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On the A side we find, enjoying the loneliness of 45 rpm, the track '9mm' : the impetum carries since the beginning trough a rythmic and repetitive dance with slight recalls to the tribal rituality and to the solemnity of religious functions. A dancefloor killer without margin of failure.

On the flipside we find '94', a disturbing arrangement of the machine dance, a broken beat, full of groove, matched with a pure noise coreoghraphy and caressed sometimes by tonal elements that donate air and reduce the claustrophobic feeling that comes up in the initial part.

Vilix works on the samples of 9mm, bringing it back to a more human dimension. The machine is still there but is far and the movement of the groove and the epicness of the atmosphere keep alive the human presence. The perfect conclusion, the sound of the man's payback on the machines