldo pino, chayeb chbab, janko nilovic, 47soul, quiet dawn, sa’bat machine & tam ly, ahmed malek, last bongo in paris, or doc strange.

south london house label giant records offers up its eighth release. after a chance meeting on a london bus grant and david got talking about house music and the result followed in david sending grant these two wicked cuts, which were signed immediately david beigers dream factory ep is ladened with twists and turns of cinematic tech funk two original cuts here from german born david surface and dream factory, the later coming with a remix from grant dell grants take on dream factory is a heavy blend of tribal work outs, shaka zulu chants and shouts with some heavy sub-bass to boot featuring excerpts from mutabarukas the poem.

der nigerianische musiker fela kuti gilt als begründer des -afrobeat-. das label knitting factory legt nun verschiedene werke aus dem backcatalogue als vinyl-edition vor. -na poi- ist 180g schwer und mit einem download-code ausgestattet. 1971 aufgenommen, ist dieses album maßgeblich von einer reise fela kutis in die usa beeinflusst. dort traf er sich mit musikern wie the last poets, james brown und sly stone. die drei langen stücke sind von einem sich endlos wiederholenden percussion-getriebenen funk geprägt, wie man ihn in den usa von bands wie parliament und funkadelic kennt. das phantastische schlagzeug-spiel von tony allen ist dabei ebenso maßgeblich, wie die prägnanten bläser-sätze.

the vinyl factory is proud to present an 18-track vinyl edition of µ20, spread across three 12inch records. for a label thats existed in an orbit of its own, on very independent terms, its remarkable that planet mu has survived 20 years. pushing buttons from idm and breakcore to dubstep and grime, and lately footwork, mike paradinas’ (µ-zip) label has a strong history of joining the dots betweens genres by supporting idiosyncratic artists from label stalwart venetian snares to kuedo, machinedrum, boxcutter, vexd, falty dl, luke vibert, ital, jlin and mr. mitch to name just a few. µ20 is a living document of that history. a colourful and adventurous ride across the roster, the compilation features contributions from the current decade as well as some of the old guard, dipping back to the late nineties and early 2000s for a range of noisier, knottier track

mr. gerald henderson aka jammin gerald a true chicago house legend to the family! we are happy to bring you this great release from 1997 back & re-mastered on vinyl! (originally released 1997 as dance mania 220)

standard black vinyl - repress 2014
glorious and epic two tracker vinyl for bosconi records, this time by our favourite detroit techno duo the oliverwho factory. we used to be big fans of their madd chaise works and latest rush hour and planet e were awesome, but that percussive sound was different from what we knew from their past. we wanted them to give another chance to their more jacked out musical side in memory of the two masterpieces (and bosconi soundsytem favourite waxes) those were >the rhythm< and >the rain 5th wave<, and so we proudly got another timeless, soulfull, spacey and futuristic techno anthem called >take me away< darryl with his magic hands has created an ultra effective combination of energetic and groovy pumpin kick with a tight funky bassline substaining an upbuilding layers of dreamy synths and stormy noises while the voice of lashone gives that unique colour and atmosphere to the track that all the oliverwho fans love, dictating their original trademark sound. on the flip, takin inspiration from tama sumo panorama bar mix samplin the ow, we got an upbeat version of their slowmotion gem called >together<, that this time, thanks to altered states re touch of darryl and shone has become a proper and fat techno arena bomb, now just for the pleasure of absolutely everybody. you wont miss it, for sure

the oliverwho factory on dolly! the mysterious duo from detroit (madd chaise inc, planet e) delivers a relentless techno/house workout in two versions, with all trademark oliverwho elements present including soulful vocals. raw, deep, funky, soulful, futuristic... in other words: detroit techno as it should be. hot & rocking release!

not long after laxx’s debut release – the laxx ep, walsh and biscuit factory records are proud to bring another fresh face to the foreground. introducing farkas…originating from sweden, farkas, also known as joel metz, has already established himself as a regular favourite with leading swedish outfit all out dubstep. his soul and funk inspirations are clear to hear in his creative and unique style. this together with his excellent ability and understanding of various production techniques, show why farkas is going to be an artist to watch out for in 2012.

terpsichore welcomes the florian muller project with the marvellous >jam with it<. the funky live bass and the amazing deepness of its chords and vocals make this track a must for any deep connoisseur. florian created something special here! the oliverwho factory blessed us with two splendid remixes: hear their vocals and scream! last but not least, what would be a terpsichore release without jefferson velazquezs touch? deep as always!

catcalling from the depths of a city seen from the outside as crumbling, sonic grooves carve a path to the soulful detroit duo known simply as the oliverwho factory. first noticed across the primitive music sharing plateaus of a decade past, the oliverwho factory quickly gained notoriety overseas with a glasgow based distribution, and a keen sense of product importance, releasing rich, mood-driven tracks on vinyl, inspired by and resonating the roots of rock, pop, jazz, and r&b. earth near-silently stumbles with the distinct yet mysterious, funk laden blend of house and techno that oliverwho and shonie c. so naturally provide. like stepping into dreamscapes of unknown desire, the obscure flavor of owf s tunes keeps unconventional beauty and otherworldly adventure at the forefront of this duo s detroit-based soundboard.

brand new release from madd chaise inc. with more of a techno edge than previous outings. we think this is one of the most promising labels coming from detroit at the moment, along the likes of fxhe and underground quality - so do not sleep! >come with me<, the long-awaited >moonhacker< and >solitaire< are definitely club bangers, while >we are< is reminiscent of old skool soul sonic force. a carnival of funk, foot stomping, pulsating grooves

the detroit based madd chaise inc. imprint is as underground as it gets with only a few hundred copies of each released pressed. now, three years since their last antidote, the oliverwho factory emerge from their >rude awakening< to bring us another level of body jerkin future funk and galactic grooves that stretch far beyond the furthest envelopes of your mind

phat funky house remake of this c&c music factory classic with the powerful voice of thelma davis!

cool one sided funky house edit to this well known classic track !!

limited edition banana yellow double vinyl - first time on vinyl soundtracks from video game donkey kong country

holland-dozier-hollands funk & soul masterpieces - 20 tracks cut loud on 180 gram double vinyl.

sextet (1982) will be released on clear orange vinyl (with download code included) in a textured sleeve replicating the original factory release. dark and brooding, yet bright and funky, sextet is a firm favourite amongst the critics and saw a certain ratio refine the experimentation of the first two albums and deliver a masterpiece that is as off-kilter and weird as it is commercial and pop.

after releasing a brilliant and stomping three-tracker on kontra-musik white label last year, ex-durian brother harmonious thelonious returns to the kontra-musik family with an absolute gem of a record. this is everything we want dance music to be: characterful, playful and impossibly funky. harmonious thelonious is a master of crafting organic sounding rhythms but arranging them in a manner that reminds one of a 1970 s car factory. primal pulses running through modern assembly lines, gears and pistons covered in green lianas. the result is a perfect symbiosis between living tissue and mechanical parts - dance music for primitive cyborgs.

real name takeshi fukushima, takecha has been a key figure within japan’s electronic music scene for decades and belongs to the same pioneering crew as soichi terada and shinichiro yokota. now in his mid- fifties, ‘deep soundscapes’ is an album encompassing fukushima’s sound with every track written by the producer between 1990 and 2013. intricate percussion and crystalline chords set the tone in ‘deep drive’ before a funky bassline joins serene synths in ‘midnight things’. appearing in soichi terada’s mix for resident advisor (under its promo title ‘deep loop c’), ‘gradual atmosphere’ is comprised of a galloping beat and saccharine chimes, ‘factory 141’ sees takecha demonstrate a murkier aesthetic, whilst ‘rhodes detox’ is a definitive example of takecha’s flair for expertly balancing elements within his productions. an homage to shufflepuck cafe&#769,,, an old mac plus video game takecha would play on a black and white 9- inch monitor back in the day, ‘shufflepuck’ blends ghostly melodies with clicks, whirrs and pops. ‘calm imagination’ is a poignant affair from start to finish with its hypnotising atmosphere, contrasting to the more up-tempo ‘warm rondo’ with its soulful keys and purring low-end. tying it all together, ‘genuine innocence’ is a cut that takecha made two versions of, one with a solo from a pianist and another with more emphasis on the beat, the latter of which appears on this album.-

!! coloured vinyl !! killekill sublabel
„umwelt’s 12inch “… city” from 1999 was one of the most impressive 12inches i had at that time and i played the shit out of it. it was dark and very emotional, it was abstract but also driving at the same time. this was 1999 though, before discogs and before facebook and all the other platforms people have now to do research on artists they like and follow their work. at that time it was the record shop – and that was it. nobody knew this guy though, and i didn’t get my hands on any of the following releases, so in my world there was no follow-up to this record ever and i thought it would remain a one-off gem in my record box. until by some coincident i recently discovered he was still around and had actually released numerous releases in the meantime. i was very excited and contacted him straight away and ended up booking him for krake festival in the same year. undoubtedly his set was one of the best of the whole festival! he took the roof off the place with his mix of raw electro, industrial and rave and everybody was talking about it afterwards, saying it was the highlight of the festival! talking to him i learnt, that most of the tracks he played were his own, mostly unreleased. he produces without computers, all his tracks are single takes, there is no editing, no mixing afterwards, he only has a stereo track recording which is what it is. he owns a cutting machine which he uses to cut dubplates from his tracks, which he then plays out during his sets. this whole information about this very unique artistic approach just killed it for me, and since working with him was so nice as well, i asked him for a demo for killekill and its labels and was hoping for tracks i could make a great 12&#8243,, of. i got 14 tracks and after weeks of trying to pick the best, i finally realized i held one of the best electro albums ever in my hand – banging beats and the balls to go big and epic, subtle melodies, drama, funk – this album has got it all, and what’s most important, the music on it is the exact opposite of so much other music nowadays: it is emotional, it tells a story, it is easily recognizable and it is not interchangeable. it’s just umwelt.“ nico deuster

hot off collaborations with nottz (titans in the flesh ep) and madlib (bad neighbor lp), socal ambassador blu has teamed up with the paris-based production team union analogtronics (oj & gold) to unleash a new full length album: cheetah in the city. featuring dam-funk, phat kat, frank n dank, and more, the album signifies a stylistic sea change for blu, best known for his dusty, soul sampling collaborations with exile (below the heavens) and his own introspective opuses (her favorite colour, good to be home, york!). rippling with 808s and cinematic strings, cheetah in the city is an organic evolution from the synth-soaked, futuristic sound of analogtronics, union’s 2012 fat beats records debut album featuring talib kweli, mf doom, elzhi, guilty simpson, and more.

with the opening track -i see you-, silent riders offer up a brilliant pop diamond combining all elements of their distinctive sound palette. lu’s soulful voice bounces off almost funky drum machines, all drenched in layers of dark analog ambience. on the lush -copenhagen dream-, lu channels a sense of brit-pop nonchalance into a political song about the state of her city. in contrast, -being afraid- sees the band in their hardest grittiest mode - with lu reminiscent of pj harvey at her most moody and the slow groove behind her like a factory machine beating and releasing steam. other highlights include the chilling -static- and the ethereal beauty of closing track -falling- which sees the riders in their most relaxed and dreamy state, and echoes the works of portishead and massive attack. a stunning debut - limited vinyl release - don’t miss.

2016 repress - further heat from gay marvine, brightening up every floor with powerful uplifting dj tools, the essence of the heat of the party. this time we have lost disco classic that just gets you burning, the funk of war given the perfect disco treatment, diana giving it to you like only she could (and later michael would, his exact staccato style), and luv tempo of factory favorites who later had a member who completed her phd in the cultural politics of the house music aesthetic in 1995. serious business for any floor!

die verboten are a space rock band formed by david and stephen dewaele of soulwax, fergus fergadelic purcell and henry riton. this is the first album from die verboten, written and recorded in 2007, rediscovered and mixed in 2015. this lp consists of five tracks, dafalganger, white island, e40, nacht winkel and aquarius. it is the sound of classic german kosmiche, live drums, synths, percussion and a loose funk you only find in these kind of stretched fluid grooves. the album was produced by die verboten and recorded and mixed at deewee. artwork is by ill studio / fergadelic. die verbotens debut ep live in eivissa was released in 2009 via londons vinyl factory (now selling for over £100 on discogs) and was recorded poolside in ibiza.

deleted - einer der besten lounge-serien der welt, hotel costes, bringt nun in zeitlicher reihenfolge alle 15 bisherigen folgen auf schwarzem doppelvinyl heraus. jede der von stephane pompouganc zusammengestellten ausgaben hat ein individuell-exquisites tracklisting. vol.3 kommt mit 15 tracks feat. shirley bassey, gotan project, a reminiscent drive, lustral, coco steel & lovebomb, u.v.a.

mysterious >tallberg factory< worker release a debut on seahorse & castle label. dope analog house and on b side weird beat slow techno funk.

limited 300 copies / full picture sleeve /! we all know fred ventura, and it’,s nice to see that he is coming back again with a new track, co-written and co-produced with phil r., who along with having been a respected deep house and electronic music producer for years, is now wellknown for owning the only italian factory of vinyl records: phonopress. the track is a classic italo disco anthem, and there is an alternative, more “,italo-funky-disco”, version in the b-side. the sound and the track’,s structure overall are the typical ones from the mid 80’,s. this record is a must-have for all italo-disco lovers, oldtimers, fred ventura’,s fans and collectors. the finishing is high-end, with a cover coated with opaque uv, black innersleeves, and shrinkwrapping. the limited, multicolored splatter 180g edition manufactured with manual presses comes with a special sticker in the upper-left corner

modularz label owner developer presents his first lp, sold in three parts as a, b & c. the title named *in pure form* is a real wealth of work that developer has been creating over the last year. its a fairly large catalog of music focusing on raw rhythms, strong tools and powerful funk fueled techno. we do advise that this is not your average concept album with ambient and break beat type pieces that the market is flooded with - but instead a more straight to the point no filler type of lp. this is a massive selection of functional tracks direct from the developer factory of techno. already a huge amount of support and positive feedback received on this release from the global heavyweights currently playing a selected amount of tracks from this killer release

modularz label owner developer presents his first lp, sold in three parts as a, b & c. the title named *in pure form* is a real wealth of work that developer has been creating over the last year. its a fairly large catalog of music focusing on raw rhythms, strong tools and powerful funk fueled techno. we do advise that this is not your average concept album with ambient and break beat type pieces that the market is flooded with - but instead a more straight to the point no filler type of lp. this is a massive selection of functional tracks direct from the developer factory of techno. already a huge amount of support and positive feedback received on this release from the global heavyweights currently playing a selected amount of tracks from this killer release.
pressing on transparent, slightly marbled vinyl.

modularz label owner developer presents his first lp, sold in three parts as a, b & c. the title named *in pure form* is a real wealth of work that developer has been creating over the last year. its a fairly large catalog of music focusing on raw rhythms, strong tools and powerful funk fueled techno. we do advise that this is not your average concept album with ambient and break beat type pieces that the market is flooded with - but instead a more straight to the point no filler type of lp. this is a massive selection of functional tracks direct from the developer factory of techno. already a huge amount of support and positive feedback received on this release from the global heavyweights currently playing a selected amount of tracks from this killer release.

heavyweight legendary acid house music figureheads such as larry heard, phuture (dj pierre, spanky), armando, marshall jefferson, k-alexi, farley jackmaster funk and more all feature in soul jazz records new highly stylised album compilation of classic and rare chicago acid and experimental house music from 1986-93. first of two volumes of super-loud supreme audiophile 180gm double-vinyl housed in deluxe gatefold sleeves and polyethylene inners, complete with full graphic novel inside, contains complete full-length 12 inch original fully-remastered heavyweight chicago acid at its loudest and best. digital download code included.

california analog dream is the new single taken from the vondelpark debut album seabed. tracing the sonic history of the song from initially being a highlight on the bands debut ep sauna to inclusion on the debut full-length, feels like uncovering the story of the band that produced it. on the songs initial version rainsburys voice kept you at arms length. on seabed his vocal take draws you in, feeling magnetic and intense. it is on this song in particular that you can really mark the changes that vondelpark have been through over the past 18 months of recording. rainsbury describes seabed as a coming of age record, and that is something that could just as easily apply to the impressive transformation vondelpark have made during its conception. on remix duties is fellow r&s artist bullion who always delivers the goods with his remixes and productions, on this mix he seems to be channeling a funky lower east side new york vibe, circa 1979. next up are dfa artists factory floor who deliver a signature industrial acid workout perfect for the dancefloor. pressing on white vinyl.

aquarium eyes ist das zweite album des österreichischen duos ritornell. ihr erstling golden solitude erschien 2009 ebenfalls auf karaoke kalk. akustische und elektronische klänge verschmelzen auf aquarium eyes. aufnahmen, die mit viel liebe zum detail (unter anderem im studio von patrick pulsinger) entstanden sind, werden behutsam in den ritornell-klangkosmos eingewoben. durch subtile elektronische verfremdungen entwickeln instrumente wie klavier, kontrabass, vibrafon, kalimba und akkordeon ein überraschendes eigenleben, um sich momente später im zischen und fauchen elektronischer gerätschaften aufzulösen. unterdessen werden sie umspielt vom funkeln mehrschichtiger elektro-akustischer drones. einzelne organische geräusche und sublime texturen komplettieren die detaillierten arrangements.

vinyl re-release of dam swindles debut ep on dirt crew recordings, the amsterdam newcomers nothing else matters ep features a crackin deep and soulful sound, heavy bass lines and funky beats on the originals. the massive morning factory remix was a big hit for the label. in this special vinyl version you will also find the excellent remix dam swindle did for elefs keep it physical as a bonus track.

the citizens bands second instalment for ramonas favourite label hollows their long lasting love affair. christian beisswengers (cb funk, one half of arto mwambe) is nothing less than dealing with the demise of an empire. >broken rome< is a codeine trip through early nu groove rave tracks as well as an ode to junior vasquez at the helm of the sound factory seen and heard through frosted glass. >densed< on the other hand tips its toes into the current deep house stream with an arto-mwambe-like hook and a thumping bass line. the spaces in-between those rudiments are taken up by the idm finger exercise and jewel that is >into<: ottoman dancing!