irish-born south-london vocalist samuel returns to big dada with the new ep luv cry - four tracks of rnb tinged electronica, produced by kwes (warp) and with additional production by ozkharp (hyperdub) and lockah (donky pitch). the 10 inch vinyl release includes a download code.

muchias is a collaborative project from normals welcome co-founder nik kozub (the paronomasiac / shout out out out out) and modular synth artist borys (who has toured extensively supporting junior boys, and whose collaborations with junior boys’ jeremy greenspan have seen release on the jiaolong and hyperdub labels). brooding modular techno, acid, and a hint of new beat influence are all represented on this compelling 4 tracker.

reissue des debütalbums (1981) der legendären psychedelic-dub-formation african head charge um den jamaikanischen produzenten & percussionisten bonjo iyaginhi noah, dessen damals undefinierbarer sound maßgeblichen einfluss auf experimentelle bass-labels wie hyperdub oder tectonic hatte. mit dem clubfavoriten *stebenis theme* und dem track *far away chant* aus david lynchs *wild at heart* soundtrack. re-cut by dubplates & mastering, berlin, for maximum bass pressure! lp auf schwarzem vinyl mit downloadcard und bedruckten innentaschen mit sleevenotes von steve barker (on the wire).

2015 repress , kyle hall is in the full spotlight this spring with releases on hyperdub, 3rd ear, remixes on clone and warp. and also moods and grooves has an exciting release from kyle too with some fresh early works! three phat grooving track track each with its own exquisite quality and soulfulness.

nice price deal !!! darkstar bewiesen sich bereits mehrfach als vorreiter der britischen elektronikszene. sie arbeiteten u.a. mit künstlern wie actress, zomby und wild beasts zusammen. ihre frühen maxis auf hyperdub und die beiden alben north (hyperdub, 2010) und news from nowhere (warp, 2013) gelten als bahnbrechend. nun haben sie mit -foam island- ein werk geschaffen, das ihrer generation eine stimme gibt. die produktion reicht von expansivem uptempo-pop über dichte atmosphäre und mutierten neptunes-r&b bis hin zu ungezwungenen sound-experimenten. harte digital-rhythmen und live-percussion treffen auf farbenfrohe synths, in die aidan whalleys leadvocals nahtlos integriert werden. ein perfektes electronic-pop-album, das so nur in 2015 entstehen konnte.

3024 is reissuing martyn s 2009 collaboration with hyperdub poet the spaceape, who passed away last october. is this insanity? comes from martyn s debut album great lengths and was his first collaboration with the spaceape. the vinyl also features the previously unreleased track camberwell green and the highly sought after remix of is this insanity by germany s techno don ben klock!

6-page feature in the wire july 2014, featured on the hyperdub 10.3 compilation following up from the success of his emphatic pan releases dutch tvashar plumes and diversions 1994-1996 in 2012 (2 in facts albums of the year) pan is excited to announce koch (pronounced cotch), the new album from brummie/londoner lee gamble.

uk producer ossie has been popping in and out of sight for a few years now, from a solid pair of singles on the always-reliable hyperdub label to his and vocalists paul black and tilzs black orange juice project. on march 31, he steps out again with a new ep for wolf, she knows (that love hurts) heartbeating finds him stepping away from the strains of funky and r&b explored in previous outings to embrace something more approaching straight-up house music.

die zweite der beiden remix eps zum erfolgreichen zweiten darkstar album *news from nowhere* auf warp. und auch hier remixen darkstar in eigenregie zwei weitere albumtracks zur clubtauglichkeit und verpflichten hyperdub-künstler zomby und sein neues labelprojekt the cult für den dritten.

erster vorgeschmack auf das neue album des französischen produzenten danton eeprom, der bereits mit arbeiten auf versatile, rekids und hypercolour sowie mit remixes für royksopp, radio slave und andrew weatherall glaenzte. occidental damage ist ein energetischer hybrid aus detroit techno, chicago-house und leftfield-pop, mit remixes von andreas tome (fondation), lee burton (klik) und cardopusher (hyperdub/tigerbeat6).

original cultures presents blackjob trashdub 12 inch, a vinyl release that compiles tracks from the original and remix eps of the same name. this release includes three original tracks and three remixes on vinyl complete with full colour sleeve and artwork by paper resistance. featured remixers include munichs danny scrilla (cosmic bridge, civil music), bristols sam binga (formerly baobinga, build recordings) and dublins t-woc (alphabet set).
support for the release so far (both originals and remixes) includes airplay on resonance fm (london, uk), rinse fm (london, uk), base fm (new zealand), beatwolf radio (manchester, uk), 22tracks london, wrongtom (tru thoughts), opti (airflex labs), fracture (metalheadz), lv (hyperdub), om unit (cosmic bridge/civil), squarewave, badawai (roir) and more.

auf 1000 stück weltweit limitierte 12 inch aus darkstars zweitem album, das anfang 2013 auf warp erscheinen und von richard formby (u.a. mogwai) produziert sein wird. darkstars debüt >north< (hyperdub, 2010) machte das trio und seine mixtur aus dark-electronica und post-dubstep (siehe sadstep) zum heißgehandelten kult-act. der neue track >timeaway< ist ein fast sakraler dubstep-gospel, die flipside enthält zehn einzelne grooves.

disko404 is a long-established promotions crew based in graz, austria, whose renowned monthly events are all about celebrating the bass in dubstep, funky, house, juke, grime, hip hop, electro, and experimental sounds. earlier this year they branched out as a record label, launching with a well-received split ep from sun people & franjazzco. their second release features two new tunes by sun peoples simon/off as well as a splendid remix by bass clef.
early support comes from scratcha dva (hyperdub), brackles (rinse fm), phon.o (50weapons), and bunzer0 (sub fm), and with a strictly limited run of 250 pressed, this is a 12 inch that will be in demand long after supply holds out.

introducing black orange juice for 2012 … a cosmic crew of dance floor saviours. nomads of the musical galaxy who are crazy in love and love craze. brought together by ossie of hyperdub records fame. his >tarantula< track was selected in the fact top 50 for 2011, not forgetting the awesome joe goddard >gabriel< remix for greco roman which took his sound to another level and which won him fans the world over… the all singing black orange juice, found it’s sweet spot when ossie recruited two of his closest compadres, paul black and orial, partners in crime with a history of gospel choirs, r&b quartets and lending their vocals to some of londons finest underground heros. they blend the best elements from the uk undergound with a nod to the talents of roska, jamie jones, scratcha dva and mosca, and a wave to those infectious vocal-house sounds reminiscent of hercules and love affair and azari & iii. the sound is both unique and dangerously infectious…

nice price deal !!! reclusive spanish experimental guitarist from tenerife drops atmospheric debut ep. think durutti column meets hyperdub. ace house remix from bristol–based arkist (hotflush/applepips).

no stranger to the cherry-picked pool of talent at somethinksounds, lucky paul now delivers his second weird and wonderful single >elephant island< on the boutique label, backed by a couple of muscular remixes from hyperdub wonderboy ossie and the unstoppable midland.

lb003 arrives courtesy of bristol born, brighton based producer sam kidel, aka el kid. following up his well received debut on immerse sam drops 3 tracks of wildly varied bass music. beginning with the title track >hypnosis<, lush ambient pads and plucked guitar soon give way to fearsome bass swells and metronomic percussion, coming across like early autechre remixed by floating points. second track >mud< drops the pace for a noisy house workout, reminiscent of fellow bristolians kowton, and labelmate vessel. >kachinja< on the flip is the straightest - and darkest - of the lot, a lurching warehouse techno cut that wouldnt sound out of place on ostgut ton. finally hyperdub wunderkid walton contributes a rough & ready funky dub of >hypnosis< to round out the ep.

altered natives has been making some noise this last year, with his underground smash >raas out<, followed by a remix for hyperdub and a release on martyns, 3024 label. other releases and remixes have followed, including the albums >tenement yard vol 1< and >serial vendetta< on his own eye4eye inprint. >the tenement yard vol 1< are a series of experiments that were conducted in natives norf lungdon laboratory in 2009 fusing house, techno and dubstep combined with natives unique production talents. the third and final vinyl release from altered natives tenement yard volume one, is finally delivered, from the album, thats caught press and djs attention such as, kode9, martyn and paul woolford to name a few. with three more experiments fusing together house, techno and uk funky and is limited to 300 units…

terror danjah finally returns to the airwaves with his first new material since 2010s >undeniable< album on hyperdub. the masssively-anticipated >full attention< is the first step in the resurrection of his patented rhythm & grime sound, the style he made his name with in the early noughties with vocalists like shola and sade ama. this time out, ruby lee ryder is his voice of choice, and her distinctive vocal has already landed the track on the bbc 1xtra playlist, with further spins on radio 1 and rinse fm, and its a fixture in the boxes of djs like skream, mistajam and target. advance club promo has generated a ridiculously positive response right across the board, with hard support from brackles, swindle, alex nut, blackdown, wylie, and many many more, setting the scene for >full attention< to become an anthemic club and commercial hit as soon as it reaches the shops. on the flip mr danjah drops his trademark gremlinz logo for two 8 bar grime smashes that have been doing the rounds on rinse fm for the last half year. >east village< is a toast to the nights hardrive label hosted at the london club of the same name, and >jeckle & hyde< (exclusive to this 12 inch) has been battered in the raves by logan sama, zomby, and elijah & skilliam just to name only a few. this marks the beginning of a hefty release schedule for the grime kingpin including more high-impact singles and remixes on the way for greensleeves, butterz and hyperdub.

terror danjah vom renommierten dubstep label hyperdub (u.a. burial, kode9) hat sich dem tune >jump up< von admiral bailey angenommen und das 1987er original (king jammys produziert) in die neuzeit katapultiert!

berkane sol present the vinyl debut of erra. erra comes bursting through your speakers with a riot of tuff drums and sweet melody – its like the sound of someone who has rinsed their console so much that its gone way beyond high scores and into a full on system meltdown. >stax< starts out with a dreamy intro which leads into the rudest of wake up calls – a proper peak-time jackin synth stab married to a smartly evolved bassline, all driven by concussive garage flavoured rhythms. >jookup< on the flip again demonstrates erras irresistible talent for blending blissful keys with hectic dancefloor moments, this time really bringing the sickly grime synths to the front, with some cute but disembodied vocals punctuating the action. the 12 inch follows up erras popular l2s digital release >cake music<, and neatly shows off this young producers rapid development. these tracks have been getting love from people such as: al tourettes (applepips), mary anne hobbs, brackles (rinse fm), n type (wheel and deal), dj flight (1 xtra), spamchop (wigflex), 2562 (tectonic), shortstuff (ramp), cardopusher (hyperdub), martyn (3024), martin kemp (blunted robots), elgato (hessle audio), selector dub u (hotflush), skipple (sub fm), west norwood cassette library (teal), king thing (fortified) ...

the second release from south london based lv on 2nd drop, but this one is a little different, you might say more international. basking in the afterglow of their much hyped kwaito inspired bomb, boomslang on hyperdub last year, the lv trio stick the brakes on and crank up the soulful vibes for this release.

the second release from south london based lv on 2nd drop, but this one is a little different, you might say more international. basking in the afterglow of their much hyped kwaito inspired bomb, boomslang on hyperdub last year, the lv trio stick the brakes on and crank up the soulful vibes for this release.

grime has been clawing its way back to the centre of underground uk music in a big way recently, riding a new wave of credibility in futurist iterations from terror danjah, hyperdub, and butterz. but with the rising profile of figures like slackk and the eski-aping sound of becoming real and sometimes jam city, theres been a pseudo-lionization and a growing mythology surrounding classic grime. honestly, its been a long time coming, the music is legendary for a reason. terror danjahs new(ish) hardrive label takes a bold step in 2011 with a sharp look back-ward, and in typically cyclical fashion it feels perfectly now. dating all the way back to 2004, p jams >anger management< is a minimal monster of a tune, slamming with the same slurred and blurred percussive elements of wileys essential >ice rink<.

auntie flo drops his debut release on london / glasgow club promoters huntleys & palmers new imprint.
hailing from goa by way of glasgow, auntie flos influences are far flung, referencing, villalobos, four tet and caribou, to fela kuti, william onyeabor, and kwaito, alongside kode 9s hyperdub, chicago house from fast eddie and tyree cooper and more recently matias aguayos comeme imprint and some of the current movers and shakers from the uk scene.

lightworks is a new record label based in london and for its first release is proud to present ossies >tarantula<. the track was an underground hit in londons house scene in 2010. initially championed by ossies good friend dj petchy on live fm the track quickly picked up attention from the major players in uk underground music. support soon came from kode 9, joy orbison, ben ufo, untold, brackles, bok bok and more - with kode 9 so impressed that he swiftly signed up ossie for a release on his hyperdub imprint set to drop later this year.

terror danjah is back on planet mu after last years >gremlinz< compilation reintroduced him to the world at large. since then, as well as planet mu, he has released a single on hyperdub, one on butterz with more to come.
well the gremlinz are back again on planet mu with this punchy 8 track double e.p. of experimental grime that showcases a breadth of new music, that swallows rnb and dubstep into terrors self made matrix.

ikonika & optimum are proud to introduce their highly anticipated new venture: hum + buzz records. this double a side debut release is right at the centre of the current uk crossover, post-genre sound. first up, >aqueous cream< explores a different sound to the one ikonika delivered on her recent hyperdub debut album. a dancefloor ready track with smooth sub bass, staccato piano chords, trademark emotive synth-leads, underpinned by tough kicks, sizzling hi-hats and ricochet snares. on side aa, >ampersand< marks ikonika & optimums first official collaboration. layers of synth melodies float above a steady four/four pulse and unpredictable claps. an angular, broken, melodic march at a house tempo.

eglo records reaches its tenth release, with another acid dripping banger courtesy of west londons funkineven aka stevie j. taking things a little harder than on his previous two records, heart pound jacks its way across the dancefloor, in a collision of chi-town and ldn beat based funk. another space comes even harder, drawing on a touch of early rave and hardcore, its twenty tenà it just went on a journey before it got here. funkineven has been busy of late, remixing for hyperdub recording artist ikonika, darling farah and practicing as part of the fatima live band, who made their debut appearance for deviation at fabric on wednesday, supporting bilal

after leaving behind the somalian pirates, geiom is cruising the sunny waters of the indian ocean when he picks up a distress signal on his scanner. he follows the signal until he locates a tiny remote island and a guy called bowly, who said that he was on his way from france to the new world, but got totally lost. judging by the age of the map he was using its easy to see how. bowly spent his time on the island hanging out with the locals who amuse themselves by creating a unique style of music on some amazing handcrafted instruments. geiom helps bowly get on his way again, and leaves him with a more useful map. some months later, bowly beams over his music as a gift from his new found homeland in canada ? the tracks are like some strange mutation of those distant tropical players and the uk-based pirate radio transmissions that bowly has been tuning into ? geiom loves the result and decides to send them straight over to transition in london for mastering and release on berkane sol. this 12 has been getting played by selectors like ? subswara crew nyc (soul motive), brackles (rinsefm), grevious angel (soul jazz), martin kemp (blunted robots), cooly g (hyperdub), shortstuff (ramp), spamchop (wigflex), oneman (rinsefm)?

wicked uk funky/dancehall bomb on soul jazz records! a super large funky refix of rubi dan s voicing to move down low for sheffield s grievous angel. move down low has received huge support from hyperdub boss and tastemaker kode9 who has literally had crowds falling over themselves to this beast!

nice price deal !!! after releases on hyperdub & planet mu , here comes the next strike on butterz

planet mu is very pleased to have ikonika a.k.a. sara abdel-hamids first proper release on another label outside of hyperdub.
ikonika is mixmags new artist of the month on the october issue.
>smuck< has been given a home on the label alongside ikonikas remix of eero johannes for this 12 inch ... and what a pair they make.
>smuck< follows in the tradition of ikonika~rs sweet and sour, curdled sound, with ever changing off-key melodies and metal-like synth guitar lines over sweet chilled chords, the track takes her penchant for melodies that border on the atonal as far as it can go, like a sophisticated take on 8-bar grime.
her remix of eero johannes >we could be skweeeerooos< on the b-side simply switches up the tempo of the original, makes the rhythm nice and bouncy and tightens up the original adding some trademark bent melodies and a see-sawing bassline. the end result is a linear, melodic track that feels like its somewhere between wiley and aphex at their sweetest.

brand new mixes of 2008s anthem by mark pritchard (harmonic 313 / warp), matias aguayo (kompakt) & ikonika (hyperdub)! der track des jahres 2008, der afrika auf die landkarte des techno setzte, erf?rt den remix! dj mujavas simple wie infiziere fusion aus dubstep und bleepsounds der warp-geburtsstunde, dessen youtube-clip bereits vor dem warp-release knapp 100.000 klicks verzeichnete, bekommt von leuten wie mark pritchard (warp), matias aguayo (kompakt) und ikonika (hyperdub) ein nagelneues gewand verpasst!! von deep über dubbigem house zu rassigem dubstep !!

darkstar bewiesen sich bereits mehrfach als vorreiter der britischen elektronikszene. sie arbeiteten u.a. mit kŸnstlern wie actress, zomby und wild beasts zusammen. ihre frŸhen maxis auf hyperdub und die beiden alben north (hyperdub, 2010) und news from nowhere (warp, 2013) gelten als bahnbrechend. nun haben sie mit foam island ein werk geschaffen, das ihrer generation eine stimme gibt. die produktion reicht von expansivem uptempo-pop Ÿber dichte atmosphŠre und mutierten neptunes-r&b bis hin zu ungezwungenen sound experimenten. harte digital rhythmen und live-percussion treffen auf farbenfrohe synths, in die aidan whalleys leadvocals nahtlos integriert werden. ein perfektes electronic pop-album, das so nur in 2015 entstehen konnte

6-page feature in the wire july 2014, featured on the hyperdub 10.3 compilation following up from the success of his emphatic pan releases dutch tvashar plumes and diversions 1994-1996 in 2012 (2 in facts albums of the year) pan is excited to announce koch (pronounced cotch), the new album from brummie/londoner lee gamble. sharing some stylistic affinity with his previous records, which excavated his deeply personal history with uk jungle and rave, and techno, this new work dives even deeper to reveal a singular and intimate musical vantage point, shifting to approaching music as projection, state,hallucination, an other place.

rinse fm radio-dj oneman liefert auf der neuen fabric-cd ein fulminantes dubstep-set mit einer wirklich exquisiten trackauswahl ab, die von top-tunes der jŸngsten vergangenheit (joy orbison, sbtrkt, mosca) Ÿber aktuelle produktionen (pearson sound, lando kal, teeth) bis zu garage-klassikern (nu birth, steve gurley, youngstar) reicht, allesamt auf top label wie hyperdub, hotflush, night slugs, xl recordings oder soul jazz

kode9s grasp on the throat of bass music in 2010 is almost unparalleled. his trend setting record label, hyperdub, is in its sixth year of viral contagion, hes become a published author on the theory of sound abuse and sonic frequencies being used as weaponry in his book >sonic warfare< and his production work has mutated from an almost simplistic marriage of beats and sine waves into a fusion of dancefloor ebonics and discordant synths!

this monster double cd is a lightning journey through dub featuring jamaican originators such as king tubby, lee perry, prince jammy and bunny lee, alongside electronic futurists and dubstep artists such as kode9, harmonic 313 (warp) and lv (hyperdub), as well as hip hop pioneer roots manuva and original junglist congo natty. musical worlds collide as francois kervorkian meets jamaican dj legend u-roy, and german techno giants rhythm & sound meet cornell campbell.