alan fitzpatrick yet again doesnt disappoint with his remix of riots in london that uses delayed stabs and a rolling bass line to construct another dark peak time player. jerome sydenhams carbon dub of smoke and mirrors is heavily dynamic and uses a piano chord andthe original vocal to create an energetic vibe. cari lekebusch remix of bullet uses a phased underlying melody to really drive the track forward before the bleep melody is introduced later into the track.

so here s the second maybe tomorrow me and jon are pretty happy about this the theme s the same, all about sharing seeing as the music will do a better job of explaining itself than i will, i ll let it do the talking and i hope you enjoy this as much as we do.

wonky bleep electro techno, old school and distorted. 6 tunes on an orange plate

will azada opens with a huge, meaty bleep-chunking stomper. jackson lee comes back on the flip with his glacial dub, looming kicks awash in sub-ambient chords, then shifts from a mood of menace to one of somber longing.

second release in 2012 is pirupas hard rocking debut on desolat. his party non stop is not only a trip down memory lane crossing paths of hip house as vocal version and early ravish bleep sounds as instrumental. its first and foremost a house sound of now - with attitude. dj qu, the man behind strength music, rounds up the ep with a healthy dose of drama with his epic raw remix.

samurai vinyl only horo series volume 2. limited multi coloured vinyl 10 inch.
after the success of the last 2 asc singles for samurai red seal and the flood of quality music that was arriving in our inboxes from the man, it was inevitable it was time for another shot of this uk born, california residents vision. the horo vinyl series appealed to asc instantly being a man from a strong techno background and an avid vinyl collector himself. >no secrets< is one of those tunes that touches you deeply without you realising, echoing in your subconscious and drawing you back for repeat listens. >zenith< picks up where >bleep test< left off, stuttering timeless breaks patched together with diving bass and percussive polishes to produce a unique sound that takes the past and hurls it into the future.

another big remix package from ism, who continue their homage paying endeavours for legendary nyc disco troupe odyssey. this latest 12 inch sees remixes from faze action, toby tobias, leftside wobble and ron basejam. opening proceedings on the a-side you will find faze actions thumping proto-house version of >going back to my roots< - this one is made for sweat-drenched sunday nights at horse meat disco! mr tobias goes deep on his version of >o dj ko<, with the swampy bass, echo laden vocal cuts and bleep-fuelled melody a pleasing contrast to its raucous predecessor. the two remixes on the flip maintain these lofty standards, with soundcloud don leftside wobble turning in a twinkling refix of >lonely star<, while crazy p man ron basejam turns >aint no dubbin us now< into a beefy, conga-led traipse through shimmering, balearic soundscapes.

this is the third of the black dogs liber series of releases that are purely aimed at the dance floor. it follows the previous, well received liber kult & liber temple 12s, these singles all lead to liber dogma, due on soma in october, and further chapters. high rise choir reprise opens with clattering percussion taken straight from recordings at forgemasters before a face-ripping gut-wrenching bassline cuts through with one of the black dogs strongest minimal grooves yet. built to move heads and feet, the hypnotic groove hooks you instantly while the haunting strings bring the emotion in massive dark waves, you cant help but fall into this track. beautifully simple, addictive and massive. dissident bleep is just that. over the years the myth that sheffield is all about bleep and bass has gathered ground but those who live here know its all about the bass. industrial repetition gives way to twisted vocal samples of >over, over<, a sure-fire nod to cabaret voltaire, before the kicks and filters pummel you.

the moreaboutmusic label launch the secret weapon series for long lost gems and future classics, inspired by the sounds of early chicago house, sheffield bleep and detroit techno. secret weapon #1 comes from deep space orchestra with the future deep house classic >hold me back<, remixes come from disco don cosmic boogie and acid house scientists paranoid london. deep space orchestra deliver the goods with >hold me back<, a stripped down, nu-groove, mr fingers inspired, deep house jam. a simple kick and cymbal pattern builds slowly into a layered percussive house groove, with a pulsating juno bass line. organ stabs tease in and out of the track that build up to a hypnotic hook. the layered rhythms build, whilst a vocal stab teases in and out of the track, layering sounds and sonics, before dropping back onto an irresistible jacking house groove. the remixes are adding some fine flavors to this excellent debut release of mam records.

played by: monika kruse, carlo lio, gregor tresher, tassilo, joris voorn, karotte, kaiserdisco, mauro picotto, hernan cattaneo, darren emerson and many more. the one thing that perhaps ties all of dj simis multifarious sounds and aliases together is his passion for distinct drums. his new sci+tec single >green twister< certainly fits. beginning with a stripped back, fuzzy bleep groove, the cut soon becomes a mechanized dancefloor workout thanks to a clear militaristic drum solo. this is classic simi. instead of building tension through sound fx or digital trickery, as so much of todays techno tends to do, >green twister< creates its dancefloor euphoria from a much simpler place: a drum pattern change. for the remix of >green twister<, sci+tec roped in naples danilo vigorito. vigoritos remix is straight up techno jacker. he builds a moody and intense atmosphere around the distinct drums of simis original. its a dark and foreboding club sound.

dutch experimental electronica talent jorg with his first full 12 inch release. jorg is a vinyl crate digger, sampling and transforming whatever comes his way, creating unconventional and spaced-out yet catchy and groovy soundtrack-like scapes & compositions. fantastic artwork with blue transparent vinyl & beautiful silkscreen sleeves. quality package!

raw, booming and pretty straightforward yet with that typical jeroen search touch. but the icing on the cake is definitely the conforce remix. delsin pedigree, rush hour poster boy, and a great guy from that bleep on the radar above our country.

killer killer nation! saturn v (traxx & james t cotton) turn out a sick wave dipped bomb (live playing / no samples!), while traxx/dmc enter bleep warehouse style territory with dark acid vocals... immense. tip!

the volcano mount vesuvius is the inspiration for mike parkers new release on geophone. cavernous echoes, thundering analogue bass and spacey bleep tones are blended together in mikes unique style. 3 tracks of maximum volcanic techno!

boys noize has compiled 12 modern acid jams done by bnr artists and homies like feadz, joakim & krikor and brodinski tributing 20 years of acid....

jan driver “gain reaction : you might know jan driver from his famous techno life in the 90ies or maybe for his label grandpetrol, his extraordinary skills in german folk music, high quality mixing for siriusmo, jesse rose and modeselektor or last but not least also from his wmc 2010 #1 hit “tellyfoam” which was featured on the bnr miami noize sampler. here is the first maxi of berlin multi-action-talent and friend jan driver, presenting a selection of 4 tracks including “gain reaction , a good fun heavy bass bleep champ, “cs40m , a slower powerful jam that creates an energetic build up of pink noise and 303 sounds for the very special atmosphere, >hornetbeef<, a tech-house at its best and >mecafunk<, darker techno, big sounds, the right track to close this magnificient production of these 4 tracks. what more do you need

the volcano mount vesuvius is the inspiration for mike parkers new release on geophone. cavernous echoes, thundering analogue bass and spacey bleep tones are blended together in mikes unique style. 3 tracks of maximum volcanic techno!

as part of the 2010 rebirth of vladislav delay-as-sistol, he has recorded a bold, poppy record, more like luomo than vladislav delay, & club friendly, too-boot. reworking by scuba, faltydl, oneohtrix point never, & walls. 180 gr + pic sleeve.

matt john has done it again! the 3rd holographic island is an excellent sequel to the hypercube ep. “baby face one” on the a side, with its tripping arrangement of voices, precise percussive drums and its rolling bassline makes you feel like swimming within an always flowing river of sound. the b side track named the “bleepfactory” has a tense and explosive atmosphere and features a shimmering cloud of microsounds floating over a warm carped of bass frequencies and drum hits

running and releasing on the labels equalized, wax and subsolo, shed managed to become one of the most influential artists in todays techno, house and dubstep genres.
the vinyl version of his new album >the traveller< will be packaged in a luxurious gatefold cover.

repress incoming of this 2004 release by calibre & singing fats.

the freaks from odessa with their full artist ep on triple visions flagship label. with the spanish invasion full on in progress, these boys show us how its done in the east. and we like it! 4 clubby techno tracks full of melody and driving bass. again another winner that will fit into any djs record box and will be played for a long time to come in the club!

lost my dog s miami sampler contains a taste of what you can expect from lmd over the next few months with four corking tracks from giom, bleep district, yse pres. frank h carter iii and roland nights (vernon & dacosta remix). dj support from: ashley beedle / mark farina / halo / dj heather / miguel migs / lil mark / dj mes / swirl people & more..

after the success of the >plough hand< ep soul minority are back with this awesome deep tech groove featuring remixes from rick wade, atjazz & bleep district dj support: florian kruse, the littlemen, scope, jimpster, james johnston, josh wink, aki bergen & many more

nice price deal !!! expanding on the success of forward strategy group, label boss smear has fashioned the new minimalist outfit, retail & leisure, with a new addition of the fsg corporate family. retail & leisure is in many ways the polar opposite of fsg, ditching their trademark dense, heavy techno in favour of simplicity, space and a more systematic approach to composition. side a strips right down to the bare essentials, leaving little more than an ice-cold rhythm, bleep and hiss, creating a deep mix-tool for fans of artists such as mika vainio and sleeparchive. the b side features a remix by fsgs latest recruit adrian ross. mechanical scrapes and clangs mesh with deep, pressing kicks to create a sound which is dense and impenetrable. ross is a unique entity in techno: with a genuine outsiders take on the genre, he is an exciting prospect and a great asset to the group. the final track is r&ls take on dubstep, with dry, chalky percussion, discordant siren and churning bass. snares spin, shuffle and shatter against the tracks main, oppressive rhythms. the record ends with some valuable advice on where one should position ones feet

with smashing contributions by electro lord legowelt from dirty brown the hague and bleep addict garçon taupe from the bourgeois slums of amsterdam, narrominded presents the fourth installment in its renowned split lp series. both sides of this split lp comprise a whole ep in length, and the contributions have in common that they are both deeply rooted in electro music.
on garçon taupes wittenburg ep, eighties infected drum computer beats and heavy bass lines pave the way for some rather cheerful and unpretentious melodies. the five tracks were mixed to tape at rude 66s triple six lounge studio, and reveal influences from electronic pioneers like yellow magic orchestra and mantronix, to todays acid freaks like luke vibert and like a tim. the end result is a catchy mixture of electro and acid.
legowelt explores the darker corners of electronic music in four tracks leaning on eerie vocals and grungy electro beats. his land rovers in astrophysics ep takes us to mysterious environments. we are spacing out on the force of the stars, the universe, etc, and dancing to hypnotic drums on a mystical trip to pago pago west samoa. legowelt not only knows how to to satisfy a dance floor, but is also capable of deeply appealing to the listeners imagination.

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

here we have one slice of electro badness & one dubstep remix! on remix duty, giant pussy have seduced helsinki-based dub-stepper extraordinaire, tes la rok, into their kinky boudoir. his re-work of pocket rocket is a beast of a no holds-barred reggae-tacular bleep-fest. tes stays true to the vibe of the original but buries it in a bass-odyssey of a tune. heavy-weight sounds indeed from the finnish maestro.

four roses recordings deliver another stunning release by sebastian gaiser under the classic flowers moniker. in the past hes been responsible for the mujaba releases and some yet unreleased collaborations with label colleague motor city drum ensemble. whichflower is a fascinating yet strange house groover moving from beep to bleep. using citations from way back, this one is spreading flowers across all sorts of dance floors. aclaime is finally making way for a weird approach towards minimalistic dance music, featuring a group of cimbalom virtuosos recorded on a recent journey through hungaria that makes it sound like a sunday trip to panoramabar. which flower would you be?

a chunky / phunky chicago house classic , contains mixes of mark farina & lance de sardi

brilliant debut from londoner, now l.a. based damian lazarus (crosstown rebels) , beween nu pop, techhouse and free electronic... dj playable to rock the crowd and pretty cool as well

following the overwhelming feedback about our first release, we proudly present to you the renaissance ep by berlins honesty (known for his work with daniel paul as slope on sonar kollektiv).

a firm favourite here at pdd, kolour have that late nite business down to an artform. rhythm plate, from downtown matlock are internationally know, but this ep also features inspired mixes from bellep district and the awesome yse. dj support already from: laurent garnier, milton jackson, chus, nick warren, matt masters, jay tripwire, fred everything, shur-i-kan, this is a standout ep!

krachiger industrial hardcore

whether it is early december or late august, gel abril keeps it hot or cool - depending on which side of the equator youre on - with an exceptional 12inch of synth soaked, bleep saturated and tech drenched house. all exclusively produced by the talented shlomi aber in their hometown of tel aviv, israel. collectively they have released on josh winks ovum rec as well as their own acclaimed be as one imprint. eerie sounds meshed with techno chirps are trademark elements of the be as one crew sound, but it is the dramatic synth chord breakdowns and perfectly plump and rounded kick drum that stand out in this outing. so plump and juicy in fact, one can almost get lost in >miranda< through the rhythmic thudding of the pristine bass drum. suddenly a parade of jumbled synth snippets frolic and bobble around like umpa lumpas randomly jumping on a trampoline. think this track is all fun and games? play this peak time and watch the crowd do the >tel aviv shuffle<. don t know what that is? watch it appear before your eyes as the hypnotic sound washes over the ears of the captivated crowd

after his collaboration with hopen and releases on plak , num and mentalgroove ltd . the owner of plak comes back with a solo 2 tracks ep : fragile mix up of chicago house & dirty bleep minimal . its all about freakies parties , vodka , love & friends

brill phreakin bass bleep floor phunker

detroit stabbed & glitchy bleep tech-house to minimal techno... incl david forbes rmx (deetox, combined force)

a funky peak hour pair of goodies. doo kicks off the ep with its rubbery bassline, keys, jerky rhythm and sustained strings that provide the male chant, doo doo doo a comfortable bed to bounce on. the meat of the track contains a lengthy piano solo by antonio di mauro driving the point home. full of drops and fills that build the energy then releases it ferociously. anthem is exactly what the title suggests. it is another 2am jump off (musically that is!) jam. the deep bass & dense kick supports the 80s styled chicago jackin snares, the persistent hi hat and intermittent piano strikes meshing well with the watery bleep sounding keys and string stabs. the melody of the bass gets redirected as the twinkling keys create a sense of tension for the samba ish breakdown. nimble fingered, antonio di mauro is at work again, producing a sound reminiscent of patrick adams styled keyboards from his legendary phreek lp. ends cold. supported by: dj spen, deli g, roger sanchez, joey negro, dj pope, kenny carpenter, franck roger, dj yass, master kev, mark stone (udm show), groove assassin, sven love, davidson ospina, dj dealer, timmy vegas, dan (liquid people), deep josh, danny marquez.

nice price deal !!! awesome justice style cover of the frankie knuckles classic

after the huge >score for direction< success with label owner pär grindvik stockholm ltd presents a new swedish talent for the world. simon haydo is a really close friend of pär grindvik and the stockholm ltd family. for several years, simon has been playing records among the high end clubs in his hometown of stockholm, sweden. a while ago he finally got himself some studio equipment and has been asking for production tips from time to time, but when we received his demo we realized that he didnt really needed them. simon knocked us right out of our chairs! we rarely get demos this emotional and we didnt know that simon would pass us one as we had not heard a bleep of his music until that day. most of the demos you get are from people trying to sound like someone else, but simon has a sound of his own. we are really proud to have simon haydo joining the label and his first record >different shades of white< will follow us forever! >different shades of white< has got great support all over the world and will be released on stockholm ltd, watch out!

slg schmiedet eine stilvolle waffe für den dancefloor die vor vitalität und musikalität nur so strotzt. da merkt man, dass der gute seit 10 jahren musiziert

hyperdub kick off 2008 they way they intend to proceed, with new tracks from a new artist. on her debut release, ikonika comes with her own very unique, warped yet soulful bleep sound. with shape shifting beats that switch styles every few bars its hard to pin these two tracks down... cos if it was easy, it just wouldnt be hyperdub. both tunes are one minute minimal, one minute maximal, driven along by ikonikas special combination of wonky synth and deep swingin sub bass melodies that place them somewhere between an early, blocky grime instrumental and the sweeter side of detroit techno ? except with better bass of course! who needs a vocalist when your synth can sing like this? quite how kode9 manages to keep unveiling new producers of such abundant talent is a conun drum, but one to be cracked some other time when we?re not so busy keeping up with his astonishing labels ceaseless march into the future.

played by claude von stroke, jeff samuel, john tejada, mike monday and mike shannon !! back on the label after their acclaimed cp styre ep and a few releases donk boys delivers here a four tracker ep with their own approach of weird bleep tech house starting with a1- doozer track (also tilte of the ep) an original piece of mental deep atmosphere mixing with a disturbing heady melody ...completely addictive! follows a2 rufs a minimal bleepy jackin house track as the donk know to do... on the flip b1 broke steak more techy beats and crispy sounds with an impressive groove..shake shake !and on b2 vaseline on toast in a more freaky twisted house way with cut voice and irresistible groove ..donk boys definitely strike again.

forget the cheese and bring on the bleep. 5trax of nasty colour style party techno

raw & dirty bleep tech house by the supposed mentally okay donk boys ! somewhere between dancemania & daniel bell, the crazy guys bring back the fun on the dancefloor with 4 freaky tracks full of extatic bleeps, nasty hihats, processed voices & a phat killer groove. earlier support comes from dachshund, markus kafka, mike shannon

nice price deal !!! dance music legend zimbardo returns to ruff dog recordings to give us a monstrous slab of tech funk named say hey. this release is definitely one of his finest moments to date, a fantastically well executed excursion into zs world of glitch ridden wonky electro workouts! and to top the release off we ve included a super funky bleep ridden breaks remix from italys finest plaza de funk.

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

dibaba is bleep technician olle cornéer. to follow up his successful releases on gigolo, pias and out of orbit, we are now proud to offer this 2 track ep. it continues in the tradtional dibaba melodic and dirty sound. dibaba supports from dj hell, tiga, sasha and the list goes on