panorama bar resident nick ho&#776,,,,ppner gets to work on his second solo album on ostgut ton, connecting the territories of house music with the ease of alt-pop. work as in labor. an axiom that fuels the capitalist system just as the techno/house scene economy says that one needs to keep oneself busy to make a living. as a musician, things are complicated of course. it’s a long way from the romantic idea of creating music simply for the sake of art to becoming a full time musician. those who have accomplished this feat often find themselves in a professional loop of writing the music, producing it, promoting it (with an info text like this), releasing it and then hopefully selling it. after leaving his full time job as ostgut ton’s label manager in 2012, nick ho&#776,,,,,,,,,,,,,,ppner went fully freelance, focusing on his musically diverse, deep and dynamic djing in and outside berghain’s panorama bar, but more importantly spending more time in the studio. the result was his critically acclaimed debut album folk (ostgut ton, 2015), various 12“ releases and remixes, and now his sophomore lp, work, which, more than ever, lays out his refined production skills and his talent to work the machines until they reveal their inner ghosts: nine new songs that now dodge the dance floor, then fully embrace it.

mit fabric live 92 liefert preditah, dj/produzent aus birmingham, sein erstes mixalbum ab, auf dem er mit einer mixtur aus grime, uk house und garage den ultimativen rave startet. neben tracks und remixes von skepta, wiley, joker, swindle, flava d und shorty hšren wir exklusives neues material von ihm, dj q und bassboy. das komplette 32 track-set nahm preditah in einem take auf.

biomechanoid is the classic 1980 album by composer and flutist joel vandroogenbroeck. the cover art served as the basis for the design of the movie alien. its 1980, in munich, germany, upstart production music label coloursound library releases their debut album. capitalising on the success of ridley scott s alien film, the label dropped biomechanoid, featuring cover art commissioned by hr giger, whose horrific necronom iv lithograph served as the basis for the design of alien and the music of the relatively unknown joel vandroogenbroeck. comprised of bleak, cinematic synth soundscapes and percussion, the album served as an inaugural calling card for what would be a decade of dizzying solo releases by vandroogenbroeck for coloursound, running the gamut from mesopotamian ethno-folk to synth sequencer funk to electro drum breaks to in-utero ambient delights

originalmusik von angelo badalamenti zur gleichnamigen tv-serie von david lynch.

lunar disko presents... time marches on with two various artist eps to celebrate the 20th release on lunar disko records. eight tracks encompassing the modus operandi of the label since the beginnings... part 2 features another selection of lunar disko favourites, with the return of dj overdose and raiders of the lost arp, while two of ireland s finest in tr one and automatic tasty complete this stellar line-up. ..and time...is still marching on...

the lifesaver 3 compilation, the yet most comprehensive package of the lifesaver history, sounds like electro, sharp-edged like the vault in a hague bunker (lauer), provides data pop with piano crescendo (fort romeau), brings the style characteristics of german schlager music to the breakdance mat (rolande garros), lets the bulky lily-of-the-valley bells clang and sends the reverb tails away with the wind (benedikt frey). there are several new names to discover: felix strahd, benjamin milz, vincent feit, and of course there a many old acquaintances: massimiliano pagliara, orson wells, tcb, chinaski. roman flügel brings us “good news”, however: “from another planet.” and fort romeau feels “lost, again”, but in such somnambulistically beautiful manner that you want to get lost with him instantly and jointly find the great joy.

there arenÕt many artists that can lay claim to having put out records on labels as divergent as rough trade and john talabotÕs hivern discs. perhaps this is because few artists express such genuine diversity in their musical tastes and creative explorations as david kitt. since the turn of the decade as new jackson he has mined a seam of driving, ghostly house to run parallel with his solo strand of ambient folk electronica. his debut release in 2011 the night mail on pogo channeled early record collection heroes aphex twin and orbital through to drexciya and projekt pm but had one foot firmly in the 21st century beaming in like some futuristic cyberballad. on the flip side hussle free had that mix of house and boogie sensibilities with dark and dusty synths and vocoder that would become a signature. this was followed by acclaimed releases on hivern, permanent vacation, major problems, apartment and most recently cin cin. his debut album set for release on all city in may was recorded in kittÕs bedroom studio overlooking dublin bay, its nocturnal hues very much a product of the nightshift often working on headphones with the rest of his housemates fast asleep. it takes full advantage of the scope of the lp format, ebbing and flowing between deep house club ready gems and more restrained and meditative beatless moments for the morning after. the recording process yielded many eureka moments with kitt finally nailing sounds that had hitherto proved elusive.

the mixtapers are an italian band focused on a dynamic, live funk and hip hop sound. following an appearance on sonar kollektiv last year with the we so good 12inch, they ve been chosen to inaugurate bakerboy s agnis music label with this effervescent ep. the title track on sun metaphors uses blissful rhodes keys as the focal point for a sunkissed slice of vocal deep house, while smokey reflection takes a more punchy approach to the drums while maintaining the woozy mood. trinity kicks off the b-side with some squelchy electro funk stylings, and then sara lima lends her vocal tones to downtempo cruiser stay (away from me)

following some new gems on the great waxtefacts imprint, strip steve delivers a beautifully crafted cosmic ep as the second release on berlin based label man band. with sounds ranging from ambient to raw, galactic workouts, this 5 tracker is a must have for listening just as much as dancing. ‘deep within the distant galaxy, a spaceship cruised under the glow of exotic stars. it’s metallic frame glimmered beneath the shimmering light as it surged forwards through time and space. it was embarking upon a spectacularly perilous odyssey, a journey into the abyss. its passengers sat eagerly watching their planet vanish out of sight through bubble windows. they made jokes amongst one another, cracking a smile as appropriate, but they were scared. - words by the ransom note, inspired by the track odyssey. vital sales points: played by alex from tokyo at rex club, paris and cocktail d amore, berlin. track odyssey premiered by the ransom note

combining all the traits of an international superhero or intrepid comic book adventurer, the true identity, whereabouts and history of the spectacular italian composer known as gerardo iacoucci has been a mystery to record collectors for many years..

first opus of a two acts project dedicated to my daughters, the ep opens with romane a very personal track which samples were taken from important moments of my life. the ep continues with my old mind and its jazzy touch, tinged with nostalgia of a not too far rave past…like an echo comes stocker an introspective track with breakbeat rhythms.the ep closes the curtain on this intimate fresco with poetry of oblivion, a tribute to electronica.

bombarda digs deep into several ethnic music traditions and leaves the audience dancing on dark grooves with a tinge of psychedelica.a twang-american, psychedelic underground road trip to africa, the middle east and the americas. this is psycho etno party music!

limited edition of 1000 copies for rsd 2017.
soul brother records are delighted to release for record store day 2017 one of the most elusive soul lp’s of all time, a truly holy grail album. susan phillips ‘soft sexy soul’ was recorded for sylvia robinson’s all platinum label 1971, pressed in small quantities. few copies have ever surfaced, it is so rare that many collectors doubt if it was ever released, it is not listed on discogs and it has never been recorded as selling on ebay. if an original copy were found today, it would surely sell for a substantial amount of money. the album has that classic early 70’s new jersey orchestrated soul sound. the album contains the in demand 2-step single ‘he knows my key (is always in the mailbox)’, the northern soul floater ‘answer to my prayer’, detroit sounding ‘please don’t keep me lonely’ the multi paced ‘where do i go from here’ and many great ballads like ‘he’s gone’ and ‘this i’ll guarantee’. demand from soul collectors is expected to be high and this album is likely to sell out quickly in the same way that last years ‘this is eleanore mills’ (also from all platinum) and all the previous soul brother records rsd releases have.

er ist australier, doch lebt in island. sein letztes albums aurora (mute) sorgte fŸr furore. a new kind of force and momentum on the back of whiplashing electronics, beschrieb pitchfork das werk. durch den erfolg beflŸgelt, kollaborierte er jŸngst mit kŸnstlern wie the swans und tim hecker. bevor diesen herbst sein neues studio-album erscheint, legt er nun mit -music from fortitude- den soundtrack zu der tv-serie fortitude vor. die von sky atlantic produzierte serie, gilt als nordic noir par excellence. die musik von ben frost begleitet die cineastische bilderwelt kongenial: dŸstere sounds šffnen weitlŠufige rŠume und ziehen den hšrer hypnotisch in ihren bann.

pŸnktlich zum start der science-fiction-serie westworld, hierzulande auf sky atlantic verfŸgbar, erscheint auch der soundtrack des filmkomponisten ramin djawadi, bekannt fŸr seine arbeiten fŸr game of thrones, iron man und person of interest. die doppel-cd ist eine 34-titel-kollektion inklusive instrumentaler neuarrangements bekannter welthits wie back to black (amy whitehouse), black hole sun (soundgarden), paint it black (the rolling stones), a forest (the cure) und no surprises (radiohead).

deep purple’s 19th studio album sees the light of day. it is being released by the german based label earmusic. the band’s last studio effort dates back to 2005’s ‘rapture of the deep’ so this is a long time coming.
this will make album number four to feature steve morse on guitar and the third with keyboardist don airey. as previously reported, concrete information on the album title is, shall we say, up in the air. “there’s a big question mark over the name at the moment. and possibly an exclamation mark as well.” vocalist ian gillan told classic rock magazine.

50th anniversdary reissue on 180 gram vinyl

the arms of someone new fearlessly mix genres without sacrificing the unity of their vision. “’susan sleepwalking’ could as well be retitled ‘music for interiors’ - both architectural and of the mind” - the michigan daily 1985. all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. housed in the original jacket featuring a blood red-tinted photograph with ghostly textures. each copy includes a 2-sided 11” square insert with lyrics and press clippings from the band’s archive.

arbouretum has been called “the best of the millennial classic rock bands, a guitarfuzzed powerhouse.” the band, founded by guitarist and vocalist dave heumann, effortlessly weaves its melodies and guitar solos with often hypnotic rhythms of bassist corey allender and drummer brian carey around the deliberate keyboard of matthew pierce to lift the vocals. the results are a full sounds delivered with a striking sense of intimacy. throughout their time together, the baltimore-based band have been praised for their ability to weave elaborate vocal lines, and guitar solos that often unravel into extended improvisation, but never with as much fnesse as on song of the rose. in less practiced hands, these ideas could easily fall into contrivance, but on song of the rose, arbouretum use these elements to perfect their craft of storytelling in song, both lyrically and sonically.
limited pressing on peachy orange vinyl with download code included.

the all-new trés chic series will make your hair super fluffy. controlling fluffy hair isnt as easy as it seems. so please take care and dont spin that record more than twice a day. vinyl only, hand stamped and 180 gramm.

das londoner trio little cub veröffentlicht seine neue ep loveless als vorgeschmack auf ihr debütalbum still life (vÖ: 28.04.2017). in london genießt die band bereits den ruf, einer der aufregendsten newcomer der stadt zu sein. gepflegt subversive bescheidenheit, opulente und bewegende elektronische einflüsse ganz im einklang mit dem hausgemachten, progressiven britpop-feeling. so versteht sich das trio auch als kontrastmittel zu der etwas geistlosen musik mit pop appeal, die sie sonst umgibt. schwarze 12 inch ep in 3mm spined sleeve inklusive mp3.

what if we took you back to your untroubled teenage days, when all seemed complicated and easy to reach at the same time? that is exactly what cassius managed to transpose in 15 again: a carefree music, coloured by some deep songs, like an emancipated soul, but always tormented. the hit Òtoop toopÓ, sampled by madonna or david guetta, among others, and the intense Òla notteÓ illustrate perfectly this state of mind of the youth. pharrell williams is present on the song Òeye waterÓ, a beautiful ode to our planet and its natural resources, and cassius has got further exciting surprises for you. weÕre releasing their third album once again for this summer, a real shot of freshness to relieve you from the heat!

mondo präsentiert die vinyl-erstveröffentlichung des soundtracks von bear mccreary zum us-spielfilm “10 cloverfield lane” des regisseurs dan trachtenberg aus 2016 mit mary elizabeth winstead und john goodman in den hauptrollen. schwarzes 180g doppelvinyl mit liner notes des komponisten.

otis junior & dr. dundiff release the follow up album to their critically acclaimed “dubplates from jakarta #5” release. the vinyl lp includes a download code.

for the first time, the world’s greatest film composer performed by the world’s most exciting musicians.
double 12 inch vinyl in gatefold sleeve.

he is dominique purdy, born and raised in koreatown, los angeles. his first hip-hop influence was his own mother, who made jewelry and hung tight with ice t, the rhyme syndicate, and grandmaster caz.
the vinyl release includes a downloadcode.

nice price deal !!! finally the time has come for this special edition from >the room<, a 12inch masterpiece created by >el cartel<. probably you may want to know, who >el cartel< are? well, no more and no less than the 5 best producers from colombia: jose m & tacoman, figueroa & obando, and matheo velez. during the last 2 years this guys have been developing and amazing identity and this was the perfect occasion to joining forces and drop this marvelous ep that sets colombia house and techno essence as a one you wouldnt want to miss from now on. at the same time >the room< established itself as a solid platform for this upcoming wave of fresh sounds and artists that blends the native rhythms of south america with the electronic music vanguard. medellin is known as the >electronic< capital from colombia, and has become a reference for all the international artists who visited the country. this ep reveals the essence of how they party over there, diving from funky techouse to darky tech, passing through classic house sounds always keeping the high vibe >el cartel< guarantee you a full >body moving<. the 3 tracks has been designed for the dance floor and as you go through them you will find it gets better a better.

invaderband are a garage/artrock band assembled in 2012 in derry, northern ireland by mancunian singer, guitarist and songwriter adam leonard who enlisted local musicians to voltage-enhance his dystopian post-punk songs.
leonard has a prolific history as a musician with an extensive back catalogue of solo and collaborative work, and was an occasional member of one of stewart lee’s favourite bands, the owl service. he was also the winner of the uk city of culture 2013 resonate award for best song. invaderband’s lead guitarist / synthmeister is chris mcconaghy aka our krypton son. bass frequencies are provided by gavin mccartney (of here comes the landed gentry, the murder balladers) and drums are handled by rion mccartney (on the album) and john goodman (live).
invaderband’s debut single the implausible man was issued on record store day 2015 and the follow-up, attack of the pod people arrived in december ‘15. the singles were picked up by local, regional and national bbc radio, with the latter making it onto the bbc 6music recommended playlist.
the self-titled debut album (below) is released by tectona grandis, the vinyl release includes a download code.

this is land of dance, we’ve reached the tenth release and we want to celebrate it with an album, fifteen tracks and artists divided into four vinyls (two double pack) including music by: seldom seen aka santiago salazar, jared wilson, ricardo miranda, nightjars aka analogue cops, healing force project, boston 168, drvg cvltvre, xxxv gold finger, jann, passenger and dave hargadon (slowburn) plus some new names such as: andrea vietti, seven sins and müskije lycheeni. the tracklist has been thought as a dj set that evolves from ambient to jazz to house to techno. this is land of dance!

on this record we find kit geary & israel vines (here as kgiv) exploring the subtleties of slow change within a techno track with the outstanding heady mockingbird and through the rocker from fragments. the b side features an unsung hero of american techno borrowed language veteran jeff pietro with the sonic masterpiece of his hypnotic mockingbird remix.

homoagent is the collaborative project of basque techno and drone artist triames and british electronic composer anton maiof aka antoni maiovvi. vicious darkroom techno working as the fictional soundtrack to one cop’s journey into underground s&m dungeons to catch a killer.

palham music sagt allen beteiligten danke! ihr habt uns zum teil über jahre begleitet, geprägt, inspiriert und euphorisiert - sei es im audio- und printbereich oder einfach nur als menschen. und wo begann alles? im club - diesem dunklen soziotop, in dem vieles möglich war und ist. die viel zitierte macht der nacht. mit blaak paradize bringen wir eine hommage auf den club unserer erinnerung heraus, mit all seinen musikalischen facetten und brüchen. in blaak we trust in love we must in paradize your mind and your youth is blind. limitierte auflage von 315 schallplatten mit extra booklet!

cutting room present an interpretation of their ebm, electro and industrial inspirations on steeplejack’s second release.

argentinas unlock recordings present the third and final instalment in their collaborations series featuring deep mariano, one + 1 & camilo gil, funk e & bodeler and ronan portela. with the previous collaborations featuring barem, jorge savoretti, franco cinelli and leonel castillo, unlocks established entourage of producers are well known for their distinguishable stripped back approach to house and techno.

the best of dkmntl x patta on one disc. dekmantel is happy to present the repress of the sought-after 2015 patta anthem the best i could do (with what i had) by young marco. this time backed with tom trago, who serves up his gloomy and exhilarating house jam brutal romance in the tt love fix. and topping it off with fatima yamaha s timeless the creature from culture creation taken from the first dkmntl x patta release.

yet another slept on wayne gardiner production from 1992, hand picked from the nervous records vaults and fresh for 2015. repress 2017

jede seite von jeder 7inch aus syl johnsons entstehungsjahren auf dem federal label. aufgenommen zwischen 1959 und 1962, ist my gift eine beispielhafte sammlung von frühem r&b, der chicago blues mit feuriger seele verbindet. weltweit auf auf 1.000 exemplare limitiert.

originally released in 1983 on the famous cam records for the obscure vietnam movie tornado (antoni margheriti), this highly sought-after soundtrack finally gets the official re-issue treatment it deserves! a very diverse lp with productions that range from classic soundtrack and horror to italo disco and pop... and even a featuring of the late toots thielemans. limited pressing!

the first release of hara records is signed by spear. the ep presents 4 tracks, with different shapes and moods, from the ambient of ‘’she’s coming from a dark and warm place’’ to the mental groove of ‘’gravity waves’’.

pure, raw, cozy and dreamy grooves on this 4-track ep from monosol. instrumental fairytales based on a true myth from the deep forests of tørdal.. e.p. is introduced with a slowed-ballet-drama by bejjer/ drømmi.

2016 re:issue , a groundbreaking classic album , must have !!!!!!

es ist erst ein jahr her, dass skläsh die runde machte: das debut-album des münchener klangsurfers wurde in trendmagazinen all over the place als elektrisierende glücksspirale gefeiert, als entdeckung einer unbekannten umlaufgeschwindigkeit, einer neuen wahrnehmungsebene von zeit. skläsh war (und ist) eine global denkende musik- und zeitmaschine, angetrieben von einer erfrischend renitenten slackerigkeit.
der globus aber hat seitdem einige kratzer dazubekommen, scheint binnen diesem einen jahr um ein vielfaches gealtert zu sein. während leroy zu winterspielen in wien oder sommerfestivals im u.k. eingeladen wurde, gab es ein amokmünchen, ein putschstambul, einen brexit und einen freitag, den 13ten ba-ta-clan, kam unter viel dampf und druck eine auf rechts gerührte stimmungssuppe von zweifellos giftiger konsistenz zum brodeln. bambadea! so ist das neue album in einem spannungsfeld zwischen persönlicher euphorie und europäischem weltschmerz groß geworden.

donna summer erlangte während der disko-Ära berühmtheit und trägt den titel »disco-queen« zu recht. sie war eine der erfolgreichsten musikerinnen der 1970er-jahre und eine der meistverkaufenden künstlerinnen. diese neue compilation enthält internationale hits, die donna summers beliebtheit jahrzehntelang vorangetrieben haben, während sie mit den legendären produzenten wie giorgio moroder, pete bellotte, harold faltermeyer, john barry, richard perry, stock aitken waterman und quincy jones an ihren zeitlosen alben arbeitete.

red vinyl! it it anita is a noiserock/postpunk band from liege, belgium.in 2016 the band played the great escape(uk), eurosonic(nl) and le printemps de bourges (fr). think of a dynamic hybrid of fugazi, metz, at the drive in, mogwai and sonic youth.this debut was recorded and produced by john agnello (sonic youth, kurt vile, dinosaur jr.)

following on his album on te l’avait dit , bruno “patchworks” hovart, aka voilaaa is exploring the wide spectrum of the african and tropical disco scene remixes here by dimitri from paris and africaine 808 !

originally released as a soundtrack in 1974, and long out of print, cinewaxs reissue is remastered from the original tapes and is presented as an exact reproduction of the original album artwork featuring jim pearsalls classic film art. sometimes, it doesnt take very long to create something brilliant. when producer robert evans rejected phillip lambro’s original score for chinatown, jerry goldsmith was hired to create another, from scratch, in just 10 days.

during the 1950’s american exotica exponents les baxter, martin denny and arthur lyman fused african and latin rhythms with caribbean and polynesian sounds to evoke the sonic equivalent of a tropical island paradise. this 3rd volume of britxotica examines how their english equivalents fuelled by the popularity of hit musical south pacific, attempted to create the same sun-drenched haitian ambience in rain-soaked, post-war london.