very few artists have influenced the sound of house and techno as much as roman flügel. having been active since the early 90s under various aliases, few have been revered so widely as a dj, live performer, producer, remixer, intellectual and record label owner. the record labels he helped found, ongaku, klang and playhouse, are pivotal imprints in the electronic music scene, and his ability to gracefully incorporate and master most styles of 4/4 has seen him create a range of genres from techno, house, electro, ambient, idm, downtempo, and acid house.

following on from their second release by russian producer and dj, tripmastaz, the fledgling barcelona based label drops another blistering ep, this time saturated in acidic 303 lines and crisp 808 percussion by german trio, daniel varga, michael kuebler, and sascha hedgehog, aka rework. having released on visionquest, playhouse, items&things, meant, loveyeah and more, the group continue to reinvent their fresh and funky reimaginings of new wave disco and delve further into sonic explorations.

whilst he is primarily recognised for his bond with detroit and its varying strands of house and techno, seth troxler is an artist whose taste and collection spreads much further afield. through his own imprint soft touch, seth explores music from way beyond the motor citys borders as he seeks to outlet left-of-centre cuts that touch on interstellar guitar, calypso disco and seductive techno tracks. with the project inaugurated by clarian back in august of 2014, the second instalment comes from the visionquest and playhouse affiliated trio rework who draw from their unique meld of synths and vocals and turn in their lovecall ep

‘psych , the long-awaited freaks album released in 2014 gets a re-release in 2015 with some brand new remixes. freaks, a musical partnership between luke solomon and justin harris that s spanned twenty years and includes the music for freaks label, four albums, and an avalanche of singles on the likes of playhouse and hot creations to crosstown rebels, news and international deejay gigolos. the album was released to rave reviews and featured a much awaited gathering of material from the late 00s onwards, including collaborations with robert owens, stella attar and diz washington. this 12- includes interpretations from dave aju, jamie 3:26 and freaks. for over a decade, san francisco innovator and a vital part of circus company, dave aju has been producing and performing his unique brand of electronic dance music, a consistently fresh and expressive sound. his remix of situations makes no exception, a strong piece of jacking house music with bubbling sub bass, strong raw percussive beats, and an effective use of diz vocals and the flute sound. on the b side misfits is reworked by chicago s master jamie 3:26 who turns the tune into an acid house monster and by freaks themselves who extend their original version for dance floor action. a strong package…and more to come !

over the course of his twenty-plus-year-long career, luke solomon has made one hell of a name for himself: he has released dozens of singles and eps on labels like crosstown rebels, rekids, cajual, and playhouse, to name a few, founded his own imprint, classic, with longtime friend and co-conspirator, derrick carter, dropped four albums, and had a hand in well over 100 remixes. as one might expect, it is a tremendous honor to now welcome the veteran dj and producer to lph, where we think he fits in perfectly, despite being the artist in our ranks with the most impressive tenure.

hot city orchestra is a reformation of a band, which was originally formed in 1998. at the age of 17, arno völker (einzelkind) and simon birkenfeld became friends and started making drum and bass music together. they toured all over germany with their record label and had residencies at robert johnson in offenbach and tanzhaus west in frankfurt. after gaining years of experience within the breakbeat scene, arno went on to become einzelkind with releases on playhouse, cocoon, white and his own imprints la peña, jax and pressure traxx as well as worldwide dj gigs. simon was still focusing on his breakbeat career for another year, making an album with a uk drum and bass legend, but it was never released. he stopped making music and started focusing on his career in pr and marketing, where he mostly worked on music and art projects. during this time, the long-time friends arno and simon came up with the idea to launch the blog-network-project www.disco-very. net now, 16 years later, after making first beats together, the boys are back! a tiny bit older, much wiser, more handsome and around 50 bpm slower.

john tejada does not really need any introduction - he is simply a phenomenon. starting with his first releases in the mid nineties, he has been constantly expanding on his massive catalogue of singles, remixes and albums released on well known us and european techno, house and electronic music labels and there seems to be no end in sight. in addition to his output on prestigious labels such as playhouse, plug research, defocus, moods and grooves, 7th city, kompakt, and others he has also been running his own palette recordings imprint since 1996. john tejada s ep for slices of life make reference to his earlier releases that were beloved by dj s for their driving energy and an occasional wink of humor. the three tracks on -times like this- combine a musical glance back to earlier times, while showcasing tejada s high level production skills of today: a slice from the past without being nostalgic

ltd 2014 repress
amazing deep soulful dub tech to deep house / down tempo by lowtec (playhouse)

rawax proudly welcomes two friends to the family - rhythm factory aka arno völker & robin scholz!
arno völker aka einzelkind has been a driving force in the world of underground house music for nearly a decade, rising to fame through releases on get physical, playhouse, mule electronic, cocoon and white as well as the infamous la peña and pressure trax (run with frost) imprints.
robin scholz is one of the most taleted artists we saw in the last years. robin gave his debut on our ten inch series with the *retrospective ep*. no wonder he released after that on pressure traxx, la peña & white.
this is just the beginning - we feel a long journey with the rhythm factory!

2 years ago their hit *strange* plunged the deep house faithfuls into the limelight, gaining them support from across the boarder. adana twins were being praised by djs of all genres and receiving standing ovations in clubs. this resulted in a bunch of new remixes, massive press attention and a busy tour schedule all over the world, with an australia, america and brasil tour. aside from their hectic worldwide touring schedule, the duo remixed *schwarz dont crack* on kitsune. in march 2014, this entertaining duo will be releasing the fresh new single drive featuring khan (ex-captain comatose/playhouse/i m single) on exploited.

rework praesentieren ihre neue 12inch blackout auf items & things. bekannt geworden durch die frankfurter techno-institution playhouse, erschien 2012 der rework-track tell me why auf der items & things-compilation variables. die hier vorliegende veroeffentlichung bietet vier brandneue tracks der house-formation, die musikalisch erneut an ihrer eigenen mischung aus minimal und euro-girl-vocals festhalten.

vaal heralding from a rock n roll and jazz background vaal is not aware of the strict rules that define & guard electronic music. therefore vaal is not afraid to break them.

tip! isolee strikes back a new anthem called dennis. one of our favorit german producers who has been delivering some groundbreaking tracks since his first releases on playhouse in the late nineties. dennis is another fine track and comes with remixes by ripperton and baikal. berliners baikal does a labyrinthine bassy version and ripperton rides on the guitars samples to deliver a groovy 8 wheels dub. excellent release!

for the second part, frankfurts losoul (playhouse,logistic) takes the downbeat dub-techno-jazz of renatos underpool and turns it into an anthemic deep house number thats 12 minutes long and 20.000 leagues under the sea, yet full of bounce. finally, berlin-based brit ed davenport (counterchange) takes anymore and gives it an entirely different edge, a naval onslaught of crashing, jacking breakbeats, while sonar frequencies gently circle outward like the sirens call, rounding out the funkoholic remixes voyage.

after his separation from playhouse in 2007 and the rather longish break that followed it, it looks as if isolee has finally found their new homebase with pampa records. evidence of this may be found in such unprejudiced tracks as taktell, a single extracted from the album well-spent youth. as is tyical for isolee, it defies any clear-cut genre classification and creates its very own harmonic setting, merging associations of pop, house and distant landscapes into a unique sound voyage.

the production outfit of daniel varga, michael kuebler and sascha hedgehog, earned their dance music stripes around the turn of the millennium with a series of strong releases, most notably on frankfurt-based techno institution playhouse. describing their musical aesthetic as cabaret-independent-house, the act forged a distinct sound that combines icy minimal structures with catchy euro-girl vocals, anglo-french funk antics and a dash of dancefloor melancholy. this summer, rework return to the fray with a two-sided affair for paris-based meant records that shows they have not lost the electric energy that characterised their earlier work.

tune(s) alert! new belgian band delivers with >drops< a superb deep & mellow electronic vocal song. including two killer remixes by roger 23 (playhouse / baud / neurhythmics) with an amazing dark and sensitive techno house re-work sculpted for memorable moments at panorama bar, and break sl (uncanny valley / philpot / c-beams) with a stunning deep-house version. comes in a strong 300 grams black and white plain sleeve designed by nico gomez. essential package for any contemporary house & techno lover!
mastered by lupo at dubplates & mastering. pressed by optimal. 400 black vinyl copies pressed.

grandiose neue maxi von losoul! nach langer pause kehrt der offenbacher altmeister, der mit seinen releases auf playhouse, geschichte geschrieben hat, nun mit einem wahren geniestreich zurück. basslines galore auf diesen zwei ruffen house-tracks, die zum besten gehören, was jemals unter dem namen losoul veröffentlicht worden ist.

neurhythmics once again enters the deepest realms of house music with the help of the one and only roger 23. rogers pedigree as an artist is unquestionable having released tracks on playhouse, swayzaks volt musik imprint and meakusma amongst others.

a new project emerges harnessing the collective powers of a trio of artists who are riding high at the moment on a collective base of success and pure raw talent - maya jane coles, george levings (commix) and alex jones (hypercolour, playhouse and many others.. ) as you would expect from such a high calibre project the music is nothing short of superb - the a side is a glorious nod to the classic tech house sound that emerged in the 90s - an exciting and vibrant time for house music in general, this untitled gem bumps along on an infectious groove with an underlying griminess keeping the vibe grinding along in all the right places. the flip side juxtaposes this rawness with a beautiful melancholic and melodically flecked early hours ride. a real mood piece with a definite sense of warmth to bliss out the dancefloor.

nice price deal !!! the bristol reggae explosion is back with a third volume. whilst still happily exploring what was happening in the city during the 1980s, they have bent the rules and included a lone track from 1979. if anything, this third volume is their strongest so far, an amazing achievement when you consider that most of the tracks are previously unreleased.
by popular demand, >bristol reggae explosion volume 3 – the 1980s part ii< has a strong leaning towards the roots side of reggae.

supported by: luciano, soul clap, m.a.n.d.y., tiefschwarz, reboot, richie hawtin, robert owens, catz n dogz, audiofly, droog, the revenge, andre lodemann, jozif, butch, gorge, julietta, ray okpara. already known for his hit watamu beach on loco dices desolat imprint, sebbo certainly isnt unknown in electronic music scene anymore. this time he appears with his partner in crime mario da ragnio to release a fabulous deep groover entitled fourteen years. these guys definitely know how to combine modern elements of electronic music with a typical driving tech-house rhythm resulting in a magical tune made for all set-times. when talking about berlins electronic music scene,its very difficult not to mention smash tv aka holger zilske & kai preussner. known for their special kind of production, with releases on get physical or playhouse (holger zilske), they are now creating their very own interpre-tation of a deep house tune: chrystal moth. grooving, simple and effective. also on the flip-side, completing this deep soulfooled ep, label-partners superlounge bring another high class modern house tune, featuring jonny cruz, one again showing his skills on the microphone. the whisperer mirrors the typical deep superlounge style, modern vocals which will make you laugh and possible think about what jonny may or may not get up to in private. listen and enjoy!

next fullbar killer release with kalabrese (perlon) and losoul (playhouse) remixes... already supported by tricksi, 6th borough project, tornado wallace, motorcitysoul, iron curtis, roman flügel, seth troxler, jozif, sebo k, ed davenport, kate simko, matt tolfrey...

after 7 years of staying out of the limelight, mille & mr.hirsch (playhouse, newpolish, r.a.n.d. musik and much more!) are back with new material. the new imprint owes its name to a group of berlin artists called apollo krieg who produce fashion, artworks and whacky installation art. with berlin as their base, mille & mr.hirsch hang around & see much of their work influenced by the work of this group and decided to name it after this group of artists – true to the motto: nowadays the guys from apollo krieg also produce music. side a: (apollo/alpha) golden age is the classical, heart-warming, romantic and seemingly never-ending deephouse epic which finds its place somewhere between detroit house, balearic, jazz and funk. it is always a tad larger than life and opulent in harmony and melody but, with due to its well-defined instrumentalization, it seems somehow traditional. this track has a 9-minute arc of suspence and is devoid of any drum-machine orgies and razzle-dazzle a unique piece of shit!side k: (krieg/kokain) kinky love is a bit more modern, with more track, less melody and less music. the mix of strong samples (e.s.p./kinky go) with slightly dark and deep functional track make this 8-minute track a potential floorfiller! best regards apollo krieg berlin

another groovin deep house killer ep from lowtec (playhouse, workshop...)

killekills next release comes from snuff crew, a crew you might and should have heard about. snuff crews mission is to bring back the fun on the dancefloors worldwide. the masked duo is known for their jacking live shows that combine the raw energy of early chicago and acid house with a fresh and modern sound. rumour has it that they come from >somewhere in germany<, but their sounds draw a very heavy influence from the original acid house city of chicago alongside italo-disco and old school techno flavours. the use of old school roland boxes as sound sources and almost non existent use of even basic effects means their sound is rough, raw and aimed squarely at the dancefloor. their records have been released on labels like skylax, gigolo records, rush hour, playhouse and many more, but the two guys also run their own imprint called snuff trax where they release music of jackmates like kink and neville watson as well as their own tracks and collaborations with artists such as legendary robert owens. thats enough for now with the name dropping. killekill has got a lot of great exclusive material from the guys but decided to release only two very strong and distinctive tracks for now: domo on the one side is a proper acid monster that will go down on dancefloors worldwide like a hurricane and leave the dancers breathless. eat this on the other side is a rudimentary chicago jack track that might well have been taken off a dance mania record from 1992. this track is working its way with nothing but a few drum tracks and a vocal sample and is pure raw sexual energy.

early support: hell, josh wink, ame, laurent garnier, raresh, dixon, jimpster, terry francis, ... ribn return to the mild pitch camp with two fresh tracks and a stunning remix by the revenge. >no place< is a deep diving funky house jam, that combines fragile soul samples and buzzing electronics, reminiscent of old playhouse or matthew herbert records. on remix duties here is no other than graeme clark aka the revenge. the scottish man-of-the-moment transforms the original into a straight and sizzling club roller that makes great use of the original samples and strips them down for maximum dancefloor impact. turn over to the flip side and ribn take it back to their dubbed-out deep techno trademark sound on the epic >save me<. punchy beats, driving chords and bright synth carpets make this track a prime example of what youve missed if you havent had a chance to check out the duo live yet

snuff crew (snuff trax, gigolo, playhouse... ) with more jackin madness

summer anthem! this is anthony collins fourth release on curle already. the surprise on this release is without a doubt the 9+ remix from roman flügel (robert johnson, playhouse, dial)

correspondant has been jennifer cardinis residence at rex club paris for 8 years. the parties have been legendary with guests and friends from all over the world and today we are extremely proud to announce that correspondant has become a label! for our first release nhar and plein soleil will have the honors. nhar began his productions alongside kevin scherschel as the 22 crew and has since then worked with minimal house imprints modelisme, plak or mobilee to name a few ... on the b side comes plein soleil s interpretation. lead by krikor and chloe, plein soleil need no introduction, everyone remembers their latest pressing on live at robert johnson as well as their stunning remix of losoul on playhouse. so get ready for nhar and plein soleil…

nice price deal !!! langerwartetes debutalbum der renommierten techno/house-produzenten simon baker nach zahlreichen releases auf playhouse, get physical, cocoon, classic & 20:20 vision. baker beschränkt sich auf >traces< auf seine instinkte und liefert pure 4/4 house music mit soul & deepness ab, ohne downtempo/soundtrack-experimente oder sonstigen schnickschnack., incl two non cd tracks, also incl the 11 track cd album !!!

und wieder einmal macht rajko müller seinem namen als visionärer ausnahmeproduzent alle ehre. auf >well spent youth< setzt isolée erneut maßstäbe und liefert uns ein atemberaubendes album zwischen house, techno und pop ab. niemand klingt wie isolée. nicht mal entfernt. der name ist programm. in den letzten 15 jahren hat isolée es geschafft seinen eigenen trademark mit seinem atemberaubenden klangdesign zu kreieren. jeder ton scheint liebevoll aus den untiefen seines anlogen geräteparks gemeißelt und abgeschliffen worden zu sein, bevor er ihn in ein außerirdisches abstraktes, stetig morphendes und dennoch verbindliches und bouncendes klanggemälde savantischen ausmaßes einwebt. 1998 gelang isolée mit beau mot plage (playhouse) ein zeitloser geniestreich, der weltweit und genreübergreifende verzauberte und die grenzen der elektronischen tanzmusik neu auslotete. es folgten 2 hochdekorierte alben >rest< & >we are monster< auf dem frankfurter label playhouse und zahlreiche remixe für z.b recloose, blaze, franz ferdinand, roy davis jr , tiga, alter ego oder international pony. isolée erinnert auf einzigartige weise wieder einmal, wozu elektronische musik fähig sein kann und ist bereits jetzt schon ein heisser anwärter auf eines der alben in 2011!

roman iv is roman flügel. surely, you dont need us to sing you the praise of his various styles. under his roman iv moniker, he always pursued his more contemplative dance floor side. la paloma is exactly that kind of perpetual and lulling marathon jam that recollects his testament tracks (check playhouse and ladomat for further listening) and needs to be followed all the way through. having said that, sa caleta looks for a more immediate hit. with a rigid punch and some greasy layers, you get romans take on the current or recurrent slow motion disco craze. straightened out and cut right to the chase. finally, lucy rolls over again, starts where la paloma ended and makes its way up to a subliminal hookline. for all you digi kids: look for the bonus beat mix tool supreme called 123 bpm. roman iv president

since dial was established in 2000 there always has been the musical influence of isolee. from his first 12inches and his debut album >rest< on playhouse, rajko mueller was one main source of inspiration of all early dial artists- pantha du prince, efdemin, lawrence, carsten jost. more than that he became a lovely neighbour living close to the riverside of hamburg, a good friend whose pasta sauce would take a whole day to cook, and still a musician who would spend an extra long time to create his extraordinary pieces, drifting from version to version.

who wouldnt want to be kept by a beautiful rich woman? no matter how you look at it, its not the worst way to make a living. in 1982 the german new wave quartet ideal even wrote a song about it. >schoene frau mit geld< is thestory of a young man without any other drive or desire in life than to find such a woman and turn this state of utopia into reality. tough goal! twenty-eight years later, one of germanys finest and merited producers decided to do afresh interpretation of the song. sir losoul of playhouse fame presents two mixes (a dub for the faint of heart) that hone the hook and tag line of the original for maximum dance floor and repeated listening pleasure. and that, ladiesand gentlemen, is sometimes really the only thing you need in the world…

its not really necessary to introduce catherine britton aka cassy anymore. throughout the last years she continuously worked on her very own definition of house. besides releasing on labels like playhouse, minus, mental groove, dessous, get physical and perlon, she also started her own label, entitled cassy. shes also known for her countless collaborations with musicians like ricardo villalobos, steve bug, dj elin, dave the hustler, luciano, mathew jonson and swayzak and of course for her excellent dj-sets all around the world. perl82 is cassys third 12inch for perlon.

live at robert johnson is proud to present a new record by one of its most revered family members: roman flügel. a long-term companion of ramona and already offering records like on the balcony (solyent green, playhouse 041, 2000) to her praise in a very early stage, roman dedicates novel sound research findings to her young and boisterous label. and what a bass heavy beauty he created!

original studio masters of releases that came out in 2005 on playhouse/ klang elektronik, >ancient echoes (gherkin tribute sessions 2003)< and >letters from the edge (original galaxy studio sessions 2004)<. 2 spacey house/techno tracks. limited (350), numbered, hand stamped white labels. the first two mathplus eps are both sold out and out of print so don’t sleep on this one.

one of the most in demand tracks from the >technique< album finally gets a full single release complete with re-fixes from prosumer and kruse & nuernberg. ernestos vocal fully lends itself to the prosumer soundsignature, his mix floats and weaves around ernestos vocal, peaking around his own chords before stripping things back to bare essentials and rebuilding like only he can. the kruse& nuernberg mix is hypnotic, percussive old school house music at its best. they take a small snippet of the vocal and build the groove relentlessly until the whole room is shaking. achim brandenburg aka prosumer lives in berlin where he is resident at panorama bar, weaving together the finest blend of soulful house sounds. an expert in classic chicago house and detroit techno, his first release was in 2004 on 240 volts, followed by playhouse and ostgut, where he released his debut album with murat tepeli in 2008. separately, hamburg based florian kruse & nils nûrnberg have created some of the most interesting deep house around in the past few years, with early highlights incl nils >caught a glimpse< on 8bit, and florians >love hurts< release on om records. since then, as solo producers, but more importantly together as kruse & nûrnberg they have climbed closer to the tree-top with their unique brand of mouth-watering underground house.

3 track ep of live show favorites that have been floating around playhouse, planet e and transmat for close to ten years but never released. until now. >mysteries of life<, >injury to the enlightened< and >shambhala<. on +++. strictly limited (300 only, no repress) stamped white labels.

remutes definition of hit-house! incl. snuff crew rmx (gigolo, playhouse) taken from the forthcomingremute-album >the orgy<! watch out

bodo elsel has only done a handful of records and the two that i have known and loved since 1998 were put out on playhouse, the excellent housey sister-label of mighty klang elektronik. one track in particular, discount baby, has always stood out in my mind as a high water mark in the sacred art of groove (you may have heard of it). punchy accents and resonant bass layered with trippy vocal loops, its dubby acid house of the highest order, made by a mysterious german lego-master, who the a&r team of mike mind and thomas st shindig managed to coax back into activity.
it only took bodo a year to answer mr. minds email, but he eventually delivered three amazing tracks... >haustier< revitalizes piano house. >mai< is incredible, and >mein haus< is one of the top few all-time expressions of the greatness/meaning of germany, putting it in the fine company of the autobahn, sven väth and christmas-market schwein. nice wibes!!
the icing on the cake was that bodo made it very clear he wanted no part in royalties or any of that business crap... he just wanted 42 copies of the record. yes. 42.
we were so inspired by all of this that we decided to put this record out in a different way for us that just feels right this time.... if you want to find out just how good the >mein haus ep< is, you will have no choice but to buy a copy of the 12 inch because this one is a vinyl exclusive!

love from montreal,
thomas von party

jens kuhn from schmalkalden in thuringia has been producing electronic music since 1995.
as a part of r.a.n.d. muzik he managed the label out to lunch, which represented minimal, electronic, experimental as well as floor compatible music. besides releases on the r.a.n.d. labels out to lunch, united states of mars and science city he also produced for labels like playhouse and source records under the aliases lowtec and red sparrow.
in 2006 he started his new label workshop together with paul-david rollmann aka even tuell.

next month we celebrate our 5th anniversary here at dirt crew and we are very pleased to have marc romboy - whos systematic imprint also turned 5 this year - team up with smokin jo to deliver this marvellous two tracker. >what is this?< is a strong tech-house gem, slowly building, pumping groove and with a great sax sample. very recognisable and been doing a really good job on the dancefloors in our sets over the last few months. solid stuff ! as a b-side there is a much deeper and musically more diverse lee jones remix, lee has been one of our favourite producers in the last years with his solo work on labels like aus, liebe * detail and especially his my my project on playhouse, we are very pleased to have him on our label for the very first time with this excellent re-interpretation of >what is this?<

motorcitysoul are frankfurt veterans and deep house pioneers matthias vogt and christian rindermann (aka c-rock). vivid follows various successful releases (kazan and space katzle) on aus music, and their first debut studio album >technique< on simple. hailing from germanys own >motor city<, the pair have developed a reputation for creating soulful yet truely futuristic deep house that has a signature sound all of its own. >vivid< is trademark motorcitysoul û resonant evolving chord sequences, beautifully arranged organic percussion and >wild pitch< fx and loops combine to devastating effect. fellow frankfurter roman flugel gives the manheim house sound a damn good run for its money with a tight, loopy groove that locks you from the off. all kinds of detail and sound flourishes pop in once, never to be heard again, keeping the listener on their toesà.the package is completed with a percussion heavy dub that threatens to steal the show. roman flugel needs little introduction. one half of alter ego and one of the collective responsible for legendary labels playhouse and klang and not forgetting one of the finest clubs in the worldàrobert jonson

the first release of the label baud from roger23, who until now was at home at playhouse and volt musik, but also shined with his contribution to the rüts series on meakusma. room with a view pt.1 is a very conclusive and consequent ep, but never seems trivial.

snuff crew (playhouse / nature) sign up for the third release on hhyr. again in best tradition they come up with two old skool inspired chicago house tracks. where feel inside is a deeper journey, slam it is a straight up jacking affair. hhyr natives kink & neville watson remix feel inside into a dance floor monster... bass!

daniel steinberg continues to have great sucess on labels such as microfon, grandpetrol and stylerockets and is also the main representative for front room recordings. with his last e.p, featuring >keep on movin< and >dont you know?<, enjoying such widespread sucess we thought we should call upon the remix skills of roman flügel and siopis for this release. roman has been artistically active sine the 1990s with his own labels playhouse, ongaku musik and klang elektronik contributing some of the best house around throughout the years. his remixes for the likes of pet shop boys, human league, primal scream and kylie minogue have garnered him a worldwide recognition and now he delivers in true style to front room. siopis, fresh from his get physical release >penny from the lane<, has also recently remixed mr. static which has further pushed his name into the international dance music vocabulary. his work can also be spotted on some of the most prominent labels like get physical, bpitch control and crosstown rebels to name a few. three quality remixes making one brilliant e.p that maintains front room at the top of its game.

a former warp artist who has decided to operate under the unknown raza pseudonym to let the music do the talking. classic deep house tracks in manner of larry heard. this is without doubt a future classic, check! dmm cut and limited edition in clear vinyl, only 250 copies, dont say we did not warn you!! played by patrice scott, aaron carl, craig alexander, lowtec (playhouse), even tuell (workshop), sven weisemann (mojuba), gerd jansen (running back), manuel tur, langenberg and supported by groove magazine, spex, de:bug