named in homage to the series of collectable football cards from the 1970s, the rothmans label follows the inaugural mario kempes release with another long-haired icon being given his dues in the form of the harald toni schumacher release, complete with another four tracks of chugging techno-disco. emotional responses timothy j fairplay kicks things off with *off the rails*, an expectedly dark and tense piece of carpenter-esque synth, while lwe writer per bojsen-moller delivers the atmospheric techno of *staying late*, whose rippling analogue bassline gives way to an unexpectedly funky breakdown. on the flip, steve cooks *noahs arp* takes things a balearic house direction with its thick, filtered analogue textures adding some psychedelic colour to its mid-tempo grooves, while emile strunzs *magnetic* adds some acid flavour to its low-swung, vocoder saturated italo swagger.

matt tolfreys leftroom limited brings you sam russos losing things, backed with a remix from jack dixon.

debut release from southshore records with mixes from hot toddy & hot creations artist mark jenkyns.
early support: danny howells, halo varga, silky, dj three, radio slave, rich ahmed, waff, russ yallop, miguel puente, clinton houlker, jonny cruz, alexis raphael, indie horizons ...

limited edition hand-stamped jacket colored vinyl

vae victis cant hide their love and passion for raw house and techno. on this 5th release there is another fine selection of hybrids between styles perfectly expressing their love for genre bending music. durant exsists out of a small collective of producers with main roles for steve murphy, die roh and lucretio. the dove ultimatum, a 4 tracks ep of punchy analogue electronic music! on the a-side lay general motors and at ten, 2 broken beat electro techno tracks a la drexciya showing the hardest and most experimental side of the project. while on the flip the trio bring things on a housier field, though staying loyal to the a-side vibe by delivering 2 dark and obsessive raw house tracks.

killer acid 4 track vinyl

good things come to those that wait, that rings true of this, the most anticipated release on vitalik to date. the jedi house ep has been a while in the making and on listening you can immediately hear why. each high hat, each snare, each kick is meticulously crafted.
dj support: ashley beedle / jimmy edgar / andre lodemann / ralph lawson and many more.

again two very talented new faces on dirt crew and a beauty of a record!

brand new label contemporary scarecrow launches this january with a double pack vinyl ep from chicago house veteran boo williams, entitled >back to the future / looney chunes vol.1<. contemporary scarecrow is an australian based fashion and record company bringing you intriguing clothing and music. here the labels inaugural release kicks things off in style with four fresh cuts from boo williams and three tracks from the past repressed for the package and accompanied by full colour sleeves. boo williams was propelled into the underground house and techno scene through long time ally glenn underground who introduced williams to music production back in the late 90s, boo has since gone on to record for reputable imprint such as josh winks ovum, rush hour and cajmeres releif.

uk don james johnston and german champ alex agore once again come together on their hot-to-trot no matter what imprint to lay down the law on their righteous tributes to vintage house music. johnston delivers some dreamy garage swing on >think about u everyday<, and takes things deeper on >do u understand?< by drawing you in with an alluring chord line that purrs at the heart of the track. agore is in equally feisty mood with some textbook vocal turns over his >in my soul< workout, and then switches up for a breezy, carefree wriggler in the form of >in your arms<

moody yet not morbid, futuristic but not foreign, modern but not without class

to bring you the 8th release, clekclekboom searched far and wide for the elusive jean nipon. their journey took them to the shadowy depths of mystic swamps from where this modern-day druid had to be carefully coaxed into the studio. but trust-us, it was well worth the effort! on his first release for clekclekboom, the institubes original showcases 3 tracks of hard-hitting, deftly-produced, dance-floor menace.

includes remixes by john tejada and in flagranti.
early support: andrea esu, audioprophecy, avanti, brendon collins, brothers in progress, chris fortier, cosmonauts, dima studitsky, dj rocca, ekkohaus, rotarydisco76, fresh prince, fromage disco, irregular disco workers, king dj, leri ahel, makossa, mark ambrose, martin patino, space rager, rodion, salvatore principato, santonio echols, shir khan (exploited rec), slg, velferd, waxlife, zoe wilder ...

das dj-duo the hood internet aus chicago, bestehend aus stv slv und abx, veroeffentlichen mit feat das erste album mit eigenkompositionen, nachdem es durch diverse mixtapes bestehend aus blends und mash-ups verschiedenster stücke von so verschiedenen kuenstlern wie whitney houston, justice, fleetwood mac, jay-z u.v.a. aus diversen genres einen hype im netz kreierte. fuer ihre eigenen kompositionen konnten sie kuenstler wie psalm one, class actress, cadence weapon, show you suck, tobaxxo (black moth super rainbow), donwill (tanya morgan) und viele andere begeistern.

this november sees the launch of manchester based imprint music is love records, kicking things off with a four-track release of sublime house cuts in the form of back in the dayz by dutch duo new jack city.

guy gerbers supplement facts imprint signals the end of 2012 with a various artist sampler entitled things have changed ep. featuring a few household names alongside some future stars, alexkid, borrowed identity & mechanical soul brother, gab rhome and andrew grant & lomez, all appear on this release filled with quality and diversity.

tm404 is a new concept from analogue mastermind andreas tilliander aka mokira (kontra-musik, raster-noton, type). tm404 uses a multiple set up of the classic roland machines tb-303, tb-606 and mc-202 to create a mesmerizing acidic techno-drone. tm404 will release a full-length album on kontra-musik in late january and we are very much looking forward. but before that we have another great release to present. kontra-musik 028 is by far our most radical release on so far. this is dance music really pushed the limit. what you are about to hear is the result of morphosis (morphine records) remixing tm404 using his favorite korg machines – the ms20 and the sq10. rabihs own words on the music: quite challenging and not really ordinary dance music. i believe in moving forward with things, with whatever chances and possibilities i have, it is my contribution to this world.

bastard jazz is proud to present the debut ep from brussels based production duo eric p & luigi aka monkeyrobot. coming to light through their work as 74 miles away (melting pot music) and tall black guy, who selected their standout >basement infusion< track to be on his tempo dreams compilation album (released in june on bastard jazz), and alliance between the label and m.r. seemed natural.
here on their self titled 12 inch, monkeyrobot deliver four diverse tracks that showcase their skills behind the boards, the keys, with a keen ear for the dancefloor. kicking things off, >brick stomach< is a synth-heavy four-to-the-floor 120 bpm joint that comes off like a floating points visit back in time to 1980s detroit with its rolling snares, arpeggiating synth bassline and cloudy pads. next up, >northern light< filters shimmering space disco vibes through big, thumping instrumental hip-hop drums and moody analog bass. on the flip, >rose gris< takes things in a funkier direction at 100bpm with its syncopated drums, irresistible lead, squelching bassline and all manner of synthesizer explorations. rounding off the ep is >last days<, which still manages to inject a funky 80s analog sound into its melancholy downtempo vibes.

it is a cold dark winter – snow is lying everywhere. simon12345 and the lazer twins are heading up north into a little wooden house in the northern parts of denmark. they will live there for the next weeks and build up a temporary studio in this secluded cottage. simon has got a handful of sketches with him. musical states of mind and conceptual games he developed over the last years. basically the idea is to develop something truly unique and powerful – although none of them knows how that will sound exactly or what will happen in particular during this time. it is not even clear who plays which instrument, who will do what…nothing is set. the only thing clear is that they have things to say, things that have been burning in them for so long now. tell me. how can (mostly) instrumental music suggest a way of life? how can you criticize without pointing at something particular? how can music transport you into place of quietness and self reflection?

one-sided, anonymous track by an established artist

moody yet not morbid, futuristic but not foreign, modern but not without class.

paper recordings continue their journey back to plastic with another vinyl release once again proving why they remain one of uks best loved labels. jamie l is a mysterious figure of undisclosed origin and history who fits in to the moodymann / theo parrish mold of heavy future disco, which his new production >(what we saw) in the burg< nails. it is a heavy leftfield groove laid over broken house beats with a filtered bass, samples and leftfield vibe. the detroit pad creeps up to the break and filters in and out as the track works its way through for locked down dance floor business. next up, havana candy breaks out the analogue and takes things deeper and techier. with a rolling bass and tweaking acid line, it cuts to a rhodes before filtering down and riding back to the heads down groove. cottam steps up for paper for the first time and demonstrates what all the fuss is about with a very special mix. clocking in at 9.41 it is deep, tough soulful house that crosses the 4/4 divide from techno to disco and deep house to soul.

this trio of producers team up for this hot 12 inch on hypertone. the title cut kicks things off with a deep shuffling slice of house with cool melodic elements and vocals over a hypnotic groove. gimme the sound continues the vibe and desolat man hector kills it on the remix.

to do things, that are not quite usual, free from standards and away from drawer think is here the topic of the next sono vivo catalog number. there are every time again different >things<, that influence the emotions and the life of one person. and that is exactly what wigbert wants to express with his new single >things<. the focus of things is the acid similar moogbassline surrounded by percussive and drum-like elements, which produce a special groove. slowly and full of energy one increase after the other devolopes during the track, until it reaches its peak after the break. souvenir and freebase records artist chris wood took the original track and created a nice tech house remix quite to his style. with a mixture of techno and tech house, old school and new school the topic >things< is brought expertly to the point and you can find it to the peaktime on the dancefloor for sure!

italian duo macromism has lately been making waves in the scene with their latest releases and they land now on be as one together with their long time friend dj kool dek, who already appeared on the labels tools for school vol.3 with take the rhythm ep the trio push things forward and show their versatility in the production room. the a-side hosts 2 cuts of proper groovy tech-house as you would expected from this collaboration. the b-side goes instead deeper and shows a side of the trio that yet was to explore. a 4 tracks ep that will surely find space in many djs bags.

sixteen indie-dance tracks including amongst others friends, citizens!, peter & the magician, moonlight matters, rufus.. as well as a world exclusive premier remix of sun, two door cinema clubs second single, by kitsunes founder himself, gildas loaec!

praterei returns with their 5th instalment and so do those twins with their second successive offering to the vienna stable! the ingredients on this one are similar to the last but the result is no less stirring. the rough and ready side of the 12 belongs to the aptly entitled >house< and youll see why. never straying too far from the old school... shuffling beats and rims keep things swinging. each layer of the melody is deep in youll be whistling this later territory and intermittent vocal shouts remind us exactly what it is we are listening to. the flip beckons for you to walk with me and that you must. the beat saunters along but always with a sanguine skip and our seductive protagonist guides us through the warm textures of rich pads and stabs. this is one of those records where, for both tracks, the message could not be more perfectly translated. every aspect contributes to a common goal, and thats a rare and quite special thing.

breaks and hip-hop producer ninelives the cat comes through with this nagging slice of solid production and catchy vocals in the form of >lalala<. the chorus hook will claw into your head like the feline in control, while the choppy funk licks that make up the beat will find a comfortable home on dancefloors all over. on the remix tip, funkanomics bring an uptempo 80s flavour with filtered guitars and brash drum machine beats, while dj alias does a more subtle turn in tightening up the groove of the original. will styles rounds things off with an electro-indebted workout full of chunky synths and club-ready construction.

nach einer zweijährigen pause meldet sich das brazilianische duo click box in 2012 auf dem markt zurück, mit einer reihe einschlägiger veröffentlichungen auf labels wie minus, items & things, noise music, frucht und unique community. zur krönung des erfolgreichen comebacks veröffentlicht items & things die single >down over ep<, mit welcher click box einmal mehr ihren vielseitigen und unkonventionellen style unter beweis stellen. die stücke bedienen sich aus genres wie minimal, italo disco und frühem acid house, mit einem remix von label newcomer madato.

after a couple of house 12s foto returns to more edit-based territory with its first v/a ep. ooft! kicks things off by paying homage to the reverend and the deacon with love & soulsaving. next up italian newcomer la tuerie keeps things loopy, soulful and slow on filter. on the flip future star luvless from leipzig delivers some loping pitch-down house in the form of motion clapture and everyones favourite la don cole medina rounds out proceedings with the downbeat soul of i like you. job done.

finally, kann headquarter duo sevensol & bender bring out a new ep. both tracks unite the labels perception of contemporary and personal dance music. again, they perform with a dreamy and harmonic sense for rhythm and express what house music means to them. if you understand the record as a pretentious instruction of >how not to lose things<, you have to find out yourself. kann firmly believes

>the fall of the empire< is a tough and unyielding release that continues both pfirter and mindtrip s run of form. >the fall of the empire is imminent< is raw, powerful and tightly wound. it holds an almost familiar sound, something that brings memories of techno from years gone by, but with the added depth, intricacy and attention to details that juan pablo pfirter lends to all his productions. markus suckut remixes on mt-02 and brings his stripped sound to his rework of >multiverse<. keeping things simplistic and functional, markus finds the groove, toying with bass throughout the track and letting the loop run for near seven minutes, gently tweaking fx and eq in the light-handed and tender manner he become known for.

solar one music is proud to present the second chapter of the exaltics meets series. after gosub, this time the finnish duo morphology is in the game. both artists deliver deep, moody electronic music with great melodies and beats. perfect for your next trip to mars with the curiosity. again with full printed cover artwork designed by duncan mattocks

truth & soul praesentiert die instrumentalversion des letzten lee fields & the expressions albums faithful man. für die produktion waren jeff silverman und leon michels verantwortlich, die schon federführend bei aloe blaccs i need a dollar hit-single und dem album good things ihr koennen unter beweis stellten. leon michels ist auch als kopf der el michels affair und mitglied der bands bronx river parkway, menahan street band und the mighty imperials bekannt. er spielte auch auf diversen produktionen für daptone records instrumente ein.

der begnadete songwriter king creosote, der zuletzt vor allem durch die veröffentlichung seines albums mit jon hopkins in aller munde war, ist nun mit seiner zweiten ep to deal with things zurück. diese zeitlose, wunderschöne 3-track 12 inch zeigt wieder einmal das ausnahmetalent des king s und pendelt irgendwo zwischen klassik, folk und pop.

the byrds were one of the earliest groups who could combine the best of two worlds. they caught on to the energy of the british invasion and combined it with the lyricism & musical elements of the contemporary folk movement. along the way they pioneered psychedelic and country rock, always keeping things recognizable with their vocal harmonies accompanied by their jangly guitars. their 1965 debut mr. tambourine man hit the flower generation like a bombshell. >one of the greatest debuts in the history of rock<, it melds their lyrical prowess with their compelling guitar riffs, and was the blueprint for their future sound. a classic, now back on 180 grams audiophile vinyl!

next >this and that< masterpiece by davide squillace & philip bader. incl. carola pisaturo and enzo siragusa rmxs.

in 2011 it got a little quiet around the co-productions of fraenzen texas and ruede hagelstein aka the cheapers. but since the beginning of the new year the lights dont go out in their studio doing beats and sound. next to releases on areal records and bar25 the uy063 was born. title of the name giving a-side goes back on a quote from paris hilton who wants to tell with >amazeballs< how super cool she finds things. anyway the two artists made it real with their concise bassline which will make the people reliably squeak more than hobby djane hilton. on the b-side things turn a bit more severe: egyptian summer quotes with samples the arabic spring in africa and produces a revolutionary ground mood which has never been heard before. on b2 however there are the cheaperesque absurdities on the microfon like we know them. depositing skillfully their own vocals in the belly of a hungry electro monster.

new clone basement series (lucky number 013!) with the long awaited return of a made up sound (aka 2562), following up on his archive ep/cbs02. written as a counterbalance to the more experimental releases on his own amus label series, archive ii finally unleashes whats possibly his most banging, straight-forward club material to date, while retaining the trademark a made up sound funk and swing.hang-up is all about the irresistible herbie-injected groove, cut-up and layered to great effect, whereas things get darker and bass-heavier with technotrack sweetback on the flip. keeping the tension high till a drop towards the end, seven minutes never seemed so short. a great first number 013 release and we cant wait to hear some of our favourite djs play the tracks out loud. another proper banger on the clone basement series!

großartige compilation des berliner labels items & things, das von magda, troy pierce und marc houle betrieben wird. variables enthält 15 exklusive tracks von magda, jimmy edgar, populette, howard watson, troy pierce, marc houle, rework und anderen auf vier farbigen 180-gramm-vinylen, die in bedruckten innenhüllen und einer aufwändig gestalteten box verpackt sind.

support coming from james teej, dj t, mosca, sam russo, maceo plex, matt walsh and many more.

funkalicious james is one half of disco-house super-duo childhood 87, along with his old pal le loup. their >caught up< edit on airdrops aux-rec imprint back in january 2010 got some mouths talking and feet sliding. funkalicious james is now back with his debut solo ep and airdrop is really glad to bring it to you on vinyl today. the parisian born producer prepared two explosive cuts for his a-side, starting things mellow with >call on groove< and speeding it up a notch on >broken hips<. on the flip, douze -- another young parisian producer who appeared on the last hold youth record by seuil and le loup -- brings back a certain touch of french filtering, in the classiest manner. finally, it didnt take us much time to figure out who would be the most appropriate airdrop trooper to round this record off… john spring signs the deal, with a feverish version

the second episode of the brand new avantgarde label sees the label co-owner himself dabs, joining forces with the melbourne based producer safire and the legendary mc lowqui.hideout is a stomper. minimal noisy hits grab you into a ultra-catchy riff bassline, carried on by punchy drumlines and big percussions stabs. heavily supported by the likes of icicle, ant tc1, optiv & btk, heavy1. flipside is frome the bulgarian promise l 33, we are pretty sure you are going to hear big things from him in the near future. complex things is ultraminimal and dark, with great identity and interesting snares and crunchy hits. definately reckonizable everytime after the first listening!

just in time for summer, pampa issued aimlessness, the long-awaited new album from dntel aka los angeles producer jimmy tamborello. his latest electronic suite brought forth stronger leanings toward house grooves, building upon the pop and idm approaches he explored earlier in his career as half of the postal service and a member of figurine - with a healthy dose of pampa otherworldliness on top. now, robag wruhme steps in and recontextualizes two aimlessness cuts for a remix ep. wruhme is already a beloved member of dj koze’s extended family, having released the full-length thora vukk about one year ago, which was deemed another success for both him and pampa” in resident advisors four-star review. first up is robags kloff mottüré mix of bright night, a starry-eyed transformation of dntels work that twinkles like fireflies in the clear midnight sky.with symphonic splashes, playful pitter-patters and a tranquil breakdown, it sounds a bit like teenage toads skinny-dipping amongst the lilypads. next up, robag finds inspiration in dntels jitters,not once but twice: the marf labo mix takes the title quite literally,offering a jittery breakbeat interpretation with a metallic angel chorus swirling over the haphazard beats. finally, on the flip side,the emmens worsch mix brings things more closely aligned with the grooving, heartfelt house thump that pampa has engendered. its the eps most dj-friendly cut, while at the same time showing off robags gentle production touches and letting tamborellos sweet, subdued voice shine through.

new york city darling pal joey is back with a new project called walk the dog and new single i cant.then holding things up in the rear are two mixes from xapy ha, the production team of label head sean holland and studio partner james general patton. these two brought you the b for bad remixes on shake dat booty, the first coco machete release, and pal joey production, ten years ago this june. this is, new york city, this is coco machete.

the byrds were one of the earliest groups who could combine the best of two worlds. they caught on to the energy of the british invasion and combined it with the lyricism & musical elements of the contemporary folk movement.
along the way they pioneered psychedelic and country rock, always keeping things recognizable with their vocal harmonies accompanied by their jangly guitars.
on their third album >fifth dimension< from 1966 they started showing a more lsd-tinged side of themselves with the psychedelic rock of songs such as >eight miles high< and >i see you< and a preference for the indian raga.
one of their most pioneering albums re-issued on 180 grams audiophile vinyl!

nice price deal !!! vladivostok lad eastcolors is probably most well-known within the dnb community for his mixes and for his collaborations with enei and nuage. as far as modern drum and bass is concerned eastcolors is at the forefront of that techy, fresh sound emanating from eastern europe and russia. with this in mind then, it is clear that while his tunes fuse well with his fellow russian drum and bass cohorts, eastcolors is making a departure from collabs. what better way to celebrate demands tenth release then, with eastcolors settings about placing his name upfront and alone with his first ever solo 12 inch. on the flip >heavy tone< rumbles forth with a typically eastcolors take on what a roller should be. lenzman-esque synths and strange, celestial vocals are quickly worked over by an electrical storm of droning bass and pads. as the synths return to break up the clouds here and there, >heavy tone< loses the idea of becoming another lost bass-heavy roller and settles into being a multi-layered piece of quality drum and bass.

special package / clear vinyl ... supported by: ame, gregor tresher, tim sweeney, jori hulkkonen, robag wruhme, joel mull, mark e, raresh, kza and many many more...

this release represent in a sense the spirit of what we are. we started to think about it around 3 years ago, and is good to say that everything is gone positive. all the artists involved are connect from the same empathy and love, and things happened in the most natural way. collecting all the infos about mrs. endresen and mr. wesseltoft and looking at ninca and bruno biography, and of course with andrea and hubble always is our minds, we can affirm one more time the power of this intense feeling that keep us close to each other.