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After a lengthy break Mark Henning returns with his new label Swing and four on-point tracks. *Stash House* kicks things off with a crisply produced groove with snatched male vocals and rounded bass keeping the swing high. *Exit Acid* ups the energy levels with an acidic tinged b-line proving a grimier feel whilst flip sides *James Hughes Blues* is all about the breakdown, a neat synth line and huge bass tones lending it a more anthemic edge. Lastly *The Horror* opts for a lower key ride, fuller male vocal imbuing the track with a sleazier feeling.