his new release is more uptempo and 4 to the floor then his precedents ones. big tip for fans of dorian concept, flying lotus & mono/poly.

zwei jahre hat sich audio werner für seine neue maxi auf hartchef zeit gelassen.>high< verbindet jack-grooves mit sehr subtilen stimmungen. auf >duvel< kommt mal wieder der audio werner-sinn fuer humor voll zur geltung. >all of her< ist schließlich ein ruppiger uptempo-slammer, der uns bis weit ins morgengrauen hinein begleitet.

the house duo who have released music on classic, om, icon, etc drop this 3 track ep on four play music. my family takes on the a-side with their signature jazzy, soulful sound. ocean drive is an uptempo cut with a hot rhythm & keys. like there s no tomorrow ends with a serious groove.

kuhns sophomore effort for civil music, kings ep is a collection of four diverse uptempo club tracks with an eclectic sampling palette and footwork-inspired rhythmic complexities.
includes full high quality download of all tracks with additional remixes.

anonymous duo dense & pika remerge for their debut on scubas hotflush recordings. crispy duck, their 3rd track take on modern underground techno, kicks off with a chugging a side, giving serious nods to detroit and beyond with its deadly shuffle. on the flip, dense and pika claim the dancefloor with coil a tripped out uptempo techno track, abound with hihats and fist pumps, followed by 31 a rough and ready tune that melds 4/4 with acid and dub grooves. doing their best to remain incognito, the duo are on course to make 2013 their year. huge early support from dubfire, adam beyer, midland, will saul…

limited edition 7 inch pressing of mielles funk version of rappers delight b/w lorraine johnsons uptempo the more i get.

there s only one thing that matches a new my love is underground 12 - a remastered pressing of one of the label s certified hits! paris underground trax volume 1 was one of the records that catapulted the french label into the spotlight - at the time produced anonymously, it later emerged that mr brawther was the man behind the four retro house cuts. it s a wonderful homage to the deeper strains of 90s new jersey, nyc underground and sexy thing remix still smack of kerri chandler at his most bumping, with fat pads, sultry vocals and gritty basslines. the b-side features uptempo gem hardcore deep house , while gtfo! glides along with warm, embracing chords. if you missed out first time round, don t make the same mistake again.

breaks and hip-hop producer ninelives the cat comes through with this nagging slice of solid production and catchy vocals in the form of >lalala<. the chorus hook will claw into your head like the feline in control, while the choppy funk licks that make up the beat will find a comfortable home on dancefloors all over. on the remix tip, funkanomics bring an uptempo 80s flavour with filtered guitars and brash drum machine beats, while dj alias does a more subtle turn in tightening up the groove of the original. will styles rounds things off with an electro-indebted workout full of chunky synths and club-ready construction.

groove heavy synth funk reminiscent of dmx krew and dreamy string- laden rhythms suggestive of standout tracks on carl craigs >more songs about food and revolutionary art< occupy side a. the flip side is filled with deeper dance floor friendly tracks sonically reminiscentof the transmat catalog along with an injection of uptempo tech-house swing elements evocative of akufens >skidoos<.
recorded in the winter of 2011 in metro detroit, >more than a marathon< marks the debut release for super public. predominantly re- corded with analog hardware, the ep has an innate familiarity while still maintaining a focus on the 2012 marketplace. rudi thornburgh has been independently producing electronic music for over 10 years under various names but, most notably, clocklife. brett cimbalik has been playing jazz guitar for the better part of his music career and has transferred his chordal knowledge to synth guitar and electronic production. together, they form a sound reminiscent of the golden days of detroit techno while still exploring new terrain and bridging new ideas.

2012 sees detroit label, kms records, celebrating its 25th anniversary.

nice price deal !!! das new yorker truth & soul label präsentiert die zweite single des englischen talents liam bailey. beide seiten wurden von den aloe blacc- und lee fields produzenten leon michels und jeff silverman produziert. die a-seite ist ein uptempo song, der wie eine mischung aus curtis mayfield und waylon jennings anmutet, während sich auf der b-seite eine eher melancholische blues-shuffle nummer befindet

as ajello say:the idea for a cover version of n.o.i.a.s looking for love was born a couple of years ago - an idea of alessandro piatto, younger brother of davide piatto, original member of n.o.i.a. as soon as alessandro proposed it,we asked whether we could have the original tracks but, unfortunately,they have been lost over the years.immediately his brother davide brought together the original lineup of n.o.i.a.and locked them up in the studio to record the voice from scratch and some of the synth parts. our intervention was first on the drums, replacing the original for a more uptempo beat, and then the bassline, shaping it to a more modern sound. the vocals were treated with filters and echoes,and we also added some new guitar parts and synth lines. it was an honour to us, ajello, to bring to light an italo-disco classic that has really influenced us and we have put all our efforts to create a version that is timeless, as much as the original.

ok, we know what youre problem thinking…not another marvin edit! but hold your thoughts, this is something extraordinary and one of the best arranged and produced (not edited) tracks weve ever put out on gamm (no joke). with extra added keys and various production elements this is a 10 min and 52 seconds long boogie monster that will take you on an emotional ride youll never forget. yes, its that hot! but the flip isnt bad either with the revivra crew going uptempo with a super rework or remix (your choice) of crown heights affairs all-time ballroom classic. just like with the marvin track theyve turned the track inside out to an almost 10 min long disco cavalcade. the weekend starts and ends with this fantastic ep

smith & mudd are back in fine style on claremont 56, following up their excellent lp with this great double header! >sauna love< is the lead track, an uptempo, string laden boogie house affair with great vibes, bass, strings and punchy percussion all rolling along into the sunshine. on side-b >the surveyor< is a great piece of otherworldly electronic music, coming on like some weird cough medicine induced dream. the bass pulses along with mystery dialogue, light key flourishes and an intent that is delivered about 5 minutes in when the kick drops and the whole thing shifts into a latenight, alt disco bomb.

killekill herewith announces the start of a sub label focussing the housier side of what we like. killekill house trax starts with the release of a great track by alex cortex. quite uptempo but groovy as hell oh yeah comes along with a strong reminiscence to classic chicago house with its strong bassline and the catchy vocal sample. tyree cooper added a simple but well working piano and packed the original into an even more classic outfit. oh yeah!

another limited edtition ep (300 copies!)vinyl is the answer, dont miss it! after the big success of the first part of underground warriors ep, heres the second part, definitely more dub than the first one, except for fabio monesis track, a very uptempo, energetic track that captures a perfect 90s feel, emphasized by the raw sound of fabio monesis machines. the ep includes also the finnish deymare, recently released on local talk, morris audio, hizou.jack the love has a deeper and more chicago house feel to the last two tracks, it has nice jazzy instrument samples and a nice subtle vocal. again this track has a perfect 90s feel.

nice price deal !!! after a creative break esance is answering the eternal call for high-standing, frisky, spiced-up tunes with their third release. the two soulboys from florence called minimono, consisting of tenax resident fabio della torre and ennio colaci, are very well known for their crisp and unique productions, combining uptempo- house with teasingly and varied disco and funk elements. hey you is reflecting nothing else than their wide vision of a memorable and eclectic style of music. this piece of joy is impossible to categorize and thats exactly as we like it. rollerball in the other hand, kind of speaks for itself! if you ever want to get your mood rolling, listen to this very powerful outcome of a perky bassline, some haunting percussions and a kooky build up, that really nails it down! to keep the name of esance in honour, the addition of a remix from one of the last living rockstars was inevitable. the interpretation of rollerball from dc10 resident mass prod is a vigorous weapon designed for his established territory, including hot moments, early hours and wild happenings.

merc 009 sees another mark e 2 tracker with snow walker & environment. snow walker combines an uptempo relentless percussive hard nosed rolling drum rhythm, running parallel with shimmering disco lights, synth blobs and a messed up yeti vocal nag, nestling comfortably somewhere between the black country and the black forest. environment however pushes itself all deepness and glory with electronic female vox, looping sub bass boogie and a slow sasquatch techno sensibility.

new years deal - genius of time, axel boman & sankt goran deliver three hot and updated versions of the 93 deep house classic i got this feeling by urban soul aka roland clark..! renowned deep-house duo genius of time takes a few steps uptempo on the a-side. stripping the melodics of this one, leaving roland solo floating on a querky bassline surrounded by their patented cosmic universe. on the flipside, axel boman adds moody chords and trippy dub effects, giving the track the baby-making-treat it deserves. label head sankt görans remix takes it back close to the original, a steady 707 beat, deep bassline and some filtered rhodes that evolves as the track progresses

edits may be dead, but just when your elitist attitude comes to a head and you think you re on top of your game, there will always be someone deeper, faster and still motivated enough to rekindle your digging desires. where blackdisco volume 10 saw the return of lovefingers and nitedog, volume xi pushes forward into new territory (and with a new aesthetic) by welcoming a group of three deep diggers who shun musical trends and their inherent fakers. dea, albion & spacelex combine their vinyl-mining efforts to unearth some real diamonds from the rough. deas cut malaka is a floater with a funky sailboat vibe, while his complimentary cut taubat takes the tired jungle disco vibe to new level with its triumphant synth-led chorus, an absolute stunner that could be extended for 20 minutes. on the flip, albion spoons water over the coals, steaming up the joint with an uptempo percussion bomb as if santana had a disco secret, and spacelex rides us out with a sexy rock groove complete with mysterious male voiceover, almost as if someone lowered the volume to whisper in your ear.

this selection is about the tracks that would inform henry street, the tracks found deep within the complex strings of its dna, the tracks championed by pettibone on kiss or by washington at the studio, or those dredged from crates across the city. half-heard anthems from italy tracked down through forensic research in the record shops of the five boroughs, rare dub versions of classics that you wont be finding on ebay anytime soon. this is real disco.
>these are the secret weapon tracks, but more personal to me and people from my world. i m pulling records from different places. this is how i play records. its not fake. i have never been a set dj and always played just about every genre of music, from the fastest uptempo disco anthem, to the most ghetto rap jam to zeppelin. music is music. a good dj can play it all. a great dj can play it all technically correct!<

after releases on gigolo, rush hour, planet e, night drive music and we play house, french producer sebastien san comes up with more great stuff: the >asylum e.p.< on hamburg based label couldnt care more (who only just made a deep impression with the oliverwho factorys i can see) is made to be played on every dancefloor there is. with the hypnotic techno-soundscapes of title track asylum sebastien san created one of his best tracks ever and the other two tracks are of same quality. uptempo track does compute is driven by inescapable hooks while alpha centauri slows it down a little with warm but inclined strings, chicago house claps and a subtly pulsating bassline.

defined drums with a splash of awesomeness create this uptempo body mover with its belting beats and ravey soars. hold on tight as you race on this white-knuckle techno wave.

this is what we call house music soneec lauer & canard the producer trio from poland are on fire and with the fantastic voice of virag this release is a must for all the house heads 3 mixes to choose from deeper vibes to slammin uptempo disco grooves. what else!

very strong release with the boogie / slomo-house groover >hope< and the irresistable hook and dub/disco feel of the more uptempo >no delay<. excellent production, this will stir up things for sure. winner!

6 months after we first ventured into vinyl territory were back with a new ep. the follow up to kastils dusty edits is a sampler containing 4 tracks by 3 artists we are heavily supporting at the moment. the a1 is again by basque county based kastil. shes back is a wonderful sample drenched house track containing soul touching vocals. definitely one for the dancefloor. on the a2 we have doctor bills by fellow rotterdam native ben la desh this is actually his first release out of many to come. this track has been circulating the soundcloud for a few months and was played by ooft! in one of his excellent podcasts. on the flip we find two tracks by taiko mochi name:tomas malo. while the b1 scenesters is a great more uptempo disco house track with quite an emotive break its the b2 slomo track shelter that has been stealing the show until now. if youre in to real slow and mesmerizing music this might just be the one for you. support by: ooft!, the dead rose music company, miguel campbell, craig smith (6th borough project), andy ash, james johnston, soho808, sleazy beats recordings, zoo look, kirill tipo, fulbert, satore.

cobblestone jazz are back after the highly successful memories ep with their second installment in the series. on the a side, we find the spaced-out zero-gravity jam lunar lander - its sparse and jittery beats complimented by some sweet key stabs and a thick and burly analogue bassline. flip it over for your life (you re life) - an uptempo slugfest of crunchy beats and a driving bassline that wont quit. as always, both tunes were recorded live in studio and have been culled and edited for your mixing pleasure (a side duties performed by tyger dhula while the flip was done by danuel tate). stay tuned for the next installment, and, until then, enjoy!

sounds sane / klock ist die perfekte vorabsingle des im april des kommenden jahres erscheinenden zweiten lazer sword albums. als limitierte 10inch im vollcover color vinyl reflektiert sounds sane / klock den typischen lazer sword sound: electro-funked dancefloor hip hop-sound vermischt mit uk funky und uptempo glitchy electronica! fragt man lazer sword nach lazer sword bekommt man folgende antwort: lazer sword sind low limit lando kal. unsere musik ist wie surfen im inneren eines vulkans. catch the wave! uns als record label hat die welle mit voller wucht erfasst. lazer sword sind bindeglied zwischen modeselektor, elan und siriusmo und passen mit ihrem sound perfekt zum label. im oktober und november sind lazer sword auf mini-tour in europa um ihre neue single vorzustellen.

alert! uk electro pioneer & breakin labelboss ed dmx participates in the shipwrec adventure by delivering 6 killer tracks on this cosmic awakening ep. from drexciyan electro to cosmic downtempo synth-driven funkyness to faster acidic driven basslines to real uptempo braindance food! dmx krew is still a leader when it comes to producing analog dance music with that typical oldschool vibe, mixing styles without a sweat. hot release!

dc shows with his full 12 inch debut an outstanding spectrum of his talent.
side a contains deep and heavy bass sounds paired with an itching synthline. to say it in a few words, turn your speakers on and get ready to freak out. >vertical output< is definitely the uptempo cracker on this record!
side b comes with some different styles. >yorktown recreation< and >chocolate milk< are pure delight! microkorg extravaganza up to the sky, confused funk chords backed by insane jazz lines. these two bangers are arranged in the typical dorian concept manner and give a pretty good insight of his sound universe.

supported by richie hawtin, dave clarke, laurent garnier, deetron, joseph capriati, magda, karotte, secret cinema, ivan smagghe, stephan bodzin, par grindvik, agoria, kenny larkin, cassius, hernan cattaneo, funk d void, paul woolford, alexander kowalski, marco bailey, pig & dan, misstress barbara, joel mull, martin eyerer and many many more!
whats in a name? well, a lot in tim wolffs case. he returns to the imprint that has a striking resemblance with his last name. and mr wolffs pure, stripped down and uptempo techno productions fit wolfskuil records all to well.
get ready for uncompromising big room techno. the genres popularity is ever growing this day and age. not surprising as its a perfect soundtrack in todays uncertain and detached society.

state of the art work on the dusty binding between house, techno, dubstep and analogue processing.
on side a: a dancefloor smasher with solid 808 beats and absorbing newyorkian piano hooks, followed by a touching acidic inner voyage into motor city sweetest reminiscences.
on side b, a proper piece of functional minimalism and a soulful uptempo excursion into the garage territories. the heat of magnetic recording, the funkyness of the machines, the driving force of the human feeling.

synapsis records is back with a excursion into deep house with a new record from hakim murphy called moonbeam express ep. in this presentation there are three tracks that explore the deeper side of murphys subconscious in which he describes this vinyl sound as an express trip to the moon through cosmic textures, deep grooves, and subliminal funk. moonbeam express egins the journey of soft pads that beam you up to a nice bass sound, strings, and moving percussion. weep has deep pads that begin the piece as a melody, then strings, and bass soon follow to open up moods of deepness. flirt is an uptempo joint that begins with a smooth synth then proceeds into a piano riff that sneaks up on you and teases your eardrums. yeah taking it deep.

safeword is an exciting new act comprising of 2 dedicated us-based producers, clint stewart and marc smith. their low slung, warm and sexy sound already gave way to one ep on paso music and now we find them really hitting their stride with their debut for dessous. lead track >you can you will< introduces us to safeword s world, a sleazy, percussive and intricate gel of textures, flavours and audio fetishes. punchy, bright production characterises this modern house jam. the eventual arrival of a deep and spritual melody is surprising and instantly turns the snaking drum tool of the introductory minutes into an anthemic, autumnal beauty. leading dessous and poker flat man phonique turns his hand to the title track with a cheeky, energetic remix. aimed at the floor we find a more uptempo groove at the heart of his mesmerising tech-house re-work. the soft bell tones floating throughout >tangent< are perfectly melancholic, while tough driving beats urge us forward, making the perfect partnership bewteen cinematic sound design and bass-heavy floor dynamics.

after a short production break, the russian techno duo easy changes (denis cast & kilrill silas) are back with a 12 inch on the berlin/london based label, mean records, run by cesare marchese (cesare vs disorder) & federico benedetti (onirik). the lion is also a good drummer fits in nicely with the labels love of minimal techno productions that feature original sounds, moody melodies and deep aural landscapes. easy changes gained recognition in 2007 with two back to back hit releases on foundsound records. in 2009, they were the first ep from nervmusic, a moscow based label that focuses on unconventional techno started by cast, silas and friends. seated comfortably between the avant-garde and the dancefloor, the release has something for everyone. the title track, the lion is also a good drummer is an epic, crawling minimal techno production filled with stripped down percussion and abstract found sounds perfect for after-hours. on the flipside is the uptempo, quirky and tribal burlesque, replete with spliced vocal samples, snares, cymbals, bleeps and claps. for the burlesque remix, french producer doubtingthomas shows off his lifelong obsession with percussion and its rhythmic allure with the addition of a trippy drum solo midway through the track.

persnickety sounds is here to funk-ti-fy your world! in this era of nü-disco, space disco, cosmic disco, disco house and shit, there must be a beacon of quality to light the way and lead the faithful back to a place where good grooves matter and realness is holding court. let the labels fall and just get it movin.

croatians finest purveyor of disco and boogie returns with a delish four track ep on yam whos ism imprint. the four tracks have all the delicious trappings of rudman, dramatic strings, ample helpings of cowbell and vintage synth stabs. the a-side consists of the sleazy squelch of “crazy with you” in both original and remixed by yam who form, with the latter, more uptempo version just shading it. the flipside consists of the sultry boogie bap of “let this dream be real , with the original bringing to mind a glacially paced version of rockers revenge classic “walking on sunshine , while the disco dirtbox tweak bumps and grinds in all the right places - totally primed for club play!

three more disco throbbers courtesy of em vee aka marcel vogel and the always on-point lumberjacks in hell imprint. the entirety of the a-side is given over to jam >body heat<, a phat, james brown sampling slice of shoulder thrusting funk that you may have already heard in the more discerning discotheques across europe. wisely, the two b-side cuts offer something completely different, with the loose drums and squealing brass of gospel-sampling >the shouting< a perfect counterpoint to the uptempo disco-strut of >mouzon<.

skyline recording is proud to give you sl45020, the first out and out hip hop. plug 1 - >in a flash< representing the forthcoming soundsci formula 99 lp featuring the extraordinary talents of emcee oxygen over an uptempo stormer that will have you shaking that thing on the dancefloor. plug 2 >class in session< taken from u-georges in production lp has a soulful edge and lyrics that will have you thinking for days. soundsci - altanta based emcees audessey and u-george team up with london beatmakers jonny cuba & dj ollie teeba. very limited edition of 300 numbered copies!

london based label ism serves up a massive ep with three tracks from russian disco producer volta cab, all of which offer some seriously downtempo grooves. >play on< and >magic in your eyes< nail the classic sub 110bpm disco sound with its lush live instrumentation. however its the shining 80s feel of >hes a bad mutha< that is the most impressive, melding a sleazy vocal with a heart-rending combination of synths and horns. label bosses yam who? offer two remixes, with their version of >play on< a cosmic uptempo version of the original, with an ascending synth bass that elevates the original vocal to new heights. their remix of >hes a bad mutha< adds a similar amount of extra dancefloor kick, removing the originals yearning melody for something a little more forceful.

das dritte album der schwedischen band little dragon um die koop-sängerin yukimi nagano, ritual union , vereinigt die qualitäten der beiden vorgänger: klassisches songwriting trifft auf verführerisch-coole produktion, experimenteller late-night-charme auf electro-pop-ohrwürmer, verträumt-entspannte parts wechseln sich ab mit uptempo-dance-beats. diese einzigartige mischung überzeugt selbstverständlich wie von selbst, und so zählen little dragon prominente kollegen wie big boi (outkast), questlove (the roots), dj shadow, david andrew sitek (tv on the radio) und damon albarn zu ihren fans, letzterer verpflichtete das quartett sogar für sein plastic beach album und als support für die welttournee seiner gorillaz.

the second serving from schmorgasbord brings together two relatively disparate and unrelated artists, but who both share a uniquely twisted approach to making music. s-max has been doing his thing for some time, running legendary home all things bizarre in house and techno, boogizm, and releasing a special kind of groove on labels such as telegraph, 7th city and karloff. his original track, >ms. rosen dub<, swaggers and sways with the spirit of classic yorkshire bleeps and bass. the groove is house, but the spirit of adventure is most definitely techno. his remix of spatials >corti< takes a very different approach, taking a rolling, jungle-like approach to dubstep and nailing it to the groove with stabbing bass notes. spatial leapt onto the bass music radar late 2008 with his shadowy infrasonics imprint, and quickly snapped heads with his crisp, refined approach to 2-step rhythms. since then he’s done things on his own terms, only releasing for himself and mutating his sound over a series of 10 inches. >corti< perfectly demonstrates spatials unconventional tendencies, lurching and buckling around a perfectly honed splatter of beats, off-centre synths and delirious vocal snippets. meanwhile on his remix of s-max, spatial flips the script once again with a stomping, swung techno angle that hammers the original into an uptempo, fist-pumping banger.

norm talley is delivering some heat on delano smiths mixmode records! norm, known for his awesome tracks on trackmode, third ear and the detroit beatdown series, drops 4 dope detroit house tracks with different vibes! powder and more powder are the peak hour house tracks with classic chords and a steady uptempo groove. then we got two beatdown tracks lost and private party that both stand out.

at fatcat we are as excited about new signings psychedelic horseshit as we were on landing animal collective and black dice 8 years back, and believe they re a similarly vital band - pushing boundaries and creating something thrilling and unique. having avidly followed the band’s outpourings over the past few years, we can now announce psychedelic horseshit s label debut. previously appearing on hip us indies woodsist and siltbreeze, their second proper full-length marks a major shift, upgrading their sound and delivering a coherent set of bustling, uptempo, hook-laden, melted outsider pop songs.
comes with code for free digital download of this album.

al kent continues his quest to bring his definition of disco to the ears of the world with another killer three tracker. >be my baby< is an uptempo disco monster – dope bassline, rhodes and wah guitar with nice loud hihats for full dancefloor appeal. >sun shine down on me< is a dark, sweaty, latin disco beauty soaked in strings, horns and rhodes piano. think that says it all. >time is moving< picks up where a1 left off, with the addition of strings and occasional vocals to wrap things up. million dollar disco is loved by dimitri from paris, pat les stache, solid state, cosmic boogie, greg wilson, peter adarkwah, the dead rose music company, horse meat disco, nik weston, chris harris and many many more..

still above the clouds, team skylevel picks up a fellow pilot and drops a package that is all about the raw essence. a1 is a thrilling jazz funk onslaught that hits you hard right from the beginning. an energetic uptempo groove meets the most wicked guitar patterns, teasing with beautiful melody fragments while clearly focusing on its irresistable rhythm section. no jazz on b1, but an uncompromising barebone funk stomper of the highest order that locks you in a cell made of drums and bass holding the promise that you wont find >disco< within a five mile radius. b2 obviously has to reduce the heat and takes you on a ride through the swampy mississippi delta of the early seventies, telling you a truly mystic sunflower county story you might not have heard by now

part eight in the instruments of rapture series sees the anticipated release of the soul renegades deep n slow, fireside-funk jam, >darlin< (which is only a year overdue). the title track is reinforced by the uptempo, ballroom blazer >y all wont let me< with full fat remixes by the mighty faze action and the lincoln lecturer aka craig bratley.

phoreski, who was the first ever remixer for iib returns to remix >electric sunburst< from the harlyn bay lp, creating a heads down dirty balearic slo-mo basement monster as only he can. next up is tony watson from adult contempory / la who remixes >pacific breeze< adding a touch of west coast b-boy flair. peter visti takes on the not-yet-released track >childhood melody< creating an epic balearic journey starting fairly uptempo before changing gear to groove along at a more leisurely slomo speed. top quality as always. finally, and proving the boys have the jump on tomorrows stars early, the amazing & much sought after aeroplane rework of >too hard<, originally released in 2007. another all round top package.