At Now-Again, we avoid hyperbole, yet we believe that this album is one of record collecting’s ultimate
finds: the missing entry in jazz pianist/composer/psychiatrist Denny Zeitlin’s discography, a wonderful
and weird fusion of avant-classical, jazz, funk, rock and electronic music.
The Name Of This Terrain was recorded and pressed in a scant, custom run as a demo in 1969 –and it
so defied its own existence that, even after its producer died and his copies were discovered, Zeitlin
steadfastly resisted its release for almost 20 years, destroying his remaining demos so not to
posthumously suffer the same ignominy. Following his reappraisal, this album is issued with its
creator’s blessing and guidance.
You will surely never hear an album like this again, by the musician the venerable jazz critic Leonard
Feather called, “the most versatile young pianist to come to prominence in the early sixties,” and who
took a left turn at the end of the decade, documenting a pivotal 20th century moment with passion,
intellect, and humor in turn.
The Name Of This Terrain found its way out of the depths – wonderful and having aged well, like
well-corked, deep wine stored in a cold cellar. Ready for another moment to shine and be understood,
redolent of the tastes and textures of a different time, one we pine for and that we won’t often see again,
but can happily, momentarily, indulge.
Now-Again’s Eothen Alapatt and Zeitlin-chonicler Andrew Gilbert collaborate here to tell the story of this
amazing album. Never-before seen photos and ephemera appear in the oversized book. Download
card for WAV files for all vinyl tracks, as well as bonus tracks, included