a couple of years into honing their skills in the studio and behind the booths, the very dynamic duo known as andhim returns to get physical to present us with ‘spayce, the latest specimen of their self-christened super house genre. raised on a steady diet of hip hop and jazz, the cologne-native pair have proven to many far and wide that they are entertainers at heart and envelope-pushers by nature. taking turntables where they seldom go to turn them into instruments, as well as the heavy use of samples and real-world inspiration to set their own creations apart, its fair to say that ‘spayce is just another example of the duos eclectic, eccentric inclinations. two tracks long and spanning from dance floor epic to quirky by way of some particular glitch, piano work and musical hiccups, ‘spayce ep is a very sweet addition to an already original discography.

leftback present their 4th release of the year by welcoming original material from och, kashawar & matt star alongside a new collaborative track from label owners michael mclardy & dudley strangeways. the ep offers a diverse selection of deep cuts from the spacey and dubbed out through to minimal techno and will appeal to new fans aswell as those already following the first year of leftback.

special triple pack for all you highway lovers out there - contains three classic releases:
- hwr 002: seva k - far away (dave dk remix)
- hwr 009: bvoice & khz - hoerle ui (axel bartsch remix)
- hwr 016: sergey sanchez & thierry thomas - keep u happy (ian pooley, tripmastaz remixes)

kangaroo skull is the solo project of rohan rebeiro - drummer of renowned australian trio my disco. heavily percussive and rhythmically complex, kangaroo skull meticulously pieces together soundscapes within max msp, with an end result that conceals in its raw simplicity the intensity of the process. with multiple tours outside australia already behind him, australian dancefloors have been keenly awaiting a first release. palace of nothing is his much-anticipated debut - four tracks that convey a sophistication far beyond what could be expected from such a new producer.

its deep88 & melchior sultana finally back at it with the album that brings together some brand new house tunes and all the release from there project so far,playing without moving is more then just tracks but its an album made to remind you in this point in time that house music is something special, a perfect interpratation of what deep88 & melchior sultana are about and that is retro grooves and musical vibes making this piece of work a classic.

this is the ninetieth release on the ongoing resopal series. furthermore it is cavaan s first release on the label with arguably their most accomplished tracks to date. on the a side the guys spread their alternative vision of house music all over and roll out the tightly arranged amphid lampshade, characterized by impulsive beats, rhythmic synths and musical knowlodege. on the flipside, track metamorphosis builds upon several layered synths, resulting in a floor effective dense catacomb of sound. both tracks pay great attention to detail, are hard to pigeonhole and reach from modern house to far-out beat driven techno.

defected presents fcl in the house is the first essential mix album of 2015, a two cd mix of classic and contemporary house music, including cuts from larry heard, bob moses, seven davis jr. and audiojack, as well as a handful of fcl exclusives.

portia monique really is something special. travelling far and wide in pursuit of her musical dreams, the young, seriously talented singer-songwriter has built herself upon a dazzlingly unique voice with something very real to say. her self entitled debut album is a perfect summary of that. produced by reel people, it is the next step of her amazing journey.

long standing sonic groove artist realmz returns with his latest release nocturnal realm. a stunning four track ep of diverse techno sounds.the ep starts off with air supremacy a mechanical broken beat laden industrialized techno track that oozes with machine funk. continuing into the depths of the sonic groove is circulation. a rhythmic 4/4 pulsating workout which commands its way thru the speakers with a swath of fury. swinging the mood over into deeper melancholic grooves are the thought provoking hypnotic melodies of songs metamorphic and architecture of time. two tracks that dig deep far inside your mind. realmz clearly shows creative versatility on this ep. another great releases from this very original sounding artist

for those turned on by the far-sighted, sci-fi inspired sounds of detroit deep house and techno, this ep from michael zucker s finale underground imprint (an offshoot of his finale sessions label) should be an essential purchase. with the likes of patrice scott, keith worthy and luke hess involved, you d expect the quality threshold to be high. it is, of course, resulting in a quartet of killer tracks. hess hypnotic techno jam -tolox- is a definite highlight, though it pales in comparison to the analogue futurism of keith worthy s brilliant -cyclops-. best of all, though, is scott s -journey into the unknown-, which bobs, weaves, bubbles and spits to the rush-inducing deep house sound of undulating synthesizer melodies and classic, transmat-style motor city rhythm

g2014 is over and downbeat records, is back with a new release. jose rico and urtzi, come back again with another 4 tracks vinyl. memories from another life and no back memory are two deep house pearls with minimal sequences and emotional synths made by urtzi. at the same time, jose rico is the responsible for the mechanical and powerful aint, and the percussive and ethereal small island, probably one of his best tracks so far. and, as they did with that space is the place ep, they have made here a consistent release, setting their personal view of the dance music.

there are four songs for the dark side of life, without going so far as to speak of darkroom techno.

opening up with the deep space atmospherics of quiet life the album immediately transports you to another world. the title track is then a melodically lush and uplifting affair with curious synth patterns ebbing and flowing beneath crisp percussion. tracks like we search for answers combine organic, wooden textures with more synthetic and trippy synth sounds that are as far away from your standard sample packs as can be imagined. across the course of the album there are dark, moody and emotive pieces like worship (previously released in extended form on the mdl02 single) featuring qzen who reads a poem by patience agbabi in tantalising fashion as well as heavyweight, dubbed out techno groovers like shadow theory. make it true (of which seth troxler will be releasing an extended edit on his play it say it label, complete with high profile remixes) is another great collab featuring the vocals of jojo de freq, and the track itself is a harmonious, radiant house jam that is humid and human in equal measure. the otherworldly, snaking feel free again showcases berkson & what s ability to coax alluring emotions out of their machines and closer logan five wraps things up in suitably spangled, textural fashion. despite the fact much of this album will work on a dancefloor in the hands of the right dj, there s an invention and musicality to it that renders the whole thing hugely listenable away from the club. a testament to berkson & what s analogue invention and fluid ideas, keep up appearances really is a master electronic oeuvre.

sometimes near - sometimes far, dead points arrive. something or other is given away, distant past usually stays. coming up here on leap. profile s hypnotizing debut solo 12 inch puts a melancholic grin on the face of the dubtechno devotee. thanks for purchasing a real copy!

a 13 minute manifestation by kurt baggaley and a staggering remix by maeves the drifter.

inspired by a journey of a man, who is not afraid to leave everything behind and travel far beyond the stars, vakula sets off for the exploration on new sound magnitudes. written by david lindsay in 1920, a story of a fearless traveler who is exposed to sublime energies and unknown spheres concurs with vakulas perception of reality and his personal voyage to unknown dimensions. claimed to be a soundtrack to a voyage to arcturus, the album is an attempt to expend beyond conventions of the modern house music and dedication to daring ventures.

leftwing & kody s fresh - and much lauded - take on house and techno has so far won them champions like loco dice, jimmy edgar, huxley, laurent garnier, dusky, sasha and bicep. the pair now cap a whirlwind year with their final release of 2014, fixation , featuring legendary house vocalist, robert owens.

johannes volk is a discrete man, a talented producer who does not expose himself excessively, supporting a personal approach far from the common formats. for a long time we wished to invite him on the label : it s done !! he offers to us three tracks with retrofuturistic sonorities, forming the three parts of a puzzle. birth of frequency delivers to us the fourth part with a minimalist and remix, full of mystery

hvl is back on rough house rosie with a second solo ep. the tracks for this release were recorded in a strange surrounding far away from home and friends. this time everything is more darker, deeper and progressive

** vinyl only **
there is great stuff here. jam jam jam is a cover version of the infamous classic disco track by peoples choice, pubished by tsop (the sound of philadelphia) in 1976.
dj support so far: mousse t, tim sweeney, terry farley, hans nieswandt, rob mello, moodymanc, thomas herb, justin strauss, marcel vogel, danny ward just to name a few

allnite music 002 brings alex agore with some of his best works so far. both *basement jam* and *be someone* tracks strikes right the middle of the target, somehow between his earlier 4lux works and his no matter what hot dancefloor stuff. on b side, apoena presents two grooved house tracks with jazz sounding keys cut directly from vinyl. just a killer 4-tracker!

it was the light. that was it. she was trying to remember what brought her to this desolate, godforsaken place. the way the moon and the stars made the shadows dance, it was magic. she slipped into a trance just thinking about it, forgetting at once the decay and the damned all around her. the shadows had fallen still long ago. then the darkness poured in. it had filled her. swallowed her whole. how long had it been now? she couldnt remember. the paper of her hands, the dust in her mouth, she barely noticed. far from any road there was a massive building with a lot of concrete rooms. inside it, a labyrinth path to bid farewell.

sheila hylton is no stranger to pop success, a veteran ja singer who has graced the charts on several occasions. nyc native robbie busch aka dj mcboing boing is a true local legend possessed of deep deep crates. frances waxist selecta - the same. separately but in a moment of intense cosmic serendipity, they each reworked two of sheilas classic but heretofore under the radar tracks, and through the bountiful wisdom of the cloud of sound, sheila heard them, united them and showered them with her blessings. golf channel is very proud of its 50th release! mcboing boing fires the lasers far into the chamber and sets coordinates for the furthest reaches of space. waxist takes sheila for a funky romantic afternoon stroll around the park. the air is full of love!

music that keeps your body busy on the dance floor while it takes your mind to exotic places far away: timboletti creates a tense atmosphere between the stripped-down power of a kickdrum and the intricate network of sounds and melodies. during the titles murrakus and wüstenlauf your inner cinema will show mysterious scenes from an oriental bazaar, at the same time your body will have to deal with a pleasant feeling of restlessness. the frequency spectrum of makrovic is invaded by tripped-out samples, reminiscent of radio transmissions from some odd parallel dimension, resulting in a groove that is deep yet uplifting. barfussbravo sounds just as alien and is just as compelling, as delirious melodies and delay cascades unfold upon tight, driving rhythm sections. mollono.bass delivers a remix that is probably even deeper, a stardust phantasy flying high upon the solid foundation of a standing bass line. in contrast, carlos shifts down a gear and reflects on the multi-dimensional anatomy of barfussbravo during a smooth downbeat version.

big compilation on 2x12inch vinyl from moon harbour

marking a clandestine arrival out of, seemingly, nowhere, black swan emerges from the shadowy billows of smoke to immerse listeners in a lucid, cavernous dream, tracing silhouettes in the darkness with drowning ambience and orchestrated drones that screech and howl intermittently amongst the disorienting magnetic tape disturbances. black swan operates under a guise of far-away sounds traveling through murky waters, drowning the listener in its heavy-handed layers of ghostly resonance.
12 inch vinyl lp only limited to 500 copies worlwide.

do you feel the same by hercules &love affair is easily one of the biggest dancefloor tracks of 2014, the powerful vocal and catchiness made it an anthem in its own right. now with re-works from one of the most celebrated figures in dance music todd terry and talented duo 6th borough project the record has been taken in different, but equally dynami,c directions. todd terrys remix keeps the uplifting dance quality of the track whilst adding his signature style of house that was instrumental in creating the deep/progressive house we listen to today. the dub takes the focus away from the vocal and has more of an underground and tech sound. 6thborough project often explore long forgotten funk and disco dubs, and with their remix of the track they manage to keep the disco sound of hercules &love affairs original track, even with the bpms dropped down to something far more mellow than the original.

limited 2014 repress
few djs and producers have credentials quite like sammy dees. a longtime fixtureof berlins club scene, a cornerstone of the esteemed perlon imprint and a regular djand panorama bar and club der visionaere, his taste and signature style couldhardly be more well-­&#8208,,,,,honed. earlier this year, he created a new platform for hisunique take on house and techno: ultrastretch, a label that hit the ground runningwith a 12-­&#8208,,,,,inch by matthew burton. slick, modern and touched with surrealism, therecord had all of the unique flavor one would expect from a label by sammy, provinghis skills as a selector extend well beyond the dj booth. ultrastretchs second release lives up to the same high standard. much like matthew burton, seuil is a highly imaginative producer whos kept a low profile despite astring of excellent records. based in paris, his lean and funky sound has placed himat the forefront of his citys reemerging party scene. many of his past releases havebeen punchy but subtle, balancing dance floor utility with an ear for restraint. on >oamer< he goes even deeper than usual, crafting a vivid afterhours track out ofhypnotic drums and bleary-­&#8208,,,,,eyed chords—nervous one moment, euphoric the next.like its title suggests, >dark rooms< is a clubbier affair, charging ahead withfragmented vocals and a brisk driving rhythm. this is one to put on as the nightturns serious. for the final track, sammy brings in an old friend: baby ford, one of germanys finest purveyors of skeletal, ultra-­&#8208,,,,,deep electronics. his remix of >oamer< expands on the originals dreamy side, with sanguine chords and abstract imagerylayered over a crisp bass drum. aimed at the dj and the connoisseur, oamer is one of the classiest records of the year so far, from one of its finest new labels.

pulps darand land has become the labels very own stalwart. being involved in every single release thus far, a new project of a certain extend would be the next logical step. heaven electric is a mini album that s being released in two 12inch efforts. the first part comes as a 4-track release with 3 originals and a soul moving remix by no-one less than the respected edinburgh native linkwood. from the first seconds this sophomore part of the heaven electric album showcases the signature darand land style weve enjoyed so much on the previous pulp releases. beautiful chords, pads, and thriving basslines throughout. of course, the linkwood remix included in this wonderful package is not to be missed.

trusts anniversary series continues with its second of three chapters: six far-fiction electro tracks by dj stingray, dez williams, scape one, dj glow, microthol, and biepang continue the story of a human mining operation on 61 cygnus e, a remote planet orbiting bessels star. full color sleeve by dextro.org,

editions haighton marks the second leg of its journey through space and time, pewing up in a nondescript gospel chapel somewhere in the late 80s usa. the a-side takes a sample from peter blacks how far i go and cues from wild pitch and chicago to forge a dj tool with heart, while the b-side gets brotherly and emotional with voices from the blak beat niks ooohhh

it has been local talk bosses mad mats & toolis secret weapon during their dj sets over the past months and have destroyed clubs from london to berlin. with a super catchy chord theme, bumpy 4/4 beats and a slight uk feel this is as bad as it gets. it is just one of those tunes you immediately recognise and can relate with. together with a deep journey house remix from ad bourke and a fierce uk inspired bass/house mix from colognes hade we dare to say that this is one the finest releases on local talk so far. original bristol cat crackazat (now residing in uppsala, sweden) got a sound that fuses jazz theories, electronic 4/4s with a deep uk underground mentality. think underground resistance meets floating points and your almost there. somewhere else is the second single from crackazat on local talk and in early 2015 he will drop his debut album crescendo on local talk.

180 gr vinyl! international feel label boss mark barrott loves obscure library music. an avid collector, he is forever searching it out in far flung parts of the world. here he presents his newest discovery: len leise

(4hero + nicola conte remixes) 180g vinyl. in anticipation of sean khans second album on far out recordings: muriel, this four track 12inch release features remixes from 4hero and nicola conte with father of british neo-soul, omar on vocal duties.

born and raised in east london, everything about brett goulds career so far has been about a slow development of his sound. from his debut single premonition on low bit records (who s releases have included tracks from the likes of kassey voorn and guy mantzur)

• full colour print, hand numbered and stamped sleeve and centre labels
• sleeve design by jerry jackson...
widely regarded as pioneers of pc music, blacknecks are proud to unveil their final and most shambolically cobbled-together record to date. after 6 half-arsed releases, a couple of half-arsed gigs and a brutally honest interview in a popular far-right culture pamph, all while managing to maintain their stellar uk garage careers, blacknecks are now dead.

the efforts of label chief max_mand attic musics own fabrizio lapiana as so far proven to be a potent combination. sharing wax space for the last two releases on m_rec ldts discreet new 10 inch vinyl series, the pair have so far turned in a stirring duplet of some of the finest, fully-formed pieces of modern techno music. now, for the third installment, max_m steps aside to let a brand new outfit take the helm. the mysterious and so far unreleased overall severitynestles comfortably into the a-side with another swollen, undulating melodic arrangement, true to form of what we have seen from the series so far. then on the b-side, fabrizio lapiana offers more of his dark and groovy techno, toned in what has become a signature splash of vintage british-redolent electronica.

limited nice price action
back to the days of classic chicago sounding tracks delivering the true essence that only an original roland tr808 and sh101 can bring! this record has classic and jack written all over it! soultek (sound shift detroit - part of echospace the combined efforts of deep chord and himself) comes together with chicago based josh werner! werner has co produced with the likes of dj sneak on force inc, adam marshall and traxx of dirty criminals (dj hell s gigolo label). here is a sound ripper for those needing a chicago fix!! limited edition

after its initial string of records, spring theory is back with its third release of the year: the record is let me love & steal, the latest ep from avalon emerson. in the past few months, emerson has moved from san francisco to berlin and has taken in her new environment s vibrant club culture, and it shows. but this four-tracker is a far cry from the dark industrial cliches that typify foreign expectations of the german capital. instead, her cuts here carry an undertone of playful sampling that balance out the sheer power and energetic intensity of her rhythmic drive — aka its a full eps worth of hard-hitting house music with even more of her idiosyncratic flair.

following the split ep with yør for obsre002, primitive world returns with a first solo 12- release since turning heads with singular debut danceteria on black acre in 2012. worship / premonition offers up a pair of new productions that once again capture the off-kilter rhythmic sensibility and canny way with a sample that has so far seen primitive world attracting the attention of tastemaker djs including untold, tessela, nick höppner, lowtec and joy orbison.

elisa ambrogio, die frontfrau der magik markers, veröffentlicht ihr solo-debütalbum mit dem titel *the immoralist*. 10 großartige songs von einer selbstbewußten jungen amerikanerin, die in der besten weiblichen singer/songwriter tradition narrativ spannende geschichten musikalisch erzählt.

when dfc team (persi, collino & gemolotto) started their atahualpa project techno music was far to be a cool trend in the venues. even more innovative was to mash up acoustic, electronic, traditional instruments as peruvian panflutes and synthesizers while evocative voices drive listeners to the world of last inca emperor. it was in 1990 when ultimo imperio by atahualpa topped in several countries around the world becoming a milestone in the dance music history. nearly twentyfive years later dfc label releases 4 amazing new remixes and the story goes on

nice price deal !!! raw waxes continues the release number four with one more original track from the noisemaker. the edition 4.2 is enriched by the remixes of korova, duo who were protagonists of our first release, and inigo kennedy, old school artist truly appreciated by raw waxes. on side c, point x15 advances as an acid robot going ahead with swollen broken baselines covering sinister and rough ambients. the rhythm gets darker and nimbler as far as the stylus moves on the decks. on the side d, korova delivers the mirror of their hypnotic and straight techno soul. drums play hard, ambients are kept happily enjoyable, while the acid synths and chords go with the flow embellishing the original version. inigo kennedy’s reinterpretation seems to come from early ’90 productions on missile records. acid elements and palpitating hi-hats, followed by the syncopated bass drum, gradually fire the minds up and accelerate the roll of weird but deep moments. pure industrial machine guns.

good job 030303 got their hands on these six tracks by rolando simmons as they remind you of where acid got its name from: this is music to trip to. the 303 is abused to the fullest while simmons adds snares and outlandish melodies to the acid bubbles and bleeps that are never far away.

the latest ep my normal usual far from apotek keeps the label in a firm stride. jerome sydenham forges on with another classic edit. on this occasion, sydenham minimalizes jonas kopps classic reforce leaving us with a steady pumping floor pounder. my normal usual far is the second installment of the new ibadan records artist sally. armed with an array of organic drum machines and synth jerome sydenham and sally trail blaze their way into tech-house heaven. the movement of this track is indelible. with encouragement sydenham and sally continue on the path to tech-house excellence with this stripped down ultra tool.

life, death, energy, love, hope, danger, agony, peace, if i stop today it was still worth it. even the terrible mistakes, that i have made and would have unmade if i could, or that maybe i would just redo the same. the pains and thoughts that have burned me and scarred my soul, it was worth it for having been allowed to walk where i ve walked. which was to hell on earth, heaven on earth, back again, into, under, far in between, through it, in it, above and beyond it… i won t regret!

industry sheds all personalized effort and tests how far you can get by using presets only. all sounds are factory presets of 3 obsolete 1990s japanese workstation synths, all effects are presets, all notes are quantized and most panning is purely accidental (laid out in the preset sounds). industry doesnt rely on successful presets, but on failed sounds of now obsolete synthesizers - industrial assumptions of where culture will go, but where it chose not to. the result is a surprisingly pleasant listening experience with effortless grooves and rich textures - and mildly demonic connotations. from smooth to kicking - a conveyor belt enjoying mood swings. as beautiful as the scheduled meeting of a pvc sheet and a thermoform mould on a workbench.

craig clouse - aka shit and shine - follows up his stunning powder horn release on diagonal with this brand new set of pure heat for gangsigns. clocking in at just over 31 minutes, this brand new lp pushes on from the last just that little bit further, chopping and screwing its way from the dancefloor to the slow jam in six easy steps

far out recordings is proud to announce the release of the first solo project of nina miranda. *futebol/ beautiful dub*, available on 7 inch vinyl, sees ninas talent from the very first horn blast. the record encapsulates the global frenzy surrounding this years brazil world cup, but ninas musical inventiveness and the tracks catchy melodies, ensure the records relevance long after this years tournament.