With an enviable private collection of synthesisers amassed during his travels to the US in the early 1970’s and shipped home to Tel Aviv (where he was an established kinetic artist, as well as a professor of both philosophy and Art) Ami’s main focus was the desire to combine his love of electronic music acts such as Tangerine Dream, Philip Glass and new synthesiser technology, with his interest in the relatively new technique of biofeedback - a process in which technology was used to relay information about the body’s functions in order to enable a change of physiological activity.