reissue & repressed , this has always been a sought after 12- due to it s classic status and has often changed hands on-line for collectors prices. now it is available again, re-mastered, re-pressed and re-released with permission and in conjunction with shelter records, new york city and featuring the original 1993 label artwork
licensed and released in conjunction with the rights holders

stephen mahoney contagion ( lee holman remix ) , in his typical but distinctive way, lee holman re works contagion with futuristic and forward thinking outlook. it swerves and modulates for its entirety, it s a peak time affair that grooves in lee s distinctive flair. stephen mahoney contagion, unstoppable broken beat with intense hi hats that give way to acidic lines, a sure fire peak time track. stephen mahoney craft, a groover that combines hovering hi hats with an unstoppable groove. its simplistic as it is effective. modulation and claps combine to deliver a heavy hitting cut. stephen mahoney rosettes, acidic lines deliver a trancey cut. its minimalistic form hovers and glides to deliver a suspenseful track that ignites and modulates across its duration. a slow burner, hypnotic in approach.

soulstice music is back! and this time we present to you i m in love. a true soulful house gem created by the incredible uk producers the l.o.v.e project featuring the amazing vocals of shean williams (craig david backing vocal). this is the ultimate collection song that can uplift your spirit whenever or wherever you hear it! it will be a hit today, and a classic tomorrow. this song is timeless! just as we like them here at soulstice music. seans voice and lyrics will bring the sweetest feelings out of you, and combined with the finest studio arrangements from the l.o.v.e project this track will simply and truly make you feel like im in love if you know the house music scene, it is impossible not to know the remixers that joined this project: dj spen, earl tutu & jhon khan, mark di meo and rob hardt (cool million). we say no more! other than we are proud to assure you i m in love will become a house music masterpiece!

four trax for the heads and for the floor. screaming acid with deep rhythms full of mesmerizing chords like these old detroit warehouse vibes meeting ultra...

during the mid-80s and early 90s movin’ records defined the new jersey sound. a skate-shop-turned-record-store run by the so-called fairy godmother of house abigail adams, movins first output was ive got the music by boyd jarvis in 1987, followed by music from game changers blaze, kerri chandler, tony humphries and smack, straight up “jersey jams” that producers are still attempting to replicate to this day. still the movin’ records catalogue throws up gems that sound super fresh along with plenty of lightbulb moments of musical discovery. after becoming a surprise hit from the b-side of kamar’s ‘in every way’, movin’ records presents this remix single to give dancefloors a serious shake-up. kerri produces some heavyweight remixes of this single, along with regular collaborator yahya mcdougald. as with all of kerri’s early productions, this sits proud alongside his latest, more mature output thanks to his naturally instinctive style. the single features vocals from calvin reed sr., kerri chandlers actual grampa!

originally released in 1979, now back on 180 gram double vinyl, housed in gatefold sleeve.

original first (and only) pressing, not reissues, represses or bootlegs.

new york collective sheik ‘n’ beik continue to expand an impressively developing catalogue adding to releases from xamiga, keita saino and jeffrey scott with a fresh 12” from voodoo down records owner and fellow brooklynite n conduit. having utilised voodoo down as a platform for his own brand of rich, emotive house music n conduit now dims the lights a tad in offering up 3 neatly reduced techno tracks that meld dystopian drones with disquieting melodies and tough, swung drums. ‘echo must die’ kicks things off with looming pads and glistening synth tones. a bold, punchy kick drives a purposeful march forwards whilst mangled computer fx pepper the high-end.

shelter is a young french producer based in paris, he released edits on mellah, edits du plaisir and edits du golem and production on plaisir partagé, uber and international feel in the same serie that jan schulte or cfcf in just 2 years.he s graphist designer for plaisir partagé. banzawa is the new shelter, a 2 tracks ep focing on balearic and eletronic music, but influenced by italo house and zouk. he composed with roland tr 707 and korg m1. bazawa, the a side, is a journey into a mysterious jungle in a european night club in the 90 s, the kind of underground italian sound with a beautiful ushuaia flute catchy bassline. this is a travel invitation, between trance, house, and new age, a balearic meditation for dancing.the b side is pickolo, a jumping track, where marimba and whistle gives the full cadence of the song, a mix of nice melody and afro rhythm, a jungle by day, cute and animated. for the same price, shelter proposes two different mood, two different vison of house music, two different way for dancing.

time for a little neck bulging, slimy skin hip-slinking summer fun as a true craftsman steps from the studio shadows: jay shepheard, who’s back with a track that’s so infectious if you licked its back you’d trip for weeks. prepare yourselves for ‘bullfrogging’: wry funk, warmth and humanised technoid soul. taking a vocal texture then processing, harmonising and splicing the spawn out of it, jay’s precision balance of electronic hustle and anthromorphised action has all the hallmarks for a summer anthem. ‘early doors’ follows suit and there’s a massive clue in the title… soft-focused, warm, rolling and laced with textured chimes, it’s definitely tailored for those key transitions between warm-up and second gear. deep, trippy but coded with a hookiness that grabs rather than soothes, once again it’s classic shepheard but with a revitalised 2017 twist. hey, he didn’t lock himself away in the studio for twelve months for nothing, right? neither did jay’s long-time friend and neighbour mark henning, a man who hasn’t taken on a remix since the early 2010s. his return to the remix game is as poignant and powerful as jay’s return to releases as he removes around 70 percent of the frog and maximises the bullishness of the elements, creating a relentless tribal slammer of a version that still retains the warmth and soul of jay’s original. two returns to action, three killer tracks, one label you can always count on as your friend and no frogs harmed during the whole process. we’re pulling out some serious stops here.

after a run of club-ready 12”s, the fifth no bad days release slows the pace right down. on the views from my shed ep, long-standing friend of nbd james booth breaks in new alias the gardener with an easy-going record inspired by nature and sure to inspire relaxed, repeat listens.

limited edition lp + 7inch + obi + silver foil + extensive 24-page liner notes booklet, 350g sleeve, black inners, authorised official original soundtrack! - the first ever official vinyl release of the soundtrack for mamoru oshii’s legendary science fiction anime film ghost in the shell (1995)

looking back to the beatnik era on the south coast of england.
before package holidays and the rush to benidorm, beatniks ruled the seafronts and b&b’s of the southern beach resorts. beat poets and musicians pedalled alternative viewpoints & delivered fresh melodies to these waterfronts of escapism.
marking another step forward in his sonic evolution, appleblim inaugurates beatnik boulevard with a record that channels his roots in brooding bassweight club music into startling modern compositions. from his groundbreaking work on skull disco to various mutations of house, techno and electro explored via solo and collaborative releases for r&s, aus music and tempa , this 12” finds the berlin-based producer wielding fresh approaches to synthesis in a daring framework that finds physicality in music away from obvious rhythmic tropes.

the reality is a relative concept, and our life is made up of fantasy and illusion. our music is the key of our thoughts, and our sound can help us to discover it. nothing is real express our vision in a period where information is false and manipulated most of the time alberto iovine and alessandro fumagalli aka modular project announce the launch of their new label, in partnership with rebirth records.

re-press of the first shelter release ever and one of kerri chandlers finest moments, too. classic jersey house- only 1 track ( a side and b side are equal)

first ep of zelaian disco club created by the sheitan brothers. based on arabic and maloya inspiration, this first ep of the brotherhood is a gift to a tribal dance floor mixing traditional music and electronic beats.

neun grammy-awards, mehr als 50 millionen verkaufte platten und acht alben, die sich allesamt in den top 10 der us-charts platzieren konnten – sheryl crow gehört seit fast 25 jahren zu den absoluten stars der amerikanischen rockwelt.
ihr geheimrezept? sie ist seit jeher vor allem eins: sie selbst. »be myself« lautet der bezeichnende titel ihres neuen albums.

félicia atkinson new full length album, ‘hand in hand’ is an expanded development of her musical compositions started with the highly-acclaimed “a readymade ceremony” released on shelter press in 2015, and follows her collaborative effort with jefre cantu-ledesma “comme un seul narcisse” (shelter press, 2016).

first release for the london based residents at keep on going, well known afterparty and new born record label. 2 tracks with a minimal & atmospheric sounds. vinyl only / no repress

split ep with volster and aubrey, brilliant acidic underground techno

spencer clark hat früher zusammen mit james ferraro alias the skaters noise drone musik gemacht, später auch als monopoly child star searchers weitere sonische abenteuer unternommen, die in der experimentellen musikszene viel applaus bekam. unter seinem neuen namen typhonian highlife veröffentlicht er nun sein neues 8-track werk “the world of shells” als vinyl only release.

artefact - a smooth groover that has all the markings of a great producer. it’s a smooth groove machine, percussive and acidic in equal measure.
drag you inside a hole - is percussive again, with his hall mark signature groove, it’s infectious as it is long, a great booming techno number.
no merci - a peak time affair, booming and dark, think aliens, it’s the title for a reason, it stomps and delivers.
shelter - a breaks outing, subtle and melodic. a perfect finishing or opening track to a set, and one of our favourites on this release. it’s as magic as it is prophetic, simplistic beauty at it’s best.

phat golem shelter edits

k alexi shelby & robert owens present downtown , a track that s been getting the inner circle of the house music community quite excited over the past few years some projects simply can t be rushed, and this labor of love is one of those very releases. often imitated but never replicated, roberts instantly recognizable vocals have been tearing up dance floors since the late 80 s, and here with his long time friend k alexi shelby the pair have once again unleashed something special just in time for record store day. flying the chicago flag high, remixes take shape from the ever impressive anthony nicholson & mike dunn, whilst greek supremo anthony k adds in a totally different musical trip, each one ticks all the boxes required and impressively opens up the release for a wide pool of dj s to enjoy. it s k klassik baby! dj support: ron trent, kenny dope, roy davis jnr, joe smooth, maurice joshua, mike dunn, k alexi shelby, anthony nicholson, anthony k & soulfuledge.

ride the river out of the darkness. original piano lines lead on saintjohn. two spirits, together forever. be yourself and let me be myself. music is forever, house forever…

raw, bumpy and explicitly pornographic. imagine an 80’s porn director entering a dark underground club whilst the thumping thunder of raär’s romantic dominance delves into your ear canals. you feel estranged but your velvet shorts won’t make you stop. once you hit the dancefloor it’s gym time with rick sheen’s moustache: a beautifully balanced ride.

subb-an and adam shelton may be plenty busy with their own endeavours, but they still know how to bring it home to roost on their own one records. this time around they ve both turned to the same vocalist, isis salam, to deliver some insistent instruction atop their lean and mean productions. subb-an s -self control- is a cool and deadly workout that places the emphasis on the bass and places salam s classic speech at the front of the mix. shelton gets into a more jacking frame of mind on -only now-, whipping up a raw chicago flavour to devastating effect.

deep, groovy and hypnotising. greg shepherd, sound architect of the swiss label finefood records, brings a work of art of perfectly balanced architectural design to the market with his divine ep. after his last release Échec et mat , discerning aficionados can rejoice about the release of two original tracks as well as two remixes. one of the strong points of this ep is undoubtedly the remix from berlin duo soukie & windish, that brings a particular substance to the divine track. the same goes for thomas t & anish, who have managed to successfully remix the cosmic child tune and it s bewitching atmosphere. release vinyl march 3, digital april 7th. enjoy

all songs written by amy wadge and ed sheeran, featuring leddra chapman on vocals.

reissue of the 2010 collaborations project from ed sheeran.

mit seinem neuen album »x« bricht ed sheeran alle rekorde: allein in der britischen heimat verbrachte das zweite studioalbum des sängers acht wochen in folge auf platz 1 der charts und hat dort bereits doppel-platin erreicht. damit ist »x« nicht nur das bislang erfolgreichste album des jahres in uk sondern auch das am längsten auf # 1 platzierte album in den uk-charts seit adeles »21«. »x« verkaufte sich weltweit bislang über 2 millionen mal, und auch bei uns steht das album bereits kurz vor platin-status . nach den hit-singles »sing« und »don’t« folgt nun der neue outtake »thinking out loud«, eine leidenschaftliche ballade über das gemeinsame altern mit der liebe seines lebens.

new york’s sheik n beik continue to assert themselves as a trusted outlet of chilly, understated techno following up releases from xamiga, keita sano and hermans with a va from family members ivvy, mr dello, og ag and ray rose. first up is mr dello with ‘pilgrims’ - a bold march that propels few finely crafted elements with deft usage of warped analogue fx. intensity snowballs throughout as metallic synths thicken before og ag aka andrew grant follows up with ‘410 prospect’ - an intergalactic transmission rich with bending synth lines. one half of dirk largo, ray rose then casts his eyes down in following up with tight, shuffling drums and buoyant synth tones all suffused with a healthy dose of dub before ivvy - a fresh alias from madison levine. originating from seattle’s burgeoning hardware scene, he offers up ‘shape speed’ - a languid, capacious groove that drives thick drums through dense and dubby textures that round off a solid addition to a catalogue continuing to go from strength to strength.

zwei nummer-eins-alben, zahlreiche top-10-singles, ausverkaufte tourneen und der titelsong zur hobbit-verfilmung – ed sheeran hat im laufe seiner noch jungen karriere schon einiges erreicht. nach all den erfolgen und terminen gönnte er sich im letzten jahr deshalb erst einmal eine verdiente auszeit und reiste um die welt.
wer jetzt aber glaubt, der britische singer-songwriter habe sich in dieser zeit bloß ausgeruht, liegt daneben. 2017 meldet er sich frisch und erholt mit einem neuen album zurück, das schon vor der veröffentlichung erste rekorde gebrochen hat. hier ist »÷« (divide).
das 180 gramm doppel-vinyl spielt auf 45rpm und erscheint im klappcover

after three years punctuated by dodgy, european football streams and failing equipment, bandshells back in his public skin.

aus welcome back label favourite shenoda for his third release on the label, burn backed with a remix from juxta position. previous releases on hypercolour & electric minds have seen shenoda firmly on the ascent but its in his recent outings on aus that his bold, rugged club music has really reached its zenith. burn follows suit with its predecessors with its power being rooted in seismic, analogue drums that are balanced against soft, allaying melodies. the muscular vista then rolls out punching stabs and tight, shuffling drums before label mate marquis hawkes dusts off his juxta position alias and delivers a pacey and forthright take on burn. melodies are softly mangled and given a spectral quality that recalls his mazury on dvs1’s mistress wrapping another solid addition to the catalogue as the aus music family continue to deliver the goods.

(180 gr) the fourth in international feels minialbum series is by shelter aka alan briand, a young parisian producer with a strong melodic centre producing a sound that pulls on the zouk, the afro, the balearic and the ambient palette

who whom is a new label from paul rose. the artists are various, the sound particular. the first 12” comprises tracks by isaac reuben, bleak, markus suckut and antonio ruscito, and is titled ‘curse of sherwood’.

erste reissue der legendären 7” von soulstar bobby sheen von 1972, die damals mit “i may not be what you want” als a-seite und im folgejahr noch einmal seitenverdreht erschien.

das werk etabliert shed endgültig als einen der interessantesten und substanziellsten elektronik-künstler unserer zeit. es ist von einer haltung beseelt, die shed in die tradition von stilistischen grenzgängern wie ryuichi sakamoto, brian eno und carsten nicolai stellt. stilistisch findet shed indes zu einer hochindividuellen sprache in der elektronischen musik, die ganz und gar für sich selbst steht. the last experiment ist ein überaus homogenes gesamtwerk, eine meditation, deren stilistische verortung weniger wichtig erscheint als die künstlerische gesamtaussage.

co-founder of the galactic shelf records and resident dj for modu:lar - nerram is a liverpool-based artist that’s been making music and djing for over six years. having spent this time carefully refining his productions and growing a unique record collection, he’s built up an edgy style based around original, rare house music and punchy minimal. nerram is an exciting uk artist embarking on the next stage of his career.
nerram launches the galactic shelf with a debut 3-track ep including a remix by voigtmann. combining driving, futuristic sounds with deep grooves and breaks - this trio of cosmic cuts come dancefloor-ready and represent the artist’s diverse sound encapsulated. enigmatic and micron on the a side are an odyssey through big basslines and twisting synths, followed up by the experimental, spacey round and round on b1. completing the release is an altogether different interpretation of the first b side track by voigtmann - a grooving, stripped-back outro by this excellent producer.

nach ihrem ersten generationsübergreifenden zusammenarbeit, “late night endless” (2015), begeben sich die beiden protagonisten zu spannenden, neuen soundexkursionen in eine vielzahl von subgenres wie nervösem funk, industrial-drone, jungle-rave, cosmic (zu gesprochenen weisheiten von dub-meister lee “scratch” perry), furiosem synth-grime und trägem breakbeat (im cover von ryuichi sakamotos “merry christmas mr. lawrence”). neben lee perry begrüssen sherwood & pinch auf “man vs. sofa” weitere illustre gäste wie martin duffy (primal scream), taz (dizzee rascal) und skip mcdonald (sugarhill gang, tackhead, little axe).
doppel-vinyl im klappcover, downloadcode inklusive.

tuff sherm (also known for his work as dro carey) has become an extremely prolific and well acclaimed producer over the years with releases on the trilogy tapes, berceuse heroique and opal tapes. a long time in the works, this versatile release increases in intensity from relaxed lounge piano and slap bass grooves on the a side to full out melodic tribal techno on the b.

uk production duo alfie granger-howell and nick harriman aka dusky drop 4 of the finest remixes from their outer album campaign of last year on heavyweight white label vinyl. t. williams cult grime alias dread d alias and livity sound mainstay kowton lend their hand to 2 heavyweight remixes for the wiley collaboration sort it out sharon whilst the talents of bwana and techno don shed take to the buttons on ingrid is a hybri a legendary figure for his formative work on jon e cashs black ops label around 2002 - 2006, dread d has been bubbling back into focus over recent years through a string of strong releases on local action. on his remix, the versatile veteran gives wileys freestyle a bashy, classic london grime refix.

new york collective sheik ’n’ beik follow up a slew of lauded 12 inchs from japans keita sano, legowelt & xosar and their previous effort from hermans with the richly emotive return of voiski. with a back catalogue of considerable depth - one that’s touched the likes of l.i.e.s and delsin, dekmantel’s ‘ufo’ series - voiski’s latest offering carries with it a trademark degree of bite whilst remaining balanced with the sort of moody melodicism that fans both old and new will relish. ‘5th dolphin transmission’ kicks things off with a tense sequence tumbling through granular drums and a staggered, luminescent synth line. ‘let down disco’ then dims the lights slightly with soft, buoyant melodies and flickering high frequencies that round off a nicely varied release and another solid addition to the sheik n beik catalogue.

after 5 years of throwing parties in leeds, london and across europe, flux inaugurates their record label with a stunning 4-tracker from enigmatic newcomer shedbug. accompanying 3 original tracks are german heavyweights tuff city kids (gerd janson and lauer) on the remix. pressed onto 180g high quality black vinyl (no digital release), this limited run is presented in beautiful cover and label artwork from laura zhang. opening track aftermath is a lo-fi techno ballad that pairs distorted kicks and brittle hats with gliding pads and sparkling synth details. siren, a gawping broken-beat roller, counter-balances by drawing heavily upon pioneering sounds of late-2000s uk bass/dubstep. on the flip tck s retro take on aftermath is an uplifting gust of 90s-inspired euphoria. with tough beats, a touch of acid, and rave-tinged string lines, the remix caters for all peak-time occasions. recovery closes with a tender 7-minute sojourn through hazy dream-states, subtly melancholic, but ultimately a cathartic experience. poignant, effective, and well polished, afterglow delivers a diverse but focused sound. highly emotive beats for the more sensitive dance-floor