this is the year of peder mannerfelts rebirth. after seven years he has laid the subliminal kid to rest. with this new 12 inch, the chains have been locked in and the road map has been obliterated. ep1 is focused like a laser etching out intricate patterns in massive, humming machines. mannerfelts ideas have been reduced to a razors edge and he balances these freeform compositions like a master.
this ep could be seen as a prelude to peder mannerfelts debut album under his own name that will be released by digitalis industries in february and at the same time is the first part in a ongoing series of self released records by mannerfelt.

rhythmic theory makes his debut for happy skull with two of his darkest, otherworldly productions yet. >decadance of delay< is an unflinching sprint into techno-jack territory, all distorted machine rhythms, hallucinatory whispered vocals and hypnotic electronics.>endocrine creeatures< is a dystopian blast of 808 electro built around titanium-clad kicks, snappy snares and rippling acid lines

heading north for the first release of 2014 and the second in all citys alias series. following last years anstam/anno stamm 12inch, rising producer the cyclist debuts as buz ludzha. tip!

aniara welcome fellow swede and sound poet porn sword tobacco, who dances to the tune of his own flute with a diverse & inspired three-tracker.

john daly returns, using the solar pressure from stars to push large ultra-thin mirrors to high speeds. this is backed up with the extra aquatic deep.

the cute small villain sample rowdy on the drums. from the window to the bar.dish dish dish dish.

this 5 track ep from chicagos noble square is based on the rolling canvas artwork on various freight trains in chicago and features cuts by lifes track (2 young italian producers), defend:r and label boss ricardo miranda (who also did the label artwork and photography).

true romance is proud to release a fantastic ep from one of house musics biggest new talents.

after appearances on idle hands and brstl, rhythmic theory returns to their own imprint to further explore gritty textures and mysterious moods within house and techno frameworks. where theory001 featured the somewhat soothing, melancholic tones of >echo vibe< and >omega syndrome<, this second installment comes caked in sonic muck and abrasive attitude.its not all dark and foreboding, as the graceful filter-swept key refrain of >siren song< will attest, but it takes a barrage of rasping hats and bludgeoning kicks and toms before such niceties can be foisted upon our ears. while there is an optimistic lilt to the particular notes the melody calls out, in the midst of such machismo percussion it cant help but feel emotionally ambiguous, continuing the tone set out in the first rhythmic theory releases.there is no such confusion over b side cut >genesis< from the apocalyptic boom of the opening kick to the rapid gun fire of the snare this is a track that wants to inflict damage. at the midway point the searing beat melts away as a wash of delay-riddled speech knocks you from your centre of gravity, only for the drums to come whipping back in to pick up the slack. even the sole synth note that rears its head is devoid of compassion, pulsing a creepy, robotic intonation through the clamour.

das fuenfte album der serie secret rhythms von jaki liebezeit und burnt friedman basiert im kern auf liebezeits radikalem trommel code, mit dem sich friedmans metallperkussion und synth instrumentarium zu einer einheit verbindet.

dikso return with their first super sound single in 2013 with four new dikso summer anthems for your hearts and bums. featuring matt meler from down under with kathy diamond on the mic, roberto and remco from maastricht on the piano, electronic disco band e.b.o from madrid on stage and last but not least jay west on the filter bank

for their debut release rhythmic science brings you a 4 track ep by 4 established artists to cater for all tastes.

part 1 of 2, slamming detroit techno

part 2 of 2, slamming detroit techno

a heavy lead rhythm provides the foundation from which spiralling elements project. they coruscate, pulse with light and collapse inwards, until just the echoes of dub2 are left. rising from these depths, the sharpness of distribution theorys crisp hi-hats and snapping claps provide forward momentum to a series of stabs. the house element.
beginning as a mystery but ending as a certainty, the ethereal theme that opens untitled document gives way as it increases velocity, shaking and rattling under the strain. the apex. hands reach, seeking, the elusive moment has already passed, all left is pure. bliss. circumflex kicks hard, a final statement of intent. powerful. corrosive. this is late night techno, played over a system on which the squelching acid-lines converge within the mind. the body jacks.

embassy café is house music laid bare - rough, ready and romantic. its the early 90s house record australia never had - an antipodean take on classic albums such as dream 2 science and amnesia.

asc returns to samurai red seal in his first release for the label since 2012s out of sync & lost sync series. debuted on mary anne hobbs xfm show, polemic is yet another genre bending, tempo shuffle that brings a powerful acid line to the table. a favourite with the likes of dbridge, om unit, and sam kdc as well as label head presha, this is a tune that truly goes back to go forward. oracle slides back into a more traditional, but not any less unique asc groove, combining a heavy dubbed out bass line with other world ambience and percussive perfection. 909 rhythm track comes as a vinyl only exclusive, in the techno tradition it does what it name says it does, a dj tool for the adventurous maestro. limited blue coloured / white marbled 12 inch vinyl.

the 2013 album from kraftwerk member karl bartos back on vinyl.

we are proud to welcome kerri chandlers madtech imprint kicking off with the mighty waze & odyssey: pressed on blue vinyl.

we never forget our roots here at idle hands. for people of a certain age the wild experiments of jungle and dnb remain close to our hearts. whilst scenes, sounds and trends may wax and wane that visceral feeling of chest rattling bass is something we hold on to. rhythmic theory is one producer who like us, never forgot. here we present two tunes deeply indebted to those times. it must be stated though, you will not find any amen breaks or ragga samples here, instead, this up and coming bristol producer transposes the atmospheres and deadly subs to a techno template. *legacy of the lost* and *riveted* follow on from two well received vinyl only release on brstl and his own self titled label. both tracks are immaculately crafted hardware jams that are designed solely with sound system use in mind.

eagerly awaited art debut by pittsburgh techno artist shawn rudiman. a key part of pittsburgh funky take on the detroit blueprint, rudiman has been blowing minds with his live shows for years - and now he brings some of that energy and diy approach to sound-making to uks finest dance label art. the original mix is a perfect example of rudimans direct, live mix approach to recording - resulting in an energetic effect perfect for the dancefloors. remixes come courtesy of frank mueller & john selway. both of whom take the original on a melodic journey with twists and turns galore. another special release and well worthy of being arts first limited edition anniversary release to celebrate 20 years of releasing the best in underground dance music.

for those not lucky enough to lay their hands on the genuinely rare first full length album of chicago artist, producer and dj jamal r. moss. here is another chance to obtain this rare artifact. original audiomer. release, only 500 copies pressed.

amon tobin meldet sich mit seinem projekt two fingers nach dem gleichnamigen debütalbum zurück! seine soundkombination aus hip hop, dubstep, bass und elektronik wird auch 2012 die clubs weltweit erzittern lassen! stunt rhythms faellt einen tick hip hop-lastiger aus als der vorgaenger und wirkt wie amon tobins liebeserklaerung an dieses genre. tracks wie razorback und snap zaehlen sicherlich zu den herausragenden tracks des neuen albums.

chicken lips are back with a new release on southern fried records. d.r.o.m.p (don’t rain on my parade) is a disco inspired groove that draws on the nyc eighties vibe that has always been at the heart of the lips work, with guest vocalist charmaine making up the line up on this outing.
it comes with a stunning set of remixes, as always andy from the lips has created an emperor machine interpretation that is darker and more cosmic than its original, dean does the same job under his the rhythm odyssey moniker, providing a jerky acidic house dub for the deeper floors. old pal headman turns in his classic slo-mo tight grooves, new kids amine edge & dance go deep as you like in the same vein as their diynamic releases and finally sfr favourite sona vabos delivers one of his finest remixes to date, with this bouncy floor filler.

excellent deep disco house madness, incl the rhythm odyssey mix

third in the series of 12 inches dedicated to house and techno emanating from bristol. following on from october & borai and outboxx we present the debut 12 inch from bristol newcomer rhythmic theory.

a new 1track! produced by john daly and its one of the best tracks we know from his hands! a beautiful melodic track rooted in the best chi-town traditions sophisticated with dalys modern production skills.

hamburg residents jakob seidensticker and bardia salour, together known as seidensticker & salour are hardly newcomers to the scene. jakob has been producing music as one third of the internationally known wareika, and bardia has made a name for himself through playing regularly amongst the hamburg club circuit

rosario born argentinean franco cinelli has been firmly rooted behind the decks since the tender age of 14. drawn by the call of the drums and having researched the creation of music through computers and samplers, the mid 90s saw cinellis first productions taking shape. rapidly becoming a key player on the argentine scene, franco played throughout the country, holding a residency at the prestigious el sotano. his first forays to europe came in 2003, but it was 2005 that his own music really made an impact. having released a handful of releases and mix compilations on smaller labels, it was his picaro ep with bruno pronsato that really brought him to the attention of the music world. since then, franco has gone on to release and remix for a number of established imprints including ilian tape, produkt, claque musique, hello repeat, airdrop , international freakshow, alphahouse and the label of his great friend kasper, esperanza. in 2011 following his critically acclaimed >planet dub< debut ep on bass culture records, franco cinelli finally achieved global recognition with his massive underground remix of cassius >sound of violence< that placed strongly in many of the end-of-year top 10 best remix of 2011 lists. today franco returns to bass culture records for a new take on his trademark deep & techy house with 4 original tracks on the >take me back< ep

and so the final piece of the drums of death waves trilogy eps snaps into place, dod caps his latest run of releases with 4 tracks of varied, taut, emboldened dance floor rhythms.
code for free mp3 download of this release included.
receiving huge support in the clubs and on the radio from across the electronic music spectrum as sinden, skream, tiga, laurent garnier and claude vonstroke continue to reach for the waves.

the rhythmical whims journey continues with rstlss trx boss phil asher team up with dwala for more quality deepness.
an imprint that bridges the gap between soulful and tech house, rstlss trx lays its focus on providing straight-up dance floor orientated house music and the rhythmical whims 2 ep sits perfectly within the labels remit. whether it is the sprawling dub house vibes of crowds which has been winning the praise of dancefloors across the globe, the dark tribal intensity of balafon on which dwala steals the show, or the hypnotism of the aptly titled london style, functionality is at the core of this well-crafted ep.

original senegalese mbalax music produced by mark ernestus, incl. instrumental versions.

new release by brommage dub on a fresh new label created by jean-louis huhta. brommage dub is one of swedens most creative exports. consisting of two veteran producers, jesper dahlbäck and jean-louis huhta, brommage dub journeys deep into uncharted dubbed out techno territory that is both powerful and meditative.

in his biography, arjuna schiks is described as a producer with an ability to bring the human out of the machine, unleashing our emotions. after listening to doha , we were affected in the same way. simply put, his music makes us feel good. melodic accents and danceable rhythms blend in purposeful unison, and it is with the doha ep that arjuna will join wir. he has appeared on gem records, manual music, traum, and trapez, with original eps, and has recently graced a number of labels with remixes, leaving his signature on each ep. his production output is impressive, and like most greats, his sound continues to grow and develop with each studio session. arjuna resides in amsterdam, where he has developed a distinct and solid sound, and a loyal fan base. he performs live close to every weekend all over holland. we invited arjuna to come and perform as the special guest at our treibstoff 14.5 year anniversary party for his first ever performance on german soil. his set was received with smiling faces and hands in the air, coming from the brimming dance floor of colognes gewölbe, a warm welcome to say the least. we had the pleasure of spending some time together after the event, and his character is just like his music. he is a cheerful and passionate person with a bright sense of humor and we are elated to welcome him to wir. keep your ears open, for there is more to come..

parisian producer rocked downtempo beats for yellow productions, dj-kicks in the late 90s. 2 tracks from his latest lp lean more to the latin side + remixes from ezequiel lodeiro (aka dr. stereo), italian producer suonho, greenwood rhythm coalition.

march sees the formidable hypercolour deliver its most surprising output yet, an ep from none other than groove armada. tom findlay and andy cato need little introduction as groove armada. chart smashes, huge live tours and being part of the worldwide electronic music history aside, the duo have never lost touch with their acid house roots and have continued to be devoted to record buying, djing and the much maligned promo trawl. tom and andy have been avid followers of the label it seemed, since its inception. it was through label head jamie, meeting the guys back in 2010 at space in ibiza, and then continued communication via hypercolour promos, that led to an out-of-the-blue email requesting an informal hook up in east london and, within just a few days, a release was scheduled. that release is the >no knock ep<, four tracks that range from 808 fuelled old school cuts to low slung, moog-bassd electronic funk. each sound is lovingly crafted but there is an analog rawness throughout and every track has the sort of tweaked, off-kilter and occasionally awkward vibe that hypercolour do so well. it just takes a bit of imagination to guess what a ga release on hypercolour should sound but failing that, just check the release out as it wont disappoint.

limited hand stamped white label! hi quality jazzy deep house

nice price deal !!! a collection of unmixed highlights from strictly rhythm... 2 cd with proper house sounds

dark and spooky techno ep

justin berkovi delivers 2 heads down mid-tempo techno dance tracks for his art debut. clean, crisp production with thunderous low end characterise both tracks. the title track drive delivers its power via modulating synth stabs, whilst when i throw down commands the dancefloor with its demonic vocal. a classic label debut from one of technos most loved producers.

nice price deal !!! kick back, relax, take some time out. strictly chill delivers another side to strictly rhythm. the side you need when theres call for more of a tap, tap, tap than a boom, boom, boom. music for lazy days and holidays. chillout is an established avenue of electronic music now, but before chillout there was ambient, pioneered by the orb and their ilk. the original, little known mix of winks higher state of consciousness is of that era. first made for strictlys deep and slow set in the mid 90s (and previously unreleased for download), it gently ushers in our session, followed by another cult classic in ultra nates 4 hero produced twisted and perennial favourite king of my castle by wamdue project, refreshed in lounge style by tjk and exclusive to this album. we continue in languorous style through the mellow moments of some of our finest producers, from then and now: charles websters magical mix of michel cleis la mezcla, henrik schwarzs beautiful version of code 718s equinox, more from osunlade, ben westbeech, afterlife and dennis ferrer and another exclusive to this release, mood ii swings underground classic do it your way. feel horizontal.

soundway return once more to the caribbean and are proud to present ifetaya by black truth rhythm band, originally released in 1976. led by the charismatic oluko imo, ifetaya was the only release from the afro-centric trinidadian band and is re-issued here for the first time on cd. whereas most of their peers at the time were looking to the funk of the usa & james brown for inspiration,black truth rhythm band looked to africa, fusing rhythms from africa & the west indies with elements of jazz, funk, calypsoand soul. ifetayo was to be the only release from black truth rhythm band but imo continued his music and love of african rhythms, going onto record with fela kuti in 1988 and later on perform with members of felas egypt 80 band.

veteran uk producer/dj paul macs debut release for art shows his remarkable versatility and meticulous production skills. odd things amount to nothing is very much a modern techno wall-shaker. it’s incessant drones and wails ride upon a wave of relentless beats. the track pauses to catch its breath after a tremendous build before once again going clattering down the rails. the flipside is the track that original caught label-owner and a&r kirk degiorgios ear - a modern take on the classic chicago/detroit hybrid sound of the late-eighties, brought up-to-date with a crisp sound

both parts of the >universe< ep by denis a as limited double-pack. including remix by king unique.

juzus >re:momentos< in 2 remix-versions by kuniyuki. spaced out tribal-jazz with a balearic touch.

remixes from label owner kirk degiorgio and dutch maestro tj kong (erwin van moll aka max404) of >rapture< - the debut release from the different worlds duo claude young & takasi nakajima. degiorgios mix heads straight for the dancefloors peak time, whilst tj kong goes for a euphoric melodic take that is perfect for those early morning sets with its uplifting feel and gorgeous breakdown.

the history clock is most certainly alive and ticking with this incredible release from argentinian duo, djs pareja. you may be familiar with some early tracks that they have done for matias aguayos peerless comeme label (their excellent ghetto rhythms, kenia and tribal scream), and this is a perfect follow-up. >psycho rhythm<, the appropriately-titled lead track is a brilliant, mid-tempo, mildly-disturbed outsider house / ebm-shocker, coupled with the absolutely perfect roska / uk funky-esque, tropical rhythm of >pampa room<. a track that joins the dots between the bumbumbox parties of buenos aires, the boiler room nights in london and the boxes of the more forward-thinking djs on rinse fm. balearic music fans will immediately fall in love with >spanish is beautiful< - in both original and alejandro paz (comeme / huntleys & palmers) remix formats.