packed comp of skits, scratches and jams courtesy of friends, past guests and contributors to antwerps premium freestyle throwdown, destination eaaaaarth.... includes fold out poster. top tip!

arvid whetman has plenty going for him at the moment. as sexazoid he s dropping all kinds of off-kilter machine beats on excellent labels like born free, while as your planet is next he builds on appearances on junk yard connections, waving hands, opal tapes, studio barnhus and klasse to deliver this chirpy four-tracker to acid waxa. from the twee vocals to the playful synths and straight up drums, this is club music crafted for an immediate hit. whetman makes this approach work magnificently though, liberally applying his musical personality to lo-fi deep house and roughshod acid, with heartbreaker being a firm favourite thanks to its fulsome 303 bassline and hooky vocal mantras.

monotone leidenschaft releases #2, 3 & 4 all bundled up for one special price!

multi culti s lucid-lifestyle dreamer peter power takes us on a free-wheeling trip to the motherland on afro damba. the irish-born voodoohop resident has returned from the jungles of bahia with a fresh ep of primal party tracks sampling voices and rhythms from across africa and it s neighbouring islands, producing what is easily his most club-oriented work to date. whereas his tracks for voodoohop were spiritual flute-heart-openers, these are neo-pagan mating-ritual floor-fillers. the rhythm is set to tribal chug, with rollicking percussion, reverb-soaked vocals, and all the fun jangly bells & bits you expect to be hanging off such a well-traveled producer. if that weren t enough, we enlisted romanian-dance-duo khidja to rework adama waro resident mix-lord dreems also weighs in with a subtle remix of dansakoni, gently upping the tempo and tweaking the knobs in selfless service of the original groove.

the systems that maintain the total spreading and keeps the western civilisation enslaved under the foot of capitalism are destroyed. the analogue reality reaches you unfiltered and seven billion screens show white noise. the fax network is the only thing working...
hoga nord rekords proudly present ultra satan! a body that have lent blood from other acts on the label, such as spr, tentakel, fontan and the exorcist gbg, are releasing their first 7inch. ultra satan displays with the two tracks usa and usb, an almost unprecedented unrestrained creative force, stemmed from the ambition to destroy and rebuild. rebuild something free and unexplored.

25th anniversary reissue of en vogue’s second studio album, originally released in 1992.

one of the sweetest and most idiosyncratic voices in reggae, tenor singer cornell campbell also has one of the longest-running careers of any jamaican recording artist. taken under studio one founder clement sir coxsone dodd’s wing at a very young age, cornell cut his first recordings in 1956, long before ska was even established. he remained based at studio one for many years (working as a label printer as well as a recording artist), and also voiced sides for king edwards in the ska years. he then briefly joined the sensations in rock steady and recorded at treasure isle, before moving back to studio one as leader of the eternals when reggae arrived, cutting huge hits there such as stars and queen of the mistrel, and giving early coaching to slim smith, jacob miller and bassist robbie shakespeare. joining forces with ace producer bunny striker lee in the mid-1970s brought a dramatic new surge in popularity that greatly boosted his profile overseas. the ropin lp was issued on third worlds justice subsidiary in 1980 a sub label set up to handle strikers product in the uk (though hits like mash you down and the title track had been handled in jamaica by joe gibbs). one of the albums outstanding moments is bandulu, an anti-rude boy epic voiced on the late night blues rhythm, while opening cover, just my imagination, has an uncredited toasting portion from errol scorcher.

unknownmix was a band active in zürich between 1983 and 1992. their music is a mixture of free vocalism, new wave and industrial, they released five lps and three eps. out of their discography lux rec selected four tracks, remastered from the original tapes, and presented as a sampler ep. four tracks that fit perfectly to the label’s tonal view. an ode to those zürich days, when excesses and uncompromising choices were a badge of honour. and music was something to fight for, or fight with, or dive in and die.

brian kage returns on michigander with the, best kept secret ep. kage once again provides three deeply emotional dance tracks filled with his signature warmth that immediately draw connections between personal memories and michigan’s natural splendor. best kept secret starts the record off with tones of hypnotic bells that cascade down from within minor chords that hypnotize the listener until they are met with swelling strings to tie the infectious grooves to intelligent vintage percussion. lush vocals continue building into an atmosphere of nostalgia and eventually gives way to that moment of intimacy that can only be felt outdoors while exploring with a person they love. lost on old free-soil road features a detuned analog synth-line that winds up and down over a bed of spooky night-time forest field-recordings which are encompassed by a jackin’ 909 beat . suddenly, juno stabs straight from the 80’s pierce through sending the syncopated grooves back the direction they came from taking dancers along for the joyful ride. cruise control on us-31 rounds out the record with an infectious blend of pitched wooden toms, warm mid-range bass, deep 303 lines, and a smoky pad straight from a vintage rhodes. all these elements help keep the composition positive & relaxing, while expertly conjuring the feeling of sun on your face. this tune is the perfect tool for any dj interested in luring day-partiers to a space where they can’t resist bobbing their heads and enjoying their summer outside. related items

nice price deal !!! paris s dj sonic with a slamming french electrohouse tune plus stephan luke remix (from miami)

“frozen refrains” ist das fünfte studio-album von dem elektroakustischen komponisten bérangère maximin. es erscheint auf dem label atlas realisations des new yorker produzenten craig leon (ramones, blondie). zuvor hat bérangère maximin bereits alben auf den labels tzadik, sub rosa und crammed discs veröffentlicht. seine kompositionen sind stark von der musique concrète beeinflusst. er nutzt naturaufnahmen und geräusche und verarbeitet diese stark verfremdet in seinem werk. das album ist von abstrakten sound-scapes geprägt, in den melodie- wie soundfragmente kurz aufblitzen. für fans von: pierre henry, brian eno, luc ferrari, laurie anderson und pole.

lefto (belgium) and free the robots (california) found themselves on tour together a year and a half ago and had the wise idea to do a record together with the beats they were making from inspiration collected along the way. fast forward to the present, and that idea has grown into karavan - an album of international exotic melodies and heavy rhythms - that reflects the sound gather through their years of consistent nomadic touring.

jalal salaam and ewonee’s past lives stands among the top releases of 2015. and in 2016 it sees a deluxe vinyl release via house shoes’ street corner music. the 2lp will be complete with all instrumentals, and an insert containing all lyrics. the urgency of these recordings is reflective of the times we live in. jalal salaam’s raps are a perfect marriage to ewonee’s production, eschewing contemporary sounds for an album incredibly well balanced between tradition and progression. “this is one of the best albums i have heard in years, and i’m proud release what i consider a new classic from some of the new guard of new york city’s storied history of hip hop music...” • born in mount vernon, ny, ewonee is the first signee of east coast record label & producer collective, beat haus records, and featured on boiler room (link here) • jalal salaam is out of ardsley/dobbs ferry ny, has collaborated with artists such as ivan ave and fredfades and known for his radical, in depth, and emotionally free lyrical style • this deluxe 2xlp includes the full vocal album along with instrumentals and a lyric sheet.
“best rap album i’ve heard in a long time..” -house shoes

the journey we all took with woods at the helm on may 2nd, 2016 has been immortalized now as part of third man records live lp series, and it s a journey we highly recommend taking in the comfort of your own home — with a glass of your favorite beverage in hand, fire roaring, and mind malleable.

in 2016. i rented out a small piano studio in east london for nearly the whole year and set out to write an introspective, trendless, and mostly beatless album. inspired by albums from this mortal coil and scott walker, who also sought freedom to work outside of the expectations of their previous work, i limited the instrumentation to mostly an acoustic piano and effects, which left space to expose a lot of emotional vulnerabilities about myself and people close to me. writing lullabies about being a mother in a dystopian world, with pensive words about swimming against the current as a female artist, i felt free enough to tell untold truths that i’ve never felt comfortable talking about within music. free, liberated, empowered. naked.

20th release in the relative family. a split ep by founders john swing and emg with 4 heavy duty house floorkillers in typical relative style.

london-based producer, turntablist and artist touchy subject (numbers, astrophonica, medallion sound) unites dancefloor energy, technical wizardry and dub reggae movements on a 4 track release for irish imprint rua sound. the skyward ep draws on high speed riddims, junglist bloodlines, crunchy glitch and grinding low end pressure to deliver a fresh, creative 12inch full of tantalizing detail. support form fracture, sam binga, tmsv, moresounds, sam binga, itoa, jon1st, etch.

bristol beat physicist second storey joins the fold of electro dystopians trust, and telekinesis via fax picks right up where recent releases for houndstooth and his r&s collaboration with appleblim, also, left off. attack of the modlings has deceptively lush pads launch into an industrial grime furor that relentlessly underscores second storey s ambition to sonically innovate. vienna s /dl/ms/, coming right off their recent trust debut, reassemble the bits into a subtly layered electro funk banger, before second storey steps back onto the plate with the eternally spiralling -quantock point to point- and -telekinesis via fax-, the latter evoking memories of robert gordon s afro-futurist black knight project with hyperkinetic snares and free-wheeling synth licks.

to celebrate the rebirth 100th release the label owner shield and his right arm robytek get in the studio with salvatore principato (sal p.) and dennis young, known as the vocalist and marimba/percussionist of the seminal early 80s nyc band liquid liquid. the experimental sounding band emerged from new york city s vibrant downtown scene in 1981, developing their own unique sound, a fusion of irresistible basslines, junkyard percussion and urgent, free-flowing lyrics.

soundtrack zur aktuellen netflix-serie black mirror. die musik stammt von ben salisbury & geoff barrow (portishead, beak). gemeinsam haben sie schon den soundtrack zum hollywood-film ex machina sowie das konzept-album drokk: music inspired by mega city one komponiert. black mirror gehört zu den ungewöhnlichsten serien im moment: wenn technik eine droge ist und es fühlt sich wie eine droge an, was genau sind dann die nebenwirkungen? dieser bereich zwischen vergnügen und unbehagen ist der schauplatz meiner neuen dramaserie black mirror, sagt serien-schöpfer charlie brooker. der score ist entsprechend düster, elektronisch, atmosphärisch. er erinnert an die klassischen soundtracks von john carpenter, throbbing gristle und jean-michel-jarre.

without artwork cover - only standard cover (see picture)...ltd warehouse / backstock - the midnite ep is the follow up ep to delano smith s sunrise ep on third ear recordings, released at the end of 2008. the sunrise ep was one of the underground house records of 2009, and the midnite ep is set to be one of the underground house records of 2010. both delano and us think the midnite ep is better than sunrise. after the sunrise ep, we decided to do it again and maintain the theme and name the next ep after a moment, a feeling within the dance floor experience. we decided on midnite. once again we have selected four tracks from a selection that delano sent us. you can play these tracks at any time of the day or night, and we encourage you to experiment in this way. however, dropping any of these tracks at midnite will ensure that you, your dance floor and all the people in the room will be set up for the journey. :-) a1: a special kind is constructed in the classic style of filtered samples from another record over a fat (really fat as this is a record made in detroit) kick drum. the samples are from ashford and simpson s stay free from 1979 on warner bros records. it is a sign of a good dance music producer that s/he can take an already great track and turn it into a dance floor bomb. delano has done this with a special kind. 117bpm. a2: dee s gruv is a very deep, very atmospheric groove. a crisp snare, a growling bass, a kick drum of varying intensity though the track framing the vibe, and a subtly modulating chord that goes on forever. hi-hats and ride cymbal move in and out of the track as it ebbs and flows. this kind of deep, grooving suspension of time is becoming a delano smith speciality. 122bpm. b1: the exploration is delano working through the same ideas as he explores in dee s gruv. hitting harder and driving faster than dees gruv, the exploration is a continuation of delano s search for the ultimate deep house groove. all students of electronic dance music should check this.

long time friends cesar merveille and ryan crosson return to visionquest to reignite their ‘merveille & crosson’ project in late may with three fresh, intricately programmed cuts. visionquest boss ryan crosson and parisian cesar merveille need no introductions, with the duo’s back catalogues featuring material on the likes of revered imprints cadenza, desolat, little helpers and mdrnty. 2011 welcomed the introduction of their ‘merveille & crosson’ project, with their debut album ‘drm’ on visionquest gaining plaudits from industry heavyweights including ricardo villalobos, and after a five years absence here we see the duo return once again to deliver ‘dream state’, a three track ep that oozes quality from the off. the a side is home to title cut ‘dream state’, a production that tumbles and twists smoothly around meandering synths, crisp percussion shots and a bumping low ends, typical of the duos free flowing and evolving production styles. on the flip, ‘guns’ sets to work through pitched down vocal loops, sweeping sonics and rich textures all reinforced by a driving bassline that carries plenty of groove, before ‘time contraints’ slowly unveils itself with a series of off-kilter gliches and pops, delicate pads and sophisticated sound arrangement, concluding yet another fluent and immersive offering from merveille & crosson, and an excellent addition to the visionquest catalogue.

darauf kann man sich verlassen: wo joey negro draufsteht, ist tanzmusik drin. seit der 13-jährige david russell lee 1977 in einer tv sendung den song boogie nights von heatwave hörte, ist er vom disco-virus infiziert. und den ist er bis heute nicht mehr losgeworden. obwohl produced with love erst sein zweites eigenständiges album nach universe of love von 1993 ist, hat joey negro in den vergangenen dekaden mächtige spuren im dance-bereich hinterlassen. nicht nur produzierte er zahlreiche chartbreaker, dancefloor-kracher und remixe unter diversen pseudonymen (jakatta, raven maize, doug willis, prospect park u.v.a.m.), vor allem war er für grace jones, diana ross, deep dish, lionel richie, mariah carey, tears for fears, ultra nate, masters at work, roy ayers, blaze und roger sanchez aktiv. hinzu kommen kollaborationswerke, bandprojekte und eine reihe herausragender kompilationen wie die house masters-serie, remixed with love, disco not disco oder kings of house. kurz: ob mainstream oder underground, joey negro ist ein mann der superlative, bei dem einfach jeder beat, jedes hook und jeder loop perfekt sitzt.

while bringing the antidigital s four-fold path to completion, v.i.t.r.i.o.l. squares the symbolic structure of the series by focusing with conceptual precision and musical elegance the heaviest of elements within the alchemic cycle: water. both adaptable and erosive, essence and abyss, the paramount fluid is an archetype of metamorphosis. constantly attempting to overtake every obstacle towards the gravitational center, pervading and transmuting the earth by transforming itself, water eternally conquers the depths where it still serves as origin, nest and nourishment of life. like a torrent, v.i.t.r.i.o.l. tells and embodies the sublimating descent of water, taking shape as a pouring of micro-tonal falls, opening passageways through a radiant narration of deep intimate soundscapes. framing a sequence of almost religious experiments in circuit manipulation and digital-processing of the resulting electrical sound-fields, the short album signs the important inspirational contribution by drøp to dromoscope antidigital project. enchanting second outcome by sound designer giuseppe bifulco, v.i.t.r.i.o.l. resonates clearly of a post-modern electronic shamanism, a fascinating musical vision interpreting sound as a physiological trigger and music itself as a therapeutic instrument, a path for an interior empty-set (ø) capable to free consciousness from rational domain and reconnect it to deeper natural truths. like a map for the descent, v.i.t.r.i.o.l. engraves its own name and structure with one of the most substantial hermetic aphorisms ever, -visita interiora terrae rectificando invenies occultum lapidem-, dropping a hint and pointing a destination for the healing research of the truth: the unknown interiors of the world, the subterranean unveiled inner self.

for the 3rd edition of our new directions in funk 7- series on soul clap records we re keeping it close to home with special versions of two of the funkiest cuts off the recent soul clap and midnight magic albums. the latest in the double artist, double a side, split 7inch series follows up two funky slices of wax from funkadelic & soul clap / brian ellis ft. howard johnson on volume 1 and zopelar ft. serge erege / the nephrok all-stars on volume 2.

chopped and bemused electronics from italian beat randomiser, herva on his second time out on all city. another 6 track mini lp of organised confusion running the spectrum from sample boogie, broken funk to soundscape techno. according to the florentian producer: the main idea behind this release was to simulate a band - well, a one man band! a lot of the tracks were recorded sampling real instruments and free-running circuits and crafted together with hardware/software sequencing-

comes with a free funky chimes 45rpm adapter. funky chimes sampler 5/5: kiosk mona call / hearts of soul & shampoo we love the policeman

comes with a free funky chimes 45rpm adapter. sampler 2/5: francis coppieters funky chimes / georges hayes and his philarpopic orchestra concerto for right foot and orchestra

comes with a free funky chimes 45rpm adapter. funky chimes sampler 3/5: s.s.o. faded lady (instrumental) / roland thyssen riff for peggy

play what they want features the vocal talents of laurie anderson contributors include, yo la tengo, mary lattimore, quince contemporary vocal ensemble, phil manley, brandee younger, brandon lopez, sam yulsman and ben lanz while colpitts’ previous albums have expanded on the possibilities and limitations of drums and percussion, this new album redefnes the project crossing the boundaries of jazz and modern contemporary classical having played in spiritualized, white hills, boredoms and marnie stern to name a few, john has made many tv appearances including jimmy fallon and is viewed as one of new yorks most acclaimed percussionists lp pressed on virgin vinyl housed in a spot uv gloss varnish jacket and includes a free download coupon.

chapter 6: in taxon he intertwined saxophone, free voices, funk, jazzy and electronics. kevlar is headed by a strident and wandering guitar on a carpet of percussion. 33vs45 is a piece composed to be played at 33rpm but also lends itself to be proposed in 45rpm in daniele baldelli’s style, accustomed to propose records played at the wrong speed for unforeseen effects.

carlo troja aka don carlos is active as a dj from the late 70s. he debuted as a producer towards the end of the 80s with the single alone, which became one of the cult tracks of the international deep house scene. his productions have always mixed house rhythms with afro-american jazz sounds, verging sometime towards disco, sometime towards progressive house or electronic soul. in 1992 calypso (irma) released mediterraneo a mini album all by playing ... deep jazzy house !

100 limited coloured vinyl! carlo troja aka don carlos is active as a dj from the late 70 s. he debuted as a producer towards the end of the 80 s with the single alone , which became one of the cult tracks of the international deep house scene. his productions have always mixed house rhythms with afro-american jazz sounds, verging sometime towards disco, sometime towards progressive house or electronic soul. in 1992 calypso (irma) released mediterraneo- a mini album all by playing. deep jazzy house

brill reggae album

tiago s interzona 13 label returns with a sample free excursion into deep space stasera is a solo project from gala drop s drummer, a naturally percussive quest into throbbing bass led, synth punctuated groovers and immersive trance-dancers, reminiscent of the recent output on early sounds etc easily matching the unique sonic palette of this cult imprint perfectly, as a versatile, forward-thinking duo of cosmic jams !

there arent many artists that can lay claim to having put out records on labels as divergent as rough trade and john talabot’s hivern discs. perhaps this is because few artists express such genuine diversity in their musical tastes and creative explorations as david kitt. since the turn of the decade as new jackson he has mined a seam of driving, ghostly house to run parallel with his solo strand of ambient folk electronica. his debut release in 2011 the night mail on pogo channeled early record collection heroes aphex twin and orbital through to drexciya and projekt pm but had one foot firmly in the 21st century beaming in like some futuristic cyberballad. on the flip side hussle free had that mix of house and boogie sensibilities with dark and dusty synths and vocoder that would become a signature. this was followed by acclaimed releases on hivern, permanent vacation, major problems, apartment and most recently cin cin. his debut album set for release on all city in may was recorded in kitt’s bedroom studio overlooking dublin bay, its nocturnal hues very much a product of the nightshift often working on headphones with the rest of his housemates fast asleep. it takes full advantage of the scope of the lp format, ebbing and flowing between deep house club ready gems and more restrained and meditative beatless moments for the morning after. the recording process yielded many eureka moments with kitt finally nailing sounds that had hitherto proved elusive. a key moment was getting a bank loan to buy an sp 1200 sampler

includes free cd

ligovksois new ep with remixes by peder mannerfelt, abdulla rashim, polar inertia and hbt. the duo ligovskoi, between bruxelles and paris, has come up with five new pieces, bringing their craft to a whole new level. their condensed and moving soundscapes are now heightened by narrative compositions and constructions. (cross and lethe for instance, will drag you down several routes...) their hybrid sound-design and detuned, infra-thin arpeggios now also integrate free improvisations and breathtaking, melodramatic moments. (take a shot at aures for example) enjoy

rudolf c embarks on the third expedition into the exotic lands of palm trees and blue skies with his mesmerising and pensive ‘goin good’ ep on lost palms. expedition three features four jams packed full of utopian soundscapes and drum machine filled sequences. free your mind and your body will follow.

shag edits series hits volume 7 and in great style. we welcome oli furness to the shag party and he delivers two outrageous cuts. u can is a disco bomb hitting you in all the right places, from the hands in the air, to the guilt free sing along moments. kick it rocks a hip house feel, holding real grit and groove throughout. jamie joins oli on the a side with woody dunked, anyone who knows jamie s work will recognise the style, always grooving, hard hitting snares and heavily sampled. bress underground ties up the b side with another disco gem. again its a let your hair down, vocal groover with a carefree attitude.

djs: most charted - funk, kito jempere, ptaki, choiproductions, mamadisc andere veröffentlichungen von james mason

part two of a new salsoul re-edits series launches with four classic edits for rsd from seminal edit king danny krivit. with over 45 years behind the turntables, if anyone knows what little extra touch a record needs to work on the dancefloor…its danny! taking his editing skills to four classics from the salsoul vaults , danny delivers once again. available on vinyl for the very first time.

adding on to his extensive discography, reboot has curated a fresh journey through his world with the alive lp on get physical music. a diverse selection worthy of the international dancefloor, the lp contains the culmination of the artist’s long career and the many experiences, stories and inspirations that come with that.the lp includes a free download code for the full digital album + remixes from ricardo villalobos, kölsch, anna & nakadia.

uk artists reset robot, jon gurd and tom powell collaborate again on their free-form hybrid electronica project- mister woo . following a series of under-the-radar eps, beyond light is the trio s debut album and most experimental and eclectic work so far. mister woo recorded beyond light in their portsmouth studio over three weeks in 2016, setting themselves to writing and recording tracks on-the fly and building an album around one-take, improvised performances. free to take its own form and direction from the outset, the result is a varied, unpredictable, high-energy record that pushes mister woo s distinct brand of electronica into new and unexplored places

reaching a near-mythical status amongst fans of free jazz s most worldly intrepid explorer, these seldom heard paris soundtrack sessions known as music, wisdom, love have evaded collectors grasps and confused historians for exactly 50 years. now available for the first time ever and licensed from producer and director jean-noel delamarre himself.

fresh ambient / synth / wave compilation centering the man who brought us absent music / the misz / june11.... please note there is no booklet or downloadcode with this version of the release.

please welcome t.m.a with their debut ep “apparillo” on heulsuse. t.m.a are two talented producers with a strong feeling for deep house with a funky touch. their ep consist out of two tracks. the title track “apparillo” has a catchy, powerful synth line and a solid groove. “wendal”, the second track, is full of beautiful melodies with a lovely arrangement and atmosphere. heulsusenpower!
cassette includes a free downloadcode – redeem via bandcamp.

with a wall-to-wall 21st century freshness, light years past any concept of vogue, or any linear genre lines, norwegian quartet rohey deliver music that bristles with energy and honesty, that grooves with the best funk, that has deep soul roots while keeping an eye on the broad expanse of a golden future. lead vocalist rohey taalah brings all the emotional complexity you would expect of a classic jazz or soul singer (and can withstand comparison with any with ease). ivan blomqvist s keys play a dual role of laying down old school sonics, while bringing a retrofuturistic hyper-urban tone (akin to british idm), while kristian b. jacobsen (bass) and henrik lødøen (drums) create a jazz-soul-funk hybrid rhythm section that ducks and weaves with supreme artfulness.
rohey have toured extensively throughout scandinavia, taking in just about every major jazz festival along the way. with the release of “a million things” on jazzland recordings in early 2017, their path can be expected to take them ever further: music this good can t be kept secret for long. “a million things” performs a balancing act that most pop artists have forgotten in these days of studio micro-editing: how to write and play a song with full and sincere conviction, while enjoying an artful expressiveness without making things unnecessarily difficult for the audience. this has been borne out by their nomination for best single at the scandinavian soul awards in 2015.

repress of the original vinyl release on mff back in 2001. newly re-mastered for 2017, angies fucked and sure are sounding bigger and better. driving dubby deep house with freaky effects. this ep was undoubtedly one of mffs release highlights and c++ (aka joshua, circulation, j-boom, c++, free energy, stereo people, dubwise and as iz of iz & diz) needs no introduction having been making music for past 24 years and setting up vizual records with production partner diz. hes previously released tracks on label giants such as prescription, balance, clas-sic, junior boys own, om and guidance, working with the likes of derrick carter, chez damier and cajmere. four tet also chose to pay homage to this rarity by adding angies fucked to his highly revered fabric live 59 compilation, released in 2011. the track sits comfor-tably alongside burial, floating points, red rackem, ricardo villalobos and cari-bou, who all feature on the album too. make sure you play it lou