The saga of squelch continues. After the first round proved that the acid line might be the most durable cliché in dance music (and still the best one), part two turns the resonance knob a little further.
Steve Bug & Stefan Braatz, Deetron, Todd Osborn, and Mathew Jonson with The Mole join forces for another ode to the silver box - less museum piece, more perpetual motion machine. Proof that you can't retire a sound that never had a desk job.
Once again, Gasius supplies the visual psychedelia, while the tracks handle the auditory side of the trip.
Dial 303, accept the charges, and remember: the only thing more reliable than acid is its ability to surprise you.
[info sheet from distr.]