joaquin joe claussell remixes. tip!

incl lakker remix

vinyl only.

im zehnten jahr seines bestehens hat sich das frankfurter plattenlabel die orakel einen soliden katalog erstklassiger veröffentlichungen mit einer ausgeprägten klanglichen und visuellen attitüde erarbeitet, deren jüngste eine compilation namens braindance ist.

advanced production techniques for all those that want to dip the dancefloor under turbulent waves.

sinister turbulent chiemgau recovery

prspct recordings presents the debut album from neurocore. triple vinyl in printed sleeve with insert and download code.

2xlp + mp3 download code

...tha god fahim has worked with the likes of earl sweatshirt, dj muggs, knxwlege, vinnie paz, onyx, evidence, oh no, quelle chris, and more.

(repress 2022) vol. 3 of the moblack series

shackleton delivers the soundtrack for a mindful space trip.

2019 repress - slo-mo house at its best deep shape, including the rare, sought after maurice fulton remix for alice smith love endeavour. compiled by rainer trueby. we live in hectic, turbulent times. it seems season- and reasonable to slow things bit down. in fact: slow house down to what we calling now: slouse. implying down to earth club music, with a tapping foot under 116 beats per minute.

vol. s of the legendary compilation series! , incl 6x 12 inch (yellow vinyl) + cd incl

after a ten year long career releasing music with many different labels icicle has taken the logical next step and started his own imprint, entitled entropy music. the name derived from his second album ‘entropy’ still aims to inspire the concept that music behaves as all things do in nature and degrades, falls apart and becomes more chaotic with time. in an effort to confront this, entropy music strives to bring controlled, rolling, technically detailed music, without ever overstepping that line when the process becomes inhuman and cold. on this second release on entropy music icicle teams up with kindred spirit and cousin proxima to deliver a four track collaborative ep. the opening track which also welcomes ben verse to the label, is rolling tech funk pur sang. the weighty and detailed yet simple breathing groove make it a track true to the entropy ethos and ben complements this with his trademark lyrics reminiscent of renegade hardware shows past. on the a2. icicle brings a near wooden stepper with a viscous turbulent low-end, a firm wink to the past, with dust me off. icicle’s track is expertly offset by proxima’s solo offering retrace a peak into futurism boasting an evolved playful groove which takes on board equal measures of jump up and 90’s tech. the ep is rounded up by the title track deep dreaming, where icicle and proxima collaborate once more to bring a slight curve-ball. pianos ring in an eerie musical intro to a dark but sultry track where the energy is second to the atmosphere.

when the fight-or-flight response edges in—adrenaline coursing and perception wired—our behaviour is especially spiked by an emotional intensity. and with that peak comes a trough. it’s a chemical freefall, just like a crush.
presented by posh isolation, “crush” marks the beginning of the end for varg’s turbulent nordic flora series. getting us lost in an exhilarating maze of fainting beauty and breaks, the fifth piece of the series invites us to relish the harmony just as much as the dissonance.
following on from the previous iterations of the series, particularly the widely acclaimed “nordic flora series pt.3: gore-tex city”, the cast of collaborators remain familiar. some faces are more prominent on this occasion, while others were folded into the series for the first time at last year’s berlin atonal festival where varg’s nordic flora program was unveiled.

conforce is back on his home label with four more of his richly detailed and hugely atmospheric techno tracks. its his first release on delsin since latest album autonomous back in 2017 and finds him in typical underwater techno territory. celestion kicks things off with smeared pads and rubbery, dubby drums instantly setting a hypnotic groove. the serene ambience makes it feel like youre deep down in the ocean and various deft sonic details drift by the keep things on the move. vessel is another fathom deep track with supple drums undulating on the sea bed as beams of synth light things up from above. theres melancholy in the pads that brings a rueful vibe, while zephyr is more troubled and turbulent thanks to the wet, gurgling synths and darker bass sounds. aerial rounds things out with heavyweight, rumbling kicks and ominous energy that keeps you on edge, despite the presence of beautifully celestial keys. as ever , it all makes for an absorbing trip.

as a full moon hovers over an empire of cratered landscapes lightyears away, galaxy explorer hvl signals descend to earth with electronic cuts orbiting around turbulent electro and translunar techno. four more stories from the great void.

farron gets back on shaw cuts with his fourth record, invincible shaolin a tale of double-dealing, rivalry, royalty and bad blood. manchu general pus evil quest to eradicate the shaolin tradition unfolds, cunningly pitting north and south shaolins against each other. spring break ya neck opens the clash with its rhythmic shifts and whirling synth pads. the northern masters prevail. after pus henchmen secretly kill the southern shaolin, the general blames the masters from the north, unleashing chaos. cosmicaph restores order, its pounding drums and floating melodies giving new strength to the southern shaolin. revenge must be taken. to prepare for conquer, the southern master sends three of his disciples to three masters to learn their secret weapons. sir hatch sets the pace with rolling punches, dirty synths and sharp percussion as the three disciples transform into lethal fighting machines. just before the final encounter between the shaolin, leibniz lands on the scene with his fresh interpretation of spring break ya neck, revealing to both schools that they have been deceived. joining forces, north and south battle the general and his men, led by leibnizs funky drum patterns and turbulent synth action. and the shaolin spirit lives on

a virtuoso, known for boundary-pushing production (often fusing traditional hip-hop drum programming with sampling and live music) and thoughtful lyrics, black milk is respected across the industry for his unique sound, consistency and innovation. returning to the scene amidst a turbulent political climate, the detroit-born rapper/producer announces fever, his upcoming studio album. black milk s sixth solo rap album, and his first since 2014 s if there s a hell below, fever combines pointed and topical lyrics and brilliant musicianship, including percussion from all-star musicians chris “daddy” dave (d angelo, adele, justin bieber) and daru jones (jack white), bass by long-time collaborator malik hunter and keys and guitar from newcomers ian fink and sasha kashperko, respectively. black milk evolves his production style of fusing electronic, soul, rock and other soundscapes with electronic programming and live music, a method he began experimenting with on his 2010 release album of the year. a cohesive 12-track project, listening to fever evokes the feeling of scrolling through an endless news feed, finding black milk reporting and commenting on the world s problems with empathy, clarity, and wit. additional vocals from dwele, aaron -ab- abernathy, and sudie (a producer / vocalist signed to black milk’s computer ugly label) serve to juxtapose black’s heavy lyrical content with airy vibes. pressing on red & black coloured vinyl, comes with poster and sticker included.

jonah sharp & dj spun pair up as the loose control band to drop a punk-inspired single on rekids with remixes from label founder radio slave and shut boss ryan james ford. having released a large body of work as spacetime continuum (astralwerks) or alongside david moufang as reagenz (workshop), not to mention significant collaborations with the likes of terence mckenna, haruomi hosono and bill laswell, jonah sharp is unquestionably a highly respected producer. his seminal label reflective played an important role in the experimental ambient and techno scene during the ‘90s, whilst as a remixer he’s worked with music by nine inch nails, meat beat manifesto and matthew herbert. meanwhile, jason drummond has long been a commanding force within new yorks electronic music scene, such as running his prestigious warm up music series or his all night rong parties with regulars like dj harvey. hes also been djing and producing as dj spun for two decades, appearing on golf channel recordings as well as his own illustrious imprint rong music, which used to release music collaboratively with dfa. i dont understand sees a raw and uncompromising side to both artists as they layer a cacophony of murky bass, twisted melodies and mind-bending bleeps whilst drummonds turbulent vocals bellow throughout the mix. staying faithful to the original, radio slaves remix incorporates a heady rhythm with its rolling beat as screeching effects join a moody bassline. moving into techno territory, ryan james fords akihabara remix features rattling percussion and crystalline synths whilst his hope remix is built on an intricate drum sequence as soaring pads and echoing keys contrast with the originals piercing vocal.

junction - a six track ep produced entirely by samrai & platt - features vocalists from jamaica, ireland & the uk and rounds off an excellent 12 months for the label & crew whove toured across north america, mexico and europe in 2017. the set kicks off with st favourite alexx a-game (originally voiced at his studio in kingston in 2016) urging listeners to free up their mind and souls and let the good times take control. it sets the tone for upcoming jamaican talent blvk h3ro to step up on the soulful party number cant wait (recorded at equiknoxx’s studios in vineyard town in 2016), which has been a staple in swing ting sets over the last 18 months. slowing the pace is addiction, a link up with irish artist and frequent murlo collaborator gemma dunleavy who lays down an impressive vocal over the skittering drums, muted guitar and glistening keys. the listen is interrupted momentarily for an interlude from gavsborg whose moving voicemail is accompanied by a poignant piano line from jp aka without understanding. one for the clubs turn it up features equiknoxxs shanique marie riding a stripped funky-esque riddim with ease. fittingly the set closes with contagious which finds two of manchester’s finest vocalists fox & tyler daley searching for an escape from the reality of our turbulent times over a refined yet sparkling production. the 12inch vinyl will be limited to 200 copies

after a first ep of the year from stl, the solar phenomena label now welcomes romania’s romansoff. the raw tools label boss hails from bucharest and has also released his gritty, stripped back house and techno on creme organization and sportiv. here he offers four new tracks, with one remix from timedance man ploy completing the package.
halo epitomises romansoff’s style with its slow, heavy drums and sparse, scattered perc sounds. a lo-fi melody adds colour, while coach jacket ups the ante with busier claps and crashing hits laid over a turbulent, unsettled bassline. increasing the pressure further, graded grows manic with punchy drums, layers of fuzzy synths and bass and distant cries that are dark and unsettling. ploy flips this one into a prickly and atmospheric drum track that keeps you on edge.

the dirtiest record that has released discos nutabe! vistante is the new sound spectrum from elo, an artist born in maracaibo, venezuela, and based in bogota, colombia. elo has decided to raise the sound bet of nutabe and offer a release that brings acid and techno elements combined with housey nuances. this is a product of his new life perceptions since his arrival to colombia. its an experiment for the dance floor, and his point of view of rude and disorganized house music. or as he says rough on the edges. from trans, through generacion to devolucion is a new journey that goes from deep to frenetic, from calm to turbulent. this is the music of visitante. hot!

shlomo takes a step away from his own taapion records to return to delsin for his second full ep for the label. the parisian producer serves up two of his modern techno jams, a lush ambient piece plus a slamming rework by tommy four seven. up first is in absentia: tome 2, a follow up track to his last ep on the label. it is another cold techno cut with turbulent drums down low and icy, slithering hi hats up top all backed by synths that light up the track from behind with a heavenly glow. tbilisian cure is a more abrasive affair with blistered synth lines and scurrying electronics running through the fast and brutal drums. lali then flips the script and offers an ambient excursion with watery synths forming celestial puddles in the sky. it s a zoned out soundtrack that s the perfect comedown. finishing off the ep, 47 label boss tommy four seven flips this one into a weightless techno groove that rocks back and forth on the drums as sweeping chords leave you feeling suspended in mid air. plenty of ground is covered in this one, and all with equally compelling results.

canada’s fastest moving and hardest working collective are back with one of their finest albums to date, a brand new journey into tropical, soul and jazz styles on their scorching new release, “under burning skies”. turbulent times call for strong voices and the souljazz orchestra’s new set packs a suitably heavy lyrical punch, with wry observations and an urge for progressive change. musically, the band continue to push the limits, dusting off 80s vintage synthesizers and early drum machines for the first time, bringing lo fi disco, boogie and electro touches to their trademark horn arrangements and earthy analogue sound. the fruits are a-plenty and the group sound at their confident and versatile best from start to finish. opener “dog eat dog” powers in with mabinuori idowu and philippe lafreniÞre lambasting the powerful and the corrupt over an infectious afro-disco groove, “lufunki” takes the group right back to their b-boy roots, bringing the afro vibes to beat street and “is yeelyel” delivers a killer rework of an obscure original by somalian super-group dur-dur band.

the story of the great roots reggae harmony trio black uhuru is one defined by many unexpected twists and turns. in its best known form, led by michael rose and with founding member duckie simpson and the black american female vocalist, puma jones, the group would enjoy the greatest popularity of any act in the wake of bob marley’s untimely death in 1981, but the origins of the group lay in the turbulent waterhouse district during the mid-1970s. duckie first formed the group as uhuru, the swahili word for unity, with garth dennis as lead singer and don carlos to join him in harmony, after cutting an adaptation of the impressions’ “romancing to the folk song” at dynamics, “time is on our side” at randy’s for clive chin, and “slow coach” for raymond “benno” anderson, dennis drifted into the wailing souls and don carlos went solo, leading duckie to recruit rising waterhouse vocalist michael “tony” rose as lead singer, and errol nelson from the jays for harmony. their debut album, love crisis, was produced, voiced and mixed at king tubby’s studio by prince jammy and remains and outstanding example of jammy’s roots reggae production phase. the song “hard ground” vamps on a similar theme to marley’s “talking blues”: rose sings of a life of everyday hardship, with destitution and homelessness the pervading factors. on the extended dub portion and dub the instrumental cuts that follow the alternate vocal take of this enthralling 12-inch ep, you can hear the non-standard instrumentation that helps make the work so innovative, with winston wright’s harpsichord melody emphasising the hopelessness of rose’s emotive lyrics, the commanding rhythm and understated bass and guitar from robbie shakespeare and chinna smith completing the picture.

with the seventh vinyl release evod music welcomes kwartz, well-knowed spanish producer who released on label like pole group and mord. the release is splitted with evod, two tracks for side. the two tracks by kwartz are noisy, warm, with turbulent grooves, both tunes are overwhelming, with twists of low frequencies sequences and brilliant noises/rhythmics. evod s tracks are a true compromise between old school and modern sonorities, thanks to the raw/analog warm accompanied by abstract and synthetic sounds.

a-side discomix, one of the rarest and best wackie s 12inches, b-side previously unreleased wicked 70s roots! killer vintage bullwackies! the happy love song was originally released on a tribesman 12inch, one of the least known but most killer wackies 12inches of its day. a propulsive rhythm is behind the group licking back the tune cut by the iq s in jamaica a couple years earlier. the b-side was retrieved from tape, an unknown vocalist extolling the virtues of the roots rock reggae coming from wackie s studio in the turbulent new york city of the 1970s. a must have for all wackie s diehards, another level of the pyramid unearthed, and more to come!

opening this essential release is the slow and spaced out groove of replicant v1, with fat synths and dark spacecraft sounds circling you as the drums grow ever bigger. shoulder of orion then drops into a rickety groove with soulful pads stretching off to the horizon as rough drums march below. proving he has real range, motor rotor is a deep and driving track that conveys a real sense of motion as it races along an intergalactic highway, and love on time picks up the pace yet further with twisted synths roaming free above a motorik kick and icy hi hats. last of all for the digital release, replicant v2 is a spacey and dramatic techno effort with widescreen pads and gurgling synths making for a turbulent ride. first vinyl bonus cut hang on is a forceful seven minutes of eerie and cosmic techno that stretches out in all directions as manic melodies rain down from above. lastly, traktion is full of ominous drones, crashing percussion and sombre pads and makes for a dramatic and driving track that is filled with pain

after an ep on creme organization off-shoot jericho one as dj plant texture, dona basile now assumes his dona alias for a new ep on the main label. entitled the v.g.p sessions, it features four new cuts from the italian, with three of them being dj pt mixes. up first is a live cut version of energia , a bristling electro track with globular bass and coarse hits. turbulent but full of synth based serenity, it is a fine start. cigarettes (djpt mix) is rugged and broken, with glossy idm synths and corrugated drums all loosely arranged into something prickly and unsettling. the deads at twelve (djpt mix) then gets even more fucked up, with rusty synths and blown out drums making for a dystopian house groove that will likely soundtrack the apocalypse. last but not least, nr. 13 (djpt mix) mixes up detroit synths, wild acid, heavenly chords and chopped up, buried deep vocal samples into something that will fire every synapse in your body. this is outlier stuff from dona that sounds like little else.

next up creme organization is a return by regular artist lake haze. following his natural insight ep earlier in the year comes intergalactic communicationz, four more fresh tracks of acid, techno and electro that is brilliantly evocative. the portuguese artist known as goncalo salgado also please son labels like unknown to the unknown and is a real hardware master. at the gates ov futron is a turbulent lack track with zipping acid and a cacophony of percussion that is visceral as well as cinematic. drexciyan aquarium is, as the name suggest, an aqueous electro track that slithers and slides through an expansive underwater world. poseidon s dream then offers a more rugged electro groove that is backed by heavenly pads and a real sense of loss in the synths. last of all, intergalactic communication closes out this far travelling and intergalactic ep with a sci-fi deep house track that is filled with light, 909s and a sense that the end of the world is coming.

new years deal - the next chapter in the creme organization ecplise series comes from cosmic garden with three original tracks and one remix from orgue electronique. little is known about cosmic garden other than he is from southern italy and has had two eps out in 2016, one on hotmix and one on cosmic rhythm. he heads out the blocks here with reptilian treant , six minutes of lo-fi deep house that is roomy and atmospheric. lazy synths bring soul and a gentle chatter of claps and hits helps drive it along. rare centaur is also way below the surface but is darker and more celestial, with turbulent bass, frantic claps and angelic chords glowing like a white light at the end of a tunnel. dutch house and electro don orgue electronique then remixes reptilian treant into something that is slick and serene, with metallic lines dancing above rubbery drums as big piano chords boucle up top. it is joyous and colourful and truly majestic before final track apocalyptic moose takes us back down into a mournful house vibe that echoes chicago with its roughhewn analogue textures and lovestruck chords.

drvg cvltvre (pinkman / viewlexx) returns to tutamen alongside label boss inca pax to form the second split 12” on the label. drvg cvltvre opens up in full space-age flight mode with “flock of starlings”, followed by the doom-laced beats of “watch the world go blind”.
on the flip, inca pax pushes the tempo above 130 bpm for a turbulent drum-assault in “get a copy of the deeds”, followed by a cut from the dubplate archives in the industrial echoes of “doldrums”.

nice price deal !!! beautifully designed lp, pressed on 180g vinyl. following his extended play ep on other people last year, jream house is the turbulent and spiritual debut lp of mark hurst aka a pleasure.

fresh goods from vc-118a. known as one of the deepest electronic producers out there, samuel has released under different monikers as mohlao, multicast dynamics and inward content (together with delta funktionen). here he presents a 6 track conceptual ep about ancient aviation machinery operated throughout turbulent times. but don t be mislead, this might be conceptualized in historical events, the music is far from a blast from the past. this is some pure futuristic hi-tech-electro from the north of the netherlands! for fans of warp and all other adventurous dj s out there...

can t joke with dexy is the opener here and is a bumpy, edgy house cut with tense and nervy keys jangling above a roughshod drum line. it grows ever more dark and comic and things roll on before faith is a more breezy, airy house groove. the drums here dance a nimble dance, thin synths and emotive chords all come in rich layers and a lo-fi percussive line proves how frey can conjure up idiosyncratic sounds with ease. like its title suggest, ghosts is a hauntingly atmospheric track with icy hi hats, pixel thing and hugely melancholic chords and harmonic bells all adding a sense of calm and serenity to turbulent drums deep down below. lastly, scale is a sub 100bpm crawler with fat elastic synths strung up between lazy kicks. two filtered spoken word lines add plenty of weirdness to this soupy bit of cosmic seduction and round out an ep that is stuffed with fresh ideas and great sonic invention.

infamous for his part in glasgow’s dj duo optimo and the production partnership naum gabo (speicher / kompakt extra), j.g. wilkes is an esteemed music producer with a catalogue that has been building since the turn of the century. the ‘jaxon’ ep is j.g. wilkes’ first widely available solo 12” release containing four exquisite cuts exploring the ethereal boundaries of electronica. taken from a limited edition mini album box set entitled ‘german pizza party’ (vf111), j.g. wilkes’ ‘jaxon’ is the only track from that collection aimed anywhere near a dancefloor, in which rich and potent rhythms collide with foreboding frequencies. cologne’s barnt isn’t afraid to let the elegance of space and chaos into his heartfelt rework, solidly cementing the koln-glasgow freundschaft. the ep features two further productions from wilkes, the melancholic, beatless and occasionally ruthless ‘bathing beauty’ in its original form and ‘useful tool’, given a turbulent rework by naum gabo.

lost my dog co-founder pete dafeet releases the second single from his critically acclaimed debut album the root, the soul. my love is raw is classic deep house: gritty chords, fierce vocal snippets, and roughshod beats that bring dj pierre s wild pitch to mind. manuel tur s remix adds menace to the original s simplicity. a stripped-back groove that builds to a crescendo of acid, synths, and tribal rhythms - as turbulent and demented a seven minutes you ll find this side of dc10.

the next release on first music comes from profile with a beautiful picture cover! its a musical journey and a bomb tool for the upcoming summer months! we doubt that estonian-born artist viive kuks could imagine in 1984 that her euau-forte >viljandi vaade< (trnl. view of viljandi) will be on the record sleeve of a dubtechno record in 2015. moreover, that the birthplace of the music is also viljandi and that the graphics plate was stolen during turbulent times when a lot of countries were liberated. it was quite an off-chance and hard to believe that profile found a copy of the work at his grandparents place, framed and photographed the work for his 2nd vinyl release. and here it is, through countless threads and connections, through the memories of our forefathers. pure liberation.

after releasing with chris moss acid on shipwreck in 2014, drvg cvltvre is now back with a full ep of his own on dutch label cos_mos. since 2009, vincent koreman a.k.a. drvg cvltvre has been churning out his own acid, no wave and experimental house on labels like viewlexx and permanent vacation and now kicks off the new year in style with three more inventive offerings. new earth army is a slow, heavyweight and coarse track with rattling chords, angry percussion and elastic drums that manages to be physical and tough yet groovy and playful at the same time. we have become the filth of the universe is a big, fat, heavy wedge of slow motion techno with monstrous drums and wild acid lines all spraying about wildly for the duration. it’s a warehouse sized track that will reduce the ‘floor to a writhing mess and finally possessed is a sci-fi riddled track with lots of spacey synths, filtered analogue lines and paranoid sirens all making for a turbulent brew of dark and otherworldly energy. once again here drvg cvltvre proves he has a raw sound all his own.

this is a whole new level of weird - intones a disembodied voice on proximas thermal vision the lead track of his new 12 inch for tempa. it is a perfect summary of its disorienting appeal: winding upwards through a tense opening, it abruptly explodes into a turbulent salvo of percussion. its monstrous chunks of sound chop violently back and forth from speaker to speaker, assaulting dancers from all sides and broadsiding the senses, while sub-bass blasts upward from beneath. it is both alien and astonishingly intense, poised to detonate on dancefloors without ever resorting to stereotypical club banger tricks. it is easy to hear why proximas tracks have become regulars in dubstep scene figurehead youngstas record bag.

spezial price!!! the creative hub of taron-trekka, as well as dj team and beat crafter furnishes an individual experience of togetherness, a complete understanding on a deeper level. they have this primal groove, around which everything rotates, internalized. they carry this groove with their own signature out into the world. this raw groove diamond is constantly sharpened without being completely polished on all facets. on the new fat release they stand for an electric-infected development, that allows only the solution to seep in: deep-in-the-peak! thereby the kraken clutches fiercely to the coral reefs of the soul. their vision of a living sound can thereby sometimes morph precipitously into a technoid, housy, fine-spirited sort and then at once jazzy. the required resolve as it pertains to the dance floor is hardly missed from taron-trekka. the desire-principle and body language mimic are most definitely functional. the big bang doesnt explode in the space, but rather in the heart. as a special treat, the fellas adorn the cover of their 12-inch from the illustrator, designer and photographer tine drefahl (http://www. tinedrefahl.com). thus is presented from freude am tanzen a worthy conclusion to a sometimes turbulent jubilee year, a complete package of artistic expression in tone and picture that is at home both on the mantel as well as the turntables.

the fifth concorde club recordings release comes with a very broad and impulsive atmosphere. >lost above the clouds< is like the soundtrack of a sunset, like saying good bye to the summer and hello to the season of clubbing. always looking forward to enjoying life with the most positive intentions. dont miss the incredible douglas greed remix, its hot! >airport stories< on side b lets one understand what it really means to experience silence in the most turbulent moments. playful soundscapes, deep synths, strings and a gentle piano bring the track to life and elevate the vibe to an unmatched dimension.

old school rave, brutal synths, and a dark mood for turbulent hit. three tracks, including proxys re work on rock to play, are continuing the invasion by mako records into the wild world of electronic music.

nice price deal !!! back from the dark streets of manhattans west side scndl comes creeping back into the picture. reminiscent and inspired by old chicago house from the likes of master c&j, need to know asks you, what gets you in. this time around theres a devastating set of mixes from across the atlantic. the uks lee mortimer takes the main riffs and raves it up with his turbulent basslines while markus lange & sterofunk keep it on the deeper side of dark electro. fukkk offf wraps up the package with a simple yet effective edit that fattens things up on the bottom while keeping it glued to the floor. what gets you in?

volume 3 showcases more of the unique tropical music created in panama in the fertile decades of the 1960s and 70s. panama is the thin, tropical bridge that connects north and south america, and is home to three million culturally diverse people, its music is a soulful blend of latin american, caribbean, european and indigenous forms. from bilingual calypsos to guajira jazz, from tropical guarachas to cumbia tamboreras, panamanian musicians fearlessly combined and brilliantly executed styles that reflected their multicultural environment during a turbulent time in the young countrys history. this collection presents more of the golden age of panamanian music and the music of the combos nacionales on rare recordings that have never been released outside the isthmus until now.

as the days get darker so shall the music, so on that note we welcome back the fold moscows own polymorphic with the ever turbulent rock on ep. this time out polymorphic delivers the goods with 3 new tracks, rock on, scream & move faster. the ep also features a remix of the title track by marseille who also had a hand it turning out proxys raven last year. this ep is not for the feight at heart. both mixes of rock on tear things up with a decidely old school electro undercurrent while keeping things noisy and agressive on the top end. and there s only one thing we can really say about the last two tracks because they are that scary... scream will make you move faster.

how many of todayÆs producers have been releasing music for 13 years? not many. how many will still be recording 13 years from now? hard to say. what can be said without doubt however is that donnacha costello is in this for the long haul. since 1996 he has released dozens of 12&#8243,,,s and made significant contributions to electronic music from 2001Æs classic ambient album together is the new alone to 2004Æs universally acclaimed colorseries to 2006Æs rigorously conceptual 6x6=36 amongst others. shedding the skin of his ten year old minimise label, costello emerges from its semantic stranglehold to bring us his new label and platform look long. from this first release it is clear that costello aims to produce work of lasting quality and beauty with little regard for what a turbulent marketplace might expect of him. complexity and simplicity are addressed in equal measure here and with some surprise we find traces of eric satie, chet baker, pat metheny and steve reich. perhaps unsurprisingly we also find the unmistakable traces of grace and emotion that have become costelloÆs trademarks