massive remix package of the daft punk soundtrack from “tron: legacy”. limited double vinyl in gatefold sleeve.

“brule” is the new ep from the band contrefacon, featuring techno, rave, and acidcore influences, with nods to iconic acts like daft punk, the prodigy, and miss djax.

ltd 12 inch - 4-track ep incl dl card, sounds from four tet to daft punk...copies are hand signed

24 massive indie disco

twelve artists pay their tribute to the music of daft punk.

pure blissful daft punk - roule style ..

dj vas is back with another killer volume of his re-edits & more series! dj vas is primarily known as a member of pioneering 90s french house band, kojak. when the 1.0 french touch wave was blowing the world, kojak was one of the fourth most popular acts in france alongside daft punk, air or cassius. now more focused on his solo career, this talented dj, producer and sound engineer maintains a stylish wide musical vision, and manages to find the perfect balance between styles. for this specific project, he practiced the very special game of soul-funk and disco edits. following the success of his prior efforts (edr017, edr018, edr022 & edr024), dj vas is back on edr records, pursuing the series with this fifth edition: 4 new tremendous reworks, finely cut and re-produced in complete new versions, and filled with this classic french touch twist! his production is a brilliant mix between fine techniques, deep respect of the originals and real personality. in short, dj vas music is contagious, warm and always sharp!

dj vas is primarily known as a member of pioneering 90s french house band, kojak. when the 1.0 french touch wave was blowing the world, kojak was one of the fourth most popular acts in france alongside daft punk, air or cassius. they built a strong reputation with more than 25 singles, 2 albums, 1 dj compilation and more than 30 remixes with amongst them the famous one for “deep inside” by mary j blidge. now more focused on his solo career, this talented dj, producer and beatmaker maintains a stylish wide musical vision, and manages to find the perfect balance between styles. for this specific project, dj vas practiced the very special game of soul-funk and disco edits. following the recent acclaimed release of his re-edits & more vol.1 (edr017), he’s now back on edr records with a second volume even hotter: 4 new tracks made for the dancefloor, finely cut and re-produced in complete new versions!! his production is a brilliant mix between fine techniques, deep respect of the originals and real personality. and with their new fixed tempo, these forgotten treasures should quickly find a new life close to modern productions. in short, dj vas music is contagious, warm and always sharp!!

byron the aquarius fires up the mpc for a journey into the stratosphere, bringing the heat for ele records 3rdedition with planet rock, a jazz infected keyboard jam with chopped hip hop samples echoing into the cosmos. cozy bear follows with nudi riddim a delectable mix of african percussion, jazz samples and acidic basslines. on the b side we find more hip hop infused methodology, with glenn davis digging into salsouls back catalogue with his huge summer anthem holdin on. finally, unknown artist is back on ele following on from the huge anthem ru$h. this time it s back to the mpc with a daft punk style 90s disco banger fade (never know).

new album from canadian singer & producer the weeknd, featuring appearances by daft punk, lana del rey, kendrick lamar and future. translucent red double vinyl, housed in a gatefold sleeve.

first in a series of versatile records 20th anniversary re-mastered vinyl repress is this double sided classic offering with the daft punk remix of i:cube * disco cubizm* on side a and an unreleased pass of dj gregory remix of venus * cheek* on side b.

fresh from stealing the show last year with his daft punk collaborations, the guitar wizard nile rodgers has teamed up with cr2 records once again to create the do what you want to do (ims anthem).

dj vas is back with another killer volume of his re-edits & more series! dj vas is primarily known as a member of pioneering 90s french house band, kojak. when the 1.0 french touch wave was blowing the world, kojak was one of the fourth most popular acts in france alongside daft punk, air or cassius.

andy meecham is a man of many musical incarnations and has been since the early 90s. following on from projects like the now dormant bizarre inc and revived dub-disco duo chicken lips, it is as the emperor machine that he explores his most experimental sounds. to date there have been three full length albums on dc recordings after the project was initially started with the idea of creating music using just one synth, the roland sh-3a. the results lay out the staffordshire mans love of vintage synthesisers for all to see, and combine tough edged disco beats with more cerebral cosmic melodies into alluring soundscapes that bend your mind and drive your feet. as well as a slew of 12s and lps, the emperor machine has also turned his hand to remixes of giants like moby, daft punk and royksopp, and has previously taken a live and inspiringly psychedelic incarnation of the project to clubs and festivals across the planet.

jackson & his computerband entstand im dunstkreis der letzten disco-funken der french-house-bewegung, aus dem auch daft punk und phoenix entsprangen. jackson zerlegte den filter-house seiner vorgänger und vermischte orchestralen bombast, techno und gothic-hiphop zu einer eigenwilligen mixtur, die einen hauch von post-millennium-barock in den rave zurückbrachte. doch im gegensatz zu daft punk und phoenix verschwand jackson danach in der versenkung, um nun endlich - als neuberliner - den langerwarteten nachfolger abzuliefern. *glow* ist ein lustspiel aus musikalischen obsessionen und furiosem vergnügen, das nur jemand erzeugen kann, der mit hardcore-techno sozialisiert wurde, aber im laufe seiner entwicklung zeitlosen pop und den unklassifizierbaren funk eines prince lieben lernte.

dj support: danny krivit, tony humphries, karizma, atfc, jask, faze action.

the model is no stranger to gigolo, and we (the royal we) are no strangers to the model. as a supporter of gigolo records, you, our fated reader, should be familiar with our protagonist previous gigolo adventure. but in the words of the late george harrison, >all things must pass< and with this in mind we would like to reintroduce...
the model doesnt just have his own sound, he has in fact attempted to engineer his own genre: dark-techno-baroque. the sound has been crafted through a penchant for aristocratic mannerisms and a passion for high fashion and low fetish. it also happens to pretty succinctly sum up part of his unique personality. set against a backdrop of refined charm, there s an underbelly of something dark and brutal, which is possibly the best way to describe the a-side >in the night<. in many ways this could be seen as a return to form for gigolo, immediately poppy but structured as a classic song with haunting vocals underpinned with a driving techno rhythm. to further consolidate the techno aesthetic look no further then >flex on the b-side and you have a pounding track that could have been played by daft punk in 96 and will probably find a home with a diverse selection of djs today.
the >vampire funk ep< is the first release from the models forthcoming album on gigolo. the concept is in the same vain, but delves deeper into the dark-side of the model. exploring his fetish with the night and creatures that occupy its opulent corridors. like classic transylvanian tales the music from this album will present details that set the mood and composition to create tracks with narrative regardless of lyrics or words. the result being music that moves both bodies and minds and stirs the blood. as pretentious as this sounds the author of this mindless scrap of paper has the fortunate privilege of speaking from experience. as the mind that moves the hands that moves the keyboard is the mind that is being moved by the music as i type and you read. so we are already part way there. the rest will unfold in the coming months.

support by soulwax, justice, digitalism, zombie nation, boys noize, daft punk....on the occasion of the international financial crisis the two guys from modeselektor, gernot bronsert and sebastian szary, decided to found their own label, monkeytown records, to create a platform for befriended artists. >anything pharell williams does, we can do better.< modeselektors buddy siriusmo personally invited himself to be the very first artist on monkeytown records and will be no. 001 of the still virginal label catalogue.

already played by many electro djs and now finally available in a very limited 2x 12inch handstamped package: the lady ultimate album by duracel. his sound has been described as: >daft punk with a twist.< >dark, but funky with influences of kraftwerk, air and the tuss. this is minimal electro. essential!< only 250 copies worldwide. guaranteed no repress

between daft punk and thrill me. people are screaming after the second break. the best club tzrack ever produced by the major boys!!!

thomas blanchot, 40 years old percussionist and drummer, started his production structure mato production in 2001, with which he collaborated and directed for many projects. composer, music publisher and producer of music for tv, advertising, films and records, he also began a career as reggae producer since 2006, under the name -mato-. since then he’s released music through various projects concepts, coming out through labels such as makasound, edr records or big singles. in the meantime he developed a real trademark: taking over classics french, hip-hop, or pop song, into roots reggae-dub new versions. besides since 2010, mato’s built a solid reputation thanks to his many remixes of hip-hop classics on stix records. it is therefore natural to find him back with a new attractive concept on the favorite recordings’ sub-label: seasoning the notorious -homework- by daft punk, with his special reggae-dub sauce. once again mato achieves a brilliant rendition with this homework dub, making almost dreadlocks grow on the french robots’ heads! using kick-effects, delays and roaring bass, he reinvents one of the most famous albums of electronic music, as if it was straight-out from scientist, king tubby or mad professor’ studios in jamaica.

twelve artists pay their tribute to the music of daft punk.

das deb_talbum des Österreichischen trios gudrun von laxenburg vermag es gekonnt die brachiale, kantige elektro-energie ihrer schwei?treibenden liveauftritte auf den tontr›ger zu transportieren und dabei doch zug›nglich zu bleiben. genug popappeal um neben justice, daft punk & co im radio zu laufen.

dj cam ist zurueck mit seinem siebten album. die ep swim war der vorbote, dort zeigt chris james, der kopf von stateless, seine faehigkeiten am mikro. inspiriert ist er noch immer von jazz und hiphop, was ihn 1995 zu einem der pioniere der triphop-szene werden lie§. als einer der wichtigsten koepfe des -french touch- hat dj cam bisher sechs alben veroeffentlicht. er hat seine karriere im gleichen zeitraum wie daft punk, air, cassius oder bob sinclar begonnen. seine single summer in paris von 2002 mit anggun hat sich ueber eine millionen mal verkauft und bleibt ein wichtiger tune des pariser -dolce vita-. seven beinhaltet anteile gut gemachten pops sowie folk, anleihen von oldschool electronica und ambient - tunes mit einer sehr bildhaften atmosphaere. saenger chris james von stateless erinnert mit seinem gesang auf dem zweiten stueck swim an radiohead, einem der groe§ten einfluesse des albums.

darren cunninghams eagerly awaited new album is an adventurous, ultramodern, thoroughly british affair. determinedly off the map and resistant to pigeonholing, cunningham is an enigmatic and playful figure, citing francis bacon and monet as inspirations alongside theo parrish, anthony shake shakir, daft punk, binary codes and numeral systems, and the avengers. the south londoners acclaimed debut lived up to its name: a series of dreamlike sketches and ideas. for splazsh the fog has lifted, the sounds are less submerged than before, but still sticky and close a signature combination of exuberance and introversion, luminescence and puzzlement. actress has quickly and justly become one of the most respected names in the uks new dance music underground.

cocker kicks off a collectable series of bargain-priced finders keepers compilations made to support the label in light of the recent warehouse fire at pias north london depot. a long time fan of the label and their doings, he was granted full access to rifle their catalogue and hes picked some absolute treats for ya, including, if were not mistaken, some which have never appeared on cd before. to start theres the perspicacious poetics of carol battens beeing, besides the legendary pseudo j-pop of yamasuki (made by none other than thomas -daft punk- bangalters dad!), besides a first cd appearance for jacky chalards super man, super cool from the cache cache 12-. youll also find a nugget from the stone soundtrack, one of the labels finest moments from amrals trinidad cavaliers steel drum orchestra, the glam prog of gongs rational anthem, balearic prog from fusioon, tender folk from jane weaver with wendy flower, and a bonus moment in jean claude vanniers au desepoir des singles. top picks, well recommended!

wiederveröffentlichung des ursprünglich 2004 auf daft records erschienenen albums und zum ersten mal auf vinyl.

last copies arriving in january for a special price!
since it’s inception in 1991 on the streets of glasgow, soma records has stood for uncompromising quality of the highest level in every area it operates. stuart mcmillan & orde meikle formed slam during the acid house explosion in the late 80’s and then together with friends glenn gibbons & dave clarke they forged one of electronic music’s most widely known and well respected labels. with mcmillan & meikle as the figureheads with their slam project and influenced by the early detroit techno scene, soma quickly began to develop it’s own sound and with their eyes firmly fixed on a vision of the future, the team began the quest to instill their unquenchable thirst for electronic music into the world around them. soma quickly became an international brand as slam’s anthemic “positive education” brought about an electronic renaissance that saw the group thrust into the limelight and green lit the furious rise of the label.
limited edition 5x12 inch box set with illustrated vinyl sleeves, poster and stickers.

grinding walls is the soundtrack composed by dirk ivens in collaboration with sigillum s for a film created by the visual artist petulia mattioli aka koma. originally released by daft records in 1995, this work is pressed for the first time on vinyl including all original tracks plus some bonus songs taken from -no pain no game- and other old compilations. limited edition of 550 copies on double green vinyl, gatefold sleeve, printed inner sleeves and numbered card.

limited edition of 550 copies on double green vinyl, gatefold sleeve, printed inner sleeves and numbered card

great return of the classic and pioneer band of the french funk scene! after a long absence, malka family reformed, burned some scenes and composed a new album without changing anything to its magic formula. recomposed with almost all original musicians, they come back today with a new album, le retour du kif. at the heart of a still popular and multicultural marais area in paris, young musicians gather to jam. this is where malka family is formed. their first self-produced album, malka on the beach, was released in 1991, and gigs were immediately chaining up all over france and europe, famous for their eccentric costumed performance and after-parties. in 1992, warner france signs them for a second album tous des oufs, a real p-funk space opera with guests such as sidney, dee nasty, marco prince (fff), or juan rozoff. they will then traveled france, switzerland, italy, holland, denmark, namibia, japan ... and in 1994, the band becomes independent again and records an ep for big cheese records, titled fricassee de funk. after a final tour for the third album, fotoukonkass (bmg) recorded with renaud létang the band finally broke up. at a time when daft punk is using funk artists to support their performance, when bruno mars & mark ronsons uptown funk continues to make the crowds dance, it s time for the original funkateers families to come back and teach a lesson to new generations. after the band reformed and started touring again since 2015, they quickly decided to record a new album and to leave on the roads again

before boogie funk had a resurgence in 2012, ruckazoid was dropping rare funk albums in 2004. his demos were floating around la, but it wasn’t until 2009 that breakbot remixed ruckazoid’s original “life’s fantasy”, which was later released in 2011 as an original track titled “fantasy” on ed banger records. fantasy became a breakout hit scoring a #1 single on itunes. in 2013 when daft punk released “get lucky” featuring pharrell, funk was officially back in the mainstream. those in the know knew breakbot & ruckazoid helped rekindle the funk flame worldwide. after all, the label ed banger is headed by busy p, and busy p managed daft punk. suprinsingly, ruckazoid did not tour with breakbot, opting to stay in the studio to record more albums. amazing lover being one of these albums, with love game becoming the lead track.

besides launching his fresh bodybuilder quartet series (qsb), inaugurated by scott franka, nachtbraker unveils yet another quartet: four records in the the trophy quartet series (qst). both these two quartets will be released over the course of the next two years. the trophy series will cover the warmer side of the house music spectrum. and who better than parisian boy-wonder tell (banoffee pies, skylax, rutilance) to kick off proceedings with the brilliant faster than light ep. last year he released hope springs eternal on qs003 which was an overnight succes after getting rinsed by heavyweights like jeremy underground and dam swindle, so a proper solo ep was inevitable. on the a1 tell serves up some intergalactic french filter house dubbed faster than light which brings back the daft punk and armand van helden vibes of our walkman-days. we all just love filters, admit it. its true. next up is yall feel that honey (paradise mix), a tune with undeniable swing and moody chords that ultimately collide beautifully with a delectable big room piano riff that will stay in your head for days. b1 opens with a leisurely-paced jam called “what can u do for me”. it’s the ‘pretty one’ of the ep, the one girls fall in love with and boys hate to love because they know he’s hot stuff. a high pitched vocal, asking what you can do for her, flies over rubbery rhodes chords with neat percussion keeping you on the groove. the ep closes with b2 vamos a la playa. keywords: coconuts, sand, bikini, six-pack and tan. vamos! large and in charge.

tough new moves from newcomer boner m on the much loved dont outletalso features sought after subhead track on vinyl for the 1st time techno as it was in the 90s and early 2000s is hard to come across these days.gone are the killer intense riffs and hard beats that did the damage on dance floors the world over.well as usual,sidestepping the current fashions and delivering nothing but great quality off the wall techno music,dont recordings returns to smack the ball right out of the park with a brand new heavy techno 2 tracker cut extra loud for your pleasure.maverick techno legend subhead steps up and delivers intense rave-o-gedden of epic proportions. this ones been doing serious damage via cd and via the with vocals version on tunebox records for the last 2 years and has been the most asked about track of both subhead and label boss jerome hills sets during this time, with constant requests from djs to make it available.on the b-side dont brings you the debut release from a formidable new talent boner m whose track zoidar melds hard techno and disco together with distinct ease, but the results are far from what youd expect of these two genres colliding.less daft punk and more in your face overloaded bass funk. look out for more from this guy in the future.support techno before it becomes extinct!

ian pooley makes his debut appearance on simple to kick start what is shaping up to be a bumper year for the label. german ian pooley hails from mainz but recently found a new home in berlin. ian is well known as a remixer and for his own prolific output bridging the gap between techno and house, creating superb tracks such as the massive >celtic cross< & >chord memory< on the force inc. music works, as well as recording more housier and disco orientated workouts for labels such as john acquavivas definitive recordings, effective records and nrk sound division. ian has also remixed for daft punk, the cardigans, the beloved, green velvet, modjo, nick holder and many more. ian has recorded two albums for v2 records, his debut >meridian< was a classic late 90s pooley album, full of tech-house delights and including the massive >whats your number< as remixed by jazzanova and bob sinclair. followed by huge albums >souveniers< and >since then<, and most recently >in other words< featuring robert owens, tim fuller and perry colo. most recently hes been busy djing across the globe, producing new music for the likes of us and producing for artists such as get physicals dj t. nightscape - a deep, heads down house groove that locks you in with its lovingly crafted percussion and beautifully bouncy bassline, whilst the wistful, melancholic pads are food for the soul. ians experience in production shines throughout the ep, making the tracks as much of a delight on the head phones as they are on a function one soundsystem. difference (jupiter/eight mixes) - intricate percussive rhythms combine with a rubbery bassline and rich poly stabs to set the tone. strings build and release the tension and a delicate piano riff brings the soul. the evolution of the patterns sees a heady crescendo for the floor. for the >eight mix< ian reworks the stabs and bass-line and pushes out a more straight ahead groove

strip steve (19) is a new face from bordeaux (france). after a 7inch on arcade mode, boysnoize records presents 4 tracks that go from daft punk infected french filter disco to bouncy dance mania fame...

on the genre smashing what she wants, metrics productions have become more assured, as have the range of influences he brings into his music. inspired by everything from jacques le cont and daft punk to his obsession with bad 80s records and krautrock rhythms, metric chops up the beats n vocals here like if he were prince signed to ed banger. slamming tracks like oh percolate with ironic electro pop synths and brash hip hop attitude, while breakin hearts seduces with chunky guitar glitch given the trademark metric acid wash. the e.p.s cheeky power culminates in the title track, what she wants, a squelching dancefloor stormer whose chunky hooks bring rude rock intensity to electronic club thump

nice price deal !!! joia records has been the launching platform for all the leading swedish producers. steve angello, eric prydz, sebastian ingrosso & axwell have all featured on joia (or sister label nero records) helping to raise the profile of all concerned. involved in the production scene for over a decade, dutch wonder producer, laidback lukes boast an impressive resume of tracks – responsible for remixing seminal artists including green velvet & daft punk, alongside his original work through virgin, stealth, refune & of course steve angello s last size release – killing the kitchen!

i cube is one of the most respected french producers of sophisticated electronic music and one half of chateau flight with his friend and versatile records owner gilb’r. karma shares the honour of being remixed by him with people like daft punk, leftfield, joakim and phonique just to name a few. i cube takes karma on a long distance run from paris to lazise, setting the pace in a hypnotic slow motion stomp. cosmic disco cubism at its best!on the b side awaits you another special titbit colognes jazz connaisseur and multi instrumentalist pascal schäfer is given a carte blanche to do a remix and karma wont have to regret this. best known for his output on the karaoke kalk, pascal manages it like only a few other producers to translate jazz aesthetics and structures into electronic grooves and patterns

ob mit monsterproduktionen auf seinem eigenen label boysnoize records oder mit sensationellen dj-gigs vor tausenden tobenden fans, ob mit remixes fuer depeche mode und daft punk oder mit kooperationen mit kŸnstlern wie snoop dogg und chilly gonzalez, boys noize hat sich einen legendenstatus erarbeitet und steht heute mit an der spitze der weltweit besten djs/produzenten. sein fabric-set aus ueberdrehtem techno, turbogeladenem electro und hochenergetischem jackin house ist zugleich lehrstunde und repraesentatives markenzeichen, eine frenetische raveparty aus 70 pulsierenden, schwei§treibenden minuten