good for saturday nights as well as sunday mornings, maxi jazz, rollo and sister bliss are the holy trinity at the centre of the u.k. electronic dance collective faithless. catapulted into fame by their 1996 banger >insomnia<, the group went on to play almost every stage, club and festival known to man. twice. >outrospective< was their third and most successful album, where maxi jazzs trendy vicar approach and sister bliss & rollos innate sense of what makes music work reach their climax. it is more upbeat in tempo and emotion and has an intuitive production that emphasizes their e-flavoured spirituality to a tee. featuring dido and their biggest selling hit >we come one<.

toronto based noah pred brings back the funk with his clever brand of booty shakin swung out techno house. noahs style has gone through many stages of evolution of the years having recorded for a ton of different labels over the years from consigned, intrinsic, morris audio to his own imprint called thoughtless. this collection of tracks is by far is grooviest work to date definitely fitting bulls eye into the sound palette of cynosure recordings. lesser lights, remember the embers and all day long were all meant to fit together all having the same elements of what makes a great tech house ep. funky swinging drums, hip flexin bass and a blinding lead hook. noah achieves this with cunning style and brings the minimal funk back where it belongs …

supported by tornado wallace (delusions of grandeur), pete herbert (reverso 68/dance disorder)... when jay shepheard launched retrofit in early 2010, deep house with a splash of disco was on the menu. six releases later and the quality of music hasnt faltered once. jays own work has always been the main focus on all five releases but for retrofit 6, rudys midnight machine, (who is in fact robin lee of faze action) takes to the stage alongside an appearance from shepheard (as ee_ef_ex) on remixing duties. >ecstatic love glow< kicks off the ep, diving head first into the disco and synth heavy realm that we expect from retrofit (and, for that matter, from mr lee), whose house outputs with faze action as far back as 97 speak for themselves. the intro of tip tapping hats and congas leads into a penetrating bass guitar, a riff that goes on to be cleverly mirrored by keyboards and later, by what sounds like a scratchy lakland guitar. wooden hats, sirens and a plethora of cosmic elements boogie their way around until the tracks dominant synth parades in and takes over the arrangement, striking a dramatic and smug pose at the close of each stab. the second track of >east side good living< sticks with its predecessors groove, cosmic sirens, electronic whistles and metallic drum taps yet again highlighting rudys modern disco sound

out hear audio is back with another far out offering for the modern dancefloor. the second release for the label this year following the killer yambee! – chemical love/natural off

bernd kunz war einst als a forest mighty black einer der downbeat-pioniere. diese zeiten sind längst passé. unter dem kürzel afmb veröffentlicht der mann clubmusik, auf deren stirn ganz groß hit geschrieben steht. auf den enorm erfolgreichen piano-house-mover >back up days< folgt nun mit >in my life< ein großartiger vocal-tune, der die besten momente von inner city ins gedächtnis ruft. die rückseite hat mit >the far side< einen düstereren underground-house-track zu bieten

released as a 2 x 12 inch with the full length 11 track cd album shrink-wrapped. the vinyl features 4 brand new remixess from the album.this album represents the peak so far of the lads technical skills, its carefully produced from start to finish. tracks are frequently tied together, and a lot of thought has gone into the flow of the album. this is one that can be listened too from beginning to end, as opposed to a collection of singles. however that doesnt mean that state of mind have forgotten about the 3am raver. almost all of the tracks have all been smashing it up world wide over the last 6 months in their own right. collaboration wise, the album features several of nzs most talented vocalists including shapeshifters p.digsss, thomas oliver, sacha vee, mc woody & pnc, as well as american singer 3pm. the only production collaborators are nymfo and dnme. several other collaborations were planned for the lp, but in the end were unable to fit. these will be released as bonus tracks.

the fried tofu crew follow up their excellent first course with another tasty selection! on the a-side sweet soulful voices catch you from the first try on. but dont be hasty, or you will burn your tongue. this is hot and far from being a dessert. after the first impression of sweetness, you will feel the spicy taste coming through. we all love that slight burning on the lips, making you really feel the feel. the first cut on the b-side digs even deeper into sweetness. somehow everything seems to be so lovely, each time this one is played out. its clear that even the ruff guys cant resist the taste of honey. real sweet and spicy, thats how its got to be. things are straightened out on the final cut, which finishes off the meal with a raw funk jam. the extended guitar groove gets back to the basics. sometimes few essential things, combined in the right way, can be all you need. a typical mistake when preparing a meal is to add too many different spices.

lower east are proud to introduce the highly anticipated second release from alexis raphael. club soundsystems far and wide are still resonating with the sound of his first release on jamie jones and lee foss critically acclaimed label: hot waves. spaceship was a huge deep house hit and received glowing reviews so what better time to introduce his next offering: kitchens and bedrooms. here at lower east we ve gone all out to make this a special package with remixes from, lee foss, richy ahmed and volante, russo and a deeper >sunset< mix from the man himself. encompassing elements of deep house, house, disco and electronica, each mix has its own bold identity but they all fit the lower east mould perfectly. although this is alexis first release on lower east, he is already a key member of its inner circle. alongside cozzy, alexis promotes the much talked about east london event creche. whatsmore, with regular gigs across the capital he is an established member of the london scene.

this is one of those timeless tracks that you still hear played out today. when it was released, orbit 1.3 was played by pretty much every representative of the tech-house sound - it featured on mixes by craig richards & lee burridge, doc martin, dj garth, sean cusick, dj three, and many more besides. not only that, but its appeal spread as far as the progressive fraternity and those of more traditional house sounds. its a deep throbbing epic with a haunting vocal sample and that indescribable >x factor< that makes a classic track.

bodyscrub is one of the most exciting & uprising talents of the growing neapolitan techno scene. with mind blowing releases on labels like phobiq and 1605 he was able to catch our attention, so we are glad to announce his first ep on driving forces recordings. with >hyperactive< and >regular< bodyscrub delivered 2 slamming & modern high quality techno tracks for the peak time. but that’s by far not all!

10 releases strong, poker flat digital has become an important wing of steve bugs acclaimed, cutting-edge label. determined to keep quality levels as high as ever and offer yet more choice to the labels fans, a heavyweight cast starred in this latest chapter of the poker flat story. this special 12 inch release gathers 4 of the highlights from the labels catalogue so far.

returning to the plus 8 fold once more, paco osuna is one of spains finest electronic exports. having made a name for himself with a residency at amnesia over a decade ago, he hass since gone on to play places like watergate, fabric and movement festival, all the while holding down a residency for barcelonas club4 night at city hall. his experience in the studio goes way back, too, with releases on drumcode and minus as well as mindshake - the techno imprint he founded in 2005. the osuna sound has never strayed too far from the pulsing heart of the dancefloor - despite investigating everything from dark and fierce to stripped and raw techno - and thats the case once again on his four ep …

tuccillo is a rare producer as he lives and works in ibiza all year round rather than flies in for the summer. the white island is without doubt the most overused and abused place on earth for dance music promotion, but beneath the glam superficial surface a real scene of native island talent is emerging. so when it came to making an ep for 2020vision we pushed the artist as far as we felt he could go, to explore new untried directions and show his diversity. tuccillo showed his true spirit and worked though a few knockbacks from our a/r team until we were happy we had the best ep possible at this moment

following vincenzos incredible wherever i lay my head longplayer, weve got more delights in store with this single including remixes from jimpster and the retro-tastic tuff city kids. seduction is the outcome of vincenzo teaming up with brazilian artist diogo accioly of talking props. the expertly crafted original version of seduction is included here in all its bright and airy glory. the master of subtle chord changes, captivating song-writing and bright, glistening production, we are treated to an extended version of vincenzos future classics! one of the uks most distinguished house activists, jimpster takes the reins in an easy going and summery modern chicago-style jam. raw drums and modulating bass drive this summery yet melancholic re-think. opening up the synths and reverb channels, jimpster introduces flourishes of effected vocals as he leads us deep into his swirling audio world

the beginning of a new era. founded in 2005 by thomas wendel aka don williams the beloved seminal imprint with cult status mojuba is facing the next level with the debut album kawasaki by stereociti from tokyo. when in 2005 the first sounds of mojuba were introduced to the world, people quickly realized that there is something very special going on different to the usual house or techno business … it was something more emotional, more personal, somewhat more deeply rooted! stereociti aka ken sumitani is truly one of japans finest when it comes to uncompromising underground dance music with heart & soul, whether it is the realm of deep house music or the darker moods of detroit techno. you can actually feel that his roots go far back into the early days of electronic club music but never lose sight of the history of soul, funk or dub. his debut kawasaki, named after his hometown, is delivering the quintessence of what is considered as the mojuba sound. being capable of such a musical sense, it was no wonder that the other mojuba family members nick solé, sven weisemann and oracy welcomed stereociti very warm. so if you are new to the world of mojuba, please tune in and enjoy the journey! kawasaki is a timeless piece of music, equipped with everything you need for an outstanding album experience. it will take you by the hand from the very first moments and will be there for you second by second, minute by minute, hour by hour, day by day until you let it go

the -makeovers- project is a compilation of some of claudes best re-twists, some of which are so far removed they can almost be considered original works. this special edition vinyl includes one of the most sought after remixes, -warpaint- originally by pocket 808 in australia, vonstroke turned this into a late night anthem in 2007. played by techno djs, dubstep djs, and everyone in between this track was never cut to vinyl until now. on the flip side claude remixed the nublu orchestra out of new york. he was never completely happy with the original version of the remix and hes gone back and re-made it into a very special piece of music including a new vocal sample from his wife aundy who also did the vocal effects in whos afraid of detroit? this collection was put together with the theme that a remix can be an inspiring starting point for an entirely new piece of music. these are two of the deeper and darker remixes but we think you agree they are also very special.

remerc is no new face to the scene. he has been active for quite some time in the german techno scene and has recently remixed butchs track >muskatnuss< on the trapez ltd 100 anniversary compilation. he had his breakthrough in 2010 with the track >tiny calf< which ended up on the cocoon compilation >party animals< mixed by marco carola and nick curly. remerc opens his release with >ruhewolf<, a restless funkedelic rocker with a beat that juggles elements in a loose and totally cool way. the track is spiced up with elements of surreal bliss and could go on forever were there not the limitations of the vinyl. on the flipside we find an hanne & lore remix that tightens and fattens up the beat and pimps up the basslines. adding some twisted sounds ... making it a clubber par excellence. >just a bards tale< is a unique remerc track and stands out from all the productions he has done so far. here new wave coloured edgy vocals meet a post-detroit string-chord arrangement. sounds adventurous and daring? well it is to some degree... but recall >no more words< by carl craig from 1991 but executed in a dead modern way.

as the producer responsible for some of lil b and soulja boys weirdest, most inventive beats, and following on from a critically acclaimed, self released mixtape of instrumentals collected from his work over the years with various forward thinking hip hop artists, tri angle is very excited to announce the release of >rainforest<, the debut ep by clams casino. the five songs that make up >rainforest< find clams casino (aka 23 year old new jersey native, michael volpe) refining his ethereal, otherworldly sound, whilst taking it to a heavier and more intense extreme. what has set clams casino apart from most other hip hop producers is his skill in making records that sound just as good, if not better, instrumentally as they do with vocals, and if anyone needed it, >rainforest< represents the confirmation of this. its a record drenched in mysterious atmospherics, like a foggy memory of a far off exotic place, the details buried beneath the mist of distortion, but present nonetheless. none of the songs on >rainforest< have ever been released before, and in contrast to most of his other productions these songs have always existed purely as instrumentals, free of any vocal presence. >rainforest< is an incredibly powerful release which signals the beginning of clams casino coming into his own and operating as an important artist in his own right

nice price deal !!! is it possible... we have returned to one of our favorite vocal projects from the label that was released earlier this year from steal vybe and the timeless vocals of alexis simmons. it was time to give >is it possible< some remix treatment and we called on our good freind rocco to lay down his deep vibes and we think it was a match made in heaven. we will let the music speak for itself. play this record loud!

backchat titled ep is filled with three tracks, all spiked with steady beats, funk, deep melodic chords and an overall glamour house feel. this is not only very well produced electronic music, its also a journey through deepness and a modern take on the soulful side of the electronic music which exceeds the genre by far with a rich, colourful palette of surprising, individual sounds, butter-smooth chords, some of the most raunchiest bassline that you ll ever hear outside of drum n bass, cleverly constructed beat patterns that yet never fail to jack and swing and an understanding of dub that goes far beyond the random use of echo and effects. on vinyl – as we like our little record-shop around the corner.

from the far away sound to the one that explodes in your face, from chicago to berlin, from delay to mute, tube & berger vs. fank sonic create here a timeless dance tune! we are speaking about >the swarm<. put steve bug in a room with dj pierre and this is what you might get. small stunts... reductive rhythm... controlled cool drive... a winner.
played by: umek, paco osuna, yousef, orde meikle/ slam, laurent garnier, john digweed, joseph capriati, igor tchkotoua (pig & dan), steve parry, alex tepper, jens lissat, sebastian russell, zidan, beatamines ...

welcome to vocodafon. may i help you? - hello. i would like to terminate my mobile phone contract. - well, mmh, i am really sorry, but as far as i can see, your notice of termination was given too late. - but the date of postmark states that i sent it in good time before the end of the termination notice period. - yes, thats true, but unfortunately, and according to our general terms & conditions… - ok, i see, but i m obviously not interested in vocodafon anymore, so… - your call is being transferred, please hold the line. - listen to your heaaaart, love is calling for you, listen t… - hello. - hello, i ve been transferred to you, i would like to… - welcome to the mobile matrix. i am h.e.l.l., your automated telephonetics assistant. connecting to hypothalamus. press 1 to erase, 2 for positive stimulation, or 3, if you would like to talk directly to one of our sales assistants who will be right with you in your flat in only five minutes. - peep. - hello. - hello. i ve composed a song for you. here it is.

kill kill is the name of the last ep of wat, resulting from the electro rock odyssey wonder. a video clip, filmed in los angeles, accompanies the output of the song, with remy cayuela (one more prod) at the helm. the track, electro tinged funk and hip-hop, sounds like the soundtrack of a rebounding road movie. kill kill is an indirect reference to movies from the 60’,s, and among others, those of russ meyer. faster pussycat kill kill, does it ring a bell?
support by : bbc radio1, larry tee, le mouv , steve aoki (dim mak), far too loud, radio nova, dj mag spain, maelstrom...

a long time ago in a galaxy far, far away .... subsistenz. episode 10: it is a period of civil war. current value drone spaceships, striking from a hidden base, have won their first victory against the evil minimal empire. during the battle, rebel spies managed to steal secret plans to the empires ultimate weapon, the gay star, an armoured space station with enough media power to destroy an entire planet. pursued by the empires sinister agents, dean rodell races aboard the starship subdivision, in search of the stolen plans that can save all subheads and restore freedom to the galaxies.

nice price deal !!! following on from her acclaimed debut last year on jansen jardin, yuki suzuki and producer, max essa, return with another slab of far east magic entitled >we don?t have much time<. combining yukis sultry vocal with a very muscular, bass heavy groove, the track comes across like some pitched down (way down!) early 90s nyc garage classic. big, rolling drums push the track along while some glorious strings and piano make sure, as usual, jansen jardin have something for your mind, your body and your soul. on the flipside neville watson delivers one of his finest productions to date. pushing the tempo up and dubbing things out he provides a brilliant reworking which is already causing a fuss from tokyo to berlin. moody, emotional dance music for late nights and early mornings. one limited pressing - as before - first come, first served

with the sun out and festival season just around the corner, the 2 bears return with their biggest crowd pleasers yet on the bear hug ep out on southern fried. equipped for both barmy afternoons in blissed-out fields and after hours naughtiness in the darkest dance tents, the 2 bears set the seal on their trademark brand of house revisionism. opening up with take a look around, 2 bears take us from techy intro to full on house inclusivity inside seven minutes, with rafs understated vocals joined by star-to-be alice gold. then there is the bashy jump-up instrumental in my brain is like a computer, to set us up for an mc’d walk through of the 2 bears dancefloor doctrine, bear hug. as for the ep closer banger, the title speaks for itself – a tune that cuts deeper and harder than any 2 bears track so far

wetyourself! recordings introduces wys008... following their live debut in fabrics esteemed room one, wetyourself! resident peter pixzel delivers his second collaborative effort with producer august jakobsen. it will be the pairs vinyl debut and one the most comprehensive releases on the label so far.

open the curtain for the next trick from the highgrade disharmonic orchestra: for the last year the team have been busy refuting the notion that the dj is a one-man-band in the booth… tom clark, todd bodine, philip bader, dale and daniel dreier are an act that combines all their many and varied qualities into one pot, stirring vigorously and serving up a hearty dish that goes straight to the hips! they have proven many times with their live performance that the musical ingredients are just right – and have also put the evidence on the record with an original ep. now comes the follow up. the first track way too far, is a live recording which evokes an atmosphere of urban beats and pulsating flashes just behind the eyes and a dancing crowd who appear to sink deep into the dance floor. then theres a complete chance of scene for the second track the other night, that appears to hijack the veranda of a villa in the american south. crisp rhythms are backed by muffled thumping beats, a trumpet laments, a sexy sleep-talking emerges in gentle piano sounds. this is southern passion under the disco ball, cleverly approximated by the highgrade disharmonic orchestra

this new reference on dilek records is something very particular and out of the ordinary. it was achieved after a long period of work in the studio, which lasted three years and was done with a lot of heart and passion. its the 10th vinyl release of this surprising swiss/argentinean label who is now presenting an extremely multicultural project. these productions are full of diversity and humanity, telling the story of an unusual encounter that led to a beautiful musical project with many influences, but mainly focused on the dancefloor, without complexes and far away from the purism.

ltd repress !!! this is the first reference of manzel , the new raw techno series label running by a mysterious techno artist from so far away. must have!

kubrak, one half of dynamic production duo utopia, previously featured on brd003, with his solo effort ‘fast forward’. cementing his name as one of the emerging artists to keep your eye on in 2009, kubrak has gone one step further to unveil his first solo release on breed 12 inches. yet another russian (one of 5 to appear so far on breed’s back catalogue), kubrak captures the industrial movement of his home country, in such a manner that results in a legion of fans. unrelenting, much like his homeland, his production output is in your face, whilst keeping your feet firmly planted with inventive and progressive melodic based arrangements.

could spinner be days of being wild first ever french touch 12 inch? well not quite… although all producers involved here are french, this release rather shows how far away the french are from the famous touch that made them so popular more than 10 years ago!
support comes from matt walsh, rub n tug, danny tenaglia, deepchild, photonz, diskjokke, magda ...

after >echo life< and >night impact< mirror peoples third release >reaction!/odyssey< is out now on social disco clubs hands of time label. this 12 inch reinforces rui maias ability in crossing over his trademark synth skills with his love for emotional and melodic dancefloor movements. both tracks fuse recognizable patterns and intriguing ones where the cold teutonic meets far-eastern harmonies in a cool piano induced crescendo. as for the two remixes, tiago miranda provides a buzzing hypnotic >zawa dub< of >reaction!< and jacques renault a rhythmical stomping >odyssey< version

the uncanny valley-quartet is rounded up by the ace of spades. before starting to release its first artist-eps, the compilation-series is rounded up for now with the roughest ep so far. sneakers you think you think! takes no prisoners and comes with a dark bass line you cant really resist. the track is a musclebound monster and includes claps that are out of control and freaked out vocals by sneaker himself. no less rough is cvbox machinematch, even if its acid-thunderstorm builds up far more subtly. finally, plätschern by stefan lohse takes us on a 100-bpm-journey straight into analogue wonderland..

first vinyl record for this new techno label. dark, hypnotic, a modern techno. the original track is signed by a new artist, but with clear ideas: darkcell aka adriano giliberti, he creates a journey of sounds that come from far away, rhythms that never stops, with devastating and anxious atmosphere. the remix of markus suckut (stroboscopic artefacts, figure spc, etc..) is in his style, sounds that go up very slowly, everything seems to come out from under the ground and a series of clap you wake up from hypnosis. in the remix of octave (nachtstrom schallplatten, etc..) sounds are more open and the rhythm is more definite, its hypnotic but his style always goes to the techno dancefloor. the first release: you already understand the high level of techno!

somewhat of a metaphor for britain, welcome to goon island is born from the great british art school tradition, the core of the band having met at art college in sothend, vivid, interesting, expansive and far-reaching, an aesthetic that seeps into everything they do from their other-worldly videos via intriguing photos to extra curricular activities such as training dogs to dance. yet such apparent frippery shouldn t disguise their uncanny ability to pen rather fine songs, as welcome to goon island attests.

as one of the most revered and respected producers on the scene, osunlade needs no introduction and >idiosyncracy< further proves both his vision and his skill in bringing those visions to life. part soaring house and party analogue love song, the title track is one of the most unique house records of the year so far, while on the flip >the 8th chakra< is classic quirky osunlade. essential.

go disco! a call to all who fall in love with the song >sue is blue<. everything is focused on the slow, but swinging groove, including individual flashing fragments of the 20s. a dirty house music base drum pushes this track towards the dancefloor. the piece >offshore< takes you on a journey with its epic, modest and balanced mood, which turns out to be a dancefloor sensation. >teheran traffic< is speeding up the tempo. the b-side is determined by a powerful sound. just as the >far from here edit< by philipp wolgast works well in the club.

“midnight feast of jazz” is therefore the first official full-length for this group, and includes 10 tracks of phat grooves, smooth arrangements and dance-floor friendly soul jazz available on cd/digital and limited edition lp!

a little quiet so far this year but now one of the new power generation drum & bass production crews are back with an absolutely sick two part ep that is anything but quiet. michael willer and robert stefan aka body & soul have been busy, very busy creating what is undoubtedly their most explosive release to date on their own nasca records. get ready for a great big bag of awesome!
part 1 lets rip with the title track >shipwrecked<, with an ominous intro it sets the scene perfectly for whats to come with an outrageously horrid bass that snarls and pulls at its lead, snapping at anything that comes close. you d better start running though because when that lead breaks its gonna get you! add a nasty vox and the package is complete. demolition drum and bass that’s ready to take out the whole club!

without a doubt it is one of the strongest pieces so far to come out of the mind of matt star. morphology, the title track is a trip that is leading us directly into the center of the dancefloor. it is characterized by its enormous dynamic, a deep & dirty roughness that comes up alongside an unstoppable kind of a mesmerizing groove - this one, for sure, is going to be loved by all fans of the usual suspects that are playing in the global champions league of modern high quality techno music. mttstr on the flip side seem to be building up a bit more subtle. both of them show matts talent for patiently modulating sounds creating almost extraterrestrial fluid grooves. both sides of the record are bringing an overall energy containing several well placed breakdowns and carefully crafted moments of high tension before matt is letting things kick back into full force again.

petros (aka echonomist) understood that apparel music is always looking for the jazzy. we perceive this term as a really special thing, strictly human, true. and then if the real instruments come in, like voices or saxophones, the plate is ready. >thats it< starts far away, with a solo that blends and presents the entire ep something more than one minute. everything flows, stops, gets consumed, digs. >midnight talk< brings us in the most hyper deep, unusual like the style of the artist is. an overview of evolutions that lead us to the awareness that petros is in our day, between things that go fast and others that slow down to be observed. the law of nature brings us to ali kuru remix (we move a little bit to the right from greece to turkey). habits, perceptions and tastes change. ali takes us on a mental journey, long, meditated, tidy. a motif that turns over and over, while things change all around, everything evolves, disclosing new sonar places. there is not much to say. >midnight talk< is a complete ep, wanted, constructed with care and a lot of work.

including bob sinclar & raffaella carrà far lamore, sunfreakz & jeremy carr the way we are (mysto & pizzi remix instrumental), wolfgang gartner illmerica and pleasurekraft carny

the ever on point citrus recordings is stepping up for its 5th artist lp already.. after having released the debut albums of mindscape & jade wich all went on for critically acclaim its time for citrus to get ready its 3rd artist album. this time its up to fourward to show what their made off. the second sampler is unleashed now so make sure youre ready! on the first sampler fourward was introduced by the incredible mindscape remix, this time we have a solo 12inch by the guys. the a-side starts with a masterpiece of epic proportions. a beautiful intro the way it should be. this track is a perfectly balanced track in between the uncompromising noisia-like bass terror and easy listening vibes. the downbeat breakdown in the centre of the tune and the drop after that fit extremely well. well produced music for the critical listeners and party people! and thats just the beginning. flip it over for another wicked track! the bassfueled intro hits hard, feel the vocals from far away. close your eyes and move your feet on this brilliant piece of adventure for your ears. just listen and let the music speak for itself.

big with: koze, adam port, alejandro mosso, mandy, anthony collins, sebo k, troy pierce, arnaud le texier, rozzo, axel bartsch, benno blohme, cesare vs disorder, dubfire, gel abril, james teej, jimpster, julietta, kabale & liebe, mark henning, meat, .. for this 3rd release, raoul records brings us some very personal stuff from no other than the label s founder himself: gregorythme. two long tunes in which he shows us that there are no limits as to how far he can go with hypnotic synthesizers and reduced rhythms. the a-side brainstorming features very rich house tunes with a mental twist. it s a track with a big, edgy potential on the dance floor. one part old school, one part avant-garde - this recipe is sure to create confusion on the dance floor and make a little storm in house music lovers brains. the b-side is almost a love song! a hypnotic and melodic tune. gregorythmes juno does its best to give you the shivers. the track is called some more and that is precisely what you will be asking for after you have heard the song... who said 10 minutes were long enough?

new tradition is the debut album of alexis tyrel also known as gideon. his album is full of big and small anthem tracks which are highly melodic and full of original sounds and yet great for a broad variety of dancefloors. every track has been produced as if it was a single in its genre, so do not expect any lose ends. with this 40th release on the lessismore label alexis tyrel gives another interpretation of what less is more is, as the label has displayed in its releases so far. new tradition can therefore be seen as the starting point of a new direction already announced by lessismore. this album is a melodic roller coaster taking you all over the place with deep and housy grooves, tribally beats, chordish minimalistic detroit, funky techno, deep progressive and lovely melodies. the arrangements are classic and give a timeless feel to this unique debut album. the album will be released on cd and vinyl. the release will contain remixes by gui boratto, heiko laux, estroe, gideon, ferreck dawn and mbc. early plays by: luciano, steve bug, laurent garnier, heiko laux, estroe, mark henning, luigi madonna..