The A-Side slickly toys with both ambient and rolling realms; Harrison BDP’s “Dust” perseveres as both calm and eloquent throughout, yet possesses an understated rhythmic drive through its heady timbre and twitchy, staccato bass stabs. It’s tranquil yet roaming, with a delicate infrastructure of mish-mash cadences that somehow, when thrown together, remain remarkably articulate. The strategic chaos continues with Speed Boat’s acid-hued “Take Off”; its second half picks up a slow-burning pace that would incite even the hardiest of sorts to melt into the ecosphere. It takes a more mellow departure at its finale - a perfect conclusion from the initial puncturing synths and lightheaded, aerated disposition.

Moving onto the B-Side, Ari Bald’s “Moonlight in Vermont” travels deeper into the unvarnished, jazzy and poignant tones of 80s deep house; it fleshes out as the track develops, facilitated by woozy, nostalgic vocals and interspersed with some blissed out, Juno-106-crafted analog wobbles. Doppelate’s “Eye Contact” closes proceedings with a slightly more percussive piece; with fluttering synths and a grooving tempo, the concluding track holds an ethereal air despite its impacting accents. Floaty yet pulsing, spectral yet assertive, it terminates a four-part pilgrimage into the cosmos.