90ties feeling tech stuff

minimal / tech house

rock

ultra limited edition 7inch

decks tipp

red-coloured vinyl - ltd to 300

limited to 500 copies

discomystery man donald dust makes his debut on wilson records withan obscure and hi-nrgdisco stomp

new chaos in the cbd. dub techno at its best..

drei formidable edits von beard in dust (aka lipelis), die alle auf peaktime-dancefloor-action abzielen.

180gr and vinyl only

blaq numbers sub label whyte numbers

incl. great mr packer remixes! tip!

vinyl 1 of the interplanetary dust album from steve parker. pressing on white vinyl, housed in a black paper sleeve.

8 years have passe since “isam” - now amon tobin is back with “fear in a handful of dust”.

the latest on lobster theremin white label comes from the canadian-based british up and comer dust-e-1. coming hot on the heels of his dust in the dance ep on collect-call records, dust-e-1 offers up more of his signature sun-drenched, percussive jungle workouts. on his latest offering the lost dustplates ep, dust-e-1 layers wistful dub motifs atop propulsive breakbeats and driving subs. fuzzed out, hard hitting drum and bass breaks are scattered throughout, fused perfectly onto hard steppin riffs and shifting rhythms evoking early 90s london days and deep-in-the-dance warehouse nights.

the alishan forest railway is a 86 km network of narrow-gauge railways running through the forests of alishan mountain in chiayi county, taiwan. during the spring months, the iconic red train passes through an endless array of cherry blossoms and small, untouched villages. this peaceful scene is set in contrast to the stories told by locals, of wandering spirits seen deep in the forest. the spirits are believed to be the lost souls of the 32 passengers, who perished in the tragic derailment of the train in 1981. burn a candle in remembrance when you play this record at the club.

it’s a funny old world, and yet again, the black dog have provided the soundtrack. our fast-approaching dystopia has been envisioned and documented by the band for decades. now, the black dog’s two new albums, post - truth and black daisy wheel, translate their growing horror into some of their most accessible and impactful music, translating our manufactured reality into high energy dancefloor constructions on post -truth, and reflective ambient excursions on black daisy wheel. limited to 500 copies on 180 gram double vinyl.

it’s a funny old world, and yet again, the black dog have provided the soundtrack. our fast-approaching dystopia has been envisioned and documented by the band for decades. now, the black dog’s two new albums, post - truth and black daisy wheel, translate their growing horror into some of their most accessible and impactful music, translating our manufactured reality into high energy dancefloor constructions on post -truth, and reflective ambient excursions on black daisy wheel. limited to 500 copies on 180 gram double vinyl.

promo support for new album ruthless day -the more i hear this the more i m loving it. as a starter while we wait for the main course which will be the album this is just perfect.- -it s fabulous and it sees the return of one of my favourite uk vocalists â&#128,&#147, the pocket rocket that is gizelle smith- - craig charles (bbc) -such a powerful singer...a real british soul talent- - eddie piller (acid jazz)

sonikku comes riding back into the lobster tropical gardens with a flurry of sparkling, arpeggiator-driven ambient jams featuring three extended reworks from nts regular mobbs.
sonikku’s originals apply a drier and skit-length pop approach to synth-based home listening. building a borderline-saccharine melodic base to each track then upping the sheen and the tropical & twinkling production. shots of balearic appear in earth temple, christmas jingles echo from the depths of diamond dust, while sky garden channels a more direct emotional palette of warm synthesizer heartbreak.
mobbs’ approach is to allow each track to breathe around it’s core strengths over a longer time frame, whilst enhancing and encouraging each element to make it’s space and time to enter the track. the shifts and swaying structures turn shorter synth ideas into fully blown journeys that become almost hypnotic by the end. a soft, dream-like ride into bliss.

m_steps roots go back to the heyday of viennas cheap records, and the echoes of that labels seminal style can still be heard on his trust debut: stone-cold electro funk meets the kind of low-slung basslines and laid-back jazz chords that the viennese producer, dj, and (double) bassist contributed to classic releases of 550 rondy, pulsinger & tunakan, sluts n strings & 909, and even kruder & dorfmeister remixing madonna. fourth release in the covert systems series

vinyl only. maddermodes with their first ep on night drive music. dark, moody, raw, emotional hybrid between techno and house. 180 gramm vinyl. shrinked.

one track brain is back with his third ep kitten play/dust devil on the otb records imprint. jazz drums and the trustworthy 808 kick-drum are at the heart of this energetic and playful new 12inch

for those who dont know about mg gost, he is an extremely talented producer/musician residing in novi sad, serbia. a member of the well respected hain teny collective, mg gost is always creating that dope ish. *waking walk* is the debut lp from mg gost and features an all-star emcee lineup, such as g-force, tableek, jack jones aka audessey, cadence and many more. the album also features 2 bonus remixes, courtesy of dirty hairy and slone.

this new project by the black dog guys is about techno sounding electronica music. limited to 300 copies!

its time for a new pack and take away is more happy and proud to bring the next one which releases also as vinyl first and leave the right impression as solid performance pack. its diamonds & dust by one of the talent & lovely artists from mannheim: veitengruber

venezuelan-born miguel toro is an impulse generator: a versatile drummer and percussionist. rhythm is his motor, but rhythm here does not just denote a motion within a certain beat. rather it means a fundamental, ever changing pulse, vibration, resonance. inspired by aesthetic forms as intense and diverse as the jungle of sounds ascending from his royal dust, miguel toro succeeds in giving them an extraordinary voice.

on this 12inch we get two very different songs, the lead cut being driven by 727s, jx-3p bass, and some sampled horns which make this a driving and funky excursion bring you back to another time and place. sketch iii clocks in at around 110 bpms and drives on and on and on, plodding through the depths of your mind while conflicting voices (mis)guide you through your trip. strictly for the freakz.tip!

following on from last months 12 inch by elgato and having premiered music from the likes of blawan, untold and joe, hessle audio is proud to present another debut ep – this time from uk producer bandshell.

nice price deal !!! after a series of parties in london, wavey tones launches its premier platter in the form of the debut release from 25 year old putney-based producer emma davies, who hails from merseyside. although a new name to many, emma has been making bizarre electronic music for a good four years now, and already counts sully, zomby, adam sky (ex adamski) and congo natty as fans.

this is the third of the black dogs liber series of releases that are purely aimed at the dance floor. it follows the previous, well received liber kult & liber temple 12s, these singles all lead to liber dogma, due on soma in october, and further chapters. high rise choir reprise opens with clattering percussion taken straight from recordings at forgemasters before a face-ripping gut-wrenching bassline cuts through with one of the black dogs strongest minimal grooves yet. built to move heads and feet, the hypnotic groove hooks you instantly while the haunting strings bring the emotion in massive dark waves, you cant help but fall into this track. beautifully simple, addictive and massive. dissident bleep is just that. over the years the myth that sheffield is all about bleep and bass has gathered ground but those who live here know its all about the bass. industrial repetition gives way to twisted vocal samples of >over, over<, a sure-fire nod to cabaret voltaire, before the kicks and filters pummel you.