timmo is a new name to drumcode and one in which they hope to be seeing more of. having released tracks on fone, blufin, octopus and alleanza to name a few, timmos production career is set to shine as his new material is getting noticed from the likes of adam beyer, joseph capriati, richie hawtin, nicole moudaber, len faki, dustin zahn to name a few. also launching his own highly revered radio show called big room which,has had guests such as robert babicz, umek, fergie, alan fitzpatrick and many more,timmo is a name to look out for in 2014.

dustin zahn makes his album debut in march 2014 with the release of monoliths on adam beyers drumcode label. gestating over a period of a four years during break from releasing original solo material, monoliths sees the minneapolis native capturing the full breadth of his production style in the long-player format for the first time. having become a mainstay of the drumcode line-ups for their berghain residency and beyond, the challenge was set for the berlin-based zahn to build upon the reputation he has established in the past decade-and-a-half since he first arrived on the scene, during which time he has also given a platform to artists such as dvs1, minilogue, psyk and truncate via his enemy records imprint.

after collaborating with droid brothers raiz back in 2012, jeff derringer returns to electric deluxe with his first solo effort for the label - a solid two-tracker of rigorous dancefloor material weve come to expect from the chicago resident. behind the decks, jeff derringer is a name well known as founder and visionary of the renowned oktave parties in the us.

no. inc. are material object and atom. both artists are launching their no. label imprint this may, by releasing the full length early reflection album and the herewith presented early reflection ep i. the tracks featured on this ep are the ambient piece early reflection part i (side a) and the technoid refraction i (side aa).

picking up where open water versions left off, the habits versions ep is another techno inflected project which again allows a cross section of the osiris roster to leave their own stamp on one piece of anonymous source material. leading the charge on habits versions is the second appearance from mønic whose tense, breakneck offering is the perfect complement to oscar muleros spacious interpretation, arguably the most dancefloor orientated of the release. the second half of the ep sees a heavyweight pairing of the seemingly inexhaustible killawatt and the lithe, forceful sound of amorce on their debut appearance on the osiris roster.

limited 2014 repress !! 1st time available since two years - vinyl only release - no digital bullshit !!!!
thomas melchiors beautiful apariciones ep has been reworked by two iconic pioneers of electronic music, baby ford and ricardo villalobos. this is the first time ever melchiors solo material has been remixed, both baby ford and ricardo villalobos respect this by producing two beautiful gems that show the unique characteristic sound of each artist. baby ford takes on cinza de fenix creating a lovely deep and funky adventure that will lighten up any dance floor. ricardos remix of todo mundo jacks things up and strips things down taking us on a dark trippy hypnotizing journey, pure villalobos magic !

timmo is a new name to drumcode and one in which they hope to be seeing more of. having released tracks on fone, blufin, octopus and alleanza to name a few, timmos production career is set to shine as his new material is getting noticed from the likes of adam beyer,joseph capriati, richie hawtin, nicole moudaber, len faki, dustin zahn to name a few.

dustin zahn makes his album debut in march 2014 with the release of monoliths on adam beyers drumcode label. gestating over a period of a four years during break from releasing original solo material, monoliths sees the minneapolis native capturing the full breadth of his production style in the long-player format for the first time. having become a mainstay of the drumcode line-ups for their berghain residency and beyond, the challenge was set for the berlin-based zahn to build upon the reputation he has established in the past decade-and-a-half since he first arrived on the scene, during which time he has also given a platform to artists such as dvs1, minilogue, psyk and truncate via his enemy records imprint

part 3 of 5 in the classic series features material previously released (andres and john tejada & arian leviste) on the m&g compilation >beneath the surface< but never pressed on vinyl. also featured are planned but unreleased nuggets from brad peterson & ewan jansen.

supernova is a platform designed to edit material timeless, original and devoid of any influence. supernova are totally against the music everywhere, made here by that, every idea is unique and unrepeatable. for us, the idea this above the sound. dont pay attention to fashion or trends. art to be art, not be conditioned, it must be pure and honest. have the opportunity to create our fancy, be free and original, that is art, that is supernova.

hell yeahs tradition of serving up great remix eps continues here with a new two-track effort featuring willie burns and young marco. the original material is taken from super hot italian electronic duo tempelhof and their stunning latest album, frozen dancers, which released on hell yeah back in late 2013 and garnered plenty of praise from press and punters alike.

early support from ben klock. o phase releases his first new material after the critically acclaimed frames of reference album last year. take notice.

after a brief hiatus church are back with a debut offering of original material from apes. the a side *two thousand six* is a straight up techno work out, having been tried and tested this track is aimed directly at the dance floor. chaos in the cbd are on board for the remix taking us on a journey of warm, deep, subtle analogue house fresh off the back of their stand out track *78 to stanley bay*. the b side *cold love* goes some way to show apes’ versatility as a producer, it’s a nostalgic piece of work, with a pulsating bass-line driving through the track along with intricate percussion and a choice vocal sample to round things off. cold love is equally suited for the club or for home listening. apes right hand man seb wildblood takes the track in a slightly different direction, using elements of the percussion and transforming the vocal sample for a delightful melodic contribution to the ep. early support from paul woolford, breach, ben pearce, dusky, alexander nut & more.

klara lewis debut release presents an electronically charged reconstruction of organic sound matter. 10 tracks featuring a wide variety of sonic material which is subjected to lewis unique approach to the sonic landscape. field recordings, small sounds, samples, ambient pot holes, repetition, and giddy disorientation are all tactics deployed by lewis. on entering these works we take a voyage through a series of audacious audio adventures, playful musical miniatures and choppy sonic seas. there is a human warmth to much of the material as lewis expertly crafts musical matter from the living world. *ett* is an exemplary investigation as lewis reconfigures sounds of life itself, from the delirious to the tender. a bold vision from a bright new talent. recorded, sampled, edited, manipulated, mixed, produced and arranged by klara lewis, artwork by dave coppenhall.

paul roses scuba project has seen him make some of the most pertinent and exciting music of the past few years, and through his legendary hotflush imprint he continues to push innovative, exploratory new club music in every way he sees fit. this is a collection of tracks exploring his rich and diverse back catalogue, scuba enjoyed a remarkable 2013. now back with phenix 1, his first new material since 2012s acclaimed hardbody single, expect him to enjoy an equally successful year this time around.

each ep adopts the work of an artist translated to musical form.
when you dream where does the light come from? there is a light that has clarity as great or greater than the daylight vision, and a lucidity of color that s beyond how we see color now ... i m interested in the point where this meets the imaginative vision that comes from seeing what we want to think of physical reality as outside, because it has a lot to do all which how we create reality. - james turell
within the walls, lighting(s), james turrell built spaces of solid material. the aim is not to also penetrate the foundations, passing through space, leading us to consider the immaterial, the mind. divergent ways first four compositions much like the four first light compositions, have sought to externalise the imaginative vision making it apparent.

the third album of depeche mode construction time again (1983) was the first one to include talented band member and arranger alan wilder to the mix. the album was recorded in john foxx s the garden studio in london and mixed in the famous hansa tonstudio in berlin, the latter being famous for its delivery of classic albums by artists like david bowie, iggy pop, nick cave and u2. experimenting with brand new instruments like the synclavier that allowed sampling to be manipulated musically, construction time again was a groundbreaking record that included industrial influences. these influences would come to full fruition on subsequent albums some great reward movlp940 and black celebration movlp947. songs like *pipeline*, *love in itself*, *shame* and *everything counts* turned out to become classic depeche material.
exclusively remastered, pressed on audiophile 180 gram vinyl and housed in gatefold sleeve.

following the release of watergate 15 mixed by kerri chandler, watergate records offer up a vinyl sampler, featuring the exclusive new material on the comp from the man himself, and remixes from voyeur, la fleur and lola purple & maine.

limited to 300 hand-stamped copies! new label from leipzig by the notorious lunatic crew, famous for their wild underground parties in the leipzig area. first release is by cvbox from dresden (uncanny valley) who delivers some deep yet jacking party material to more experimental acidic stuff.

horacio cruz has been producing many tracks and remixes for naked lunch in the past years, always with great techno material, mostly hardgroove. this time though, he shows some of his new influences, and his sound has definitely changed

no doubt some tracks immediately deserve to become a vinyl, endowing them with a halo of fetichism. thus, poetic justice transforms a flawless work into a material, enjoyable edition.
limited edition pressing on transparent, yellow colored 10 inch vinyl.

nagelneue ep des französischen vorzeige elektronikers rone mit drei brandneuen tracks. dies is sein erstes neues material nach seinem vor knapp zweijahren veroeffentlichten letzten studioalbum tohu bohu (2012).

stompin at the savoy – live (1983) was a major commercial success for rufus and chaka khan, reaching #4 on billboards r&b albums charts. this double-record set features three sides of live material recorded over multiple dates at the savoy theatre in new york. the band stunned packed audiences with an energetic set of old favorites and new material, such as *tell me something good*, *you got the love*, *sweet thing*, *at midnight (my love will lift you up)*, and *do you love what you feel* as well as *what cha gonna do for me* from khans 1981 solo album of the same name. the d-side includes four new studio recordings of which two were released as singles, *aint nobody* and *one million kisses*. *aint nobody* became rufus final #1 r&b hit and won them a grammy award for best r&b performance by a duo or group with vocal in 1984. the song was featured in the movie breakin and its soundtrack.
pressing on audiophile 180 gram vinyl, housed in gatefold sleeve.

next up on crazylegs, two fiendishly addictive garage cuts - and the first vocal material on our label - from a young veteran of the uk underground, wolverhamptons trc. one of the key players in the late-2000s bassline scene and more recently a prolific grime producer, trcs crazylegs debut sees him on dazzling form: crisp 2-step drums, trademark floor-shocker basslines and melodies so catchy you won t get them out of your head for weeks. on the remix front, a real special pairing: the legendary el-b moulds come bring it into a vintage garage banger, while beneath follows up recent tectonic & keysound releases with a hypnotic, sub-fuelled rework of you & me.

we are happy to welcome oscar barila as society 3.0 recordings artist - one of the most outstanding producers of the spanish electronic music scene with more than 70 releases on top labels such as trapez, kling klong, material series, suara, plastic city, acker, einmaleins, musik gewinnt freunde, parquet, bondage or king street. introducing his first release *moonlight ep*, a conceptual ep dedicated to the moon, including four tracks in totally different styles, from techy house to deeper elements. superbly worked ep that will surely be a feature in many sets, one to watch!

terranova tritt wieder ins rampenlicht mit der headache ep, einem weiteren beeindruckenden arsenal an tanzflur-parater house munition, nach der raffinierten eleganz der painkiller ep (kompakt 262 und der begleitenden remixe (fm x/pain 001) schubst das neue material das pendel zurück in rauheres terrain und weist die art von klanglicher dringlichkeit auf, für die das projekt zuallererst bekannt wurde

quick-firing into the new year, doc daneekas ten thousand yen returns with the absolute dance heat that is bodhi, *i need you e.p.*. the pair rose to prominence over the last two years with deft mixes for people like the xx & sampha and london grammer. releasing original material via channels like grizzly and australias future classic, bodhi join forces with their welsh compatriots at ten thousand yen for these collection of rough and ready, yet soul burning dance floor bombs. these have been doing serious business in the clubs. i need you!
the vinyl ep includes a downloadcode.

release sustain can boast an impressive catalogue with the likes of fred p, safeword and alland byallo having put material out on the label. here they welcome back himan to the imprint, while welcoming newcomer temme teje who recently featured on cocoons m compilation in 2013.

as a producer, chris manik has never shied away from incorporating his affinity for different music genres and styles into his celebrated namesake material. as proven on previous releases, his innovative and sultry blend of house music has garnered praise from audiences worldwide.

gravitas, talib kwelis sixth solo album, began to take shape in may, during the weeks following the release of kwelis fifth solo album, prisoner of conscious. loaded with guests, prisoner of conscious was well received and reviewed, and gained talib many new fans to add to his already large following. however, kweli soon found himself wanting to record more personal material and really document his journey thru music. when singer ryan leslie, who created the platform that kweli is using to sell gravitas, approached him with the idea of selling direct to fan, songs that were just rough ideas began to fully form in kwelis head.

esteban adame had released material on planet e, esteban partnered up with long time friend and colleague santiago salazar to start ican productions.

heavily inspired by early rave and detroit electro, paul blackford’s first release on breakin’ records was described as a pioneering uk take on the detroit techno bass sound. since then, he’s released tracks on labels such as wide, deadlock records and twilight 76. in 2009 he set up militant science as an output for his own and other artists material, with support from djs such as dave clarke, dj stingray, dj godfather, edmx, keith tenniswood, and many more. blackfords latest release on cpu turns up the bass and tempo, think kraftwerk vs detroit in effect.

amir alexander returns to plan b recordings and delivers an extraordinary four-track ep that includes his signature jacking house style along with that plan b grit. all four tracks are dance floor heaters and some of his best material to date.

greek imprint lower parts drops the *endless* ep by dim dj, based out of thessaloniki, who delivers material which blurs lines between acid house, techno and ambient, crafted with a variety of roland and akai analogue hardware and digital platforms. he has been a local hero in the scene as one half of the audio atlas duo.

david k represents something thats all too rare in electronic music today: an artist who makes music first and club music second. for him, emotion is paramount, melody is important, the pop format has its perks and original material is always better than a sample. late at night and early in the morning he dances alone in his studio, tapping away on his keyboards and throwing together arrangements on the fly (a pianist by training, he cant bear to make music slouched over a mouse). his only goal is to make something that will keep himself dancing.

selected pulls together material from mostly unfamiliar names like deepjust aquabeat, bassik grooove and bobby o donnell, alongside a couple of established heads like ryo murakami, aybee (as orion 70) and fred p himself, whose > n.y. (selected dub)<, a reshape of an old jazz tune, rounds out the compilation. > in the early days it was difficult to afford more than one or two records..< i would buy compilations because the value was greater and i was exposed to artist that i might not have known about otherwise,< he says. >when i think of compilations i think of mix the vibe, soul of science, trust the dj and of course dj-kicks. i learned a great deal from these series over the years and developed my own ideas based on what i love to hear thus selected was born. released soul people musics new sub-label, boards.

2014 repress! after the epic remix package of minilogue, enemy is getting back to business with new material from flug and the sophomore effort from uzb. in total, they showcase 4 new tracks for the >heads down, hoods up< speaker freakers! this is essential material for anyone looking for powerful middle-ground techno.

for its first release of 2014, sammy dees ultrastretch label has called upon monsieur georget. youre forgiven if the name is unfamiliar. his bio offers few clues—he likes his bicycle, vin rouge and analog hardware, the latter of which was apparent on his recent debut for le loup and seuils hold youth label. bold and auspicious, the ep may have left you wondering if it was something more than a first record. and as it turns out, monsieur georget is none other than chris carrier, the long-active french purveyor of hypnotically minimal house.luckily we werent left waiting for very long for more material from carriers new alias. his second release, le vicieu / colle de la bonette, shows that monsieur georget and monsieur dee share an affinity for pared down, wonderfully elastic club tracks. like carriers best work, the compositions themselves are minimalist, but their hardware-based sound pallet ensures theres plenty of meat on the bones. a-side le vicieu is a subtly melodic shuffler, where deep bass growls at the core of an expansive drum set and whispers suffuse the negative space with mystery. on the flipside, colle de la bonette takes the sound someplace stranger and more psychedelic. whatever weird place were whisked off to, though, its every bit as funky, with brittle drums undulating to the kicks deliciously irregular throb. >monsieur georget< might be a brand-new name, but we’re willing to wager you ll quickly get to know these rollers well.

allmen785 s debut release on tanstaafl planets is a raw acid house floor destroyer - his most dynamically engaging material to date. pounding, mesmerizing...

without blinking an eye, the californian double trouble known as myron & e bring yet another dose of heavy soul to the table. behind closed doors switches gears from their previous material, providing this time a genuine up-tempo dancer. propelled forward by the mayfieldesque stylings of the soul investigators, the tune should shatter knees at any northern soul setting around the globe.

nicholas iammatteo, better known as simply nicholas to most has racked up an impressive backcatalogue since stepping onto the scene in 2011, racking up material on some of the industries leading imprints such as quintessentials, 4lux, home taping is killing music and needwant.

following their acclaimed debut album, migration, on prins thomas internasjonal label in 2012, jamie paton and nigel hoyle (aka nigel of bermondsey) have seemed relatively quiet save for the odd remix here and there. tucked away deep in their south east london base though, a series of remixes and solo projects have been steadily forming. with new c&a material planned for 2014, plus more to come from jamies new solo efforts, as well as nigel making a long overdue reappearance in maurice & charles, now seems the right time to draw a line under their collective work to date. here then are a collection of unreleased interpretatons, including the sought after vocal remix of psychedlic darlings, in goats anthemic run to your mama. this is followed by a late night dub of 80s pop duo blancmange that mixes strings, guitar and some dub bass with a dose of space echo before bringing neil arthur s classicly recognisable refrain shining through. to finish is a remix of goats label mates teeth of the sea. fx-soundtrack vocal, bubbling 303 and 808 combine on a proper 3am dub that builds beyond some mere drug-chug.

vinyl only! second round in the little hill, for this ride, rave in the hill ep, we have more techno raw material, another two original tracks from label head lorentz, with techno-stomped works. here little hill team-up roberto bosco (wave music) wich propose a remix full of atmposphere and again owl(bpmfamily) strike us with his strong interpretation!

great debut by uk based james marrs on the consistenly unpredictable syncom data records. four raw, sample induced industrial house tracks. perfect dancefloor material. for a basement strobo party in a david lynch movie, that is. mental stuff.

second release from its berlin-based founder, kennedy smith. bsr002 (vinyl only) follows hot on the heels of the parisians recent electrifying debut for the double r, the white-hot new label from matt edwards (radio slave) and jamie fry (stablo). this latest triumvirate of original material finds smith taking his sound into a deeper techno direction, while still retaining the house grooves of his previous material. bsr002 provides further evidence of why kennedy smith and bright sounds are names to watch in 2014.

having featured international house heavyweights kez ym and andres on their previous release its no surprise that the late night blue sound ep was a monumental success with demand outweighing supply and a repress sought

compiled by hugo mendez, co-founder of the excellent sofrito label and sound system, haiti direct features classic material from the early days of groups such as tabou combo and les freres déjean as well as rarities from lesser known groups - bringing together the sound of compas with latin workouts, psychedelic experiments and the cuban influenced twoubadou singers that continued to be a key part of the fabric of haitian musical life. featuring in-depth liner notes and interviews with some of the musicians and producers that shaped the sound, haiti direct is the first widely available compilation to celebrate the unique and innovative sounds of haiti in the 60s and 70s.

russian producer neotnas deliveres >slow & steady<, his first ep on soundtravels (st006). we have already introduced him on our first various artist ep >point of view part 1< (st005). typical for his sound is that warm, organic feel all over his house and dubtechno productions. very often accompanied by female vocals and its almost like you hear somebody play a live instrument if you listen carefully. the ep kicks off with the massive floorfiller >trunk party<. an energetic, solid built up track with that bassline killer hook. >user mood< has that typical basic channel touch. dubby techno guided by a floating bassline and little pleasant delays. we are slowly moving forward with evolving sticky, dubby beats in the title track >slow & steady<. this one will warm up every dancefloor, but is also very welcome in the afterhours. the last addition to this ep is >hold<, a warm deephouse track with moody, hopeful and sensitive sounds which reflect beautiful emotions. timeless material again which covers you up like a warm blanket. enjoy!

apartment kickstarts 2014 with a various artists compilation focusing on irish talent from all across the isle. following on from their collaboration as bande apartment in 2013, tr one and new jackson once again appear together on apartment. this time around new jackson remixes tr ones bruising techno beast >viceroy-9c< (the original of which appeared on the last apartment release, a split 12 with phantom planet outlaws), turning it into an emotive, acid-laced breakbeat gem. house duo slowburn, coming off a year that included appearances on lunar disko, appian sounds and grounded in humanity deliver the off-kilter and immersive >riders of the sea<. hints of the work of artists such as drexciya and kassem mosse are combined with their own unique stylings to create an intoxicating, tripped out journey to the deepest recesses of the dancefloor.the cyclist garnered huge praise last year with his >bones in motion< lp on leaving records/stones throw and apartment is excited to deliver his first original material since then. his individual brand of over-driven electronics – >tape throb< – combines distortion with the most delicate of inflections and >crax< surmises this approach perfectly, an uncommonly euphoric slice of wounded electronica. last but by no means least is the superior inferior. after his debut release on belfast’s one electronica label went so far as to be licensed by sven vath to his sound of the 14th season compilation, he returns with the throbbing, rapturous >a bit much confusion<. wave and electro influences carry this bass heavy number towards it’s crescendo of skyscraping synths and skewered monopoly madness.