dj support by adultnapper & matthias kaden !! cynosure is proud to present the debut ep of one of italys finest house and techno djs, andrea fiorito. hailing from the southern city of bari, andrea brings new warmth to the otherwise ice cold italian house sound and delivers a timeless deep house original. things commence on >moderato mistico< with a subtle tribute to a close a friend that has some serious issues with partying called >boti world<. a stripped down minimal house groove with several different monster bass hooks. a killer bumping, grinding, walking bassline that heats the floor with every change up. but as we all know this is not enough to really push things to the limit, so andrea answers the call and brings the furry with givan on the sax. imagine that moment where things in your night boil over the edge and you begin to loose control. thats when givans post punk style sax attack begins to push things past the threshold of insanity. next we have the lovely >betty loop< feat the sensual voice amelia saul. a layer of percussion a la spring reverb set the pace leading into some piano chords and a giant bass hook that make up the foundation of the groove, laying the sonic rose pedals down for amelias presence to be heard. with a voice sweeter than honey and some twisted lyrics, she creates a sexy yet warped feeling in this track. and of course if the vocals were too much, you can play the dub version >betty goes to gio< and mix your heart out. with >moderato mystico< andrea fiorito lights the deep minmal house flame for cynosure closing the summer releases in style by producing heat that only a southern italian can. howie mangel

after the big success of the >texas chainsaw massacre ep< and >maybe we are crazy< (with sven wittekind) boris is back! dj support sven wittekind, robert natus, jan fleck, kaoz

with the electronic justice 12inch, james t. cotton and d_marc cantu saw off another thick slab of classic chicago acid. opener >1mg< is a relentless teutonic grind, tightly constructed yet engraved with enough subversive tweaks to hint at the most experimental urges of james t. cotton_s other persona, tadd mullinix. >werkin house< and >static vision< follow close behind with the brooding squelch of a 303. and if these take us deep inside the darkest warehouse, then the title track reveals the inner depths of the artists themselves. >electronic justice< may well be 2am/fm_s manifesto, a rolling vocal creeper whose laser-beam pulses ebb and flow around a synthesized mantra: >experimental vision/ this is us, who we are/ this is our religion.< fitting words to chant, shout, or whisper in the flicker of a strobe at 2am, after all..

limited to 500 copies on coloured vinyl !!! the mysterious intrusion project (feat. on echospace 007) emerges once again and delivers another epic release. throughout the original mix of >tswana dub< you find smooth textured pads and a bassline even the mighty king tubby would surrender to. the melodies evolve in slow motion over time as the synth hits open and close into a fierce midnight skanking session so lo-fi you would think this was recorded at studio 1 in the 1960s. on the flip side brendon moeller serves up heavy bass reductions, live melodicas, brass sections and spatially aware dub fx. the phase90 mix dissects intrusions original into a full spectrum spatial affair as deep as the sea, epic and beautiful...

part two of this amazing dubby & deep techhouse to house compilations with tracks by pablo bolivar, sackrai, nick curly, tom demac (agnes rmx) and kevin over

yore returns with a true dream team split ep, pairing yore label head andy vaz with sistrum manager patrice scott. vaz is up first with a beautiful slice of old-school funk and soul within a deep house formula, >back to square one< that has a whole lot more in common with isaac hayes and james brown than with juan atkins or any other techno icon. accompanied by a wah-wah guitar figure and claps, a bullet-proof bass line leads a nine-minute charge thats quickly bolstered by a slinkily swinging drum groove. creamy synth chords and blazing horns intermittently spill over the pulsating mix and then vanish, leaving space for the rhythm to intensify and the track to grow ever more euphoric (and even, towards its close, a bit acidy). a true mission into both funk and house, which again showcases vazs ultimate diversity as an outstanding producer. scott titled his second sistrum release beyond deep and the title might just as easily apply to the b-side >aztecal< where the detroit producer slathers shimmering stabs and congealing streams over a thudding kick drum and flickering percussive detail. while vazs cut draws inspiration from the timeless traditions of decades past, scotts looks towards the future when its gleaming shuttle lifts off in pursuit of distant galaxies.

knock knock, bang bang! minimal neo tech drama is just kicking your doors off! 5.4,3.2,1 action! our hommie jurek przezdziecki from warsaw, (poland) - is making his debut on boshke beats records and you better watch it, feel it and be into it! (we will not give you here a death threat ,but we were close to-please admit it) 10 years of producing under the different projects like big wigs, epi centrum and mass turbo! and lately you could taste of his sound on recently released maxis on whirlpoolsex, bretzel, jacek sienkiewiczs recognition and living records and here is his first boshke debut. we highly suggest to watch this interesting producer closer! he manages to seamlessly lead us through his special and unique fusion between minimal techno and neo trance, dressed with his unique sonic synthesises and topped with a top class sound production. on the b-side is a contemporary re-work of the sink master by maestro robert babicz (aka rob acid), speiced with the dancefloor power and a big roberts character this remix destined for all the modern contemproary djs on the planet earth!.

would you have remembered? with the debut album of the 32-year-old warszawian, téchnè, cocoon recordings has released the first artist album ever on the label six years ago, at that from an artist who was not well-known to a large extent back then. this has changed fundamentally: with his releases on his own label recognition as well as on trapez or klang elektronik, sienkiewicz belongs to those ambassadors of modern individual electronic dance music who set benchmarks. this is also his demand with the two tracks on “my little place”, meanwhile his fourth release for cocoon recordings. while the over-heated my little place re-interprets the credo of dub with polyrhythmic elements, delays and echo in an somehow unfamiliar way, “com-bat” carries on sienkiewicz tradition of putting hypnotic sound evocations close to the ten-minute mark. with intensive melancholy, the percussive bass rotor of com-bat creates a bewitched hymn for sunrises somewhere in between the urban desperation of detroit, the atmosphere of after hours and balearic bliss

om records is proud to present fred everything s first single from his upcoming artist album out in july. >here i am< features everyone s favorite house vocalist, lisa shaw (naked music / salted music) as well as premiere remixes from shur-i-kahn and fred everything himself. lisa shaw, a close friend of fred, brings forth her calming vocals that lighten the mood in >here i am<. doing shows together everywhere across the globe enabled the two to truly sync their musical talents together. goals for this track were to get a vintage, lush feeling. with the help of tim k (home & garden) arranging the strings, this enticing track sets the stage for an effortless unification of songs to come

excellent & deep masterpiece!! one of the more interesting newcomers of 2007, we are delighted to welcome a new ep by october, his first for perspectiv. having turned heads with three singles on his own label caravan, octobers organic techno cuts and thuds, adding an inherent physicality to his productions. a side title track >say again< revolves around a female vocal loop, fuzzing and throbbing with pulsed melodic tone, punching live percussion and deep bass line. a highly unconventional mix, this composition ties together effortlessly, peaking with a deep and droning wave of analog synth and popped beats. b side >go outside< is an after hours treat. a darker, deeper and altogether more ethereal work, stuttering beats are glued together with a warm prodded synth melody. to close, resonant percussion and phased keys submerge the track into a claustrophobic climax.

zwei jahre nach daniel dreiers sender debut, meldet sich der berliner mit einer weiteren herausragenden ep zurück. daniel weiß, dass abgefahrene sounds alleine eine crowd nicht in wallung bringt. also packt er sie um einen treibenden, knallenden beat und unnachahmliche chords

norwegian songwriter, guitarist and vocalist ane brun is a rising star. with two norwegian grammys for best female artist and song of the year in 2005, her most recent and third studio album >changing of the seasons< entering the norwegian charts at 1 and the swedish charts at 2 the future looks very bright for her. now brun has connected with dennis ferrers - objektivity. ferrer has gathered an international cast of some of todays leading house and techno producers to take the works of brun one step further. the aptly named >ane brun objektified< full length will be released later this summer here is the first single, a taster of what is to come - bruns >headphone silence< remixed by henrik schwarz. schwarz composed his remix initially as a live lap top piece, mixing it down under the watchful eyes of close colleagues ame. on the flip you find a dixon edit

kristoffer ragnstam with his new pop album sweet bills

nice price deal !!! soul vigilantes is a worldwide modern soul project led by spanish composer, arranger and producer jose jas alvarez. with collaborations from all around the globe, jas has prepared a varied album touching on many collateral genres. also look out for the album which will soon be released in europe, after its initial release in spain and japan

big with sebo k, laurent garnier, trickski, joris voorn, deetron, kiki, davide squillace, luca bacchetti and many many more.. incl. remixes by russ gabriel (ferox rec.) and agnes ( sthlmaudio). huge dj reactions! new sidelabel of meerestief. moonpool pays tribute to the house sound of the second half of this decade, but still leaves enough space for interpretation and endeavours to close the huge gap between minimalistic techno approach and club electronica designs.

opener >playing for keeps< is an exhilarating trip, centered around a swinging mapped by crunching beats. chopped and skewed, pulsing electro house melodies fight for attention with sampled cuts of big band, tiring to a slow and heavy halt before picking themselves up and punching it out to close. >playing for daddy’s girl< is an equally agitated reprise, introducing distorted 8-bit melodic tones and a throbbing deep bass into the fray as a sampled audience cheers on the ensuing battle for the listeners attention. on the b side, the mole transforms >playing for keeps< into a driving house number, with subtly escalating melodic synth growing into a deep and hypnotic dark electro sweat fest

one of singapores most prominent house djs and residents at the infamous zouk club, djb delivers his brand new single l afro, featuring the co work of close friend neal paul. the zouk mix as well as the bnimalism mix are effortlessly breezy slices of house, while the neal paul mix pumps things up a notch. dj b delivers an energetic track topped off with electro charged soundings that are at home on any dance floor.

samuel rouanet aka reynold aka duplex 100 (together with phil stumpf) also boss of trenton is releasing here his first full ep on his own label. after a year of serious boredom when it comes to techno music and especially what is the so called >minimal< sound, he decided to release what is his own vision of dance music. >poison in my mind< has a strong bass line and triplets chords that drives you while the melody comes in and out. >blue steel< is more of an old school anthem with strings and detroit vibes. >craft<“ is what reynold does the best, electro deep cinematographic tune, close to the work he did on persona with his >my favorite film< album. >like it or leave it

plays by garnier, liebing, roya and solomun !! phat groovin splitt ep with tracks by daniel steinberg and heinrichs & hirtenfellner

back in stock.. great old school jacking techno trax by terrace

after the huge >score for direction< success with label owner pär grindvik stockholm ltd presents a new swedish talent for the world. simon haydo is a really close friend of pär grindvik and the stockholm ltd family. for several years, simon has been playing records among the high end clubs in his hometown of stockholm, sweden. a while ago he finally got himself some studio equipment and has been asking for production tips from time to time, but when we received his demo we realized that he didnt really needed them. simon knocked us right out of our chairs! we rarely get demos this emotional and we didnt know that simon would pass us one as we had not heard a bleep of his music until that day. most of the demos you get are from people trying to sound like someone else, but simon has a sound of his own. we are really proud to have simon haydo joining the label and his first record >different shades of white< will follow us forever! >different shades of white< has got great support all over the world and will be released on stockholm ltd, watch out!

mit einem maximum an wärme, gefühl und eleganz wickelt jonas bering den tanzplaneten regelmässig locker um den finger. das titelstück seiner neuen platte ist sein bis dato discoidestes werk und es ist ein ohrwurm erster kajüte. hört selbs

the third shot in the young life of the bucketround label is a perfect strike oriented to different types of dancefloor. above smoke (deep explorer music) brings a creative and chameleonic tune which mixes different elements with dare. it begins broken, continues deep and ends in a complete funky orgy with a quirky 80s taste. the collection of remixes is simply brilliant. oval future face (bucketround recs) takes the elements of the original to offer the deeper remix of the ep. nacho marco (loudeast records, odori...) however transforms the keys of the compose in a 4x4 acid bomb! finally to close we got the funk part of the ep with barna sound machine. he breaks the breaks and hot the floor with his sexy rhythm...

jona is back with manta: a sick, expertly crafted new e.p. for get physical music. 24-year-old belgian jonathan troupin s true arrival on the house and techno block his debut 12- for get physical, the learnings. since then, he s chalked up another acclaimed e.p. for physical, tizia, not to mention assorted releases for labels like fumakilla and resopal red, and high profile remixes for michal ho, soffy o, daso and labelmates booka shade and m.a.n.d.y. jona doesn t mess about: title track manta immediately establishes itself as a no-holds-barred, peaktime club weapon, with a hard, pure-of-purpose kickdrum taking centre stage while kinetic drum edits and pressurized fx patter in, out and around it. a dizzying synth motif adds to an already mind-bending brew, while each successive build and drop ravishes the listener into submission. this is music to immerse yourself in, for sure, but above all it s music to really, really dance to. at this point you might expect the pace to let up, but b-side amon is a similarly hectic, energetic cut. all rolling bassline, acidic synth cycles, crisp percussion, jump-up vocal samples and surging narcotic effects, amon is a blast of magnificently controlled chaos for the party s more intense moments. the 12- draws to a close with exoplanet dub a no less formidable but certainly more spacious club track. its addictive, zig-zagging melodies reminding us of the more playful side to jona s music. with manta, jona furnishes us with three vehement yet elegant tracks guaranteed to turn a dancefloor near you inside out

alora…from sebo k, sleeper thief, audiofly, anthony colllins, sian, marcin czubala to manuel de lorenzi. best feedback for the new 8bit record from the smart italian guy. manuel de lorenzi is definately one rising star to watch out for in 2008..carving his own fresh style and insight into his prodcutions, he delivers a fine ep for 8bit..>coconuts< is a slow burner, with punchy chord stabbs and deep haunting pads that take you nicely on a journey. on the flipside >something< is a more subtle, deep n dark groover. nick curly is brought in on remix duties keeping it close to the orginal yet delivering a more housed up percussive affair. a great ep and great start to 2008!

pablo bolivar is a well known and respected producer with an extensive discography that includes productions and remixes for labels like regular, galaktika, blurred vision, bay street, justified cause. >into the televerse< is a 10 minute deep tech-house joy, full of melodic elements and a moody groove, the catchy bass-line will keep everyones minds busy while some subtle elements join the ride. >in my hand< is a 3 minute beautiful soundscape that will find its place close to brian enos ambient explorations and the static caravan idm. modern loves enfant terrible andy stott gives his very personal touch to >into the televerse<

very strong release by martin landsky. -killer with a monster beat!- (record of the month in de:bug), -a corker from martin. really intense. manages to capture a futuristic feeling whilst still using classic sounds and percussion. superb! (will saul)-. already suported by argy, clé, dave dk, emerson, karotte, m.a.n.d.y., huntemann, phonique, agoria, chloé, d julz, fex, laurent garnier, sian, jeff bennett, jamie jones, mike monday, st. sebastian, will saul and many more. martin landsky is back with another strong release: >man high<. honni soit qui mal y pense, >man high< doesnt intent to glamourise drug abuse. its a tribute to captain joe kittinger and the man high project, a pre space-age military project that took men in balloons to the upper layers of the earths atmosphere. not only took the balloon joe kittinger to a record high, he also performed a sky dive from 75.000 ft. imagine how yo feel, falling free from the stratosphere, close to unconciousness, rotating like mad with 22 g … martins track >man high< captures a bit of that vibe with its live played wildpitch- like oscilating synth modulations. all three tracks on the ep are breathing martin landskys special analogue sound treatments and a rocking old school vibe. b1 builds a bit more subtle while b2 is an offbeat driven dancefloor smasher. brilliant release

quagmires third >artist ensemble< ep introduces the first four new artists to the labels roster. this quartet hails from dutch soil, william kouam djoko residenting in amsterdam as mical rhebess, pevanu and tim woestenenk living in the so called >backcorner< of east holland, near the german border. non of these young and talented producers released solo on vinyl before, which gives quagmire the absolute releasing debuts for these close friends of the label. william kouam djokos serialism repetition fills the complete logo side. this loopy bomb sucks you in a whirlpool of wet percussions and snareriffs. transitions are hardly recognizable and changing elements seem to continue. dynamic and delicate techhouse as never seen before on quagmire. tim woestenenks sunset love on the info side sets the elegant mood for this ep. microhouse in its purest form, stripped down to the most functional sounds. a big stab and a broken oriental stringinstrument give this track a incredible sense. timeless club music

big italian hardstyler by vrtx on imp music. supported by max. b. grant, tatanka, alphaverb, miss hiroko, coyote, divato

steve bug is back with a brilliant release to close 2007. listen, that is what we love steve bug for !!

deadmau5 mau5trap label returns, this time with 2 monstrous melodic gems from close friend and production ally glenn morrison (morrison recordings). tiesto featured contact on his brand new in search of sunrise cd, and its easy to see why. essential lush melodic housers, as supported by sasha, tiesto, kleinenberg, matthew dekay and many many more.

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

uk vets rhythm plate (winding road, flat & round) pop up on the hudd traxx imprint with a sweet three tracker of deep and sultry grooves with a smooth late night bump for the dancefloor. impeccable production throughout this ep, with inside me featuring some vocals from astral t over lots of soft key stabs and a jumbo analog bassline.very snappy blue 6 vibe here. on the flip, keep moving breaks out the rhodes fora bouncy, jazzy deep house affair. close things out with theaptly titled techy thump, a more uptempo bouncer that ll work nicely for the jimpster and freerange heads. top shelf deep house without the clichts for the heads

super versatile 3 track offering from malik alston ranging in style from abstract jazz house, to beautiful rnb and downtempo latinjazz

incl. huge ripperton mix new killer application on rippertons… stop & listen!!! this is the next hyped producer. laurine frost presents here its 1st ep on perspectiv and it is of pure beauty & tighness. a1, ulisses is one of the most funky beat weve heard for long! incredible beats, legs on fire before that huge synth render the whole track as totally irresistible. an incredible track to close the summer session! a2, ripperton put an incredible housey and minimal touché for a devilish reshake. if the butterfly wasnt yet burned, it is now done! b1 amfora is an epic 11 minutes full of emotion in a pure minimal house style! the sun in the eyes, we still feel that seaside little wind in the neck dancing at that superb after hours party on the beach, meet you there

nice price deal !!! after releasing on labels like black vinyl, tony records, equal, transport and many others it was about time for haldos conya debut.as expecxted of him haldo goes deep and shoots your mind and feet on a journey with esotic dream.on the flipside he teamed up with his production partner stefano mascaro and together the show that it is important for our music to proceed.proceed is a hypotic,modern deep house monster and movie will start directly when you close your eyes.

pierce & twirdy created an intense piece of deep, harmonic and hypnotizing techno. close to their detroit roots but fresh in the result, similar to recent music by artists like martin landsky they build up strong synth lines with minimal drumming and mindtripping spheric sounds. supplementing the release, robert babicz adds his very own interpretation of the original by positioning the drumming in a modern house style combined with a murder bassline that once again proves his awesome skills as a producer.

finest dubby deep techno trax !! for two years the doors were open monthly at grubenstrasse 28 in zurich. and what a two years it was! musicians from afar were joining a frolicsome party crowd of 300, all done in an intimate maze-like setting where the largest value was put on atmosphere and hospitality - just perfect. problems with the neighbourhood forced us to close down this last jewel of zurichs alternative nightlife

rmxs by tiger timing & brontosaurus !! radio slaves rekids has become one of the hottest, must have electronic labels in its short life. rekids >one< is a double cd compilation series rounding up the single releases. due to demand the exclusive remixes of spencer parker and toby tobias have been cut for a vinyl release. exclusive and unreleased remixes from tiger timing and brontosaurus. tiger timing are the combined efforts of radovan scasascia (secondo, am/pm) and jonathan burnip (capracara). brontosaurus is phillip lauer and he runs the fantastic german label of the same name with releases from arto mwambe and extraproduction getting critical acclaim

we come accross suffocating moments, sick jazz in a minimalistic key, sparks of extreme, evolutive, interlaced intensity that eventually create futurisms and bring them close to the listener. intensity, restlessness, hypnosis and vibration could define this first tupperwear release in klitekture. this ep extracted from their album >beton insel< is, most of all, a true surprise box, as you will not be able to predict by which roads will the following twist in this permanently progressing and changing evolution, theres where a very significant part of its assets and its own goal reside. complexly and simply brutal. this ep edition released on vinyl contains a remix crated by lod from gas usa, a debilitating declaration of intentions by tupperwear that under lods concept aquires a smother tone than the original going from the tupperwear demolish actitude to a more repetitive structures

obscure band from canada. >dancing on the berlin wall< sounds very kraftwerk inspired, very cool very electro

incl. rob acid aka robert babicz mix, after it has been a long time since a record was released on our favourite label fq inside, is it more than time to bring one out…here and now we come with a really fine acid track. it was produced by gabriel fiebelkorn from cologne. thats probably the reason why it was named >burn cologne<…but cologne isn t burning, but for sure the track is – it pumps and pumps and pumps, that it is a really great pleasure to listen to it. it is a very great acid track without being oldschool. the rob acid remix comes along with his typical hypnotic style and flies with you around cologne. close your eyes and enjoy! fantastic!

finest atmospheric minimal tunes for fans of mupa & co..

two huge emotional melodic techno tracks with a little trance feeling by dj preach !! put your hands in the air, close your eyes, and dance !!!

joakim is back.this time tough, he surprises us with a small pop jewel! but lonely hearts is not a classic pop song, it is much more joakims interpretation of one. a catchy tune, which does not want to be one. an exciting contrast between catchiness and a bleeping onslaught.on lonely hearts, cheesy sounding strings really stand out over a stoic stomping drum beat, dark singing grates against beeping keyboard playing, in the chorus a wonderful melody has a comforting effect over the very sad lyrics.in addition to the album version and the radio edit, the lonely hearts maxi also features the loving hand remix by tim goldsworthy. the musician (lcd soundsystem) and label owner (dfa records) skillfully pulls lonely hearts to the left, brushing it into a dark club track. with the distorted slow motion vocals, the funky bass run and the demanding beats, it is suddenly very close to the sound that already characterized joakims club hits are you vegetarian and come into my kitchen. and you ll also fin a joakim dub of the track. this dub keep the pop side of the song with a more catchy approach for a more dancefloor version of the original and with always the weirdness you use to find now in the joakim production !supported by tim sweeney, prins thomas

buzzin fly celebrates its 25th 12inch release since its launch in april 2003 with this jam packed mini anniversary ep featuring classic tunes in modern revivals featuring label artists and fly friends. side a features ben watts top selling debut cut lone cat in a superb 2007 re work by dennis ferrer and the new york prodigy steve martinez. to close the side, ben delivers the original mix of his tendertough beatless spoken word piece, old soul. finally justin martins pivotal 2003 debut cut for the label, the sad piano gets a jimpster modern remix treatment here

low down music returns with some sexy tunes to put the spice back into every djs house collection. deviate brings us the heat in perfect timing as temperatures out doors are decreasing! deviate brings us groovy business that people will bundle up and head to the shops for 3 jammys to work a mood with. one deep cut to put close your eyes and nodd your head to a jackin techy joint on the inside that the likes of chicago greats derrick carter dj heather johnny fiasco would raise a glass and toast to and a sunday morning soothing song to bring the sun up with! a prefect pick to go along with da sunlounges last relase on amenti music and most if not all johnny fiasco produced releases from tonic recordings or klassik fiasco.

two heavy weights of the the fidget house scene combine to create a monster of a tune, and whats more theres a switch mix too

jay west lands at drop music, and boy is he on form! with funky-as gear at a1 (with a nice james brown sample), a deeper soulful bass-driven ode to acid at b1 and a bumpty sax-lead house chunker to close. nice!