last years universally acclaimed full-length the predicting machine found musical mastermind and producing demigod john tejada in full gearhead mode. hunched over a plethora of synth modules, the la-based sound wizard dug deep into the circuits and put together an expertly crafted album driving both lab rats and floor lizards in a glorious frenzy. now, the puppet master returns with somewhere, a double headliner 12 inch relighting the fire and putting the beats where the mouth is.

excellent 2x 12 inch with hot maceo plex tracks and edits... nice

adam beyers original track starts with a heavy bass line that is a sure-fire, grooved out killer. the infectious vocal hook and melody line supplies the extra force to make this track one of the strongest releases on truesoul to this date. nic fanciullis take on take me away uses a rhythmic melodic synth-line before bringing in the vocal to maximum effect. alans darker approach gives this release an extra dimension, using deep-pounding toms to create a cool, stripped back vibe with warm stabs and hats to match.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts. whiskey disco #17 is an all-out return to the glory of filtered disco house! it is packed with disco breaks and cut ups, some recognizable and some obscured through time. pairing the editing fire of eddie c and alkalino on the a side and the groove-based filtering of cole medina and osmose on the b-side. make no mistake, each of these will fit perfectly into either house or disco sets and can bridge the gap betwixt the twain.
already supported by dead rose music company, ali ooft, cole medina, horse meat disco, saint petersburg disco spin club…, ...

a.paul strikes again with the release of his mighty the sign of times album. dark industrial techno as he is known for. pounding beats, that keep on building to the ultimate dancefloor. this will set your dancefloor on fire within minutes. a must have for all serious techno djs.

a.paul strikes again with the second release of his mighty the sign of times album. dark industrial techno as he is known for. pounding beats,that keep on building to the ultimate dancefloor. this will set your dancefloor on fire within minutes. a must have for all serious techno djs.

das neue album von blumentopf als schweres 12 inch doppel-vinyl im klappcover. inklusive code für kostenfreien mp3-download des albums plus 7 bonus-songs und 5 videos.

imugem orihasam is one of japans most exciting and driven electronic music composers. with a slew of releases on the likes of ilian tape, sistrum and new kanada, to name but a few, he is clearly a man on a mission. he started out making hip hop beats in 1997 but by 2000 exposure to jeff mills by a close friend ignited a fire that burns deep and blue. upon listening to these four tracks two things becomes clear, imugems unique vision as well as his immaculate sound design and production sensibility. the tracks are deep but propulsive, futuristic yet filled with emotion. dive in.

this release is total fire, it embodiies the feelings of the current dancefloor climate, and takes you back to the days of early house at the same time. deep hypnotic tones, musically & rhythmically. already a hit at inner rhythm. its an honour to release an isoul8 track, and especially one with such a powerfull meaning, its time for >change< - play it loud, say it proud!

uk stalwarts jamie anderson and owain k team up again for another sumptuous slice of contemporary house music on steve bugs dessous recordings.jamie anderson has been exploring and manipulating the links between house and techno for over 15 years, having released on numerous influential labels, both solo and as a collaborator with other top artists. but its his work with bristolborn hot-property owain k that is currently exciting discerning dancefloors worldwide. do you know, their latest collaboration, sees jamie and owain drop some serious sunshine grooves - shuffling hi-hats and a classic, chitown synth let you know that this is all about the good times. the spoken word vocal pays homage to forgotten jazz legends – the uplifting vibe sure to put a smile on the faces of dancers all summer long. jamie and owain switch it up on the other main track in this release.keep it pumping drops the tempo to 118bpm and digs its toes into the sand for a balearic-tinged nu-disco stomper. disco toms fire, the sub bass rumbles, and spacey synths and vocal samples wash over this expertly crafted sunrise/ sunset groove. a dub of do you know rounds off the release from this hugely talented combo

what we have here is an album which is, if i may say, relatively positive and generally good for home listening. this album was recorded in about 10 weeks in a living room (the sofa being my bed), with restless swollen eyes at dusk and a love/hate relation with my machines, microphone and electric guitar.3 machines gave up on me during the making of this lp.i hope you will like it. tolga.

new material from las gifted & blessed, this time dropping on the uks eglo records under his the abstract eye guise.
a man of many names, the ever illusive musician / producer / dj / director can credit the likes of flora purim, airto moreira, sa ra creative partners, steve spacek, king britt and baatin among his collaborators. with a fetish for analog hardware, drum machines and synths, gbs sound techniques, range and versatility separate him from the pack.

anspruchsvoller, melodischer us-prog-pop-rock, mit klarem fokus auf die instrumentalparts, zeitgenössisch interpretiert, klassisch vorgetragen, von meistern ihres fachs. beschwingte, kompositorisch ausgefeilte gute-laune-lieder für alle lebenslagen.

nice price deal !!! the bristol reggae explosion is back with a third volume. whilst still happily exploring what was happening in the city during the 1980s, they have bent the rules and included a lone track from 1979. if anything, this third volume is their strongest so far, an amazing achievement when you consider that most of the tracks are previously unreleased.
by popular demand, >bristol reggae explosion volume 3 – the 1980s part ii< has a strong leaning towards the roots side of reggae.

those cheeky texans are back with another sure fire strictly vinyl only four tracker of funky disco jams, disco reggae shananigans and boogie bullets. over the last 4 years the killer disco & funk crew have dropped almost 20 releases across their 45 & 12 inch labels all with one sole purpose to provide you the dj with enough ammunition to destroy the dancefloor with musical firepower . with their exclusive range of exclusive edits & tracks many fans have been picked up on the way including danny krivit, idjut boys, greg wilson, faze action to name but a few

jesse perez is the new kid on the hot creations block and he launches straight into the fire with a double hitter of old school nostalgia and heavy hip house grooves, >jesse dont sport no jerri curl<

classic bob dylan stuff…

pressing on 180 gram audiophile vinyl, including insert with lyrics.
this first vinyl re-issue since its original release includes >who by fire<, a duet with janis ian, and a song about cohens relationship with janis joplin, >chelsey hotel #2<.

here comes the master on carillon also known as alessio mereu. with an ep that soon will be released on steve bugs legendary pokerflat imprint, alessio delivers to our label a single really different from his typical style and approach to electronic music ... hot as hell!
first on the a side we have >hot - spot< a track with a taste of electronic and latin vibes with psychedelic voices and a solid groove.
then we have alex cellers version (cecille - area remote) that takes the main sense of the track and rebuilts it for a very stylish version rich of percussions and emotionality.
for the b-side we have >fire - hot<, a groovy club track for peak times with spoken vox sample from black poetry that really reminds the 80s rap style from the ghetto.

panacustica’s fourth release is amongst cosmic metal mother’s finest work. “time is now” the track in question, defies definition by mastering a style on it’s own, by fusing elements echoing from prog-rock drenched with emotional content into an adult and contemporary way of delivering which is unique to the cmm writing style. the original is melancholic bliss. a vocal line at the center of the piece whispers words about oscar wilde and mr. death accompanied by a cello melody that grows bigger and bigger into an angelic cascade of notes. the track begins and ends in the most bare way with just a drum beat leaving you with the feeling you have just entered a loop where time is irrelevant. commodity place has the second cut of the a side. the duo from rome, known in the global underground of the vinyl tribes for their signature guitar style, chooses to call their mix “experience”, clearly paying homage to the gods of rock, delivering a guitar solo that will fire up your speakers and fill your eyes with the brightest psychedelic colors that we all so desperately need in this age of grey anonymity. the b-side is a full eight-minute mix by the man who needs no introduction and made us all dance since day one, larry heard, a.k.a. mr. fingers. his version is a fast “four to the floor” track, where a shaker drives the house beat into the melodic lines and voice borrowed from the original, making it one hundred per cent dance floor efficient with the modernity and mastery of his touch

nobody does it like gamm does it! the first in a series of two eps from dj will-rock.
its another heavyweight 4 tracker of dancefloor dynamite, upended and amended for maximum impact where it counts from deftly executed hip hop blends to surefire disco rewires, its all 100% proof!

this is the third of the black dogs liber series of releases that are purely aimed at the dance floor. it follows the previous, well received liber kult & liber temple 12s, these singles all lead to liber dogma, due on soma in october, and further chapters. high rise choir reprise opens with clattering percussion taken straight from recordings at forgemasters before a face-ripping gut-wrenching bassline cuts through with one of the black dogs strongest minimal grooves yet. built to move heads and feet, the hypnotic groove hooks you instantly while the haunting strings bring the emotion in massive dark waves, you cant help but fall into this track. beautifully simple, addictive and massive. dissident bleep is just that. over the years the myth that sheffield is all about bleep and bass has gathered ground but those who live here know its all about the bass. industrial repetition gives way to twisted vocal samples of >over, over<, a sure-fire nod to cabaret voltaire, before the kicks and filters pummel you.

support from popof, stephan bodzin, nicolas masseyef, kiko, john digweed, emmanuel top, greg delon... after 10 years at the helm of the venerable label scandium records whose techno productions marked the electronic scene, paul nazca is a new challenge: to start from zero and create a label alongside his sidekick studio maxime dangles & florian combe. programme: the music came first, fresh, dynamic, varied. the artistic choices are made on favorites guided by the desire to share our passion. and to open the show, paul is in command of the first output followed by maxime before you discover new talent. so stay tuned!

due june 20th. two tracks of urban psychedelia from the heart of l.a.
beaches of the black sea is an ambitious chugger filled with flamenco guitars and synths. the b-side stealing the fire from heaven is a more experimental cut with neo-industrial rhythms and a rolling bassline. the past two releases have seen support from davude mancuso, francois k, and andrew weatherall to name just a few.

pirahnahead and diviniti, these names are synonymous with quality dance music. since 2004s >find a way< they have been two of dance musics most prolific songwriters (and even co-wrote a few songs for les nubians on their 2011 full length >nu revolution<). with each release they have provided powerful production, smooth vocals, angelic harmony, and overall, musical excellence. this time, the super collaborators return to the foreground with one of the best tracks of 2011, >(just like)a dream<. as the sixth release from whasdat music, this soothing track has been supported by the likes of vinny da vinci, ian friday, paris cesvette and neil pierce as well as phil asher (who included it on soul heavens miami sampler mix). also, joining in as remixers are charles webster and jose carretas. both have previously collaborated with pirahnahead & diviniti, topping charts on traxsource.com. (charles websters >learning to love me< and jose carretas >life in a box<). this release is a sure-fire floor rocker and a must have for any dj.

the debut album from gardens & villa exudes effortless class, translucent funk, and an undercurrent of the bittersweet. its a youthful exploration of just how opulent starkness can do. includes free digital download

>celebration, florida< casts scenes of dreamy characters and stories interwoven like a block of primetime tv. among the tales: a young woman who sets off to find a secret paradise, a teenager who enters a boxing gym in catskill, ny, a late night host recounting his rise to fame to his honeybee while traveling in a private jet, shady degenerates who get lost in a mystery concerning a honda civic, a young girl who crimps her hair and spies her dead father driving down the road, a wall street scandal hits a little too close to home, and even a trip through space to find long forgotten hollywood parties and hopefully make it back there in time to walk down the red carpet. the felice brothers are: ian felice, james felice, christmas, greg farley, and david turbeville.
comes with code for free digital download of this album.

here comes the eighth release in the line, pressure cooked by christian wunsch. three slices of fine modern techno, but with strong roots on tradition. buried mistakes opens fire with clean drum programming and punchy beats. spacey arpeggios and subtle drones are the makings of this movie. on the flip side, complete surrender uses similar rhythm coordinates, clean percussion sounds programmed with extreme taste, constantly evolving until the strings come in, creating a sci-fi futuristic mood, perfect for techno travellers. inevitable war is the last piece slower tempo, intelligent drone work out, dark atmospheres lying on a single kick, growing to make a complex beat as the minutes go on. they call it deep techno out there. a departure from the hard edged sounds on behalf of a mental way of understanding techno.

vinyl only!! styrax records presents the last part from the serie >in loving memory<. the release come with an artwork of james marsh, former best known for collaborating with the seminal 80s band talk talk, producing all their iconic album covers. the folder is used for the acceptance of all >in loving memory< parts 1-4. as bonus the special 1 (2x12inch vinyl) with rare and classic tracks from ron trent, larry heard, herbert, isolée, reggie dokes and dj qu

welcome back sebastian s solo work! after the excellent his first mix cd wa wu we and first solo ep voices around the fire , he came back with two excellent songs. on a side, alva is dubby, psychedelic house. it sounds like more techno version of omar-s. this track will be great dj tool for everyone. on b side, lyssna då björkarna viskar is peaceful ambient house with the sound of bird s singing.

his debut four track ep highlights his individual approach to song writing with the gorgeous, deep and moody >i am machinery<, a fitting title for a track where the human voice integrates seamlessly into the analogue electronics of the machines. >pointers’ changes the mood and aims at the dancefloor, with strings and synths fully indebted to detroit techno, but with a constant human touch from his jazzy scat cutting in and out of the heavy groove. >some days< has the biggest sound on the ep with multiple vocal tracks layering over the crisp drums and pulsating synths. hes combined his keen ear for melody and a firm grasp of the dancefloor for this track, making it many djs favourite on the ep due to a club friendly structure, yet striking originality. >set myself on fire< closes the ep at a mellow tempo, and can easily hypnotise the listener with its repetitive vocals, haunting whistles and sleazy beats. this is only for the beginning for debukas, these four tracks are just an introduction to one of the finest talents from the uk electronic underground

maurizio vitello returns to metroline with some seriously deep bass-driven techno. a devastating ep. the lead track is a driving, stripped down techno groove. full-bodied toms and a seriously fat bass keep the track rolling while filtered vocals and understated synths add the dynamics. heavy! looking good keeps that groove going with a bassline so heavy you will have to pick yourself up off the floor. a bubbling percussion break evolves throughout the track, building in complexity, but kept in check by some nice metronomic hats at the high end. on movers maurizio lets the drums do the talking. everything locks tightly around the solid kicks. the multi-layered break adds a sweet cubano vibe that you simply wont be able to shake off. let the bass drrrrooopppp! pleased? yes we are. this playful track is going set the summer floors on fire. vocal samples weave in and out of the mix, and sharp-as-a-needle 80s-tinged synths stab through the deep, heavy rhythm track to awesome effect.

three jazzy funky house tracks to set the floors on fire, enjoy!

never losing the musics immediate physicalness out of sight, the driving, bass-heavy energy of alex picones tracks set club floors on fire. still in his twenties, hes been a dj for fifteen years. having never aimed at quick fame, his career is exemplary in its endurance and commitment: he hosted parties in his hometown of padua and became resident at seminal italian clubs. after a stopover on ibiza he now resides in berlin. alex picones first record under his real name is also his first release on cadenza and his most successful so far. the three tracks of fahrenheit tie in with the overboiling force of floppy and furby. while the rattling snaredrum adds a humorous touch, the uplifting groove of inside out pushes on the limits of the energy levels of contemporary house music. yet the heart of the track is the relentless bassline, which liquefy ones body and melds the crowd and the whole club in one torrential stream of tension. with lost in burning man, alex picone fuses an oldschool electro groove in his house beats. this unexpected encounter might remind one of kevin saundersons hiphouse sound. but instead of indulging in nostalgia, the breakbeats add a provoking, startling touch to the track. with the rotary bassline and the playful jaws harp of mandarin, the ep ends on a comical note. alex picones second cadenza is a challenge to a certain house sound that became too accommodating and glossy. his musics driving force pushes the crowd beyond the threshold of the established into a space of limitless indulgence

after the huge success of the catalogue number 005, formatic records has carved the next dance board. the beginning of the new year gives thanks to the constructing dj madskillz- presenting the bottom of a noble carnival-wagon, which drills itself through the castle walls of lethargy like a trojan horse. behind it the client in person jumps out of the bellies strong vehicle and brings the format:b remix, making even more tumult in the- without a doubt from luck traced- party bodies. the communal phenomenon that dj madskillz describes as >carnival chaos< is also being picked up by ramon tapia, who (as usual) bits the celebrating horse from behind making it spit fire in front during peak-time. a movement with pyrotechnical potential in the yet young post new-years-eve-2010-era. cheers!

we are pleased to announce the debut release of a young producer from the uk, bnjmn. his adventurous electronic sound is one we haven t heard in a while, and excited us on first listen. while on one hand his music has a traditional sound (early 90s uk), bnjmn does create a world of his own due to the versatility in his productions. it is this versatility that creates an exciting hybrid sound, therefore pushing the envelope and making it sound very current, future even

>13.0< is the reduced title of the original track, which reflects as well the puristic approach of the sound. oldschool manner meets analog waves on swinging grooves, that cleares the way across the galaxy. gabriel le mar pitches down the velocity and touches down on the magical fairys planet! his silver bullet is the game of dice and conjures the fairies with an ocean of moments in happiness, what ends up in joyful dancing. playing games has ever been his passion! the trip goes on in low level flight mode. the smalltown collective offers clearer strings with a dose of deepness. on his remix of >29.0<, steve coles shoots the fire with wide-opened claps and crunching the gear, while spreading the music by the machine into the width of the universe.

the mighty umek rounds off 2010 in style with the >freaks on the floor< ep, featuring collaborations with phntm and beltek.

just when you thought the heat of the summer had disappeared brett johnson and mike shannon team up to light the fire again with the bbq project. delivering some grooves inspired by the warmth of the summer the two legends come together to reflect in the studio and bring you the >my way home ep<.

monsieur guillaume berroyer — the infamous ark — recently underwent a sort of sea change in both his artistic and personal life. anyone following his career with even a passing interest knows of his long resume (collabs with pepe bradock and cabanne, dolibox, mika weill, releases on brif, karat, circus company, perlon…) and has heard tales of the studio fire and the creative energy shift and all of the stories associated with his frenzied live performances and dj gigs. great stories are fun and build mystique, but as most heads know the music more than measures up to the legend. his recent >arkpocalypse now< full-length showed a matured craftsman that is not so much waxing introspective as he is distilling his signature sound into something manageable enough to truly adapt to all of his musical tastes.

reissue of the first soulfire cd! soul strike is a raw-ass piece of instrumental funk, served straight up on a platter of nasty. from the very first note, you can tell that this is real deal, old-school funk played the way it should always be played: rough. calypso king & the soul investigators take us back, way back, to a time when locking into a groove meant something. with two sides of breakbeat-laden hard funk instrumentals, this record is the answer to all your bbq/funk needs. tip!

they live in the clubs, eat through their noses and sleep standing up. the cheapers do the same, but the title no groupies and ugly dancers is directed at the mean faced ravers and talkers that lurk in the dark corners of club. the cheapers are sending a message to all those types with this release, upon you 36. they begin by lighting a bonfire on a1, dancing around the fire like crazed polka-shamans, until the final minimal priest has thrown his bible into the embers. next they attack the unwashed go-gos, hobby strippers and ugly dancers on b1. eventually reaching out and apologizing to the shy and quiet real music lovers that like to sway dreamily on b2.

escape from new york >singles collection< contains the groups full discography. the group comprising of british record producers john falleti, mike whitford, nigel swanston & tim cox (who also recorded as airstrip-one) penned these two gems in the early 80s at a time when italo disco & new wave were the flavour of the day. >fire in my heart< needs little introduction, an incredible slow-mo balearic masterpiece with rapturous vocals. now worth a pretty penny this originally was released on uk rollerball records in 1984.

horse meat disco volume 2 brings together another essential selection of new york classics alongside a host of lesser known discoveries for all fans of underground disco.
2lp unmixed + download code for unmixed tracks!

dubline audios next release is graced by the talents of canadas mark instinct. 15 karat is a dangerous ep, the tracks are armed to the teeth and ready to create havok amongst dancefloors world wide. each track is an dimensional example of dubsteps exploration into the technology of future bass music. worth its weight in gold, and as intended each of the four tracks are deployed as weapons of the djs arsonal amongst their crates. 4 tracks that are sure fire hits. the predetermined target aimed to the dance with the sight set to annilate the crowd. thick basslines, dope beats, and smashing drums set the pace in this artistic approach of a surreal instinctual bass killer. prepare to nod the head as gangster beats dominate the ether airwaves of all those that set ears to mark instincts - 15 karat ep - dubline audio 05. you have been warned. this message will self destruct.

nice price deal !!! as a close follow up to runaways >the fire below<, otps new >broken man< follows suit with sprawling mood and tension. laced with hypnotic detroit-esque organ riffs, disco flourishes, detuned pads, and the repeating chant >broken man<, its proper runaway dance floor frenzy.

support by: kenny larkin, ripperton , martin landsky, lauhaus, ben watt, deetron, oliver huntemann, king roc, h.o.s.h., wally lopez, technasia, andrÚ galuzzi and many more for their latest release systematic recordings head honcho marc romboy teams up for a french-german project with one of the hottest producers on the scene right now, montpelliers rodriguez jr. as a member of the >the youngsters< rodriguez jr has released two techno milestones on laurent garniers f communications, and josh winks ovum recordings. most recently, having focused on his solo project, labels including mobilee, mothership and boxer recordings have all brought us his distinctive productions. >lac de nivelles< sees the pair creating a beautifully fresh and epic, summer masterpiece. its warm analogue sounds deliver the perfect touch of soul, making it a sure fire festival burnerà

after his succesful remix of arnold jarvis house classic >take some time out<, toronto based basic soul unit (aka stuart li) is back on creme with a 4 track ep and he is bustin out those dope moves holmes! deep and raw, at times retarded and industrial edged emotional jack trax that are firmly rooted in the detroit/chicago tradition while keeping an eye on the ... damn we are rolling out thos cliches again today! hot-cold, blue-red, we are on fire!