Joao Pais Filipes perspective rhythm works with remix from accomplice Burnt Friedman.
Joćo Pais Filipe delivers three acoustic solo percussion works for Ondes HXCX. The tracks were originally recorded for an exhibition called "Membrana" which took place in a church in Northern Portugal, using only drums. Different odd time signatures were extensively explored on each of the tracks. 18/16, 19/16, 23/16 and for the first time, a technique called "omission" was also introduced. It consists of omitting notes of the Rhythm without changing it, creating a sense of illusion and changing the perspective of the Rhythm. Burnt Friedman, an accomplice of Joćo's studies on odd rhythms focused on blending counter-rhythmic electronic elements into the 23/16 track.
Ink stamped artwork.